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BRIDGERTON "Diamond of the First Water" Episode #101 :ULWWHQ E\ &KULV 9DQ 'XVHQ

BRIDGERTON Diamond of the First Water Episode #101

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Page 1: BRIDGERTON Diamond of the First Water Episode #101

BRIDGERTON

"Diamond of the First Water"�

Episode #101

:ULWWHQ�E\�&KULV�9DQ�'XVHQ

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Bridgerton Ep 101 "Diamond of the First Water" Pink Shooting 8.5.19 1.

1 EXT. MAYFAIR, LONDON - DAY 1

We're SOARING over this illustrious neighborhood in allof its splendid, 1813 REGENCY GLORY! Horses draw theircarriages. Distinguished gentlemen tip their hats. Fashionable ladies take their strolls. And it's allvibrance and gaiety, swagger and style, as we alight on ABOY (12), satchel on his shoulder, hurrying through thesecobblestone lanes, handing out NEWSPAPERS to highfalutininhabitants everywhere...

2 EXT. HYDE PARK/ROTTEN ROW - DAY 2

To the CHIC LORDS AND LADIES promenading this lively scene.

LADY WHISTLEDOWN (V.O.)According to the much heraldedpoet Lord Byron: Of all bitches,dead or alive, a scribbling womanis the most canine.

And as they all open their papers, curious, our boycontinues--

3 EXT. BOND STREET/DRESS SHOP - DAY 3

To the SOCIETY MATRONS AND THEIR DAUGHTERS shopping about.

LADY WHISTLEDOWN (V.O.)If that should be true, then thisauthor would like to show you herteeth...

And as a mama GASPS at what she reads, our boy soldierson--

4 EXT. PARK LANE/DANBURY HOUSE - DAY 4

To the tart-looking, cane-wielding lioness of a dowagerknown as LADY DANBURY (70s), stepping from her ornatecarriage. She eyes the paper in her hands. We catch theheadline: Lady Whistledown's Society Papers.

LADY WHISTLEDOWN (V.O.)My name is Lady Whistledown. Youdo not know me, and you nevershall. But if you are currentlyreading these papers of record,then rest assured: I certainlyknow you...

And as an amused smile creeps over Lady Danbury's lips...

5 EXT. GROSVENOR SQUARE - DAY 5

Delivery Boy leaves papers at the doors of every laststately home lining this beautiful square. The center ofour glittering world, this is London society at its verybest.

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He reaches one especially GAUDY residence, tosses a paperat its brightly-colored door, moves along...

LADY WHISTLEDOWN (V.O.)Perhaps one resides within thehousehold of a certain BaronFeatherington. Should one have abracket for a face?

6 INT. FEATHERINGTON HOME/GIRLS' DRESSING ROOM - DAY 6

On a perspiring PRUDENCE FEATHERINGTON (21), as TWO MAIDSwork furiously on her corset. Yanking and tugging thestrings to pull it closed. Sisters PHILIPA (19) andPENELOPE (17) -- in their court dresses -- look on,horrified.

LADY WHISTLEDOWN (V.O.)Three misses. Foisted upon themarriage market this season likesorrowful sows by their tasteless,tactless dear mama -- the lucklesssouls...

Find a dissatisfied LADY PORTIA FEATHERINGTON (40s,busybody) hovering over Prudence. As she glares at themaids:

LADY FEATHERINGTONTighter. Tighter.

And the maids tighten the shit out of Prudence's corset.

PENELOPEIs she to breathe, mama?

LADY FEATHERINGTONI was able to squeeze my waistinto the size of an orange and ahalf when I was Prudence's age. Your sister shall do the same ifshe's to finally impress the Queen.

Penelope comes over to her sister, all encouraging...

PENELOPEDo not worry, Prudence. It willall be over in a matter of...hours.

PRUDENCEThe only thing I shall worry about,Penelope, is if I am to go beforeHer Majesty looking anything likeyou in that ill-fitting frock.

(to the maids)TIGHTER!

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7 EXT. GROSVENOR SQUARE - DAY 7

Back with our boy, now approaching THE GRANDEST HOME. All English roses and wisteria out here, as even his eyesgo wide at the sheer beauty and luxury of the place, too.

LADY WHISTLEDOWN (V.O.)Or perhaps one is more fortunate. Admirably proportioned,impressively refined? Thenperhaps... One is a Bridgerton...

A BUMBLEBEE lands on the gold-plated knocker affixed tothis home's glossy green door. As our boy drops his paper,goes...

8 INT. BRIDGERTON HOUSE/GRAND HALL - DAY 8

Who. The fuck. Lives here?? All gilded elegance anddazzling opulence, in the most astonishing of ways. Aswe move past THE BRIDGERTON FAMILY PORTRAITS suspendedabove a grand, central staircase spanning two levels (ala Althorp)...

LADY WHISTLEDOWN (V.O.)A total of eight children in thismost prolific of broods. Therather industrious viscountessand late viscount having producedfour perfectly handsome sons andfour perfectly beautiful daughters. Yes. Perfect, indeed.

Find ELOISE (17), FRANCESCA (16) AND HYACINTH BRIDGERTON(10), on the ground floor, in heavy-looking, elaborategowns of their own. As Eloise scratches at her getup...

ELOISEI am already roasting!

FRANCESCAAre you to complain the entireday, Eloise?

ELOISESurely I cannot be expected tobear these fashions the entireday.

HYACINTHI feel like a princess. Do Ilook like one?

ELOISEDo you truly wish to know what Ithink you look like?

And it's all good-natured and playful and FUN in here.

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GREGORY (O.S.)On your left!

GREGORY BRIDGERTON (12) suddenly comes running pastHyacinth, on her right, grabbing her HAIR RIBBON--

HYACINTHGregory!!

And she runs after him. When BENEDICT (26) and COLINBRIDGERTON (19) approach Eloise and Francesca.

BENEDICTIs our dear sister still not ready?

FRANCESCAShe has only been readying herselfthe entire night.

ELOISEYou mean her entire life. Whereis Anthony?

COLINI shall run up and hasten heralong.

ELOISEIs he not attending?

BENEDICTColin, wait. I will do it.

COLINShe likes me much better than you,Benedict.

BENEDICTDid she say that?

COLINEveryone says that.

ELOISEIf our eldest brother is notbothering to attend, then whymust I--

BENEDICT--ELOISE. Quiet.

ELOISEOh, has that ever worked?

And she suddenly turns, yelling upstairs:

ELOISE (CONT'D)DAPHNE! YOU MUST MAKE HASTE!!

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She turns to her siblings, all staring at their brazensister.

ELOISE (CONT'D)Should you think she heard me?

9 INT. BRIDGERTON HOUSE/DAPHNE'S DRESSING ROOM - DAY 9

DAPHNE BRIDGERTON (18) stands in the middle of this elegantroom. With her back to us, we can't quite see her face,just her ELABORATE ensemble -- DIAMONDS AND JEWELSshimmering in the light. She curtsies. She bows. Shepractices. When we spot VIOLET BRIDGERTON (late 40s, allwarmth, wisdom and love) watching from the doorway.

LADY WHISTLEDOWN (V.O.)Unlike Lady Featherington, thewidowed Lady Bridgerton has onlyone daughter on the market thisyear. Her eldest darling, theseason's forthcoming diamond,Miss Daphne Bridgerton...

And that's when Daphne finally turns toward us. As werevel in this girl's unmistakable beauty a beat -- alldelicacy, grace and refinement -- Violet dabs at her eyes.

DAPHNEMama, do not--

VIOLET--I have imagined this day for sovery long. And now it is finallyhere. If only your father couldsee.

DAPHNEHe does see. I am sure of it. Now it is my day to make the bothof you proud.

(then)I am ready, mama.

And off her confident smile, we move...

10 EXT. GROSVENOR SQUARE - DAY 10

As the front doors of both the Bridgertons andFeatheringtons simultaneously SWING OPEN, our familiesbegin to spill out of their homes. Their liveried FOOTMEN,MAIDS and OTHER STAFF joining the whole raucous scene aswell...

LADY WHISTLEDOWN (V.O.)Grosvenor Square. The sixth ofApril, 1813. A frenzied sightoutside the Bridgerton andFeatherington homes on this mostmomentous of occasions...

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Colin and Gregory mount their HORSES. Francesca andHyacinth board their GRAND CARRIAGE.

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Eloise peers several residences down to see Penelope. The girls wave, friends. When Eloise spots the paperleft on the doorstep. And as she picks it up, Violet andDaphne emerge with Daphne's train-carrying maid, ROSE(20s). Daphne eagerly heads for the carriage as Violetpeers over to meet the gaze of Lady Featherington. Anover-it LORD FEATHERINGTON (60s) beside her. The mamastrade the tightest of smiles, as Violet sidles up toBenedict.

VIOLETAny sign of him yet?

(off Benedict'snope)

Should your brother wish to beobeyed as Lord Bridgerton, hemust act as Lord Bridgerton. WhereIS he, Benedict?

BENEDICT(lying)

I do not know.

11 EXT. GRASSY WOODLAND - DAY 11

Find a ravenous ANTHONY BRIDGERTON (28), along with alady friend -- SIENA ROSSO (20s) -- up against a tree. His breeches, down around his boots. Her skirts, bunchedaround her waist. When Anthony suddenly catches the eyeof a beleaguered-looking VALET (40s) standing on the otherside of the tree. The Valet holds up his hand. Anthonysighs, checking his POCKET-WATCH. Unhappy, he tosses thewatch aside. And as his movements grow a tad bit faster,and our Valet lets out an exasperated sigh, we move...

12 EXT. MAYFAIR - DAY 12

Horses RUMBLE through these early 19th century streets...

LADY WHISTLEDOWN (V.O.)For today is the day London'smarriage-minded misses shall bepresented to Her Majesty theQueen...

CARRIAGES wind their ways past grand, scenic architecture: CARLTON HOUSE. PICCADILLY. An UNDER-CONSTRUCTIONBUCKINGHAM HOUSE (not yet Palace)...

13 INT. BRIDGERTON CARRIAGE/EXT. MAYFAIR - DAY 13

As a beaming Daphne eyes the beautiful scenery thatpasses...

LADY WHISTLEDOWN (V.O.)A much anticipated day, when dreamsshall finally be achieved. Hopes,fully realized...

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Violet smiles, placing her hand over Daphne's, acrossfrom a giddy Hyacinth, a reserved Francesca and aWhistledown-reading Eloise.

14 INT. FEATHERINGTON CARRIAGE/EXT. MAYFAIR - DAY 14

As Prudence and Philipa vie for space in their seats andan indifferent Penelope plays with her HAIR RIBBON.

LADY WHISTLEDOWN (V.O.)And courses of lives, changed. For the better. One hopes.

Lady F scoffs at Penelope, adjusts her ribbon. As Lord Fstares at the ceiling, wishing he were anywhere but here.

15 EXT. ST. JAMES PALACE - DAY 15

PRACTICALLY ALL OF SOCIETY, in their glittering gowns andluxurious finery, passes beneath the majestic arches ofthis palace. Benedict, Colin and Gregory arrive on horse,trailed by the family's carriage. As FOOTMEN help theladies down, Daphne excitedly takes it all in, as abreathless Anthony approaches.

DAPHNEBrother! You are here.

ANTHONYOf course I am here, sister. Iwould never miss such an importantday for you and our family.

VIOLETNo, you would just be late forit.

And Anthony and Violet eye each other, as Benedict andColin snicker. When Daphne seems to suddenly remember--

DAPHNEMy feathers. Mama--

VIOLET--Calm yourself. They are rightover there.

She nods at the nearby footman who carries Daphne'sHEADDRESS OF FEATHERS. And as Daphne breathes a sigh ofrelief...

ANTHONYShall we?

We're off Daphne's exuberant nod, before:

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15A INT. ST. JAMES PALACE/OUTSIDE PRESENTATION CHAMBER - DAY 15A

As DEBUTANTES don feathers and MOTHERS fuss with theirensembs -- we notice a few of them side-eyeing Daphne andViolet, who now stand in front of a pair of MASSIVE DOORS.

LADY WHISTLEDOWN (V.O.)One's triumph at the palace todayinvariably signifies one's successon the marriage mart tomorrow...

We move CLOSE on Daphne's face -- all nerves andexcitement. And as Violet eyes her daughter, we hear abooming voice:

LORD-IN-WAITING (O.S.)Miss Daphne Bridgerton. Presentedby her mother. The RightHonourable, the Dowager ViscountessBridgerton.

Daphne takes a breath, steeling herself, as the doorsopen and she peers inside:

16 INT. ST. JAMES PALACE/PRESENTATION CHAMBER - CONTINUOUS 16

Pure decadence up in here. QUEEN CHARLOTTE sits at thefar end of the room. SOCIETY MEMBERS, on both sides ofan insanely long aisle, all staring back at Daphne now. Off our girl, taking a step forward, we start to CUT, OUT-OF-TIME:

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17 INT. ST. JAMES PALACE/PRESENTATION CHAMBER - DAY 17

LORD-IN-WAITINGMiss Prudence Featherington.

(another card)Miss Philipa Featherington.

(another card)And... Miss PenelopeFeatherington. All presented bytheir mother. The RightHonourable, Lady Featherington.

Reveal the Featherington girls, on the arm of their mother. All eyeing the Queen, who's already irritated. BACK TO:

18 INT. ST. JAMES PALACE/PRESENTATION CHAMBER - DAY 18

Daphne moves down the aisle -- slowly, carefully -- lockingeyes with Her Majesty. The Bridgerton siblings watchfrom the sidelines, where Eloise covertly readsWhistledown...

LADY WHISTLEDOWN (V.O.)Pray, it is the Queen who shallkeep the fashionable world apprisedof a lady's single most valuableand desirable asset: herreputation.

19 INT. ST. JAMES PALACE/PRESENTATION CHAMBER - DAY 19

The Featheringtons move down the aisle. Looking quiteuncomfortable. Because Prudence's dress is awfully tight,and Philipa is way too nervous, and Penelope's not evenlooking at the Queen right now. She's too busy taking inthis amazing space. Lady Featherington elbows her. HARD.

LADY WHISTLEDOWN (V.O.)As such, any lady failing to securethe court's glowing endorsementshall endure the consequences...

20 INT. ST. JAMES PALACE/PRESENTATION CHAMBER - DAY 20

Daphne finally reaches the end of the aisle. A mere inchesfrom the Queen now. She curtsies. So deep she'spractically kneeling. Like she practiced. Her Majestytilts her head. Judging. Everyone leans forward. It'sfucking TENSE.

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21 INT. ST. JAMES PALACE/PRESENTATION CHAMBER - DAY 21

On Prudence, attempting her curtsy. It ain't happening. Lady F puts a hand on Prudence's shoulder. A flagrantattempt to help that curtsy. Queen Charlotte sees it, isabout to say something, when she catches Penelope'smortified face. The Queen sighs, looks away with a flickof her wrist. Lady F just stands there: The fuck doesthat mean??

LADY WHISTLEDOWN (V.O.)And not just from Her Majesty...

LADY FEATHERINGTONI should just like to--

LORD-IN-WAITING--You should just like to go,madam.

LADY WHISTLEDOWN (V.O.)...But from me.

Lady F nods stiffly. And that's when a pale-lookingPrudence suddenly just... faints. FEATHERINGTON. DOWN. Off an aghast Queen and a humiliated Lady Featherington...

LADY WHISTLEDOWN (V.O.) (CONT'D)For I have at my disposal a mostpowerful weapon that even theQueen lacks. My pen.

21A INT. ST. JAMES PALACE/PRESENTATION CHAMBER - DAY 21A

The Queen's on her feet now. Staring down at Daphne,until:

QUEEN CHARLOTTEFlawless, my dear.

And she kisses Daphne on the forehead. Anthony smilesfrom the sidelines, impressed, as GENTLEMEN whisper. Daphne stares up at the queen -- her mouth momentarilyagape -- completely swept up in what's very clearly aHUGE moment. As Daphne and Violet back away--

DAPHNE(quietly, to Violet)

Did that truly just happen?

VIOLETKeep smiling, dearest. They arewatching you. Now more than ever.

LADY WHISTLEDOWN (V.O.)A weapon this author will wieldmost keenly. No matter who youare. Or what your name mightbe...

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Off Daphne, back to smiling that perfect smile, we haveour--

BRIDGERTON TITLE SEQUENCE.

22 OMITTED 22

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23 EXT. BRIDGERTON HOUSE - DAY 23

As a carriage -- Mme. Delacroix, Tailoress -- pulls upoutside of this 18th century Palladian home, two BridgertonFootmen greet the driver...

24 INT. BRIDGERTON HOUSE/DAPHNE'S DRESSING ROOM - DAY 24

Maid Rose, along with TWO OTHER MAIDS, help a glowing,vibrating Daphne out of her extensive court attire andinto her afternoon dress. Corset unlaced. Makeupscrubbed. Fake hair unpinned. A precise operation. Hyacinth hovers as Eloise reads Whistledown next toFrancesca in the background.

HYACINTHYou absolutely sparkled, sister!

DAPHNECome now, I merely simpered andminced in a pretty dress likeeveryone else.

FRANCESCANot exactly like everyone else.

ELOISEI shall need to go and visit withPenelope. Her presentation wasanything but... What was it theQueen called you again--

DAPHNE--Flawless. Or some such thing. Trust I was astonished Her Majestyoffered me, out of two hundredyoung ladies present, a mostgracious remark.

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And if that wasn't the humblebrag of the 19th century...

ELOISEYes, it was quite a distinction. And now two hundred young ladieshave a common adversary. I wishyou luck, sister.

And we see Daphne shift at the thought. 'Cause she knowsEloise has a point.

FRANCESCAEloise...

ELOISEWhat, it is true. One flies tooclose to the sun, and--

DAPHNE--I thank you for your concern,Eloise. But perhaps you might goand visit with Penelope now?

HYACINTHI thought the morning was perfect.Now Daphne will have her choiceof handsome suitors.

FRANCESCAWhat would you know of handsomesuitors?

DAPHNEThe morning did not only belongto me, dear Hyacinth.

ELOISETwo hundred tiny little daggerspointed at her back--

DAPHNE--My success on the marriage martinfluences all of your prospects. Hyacinth may still have many yearsto go, but... There are otherspresent who will need to makematches in -- oh, what is it --say, a year's time?

And Eloise looks up. Daphne's staring at her now.

DAPHNE (CONT'D)We will all need to find love. One day. Indeed, a love as pureas what dear mama and papa onceshared, if we are so fortunate.

(then)I merely hope I am able to continuesuch a grand tradition...

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And Daphne's clearly feeling the pressure here -- as Eloiseeyes her. Suddenly, Violet excitedly sails in, trailedby A MAID who carries a collection of GORGEOUS GOWNS.

VIOLETYour dresses have arrived!

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And a thrilled Daphne makes an immediate beeline for them--

DAPHNEOh, this one is quite ravishing.

VIOLETMary Edgecombe wore a similarshade last season--

DAPHNE--And secured three offers thevery next day. One from an Earl.

ELOISEMary Edgecombe, now the Countessof Fulton, apparently spent thelast year living in a cottagehundreds of miles away from herEarl. She is miserable.

And they look to Eloise. She holds up her reading.

ELOISE (CONT'D)It says it all here.

VIOLETDo not tell me that is yet anotherscandal sheet. Eloise.

ELOISEThis one is different. This onelists subjects by name. In full.

Now that is different. Hyacinth reaches for the paper--

HYACINTHLet me see!

--But Francesca has already grabbed it.

FRANCESCALady Whistledown...

DAPHNELady Whistledown?

ELOISEThe author.

VIOLETDo we know a Lady Whistledown?

FRANCESCASurely Lady Whistledown cannot beher true name...

And that's when Daphne snatches the paper from Francesca'shands. Violet watches her read a beat, before:

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VIOLETWhat does it say, dearest?

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DAPHNE(reading)

She loathes the fact we have beennamed alphabetically, oldest toyoungest...

VIOLETYour father and I found it orderly.

DAPHNELady Whistledown finds banality.

ELOISEThe papers were distributed acrosstown today without charge--

VIOLET--Without charge? What kind ofauthor...

She takes the paper from Daphne. Begins to read.

VIOLET (CONT'D)Well at least she has somethingright. She has named Daphne theseason's Incomparable. She callsyou a... diamond of the firstwater. How lovely.

HYACINTHI do believe if anyone can liveup to such lofty titles, it is myeldest sister.

Daphne offers a smile. A little nervous, that smile. Eloise clocks it. She leans in, quiet:

ELOISEShould any of those two hundreddagger-wielding ladies ever attemptsomething foolish... You do knowwhere to find me, yes?

And they smile. When Violet suddenly gasps--

VIOLETOh! How dare this writer saysuch vile things about theFeatheringtons. Even if they aretrue... Those poor young ladies.

25 INT. FEATHERINGTON HOME/DRAWING ROOM - DAY 25

Lady Featherington sits on her sofa, having tea withanother equally enterprising society mama, LADY COWPER(30s). Copies of Whistledown beside them.

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LADY FEATHERINGTONI should not be surprised if thisWhistledown is revealed to beViolet Bridgerton herself. Thesepages certainly report on theViscountess's family with muchindulgence indeed.

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LADY COWPERThe pages report nothing but thetruth, Lady Featherington. Daphnehas bloomed exquisite. The soonershe is taken from the market, thebetter for the other young ladies. Even ones prone to hysterics. Infront of the Queen.

And as Lady Cowper shadily sips her tea, Lady F scoffs,waving her off. She turns toward the window, wherePrudence fans herself as she and Philipa study a STACK OFMINIATURES of distinguished-looking gentlemen. Penelopeis off to the side, reading.

LADY FEATHERINGTONLadies! Hurry with your miniaturesbefore our guest arrives. AndPenelope put down that book atonce. You shall confuse yourthoughts.

Penelope glances over at her sisters, studying their tinyportraits. Penelope just sighs, goes back to her reading. As Lady F turns back to Lady Cowper...

LADY COWPERSo tell me about this cousin. Joining you for the entire season?

LADY FEATHERINGTONShe is a distant cousin of myhusband. With no close femalerelative to sponsor her debut,Lord Featherington directed me totake her in. For charity.

LADY COWPERYou are known to be quitecharitable.

LADY FEATHERINGTONPrecisely what this new rumormongershould have published! Insteadof erroneously specifying I shallhave only three young ladies undermy care this year. She knowsnothing.

PENELOPE (O.S.)Unless you shall like to haveonly three young ladies underyour care.

They turn back to Penelope, who's clearly been listening.

PENELOPE (CONT'D)I shall gladly sit this seasonout.

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LADY FEATHERINGTON(to Lady Cowper)

Penelope is quite nervous. Thiswill be her very first season--

PENELOPE--I am not nervous mama.

PRUDENCEWhat she is, is two stone heavierthan she ought to be.

Ouch. But Penelope's used to it. We can tell as we watchPrudence and Philipa laugh.

PHILIPAThe blemishes on her face arequite difficult to conceal. Perhaps some arsenic and leadmight help?

PENELOPEMama, should you allow me to delayonly a year, just as LadyBridgerton has done for Eloise, Imay remain dedicated to my studies,perhaps--

LADY FEATHERINGTON--The answer is no, Penelope. Now return to those miniatures. You too must recognize everyeligible nobleman by sight beforethe Danbury ball.

And Penelope begrudgingly takes hold of a miniature. Westay with Lady F and Lady Cowper.

LADY COWPERYou may wish to listen to her, mylady. Shepherding four youngladies through these endless roundsof affairs at the same time... Iam quite thankful to only have mydarling Cressida to worry about. Can you imagine the competition--

LADY FEATHERINGTON--Oh how much competition canthis cousin provoke? She came ofage on a farm. She has a merefour figure dowry. As for herappearance, well... Let us hopeMiss Thompson is more presentablethan the legions of unkempt animalsshe spent her entire life tendingto back home.

Lady Cowper nods. More tea. A FOOTMAN enters.

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FOOTMANLord Featherington's cousin hasarrived, madam.

LADY FEATHERINGTONRemember to be kind, ladies. Andcharitable. The poor are ourburden.

The footman steps aside, revealing MISS MARINA THOMPSON(17). And as all of the ladies stare, taken aback, atthis wide-eyed girl, Penelope can't help herself when shesays:

PENELOPEShe is beautiful.

Because, yes, Marina? Is stunning. As she curtsies...

MARINAGood afternoon, Lady Featherington.

We're off a slack-jawed Lady F...

26 INT. OPERA HOUSE - DAY 26

As Anthony enters this empty theater, eyeing Siena -- upon stage, singing her little soprano heart out as sheprepares for her nightly show. A few THEATRE WORKERSscattered about, busy doing their thing. When Sienafinally sees Anthony. They regard each other a beat. Smile. Before we SMASH TO:

27 INT. OPERA HOUSE/SIENA'S DRESSING ROOM - DAY 27

As Anthony and Siena go at it. Vigorously. Crashinginto Siena's dressing table, knocking various items tothe floor.

SIENASomeone will hear us, my lord--

But that seems to just make Anthony smile. Which makesSiena smile. Because this is way too good, and way toofun, before we finally move off of these spirited lovers...

28 INT. OPERA HOUSE/SIENA'S DRESSING ROOM - DAY 28

A spent, satisfied Anthony and Siena are now beside eachother. Just breathing a beat, before Anthony habituallyreaches out for his pocket-watch. Siena clocks hisbeleaguered sigh.

SIENAOne day I shall seize that watchand take it apart. Bit by bit.

He smiles.

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ANTHONYI shall have you know this belongedto my father.

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ANTHONY (CONT'D)Should it disappear, I'd miss itsadly.

SIENAThen you'd know precisely how Ifeel. Every time you disappear.

And they start to kiss. When it seems to take all theeffort in the world for Anthony to get up and start todress.

SIENA (CONT'D)Stay with me today.

And even though Anthony would clearly like nothing more...

ANTHONYI am afraid I cannot. I mustchaperone my sister at the Danburyball this evening.

SIENADaphne, yes? What might they belike? These grand affairs shemust attend.

ANTHONYYou would hate them. Everyeligible lady of breeding dressedin some lavishly-trimmed frock. Bloodthirsty mamas at their sides. Wary fathers making arrangementsfor only the most advantageous ofmatches. Of course, without myfather here, that responsibilityfalls upon me.

SIENAA significant duty, no doubt.

ANTHONYSomeone must guard my poor sisterfrom these bucks and pinks. Ensureher virtue remains free from anykind of... defilement.

SIENADaphne is fortunate. Every womanis not afforded such gallantprotection.

ANTHONYEvery woman is not a lady.

And Siena has to look away, 'cause... damn.

SIENAOf course not, my lord.

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He eyes her. Sees she's bothered. Comes over to her.

ANTHONYSiena. You have me. Protectingyou, too. I shall always protectyou.

And she looks back at him. Holds his gaze a beat, before:

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SIENAAnd I shall always be grateful.

(then)Surely hours remain beforetonight's ball. Are you certainyou cannot stay? In the interestof defilement?

She sits up a little, seductive. He stares at her,conflicted, until... He takes her in his arms. And offthe two of them, getting back to their fun...

29 EXT. LONDON/EXT. DANBURY HOUSE - DAY 29

On the galloping hooves of a horse, thrashing throughtown, before revealing its supremely confident, obscenelyhandsome rider: SIMON BASSET (28). He slows, grimlyeyeing a magnificent Park Lane palace: Danbury House. And then he removes A FLASK, taking it to the head beforehe dismounts.

LADY DANBURY (O.S.)Well if this is not a sight formy sore eyes....

Simon turns, only to see the cane-wielding dowager we sawin our opening sequence coming down the drive to meethim. Sprightly. Acerbic. Legendary.

LADY DANBURY (CONT'D)My condolences, Your Grace. Foryour father.

SIMONVery kind of you.

LADY DANBURYKind of me? You hated the man.

And he looks at her. Has to smile. Genuine. Because--

SIMONIt is so wonderful to see you,Lady Danbury.

LADY DANBURYWords I do not hear often enough.

(thumping her cane)Come!

She turns, heading back towards the house -- where we seeSERVANTS entering and exiting, busily preparing fortonight's ball. As they walk...

LADY DANBURY (CONT'D)You must excuse the disorderliness. I am to host a ball this evening,as you know.

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SIMONYes, I--

LADY DANBURY--I have managed to keep thedetails of your return quiet, butwhen those vulgar mamas discoverthere is an eligible Duke presentat tonight's fete, well, I shallno longer be able to keep such asecret.

SIMONThat is what I was hoping todiscuss. I have only returned toLondon to deal with my latefather's affairs. I am afraid itleaves me no time to... socialize. And so, while I appreciate yourmost gracious invitation, LadyDanbury, I must ask you to acceptmy regrets.

And somewhere over the course of all that, Lady D hasstopped walking. A sly smile now on her face, as shestops a servant carrying A BOX and begins to examine theCANDLES inside:

LADY DANBURYI have been offended only threetimes in my life. When I was ayoung lady, and my governess saidI should never marry on accountof my brazen disposition. Theday of my wedding, when my motherfelt it wise to ridicule the hemof my dress. She called itunsightly.

SIMONI am sure it was exquisite.

LADY DANBURYThe last, though greatest insultof all was perpetrated by my ownhusband. Who thought it perfectlyreasonable to get on and die beforeI did. Thus adding the rathercumbersome Dowager appellation tomy good name. Three insults,Your Grace. Three.

She thumps her cane on the ground with great force.

LADY DANBURY (CONT'D)I simply shall not be able toendure a fourth.

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LADY DANBURY (CONT'D)Especially from the young boy Iused to walk about in leadingstrings. Your regrets are denied.

And even the Duke can't argue with this force of a lady...

SIMONI suppose a brief appearance shall--

LADY DANBURY--Excellent! Though leave thatflask you carry at home. Mostundignified.

(to the servant)I shall need more candles thanthis. A lady deserves to see herpartner when she quadrilles, doesshe not?

The servant nods, flees. And as Lady D heads inside witha grin, we're off Simon, rather impressed...

30 OMITTED 30

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31 INT. DANBURY HOUSE - NIGHT 31

SERVANTS walk purposefully with MORE CANDLES, now in fullpreparation mode for A GRAND PARTY. MASSIVE CHANDELIERSare set ablaze. FLORALS are taken from here to there. DANCE CARDS and their TINY PENCILS are placed symmetricallyon a table. As SERVANTS apply CHALK to the dance floor...

LADY WHISTLEDOWN (V.O.)The season's opening ball atDanbury House is a most highlysought-after invitation indeed. For every darling debutante fromPark Lane to Regent Street knows,if anyone can throw a crush of aparty -- it's Lady Danbury.

Lady Danbury appears behind the servant. Her eyes squint,inspecting the floor. Off her approving nod...

32 EXT. DANBURY HOUSE - NIGHT 32

As fantastically-liveried FOOTMEN receive guests fromtheir carriages, we spot the Bridgerton carriage arriving. Out steps Anthony, followed by Violet, and then Daphne --in a stunning gown. And now we're:

33 INT. DANBURY HOUSE/BALLROOM - NIGHT 33

Corinthian columns and ornate swags and meticulousentablature surround glittering chandeliers above a roomfull of only the most in vogue members of society. MUSICIANS play. PEOPLE DANCE!

LADY WHISTLEDOWN (V.O.)Tonight, the answers to our mosturgent of questions will finallybe revealed...

Daphne enters with Violet and Anthony. She looks around,taking it all in, overcome--

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DAPHNEMama... It is magical.

And GENTLEMEN immediately begin to stare at her,captivated. She smiles back at them.

LADY WHISTLEDOWN (V.O.)Which bachelors might forsaketheir terribly rakish ways forthe exquisite blisses of matrimonyinstead?

Anthony glares back. Ice. Cold.

ANTHONY(quietly)

They are all staring, mother.

VIOLET(beams, to Daphne)

Allow them to come to you, dearest.

Daphne nods. Radiating. Bow down, bitches.

LADY WHISTLEDOWN (V.O.)Which ladies shall forever capturetheir hearts? Thereby securingtheir futures. And avoiding thegrim, dismal condition known as aspinster.

We begin to pop around the room, intercutting VARIOUSYOUNG LADIES in mid-conversation with POTENTIAL SUITORS:

LIVELY YOUNG LADYOh, I do love to dance.

FASHIONABLE YOUNG LADYShould you like my flower? Wegrow them in our very own garden.

HANDSOME YOUNG LADYI must show you my watercolourssome time. If you desire to seethem.

Handsome Young Lady's MAMA suddenly interjects--

HYL'S MAMAAnd she is quite proficient onthe pianoforte, too...

Off the suitor, impressed, we ANGLE ON the Featheringtonsisters. Prudence and Philipa review their miniatures asPenelope stares at someone across the room...

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LADY WHISTLEDOWN (V.O.)And shall one Lady Featheringtonfinally resist bedecking her missesin the most unflattering of colors? Or will she have them appear asonly the most undesirable piecesof overripe citrus fruit, onceagain...

And they DO look very much like some rather sour produce,don't they? Especially Penelope, in her yellow dress,watching Colin Bridgerton dance with some PRETTY YOUNGTHING. Penelope's suddenly jolted from her reverie byCRESSIDA COWPER (17, beautiful, superior), who bumps intoher from behind...

CRESSIDAPenelope. I did not see you there.

Off Penelope, feeling invisible, we ANGLE ON LadyFeatherington, gossiping with Lady Cowper and a JUDGYMAMA--

LADY COWPERIs that not the young lady whowas caught with her gentlemanlast year? In Lady Mottram'sconservatory, unchaperoned?

She nods towards an unhappy-looking LADY, hanging on thearm of an equally unhappy-looking MISTER.

LADY FEATHERINGTONShe is lucky her gentleman agreedto a hasty marriage. After shewent and ruined herself. Lightskirts.

And with a scoff, these mamas turn their attentionelsewhere--

JUDGY MAMAOh, look who's already settinghis cap at Miss Bridgerton...

ANGLE ON Daphne, still with Violet and Anthony, now beingapproached by LORD AMBROSE (30s, attractive buck). Daphnecurtsies.

LORD AMBROSELady Bridgerton. Miss Bridgerton.

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LORD AMBROSE (CONT'D)(stiffly, to Anthony)

Lord Bridgerton.

VIOLETI believe you have already beenintroduced to my daughter, Daphne,Lord Ambrose.

LORD AMBROSEYes. We met at your brother'slevee.

DAPHNEIf I recall, my lord, you hadjust won your first race atNewmarket.

ANTHONYHis first and only, I believe.

And that was rather... sharp. Daphne breaks the tension--

DAPHNE(smiles)

In that case, let us hope hislordship has found himself a newhorse.

Ambrose laughs, charmed. A content Violet eyes Daphne,pleased she's a natural. Anthony shifts uneasily.

ANTHONYI have not had the pleasure ofseeing you at our club lately,Ambrose.

(quickly)Should it have anything to dowith the unpaid balance you lefton our betting books winter last? You remember that, yes? I do.

And Ambrose holds Anthony's gaze. And then he nods. Andbows. And goes. Violet and Daphne eye a smilingAnthony...

ANTHONY (CONT'D)Lord Ambrose is a cheat. A manof any honor ensures his debtsare fully paid.

DAPHNEI did not realize...

ANTHONYHow could you have done? It isthe very reason why I am here,sister. Let us take a turn aboutthe room.

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And he takes hold of Daphne's arm, pointedly leading heraway from Violet. Daphne takes a quick look back at hermother, left standing there, just as a passing GENTLEMANnods at Daphne. Daphne smiles, nods back, when Anthonyveers her in another direction.

ANTHONY (CONT'D)A Mister Duncan Lewis.

DAPHNEHe is rather pleasing.

ANTHONYHe is rather here to shuffle abouthunting fortunes. Trust MisterLewis knows of your sizable dowry. Leave him be.

Daphne nods. O-kay. Spots another FINE YOUNG MAN nearby.

DAPHNEI presume you know of him, too?

ANTHONY(all the disdain)

Mister Worthington. Second son. We shall find better.

And as Anthony begins to discreetly point to the VARIOUSATTRACTIVE MEN they pass...

ANTHONY (CONT'D)He is of dubious parentage.

(yet another)I shall not have you making alife with a poet, heaven forbid.

(still another)Nor an eccentric. My word.

And throughout all of this, that glow of enthusiasm oncevisible behind Daphne's eyes has begun to extinguish. When--

BENEDICT (O.S.)Anthony! Daph!

They turn, see Benedict and Colin approaching. Anthonysighs.

ANTHONYIf the only upstanding gentlemenpresent this evening are yourbrothers, then we are in a greatdeal of trouble indeed.

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DAPHNEYou continue to say we, yet--

COLIN(sidling up toDaphne)

--Did mother tell you yet? Aboutmy tour? I am to begin in Greece.

DAPHNEGreece? How adventurous, Colin--

ANTHONY--On guard.

Anthony nods toward an approaching Lady Danbury. As theboys immediately look for an exit--

LADY DANBURYToo late. I already noted you.

ANTHONY/BENEDICT/COLIN(all smiles)

Lady Danbury! /Good evening! /Lovely to see you!

LADY DANBURYMiss Bridgerton, you look ratherlovely this evening.

She spots Daphne's empty dance card, tied around her wrist.

LADY DANBURY (CONT'D)Is there a reason I have yet tosee you on the dance floor?

ANTHONYAll in due time, Lady Danbury. We have only just arrived.

And Lady D eyes him. Sly. Knowing. She leans to Daphne:

LADY DANBURYYou poor thing.

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Daphne stares back at her, thrown. Colin, meanwhile,spots someone on the dance floor. He leans to Benedict:

COLINWho is that?

Benedict follows his gaze... To none other than MissMarina Thompson, dancing with A SUITOR.

BENEDICTI am sure I have never seen her.

Off Colin, entranced by this beautiful girl, we ANGLE ON:

LADY FEATHERINGTONMiss Marina Thompson. A distantcousin of my husband.

As Lady F and the mamas all stare at Marina now...

LADY FEATHERINGTON (CONT'D)Rather dowdy, is she not?

JUDGY MAMAOne of the Bridgerton boys isjoining the swarm...

We see Colin, sidling up to Marina and cutting in.

LADY COWPERMost telling. I imagine yourhousehold will be a hive of callersin the morning, Lady Featherington.

JUDGY MAMAWhere one suitor goes, the restwill surely follow...

And Lady F's face has kept falling through this entireexchange, having spotted her own daughters, alone. As weMOVE to find Violet, who watches Daphne and Anthony, acrossthe room, standing at the edge of the dance floor. Aquiet beat, then Daphne sighs:

DAPHNEBrother, I am quite parched.

ANTHONYI shall fetch you a glass oflemonade--

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DAPHNE--No. You have already done somuch for me tonight. I shallreturn in a mere moment.

Anthony eyes her. A reluctant nod. And as Daphne headsover to the lemonade table, we stay with her. Movingthrough the crowd. She reaches the lemonade table. Helpsherself to a glass of lemonade. Until--

NIGEL (O.S.)Small glasses.

Daphne looks over to see NIGEL BERBROOKE (40, allinelegance and awkwardness) standing there.

DAPHNELord Berbrooke.

NIGELTiny little things, are they not?

DAPHNEThe... glasses? I suppose?

NIGELThen the matter is settled.

DAPHNEI am not entirely sure the matterin which we discuss, my lord...

Nigel smiles, inching closer to her. Breathes her in.

NIGELYou have always amused me, MissBridgerton. Ever since I was aschoolboy and you were...

DAPHNEAll but five?

He nods, slurps his lemonade. And then he just... stares. Daphne shifts. Uncomfortable.

DAPHNE (CONT'D)My brother... He summons me,I...

And she turns, goes. Quickly. Glancing back to see Nigel,who has started to follow.

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NIGELMiss Bridgerton? A moment please!

Shit. Daphne immediately spins back around, continueshurrying through the crowd, only to end up crashingstraight into... Simon. And that powerfully-built chestof his--

DAPHNEOh!

SIMONForgive me.

She looks up at him. At this perfect specimen of Englishmanhood. Momentarily thrown, before she steps back andsees Nigel, continuing to approach. And so, thinkingfast--

DAPHNE(suddenly, to Simon)

Tell me your name.

Simon blinks.

DAPHNE (CONT'D)Your name, sir.

And he just sighs.

SIMONAm I honestly to believe you donot already know my name?

She eyes him. Arrogant much? But Nigel's still approachingso... Daphne tosses her head back with a laugh. UsingSimon as a diversion. And it seems to work, because Nigelis now stopping, turning, heading away. Daphne breathes,relieved.

SIMON (CONT'D)If you desired an introduction,madam, I do believe accosting meis the least civilized of ways.

DAPHNEAccosting you?

SIMON(under his breath)

Truly, they will try anything.

He looks around. Half the ladies here are ogling thisman. Daphne shifts. Flustered. Because...

DAPHNESir. That is not... This isnot... What IS your name--

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ANTHONY (O.S.)--Basset?

Both Simon and Daphne turn to see Anthony coming over.

SIMONBridgerton!

ANTHONYCome here, old friend!

And Daphne's eyes go wide as these two greet each otherlike old bro-y bros do.

ANTHONY (CONT'D)I heard news of your father.

(then, realizing)Deuce take it, you are no longerBasset!

SIMONI shall always be--

ANTHONY--Hastings! The Duke of Hastings,now known forever more.

Simon offers an uneasy smile.

DAPHNEThe Duke of Hastings is it?

They turn to her. Anthony almost forgot she was there.

ANTHONYRight. Hastings, this is mysister.

SIMON(taken aback)

Your sister.

ANTHONYDaphne, Hastings and I know eachother from our days at Oxford.

(to Simon)Days we shall not soon forget...

DAPHNE(all smiles)

Yes. As I am well aware of thecompany you keep, brother, I amcertain your days with His Gracewere most... civilized, indeed.

And as Daphne pointedly nods at Simon, we ANGLE on astartled Lady Featherington, who's with Prudence andPhilipa--

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LADY FEATHERINGTONThe Duke. I would recognize...

And she grabs her daughters, taking them across the room...

PRUDENCEMama, where--

LADY FEATHERINGTON--To meet the Duke.

PHILIPA(seeing Simon)

That man is not in our miniatures.

LADY FEATHERINGTONMake haste! Before he should seeMiss Thompson!

ANGLE BACK ON Daphne, Anthony and Simon:

ANTHONYHastings, we shall need to gettogether properly. I expect tosee you at our club then?

SIMONIndeed. Evening, Bridgerton. Miss.

Simon looks to Daphne, nods. She curtsies, abrupt, beforeheading away with Anthony. Simon watches her go. Daphnelooks back, just in time to see Lady F and company arrivingat Simon's side. OTHER MAMAS have started to surroundhim, too. As Violet pointedly sidles up next to Daphne:

VIOLETI believe Lord Wetherby is lookingfor you to dance.

DAPHNEIs he--

ANTHONY--If only it were not time for usto retire.

VIOLETOh. Well Daphne is anything butweary -- I will stay with her.

DAPHNEThat would be lovely.

ANTHONYDaphne. There is nary a gentlemanhere who would not take your hand. You must think about this.

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ANTHONY (CONT'D)The most perfect thing for you todo now is not to dance. But toleave them all wanting more. Ifanyone knows how this works, itis your eldest brother.

And Daphne looks around. Gentlemen nod back at her,whispering. She looks at her mother.

DAPHNEPerhaps he is right.

(a smile)Let us go.

Anthony nods, taking his sister's arm. And as they leave,we're off a beaming Daphne and a wary Violet...

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34 EXT. BRIDGERTON HOUSE - DAWN 34

As golden, morning light bathes our family's beautifulhome...

35 INT. BRIDGERTON HOUSE/DAPHNE'S ROOM - MORNING 35

We're on Daphne, wide-awake in bed. She's staring up atthe ceiling. Having barely slept she's so excited. MaidRose appears at her bedside, surprised, because:

ROSEMiss? You have already awakened.

Daphne bolts out of bed with all but a squeal--

DAPHNEHave cook prepare as many biscuitsas he can this morning. Andperhaps we might move a few extrachairs into the drawing room,too. Oh I do wonder... Whichgentlemen will be the very firstto call. I have so much to askof them all.

ROSEWell let us get you dressed.

And off an equally-charged Daphne and Rose...

36 INT. FEATHERINGTON HOME/MARINA'S ROOM - MORNING 36

We're CLOSE on a hand running across the sheets of a bed,before we reveal it's Marina, indulging in what can onlybe the finest woven white linen, in this lavish bedroom. We jump to the doorway, where Lady Featherington is withher housekeeper, MRS VARLEY (50s), eyeing Marina...

LADY FEATHERINGTONThe child cannot enjoy such luxuryin her own home. Do they haveproper beds where she comes from? Or only heaps of straw? Find hersomething muted to wear, Varley.

And the devoted Mrs Varley nods...

37 INT. BRIDGERTON HOUSE/DRAWING ROOM - DAY 37

Daphne embroiders with her mother and sisters in thisexquisitely-appointed room. No one's talking. Until thedoor suddenly opens. Daphne tosses her hoop to the side. Smoothes her dress and looks up, hopeful, but it's just--

DAPHNEAnthony. I did not expect to seeyou here this morning.

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VIOLETIt is terribly early for you,dearest.

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ANTHONYI could not sleep for some reason. All the excitement, I presume.

(then, noticing)Am I the first gentleman to arrive? How wonderful.

And he goes to take a seat next to Daphne, who eyes him.

38 INT. FEATHERINGTON HOME/DRAWING ROOM - DAY 38

Lady F, Prudence, Philipa and Penelope eye A FOOTMAN:

FOOTMANCallers, ma'am. The Earl ofStafford and The Marquess ofFinley.

LADY FEATHERINGTON(beaming, to hergirls)

My word. Well you should have mycolorful fashions to thank...

FOOTMANFor a Miss Marina Thompson.

And all eyes turn to Marina, who innocently just sitsthere, smiling. Off this, we're LAUNCHED INTO A SEQUENCE:

39 INT. BRIDGERTON HOUSE/INT. VARIOUS BALLROOMS - OUT OF 39TIME

QUICK POPS: Of corsets being affixed to Daphne's body. Of Daphne entering ballrooms, escorted by Violet andAnthony. Of suitors calling the next day. And of Anthonyinterrupting every single one.

LADY WHISTLEDOWN (V.O.)Dearest reader. This author findsherself compelled to share themost curious of news...

Corset. Ballroom. Suitors. Anthony... Corset. Ballroom. Suitors. Anthony... And as we're movingthrough time, we can't help but notice that the number ofsuitors calling on Daphne IS STARTING TO DWINDLE...

40 EXT. MAYFAIR - DAY 40

As our favorite Delivery Boy leaves the latest Whistledownat doorsteps across town. Handing PAPERS to passersby,all increasingly eager to take hold of them...

LADY WHISTLEDOWN (V.O.)It seems the purported diamond of1813 requires a closerinspection...

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41 INT. BRIDGERTON HOUSE/DRAWING ROOM - DAY 41

As Daphne smiles and sits with a NERVOUS SUITOR.

DAPHNEAnd do you have a large family,too, my lord?

And he's about to answer her, when--

NERVOUS SUITORIs there a problem, LordBridgerton?

--We reveal Anthony, hovering behind his sister.

ANTHONYI should think so. You are in myseat.

LADY WHISTLEDOWN (V.O.)For this precious stone appearsto possess a rather glaringimperfection.

And the suitor quickly rises. Off Daphne, glaring...

42 INT. FEATHERINGTON HOME/DRAWING ROOM - DAY 42

QUICK POPS of GENTLEMAN AFTER GENTLEMAN calling on Marina. One comes with FLOWERS. Another with CANDY. Anotherwith... Is that A PUPPY?!

LADY WHISTLEDOWN (V.O.)And an even rarer jewel -- ofonly the most remarkablebrilliance, fire and luster --has been unearthed. Her name,unknown to most, yet soon knownto all, is Miss Marina Thompson...

And as Marina all but glows, we notice Lord Featherington --on the other side of the room -- quite visibly ogling hisdistant cousin. Lady F gives him the side-eye.

LADY FEATHERINGTONShould you not be out on yourdaily walk about the square, dear?

LORD FEATHERINGTON(shrugs)

Appears as though it may rain.

Lady F glances outside, nothing but sunshine...

43THRU45

OMITTED 43THRU45

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46 INT. BRIDGERTON HOUSE/DAPHNE'S DRESSING ROOM - DAY 46

A stoic Daphne reads Whistledown as Maid Rose unties hercorset from behind, revealing INDENTS on Daphne's skinwhere the boning has left impressions. A few blistersvisible, too. Violet reads her own paper nearby.

LADY WHISTLEDOWN (V.O.)This author is left to wonderwhether Her Majesty mightreconsider the high praise sheonce afforded Miss Bridgerton...

47 INT. BUCKINGHAM HOUSE - DAY 47

Where Queen Charlotte lounges most fantastically with herLADIES-IN-WAITING. Whistledown in all of their hands,too.

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LADY WHISTLEDOWN (V.O.)For we all must know what theQueen despises more than anything: being wrong.

And as the Queen herself seems to sit a bit straighter inher seat, her own mouth dropping at what she reads...

48 INT. WHITE'S GENTLEMAN'S CLUB - DAY 48

All sophistication and the rattling of dice boxes in hereas we PAN across this bustling, smoky scene to find NigelBerbrooke, reading Whistledown at his own table...

LADY WHISTLEDOWN (V.O.)And the drawing room at BridgertonHouse currently appears to beemptier than the muddled head ofher dearest King George.

Off Nigel's crude little smile...

49 INT. BRIDGERTON HOUSE/DRAWING ROOM - DAY 49

As Anthony shows an ANXIOUS SUITOR to the door and thenturns around, exasperated...

ANTHONYIs a suitor in possession of aproper gentleman's education simplytoo much to ask?

And here's where we reveal Daphne, her sisters and Violet,now sitting in an otherwise empty drawing room.

VIOLET(pointed)

It is astounding.

DAPHNE(also pointed)

It is inconceivable.

ANTHONYWell, I must be off to my clubthen. Sisters. Mother.

He exits. And we're off Daphne and Violet, both equallyappalled...

50 INT. FEATHERINGTON HOME/GIRLS' DRESSING ROOM - DAY 50

An embittered Lady F reads Whistledown as a MAID appliessome kind of foul-looking beauty cream to Penelope's face,that puppy in her arms. Prudence lounges nearby in herown horrible face mask as ANOTHER MAID aggressively tweezesPhilipa's hairline.

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LADY WHISTLEDOWN (V.O.)Of course, it follows that LadyFeatherington is to receive whatshe has always desired. Theseason's true Incomparable, livingunder her own roof. She must beoverjoyed.

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As Lady F suddenly spots ANOTHER MAID helping Marina dress--

LADY FEATHERINGTON(scornful)

Is Miss Thompson so high in herinstep she is unable to don herown slippers? I should thinknot.

51 INT. BRIDGERTON HOUSE/DRAWING ROOM - DAY 51

Daphne paces, a little on edge, as Violet, Hyacinth, andFrancesca sit. Eloise reads Whistledown. Awed.

ELOISEHas anyone else read what LadyWhistledown has written of late?

HYACINTHShould anyone pay any heed towhat Lady Whistledown writes oflate? I certainly do not.

DAPHNEMama... Perhaps we might attendthe upcoming Salisbury ball byourselves. And the Merriweathertea, too.

VIOLETI believe Anthony has alreadyreplied on our behalf, dearest. Apparently he has managed oursocial calendar through June.

DAPHNEThe entire season?

ELOISELady Whistledown has made heropinion about our dear sister'sfortunes quite clear. LadyWhistledown says--

DAPHNE--Enough about Lady Whistledown!

And everyone looks to Daphne, who's beside herself now. She sits. Trying to keep calm. When Footman John enters.

FOOTMAN JOHNA caller for Miss Bridgerton. The Lord Berbrooke.

Nigel enters and Daphne's face just drops. Even Violethas to pause, before...

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VIOLETLord Berbrooke. Come in. May Ihelp you to some freshly preparedbiscuits? Eloise, allow someroom for his lordship, will you?

Daphne's hand instinctively goes to Eloise. The sistersexchange a look. Daphne silently pleads for her to staywhere she is, but--

VIOLET (CONT'D)Eloise, are you not due for avisit with Penelope this morning?

ELOISE...I believe I should like tostay--

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VIOLET--I believe you should like togo.

Eloise looks at Daphne -- sorry, sis -- then goes. AsViolet takes Francesca and Hyacinth to the other side ofthe room, Nigel takes his seat next to Daphne. Helpshimself to a biscuit.

NIGELForgive me for not calling sooner. I had presumed your affectionswere already engaged. But now Iknow... You and I were destinedfor each other.

And he licks his tiny lips on account of his biscuit. Daphne practically recoils, as Francesca and Hyacinthcan't help but giggle across the room. Off a mortifiedDaphne...

52 INT. FEATHERINGTON HOME/DRAWING ROOM - DAY 52

A HANDSOME YOUNG MAN is down on one knee in the middle ofthe room, gesturing dramatically towards Marina.

HANDSOME YOUNG MAN...And so, by heaven, your lovemay burn. From the depths of mysoul, 'tis thee, I shall earn...

THREE OTHER SUITORS are present, along with ColinBridgerton, wincing at this young man's poem. Nearby,sits a resentful Prudence and a bored Philipa, along withan unimpressed Eloise and Penelope, who holds that puppy. We move past all of them to find an irritated LadyFeatherington, as the awful poem concludes and everyone(hesitantly) claps.

LADY FEATHERINGTONWonderful, wonderful. Gentlemen,thank you for your calls. Do notforget to bid Prudence, Philipa,or even Penelope farewell as yougo...

The gentlemen go, offering mere nods to the Featheringtongirls. As Colin bows to Marina, passing Penelope andEloise on his way out...

COLINA most wretched sonnet indeed.

PENELOPELord Byron he is not.

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COLIN(laughs)

I do not believe so. Good day,Pen.

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Penelope, shocked she made Colin actually laugh, eyesColin HARD as he goes. As Eloise continues watchingMarina...

ELOISEShe certainly is most interesting. What is she like?

Off Eloise, eyeing the new girl...

53 EXT. KENSINGTON GARDENS - DAY 53

As Eloise and Penelope (along with that puppy) walk withMarina in a particularly beautiful portion of thesegardens. TWO MAIDS trail them.

ELOISETell us of your family's farm. We have never visited Somerset.

MARINAOh, it is most beautiful. Despitethe recent drought. I miss itdearly.

ELOISEEven with all of the attentionyou receive here?

MARINAAttention?

ELOISEYou have certainly gained theadmiration of Lady Whistledown,much to my sister's discontent.

MARINAI am only here at my father'sinsistence. It seems our landhas seen better times. Papabelieves an advantageous matchwill rectify the situation.

PENELOPESet your cap at someone yet?

And a tiny smile crosses Marina's face. We barely clockit.

PENELOPE (CONT'D)Someone like... Mister ColinBridgerton?

MARINAWhich one was he?

(MORE)

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MARINA (CONT'D)(off Pen's look)

I have met so many gentlemen overthe past few weeks, I am unableto distinguish one from the next.

PENELOPEA terrible predicament, to besure.

MARINAAm I the only one who finds allof these affairs a bit... tedious?

ELOISEI am not out until next year. Icannot know what you mean.

MARINAI mean we are at war. Men battleat sea and yet, all anyone herecan think about is what to wearto the next dazzling party...

Eloise and Penelope exchange a glance. Because they feelthe same way. But Marina thinks she's offended them.

MARINA (CONT'D)I only mean--

PENELOPE--I wish I were allowed to battleat sea. Can you imagine? Beinga part of the Royal Navy. Weshould see the world!

ELOISEWith king and country our onlyconcerns. Instead of this dreadfulbusiness of marriage.

They laugh at the thought. Marina smiles. She likesthem.

MARINAI do suppose living on a shipfull of handsome, eager, youngofficers would certainly beinteresting for a young lady.

Eloise and Penelope look to her. Confused.

PENELOPEWhat can you mean?

MARINAWell. There would be situations.

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ELOISESituations?

MARINAThat would undoubtedly... arise.

But Eloise and Penelope aren't exactly making theconnection--

ELOISE'S MAID(interrupting)

Young ladies. What ever are wediscussing?

The girls look at one another, until, covering--

MARINAWhy Lady Whistledown, of course. What else should there be todiscuss?

ELOISEYes... I wonder what poor soulthe author will turn her pen tonext...

The maid nods, satisfied. And as the girls smile, sly...

54 EXT. HASTINGS HOUSE - DAY 54

A grand, sprawling architectural manse. If this is Simon'smere London home, what does his country estate look like??

LADY WHISTLEDOWN (V.O.)Ambitious mamas, rejoice! Forthe new Duke of Hastings continuesto grace our fair city with hispresence. And oh, what animpressive presence it is...

55 INT. HASTINGS HOUSE/HALLWAY - DAY 55

As Simon makes his way down this stately hall of PORTRAITS. He peers up at his ancestors. Stops to focus on ONE inparticular: His father. The ninth Duke of Hastings.

SIMONJeffries?

Simon's dutiful butler, JEFFRIES (50s), appears.

SIMON (CONT'D)See to it that this painting ofmy father is removed at once.

JEFFRIESI shall place it in the vaultwith His Grace's other possessions.

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SIMONNo. This one I should likedestroyed.

(a sigh)I am leaving.

And as Simon goes, Jeffries can't help but eye him,concerned...

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56 INT. HIGH-CLASS BROTHEL - DAY 56

As we move down a rather garish hallway, we catch glimpsesof FASHIONABLE IMPURES in these dark, shadowy rooms...

LADY WHISTLEDOWN (V.O.)It should be noted that the Dukehas been overheard announcing tomamas everywhere that he has noplans of EVER marrying...

Find a NAKED Simon, getting down and dirty with THREECYPRIAN WOMEN. Whatever they're doing, they're havingfun...

57 INT. DANBURY HOUSE/GRAND HALL - DAY 57

Lady Danbury sits, examining the latest Whistledown...

LADY WHISTLEDOWN (V.O.)This author wonders which brazenmatchmaker shall rise to such achallenge? For this competitionis certainly well underway...

Off Lady Danbury, her wheels a-turnin', we CUT TO:

58 INT. WHITE'S GENTLEMAN'S CLUB - DAY 58

With AN IMBIBING SIMON AND ANTHONY, sitting at their table,laughing raucously. Drinks and cheroots in hand.

ANTHONYGood God, Hastings. THREE?

SIMONShould it have been four?

ANTHONYIf it were, I certainly would notexpect to see you here, alive.

And they laugh a little more. As Simon takes in thisscene. Men gamble. Others seem to be... weighingthemselves?

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SIMONI do suppose, if it were not foran overzealous mother at everycorner, this time of year in thecity would not be so very dreadful.

ANTHONYThose mothers simply want thesame as you, I rather think.

SIMONFor every last one of them tochoke on their daughters' hairribbons?

ANTHONYFor you to claim a wife, Hastings. Are you truly not planning totake your place in society? Whenyou have a Dukedom?

SIMONI have a title. Which, as far asI am concerned, will end with me.

ANTHONYHastings--

SIMON--Would you stop. Calling me that. It was my father's name. Nevermine.

Anthony eyes him a beat. Nods, sipping his drink.

SIMON (CONT'D)In any case, what of you?

ANTHONYWhat of me?

SIMONYou are the firstborn Bridgertonof a firstborn Bridgerton ninetimes over. Where is your wife?

(off his look)Is your plan to fuck her forever? Your mistress.

Anthony sighs, signals for someone to bring him anotherdrink.

SIMON (CONT'D)You shall need to sire an heir.

ANTHONYI am in possession of somethingyou are not... Brothers.

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SIMONYou will pass the task on to oneof them?

(then)She must be quite a mistress.

ANTHONYYou have no idea.

And Anthony's all up in his head for a beat.

ANTHONY (CONT'D)You shall not outrun them. Theeager mothers of this town. Theharder you try to avoid them, theharder they try to find you. Iwould be willing to bet on it...

Off Simon's exasperated sigh, knowing his friend isprobably right...

LADY WHISTLEDOWN (V.O.)It has reached my ears that thebetting books at White's proposethe most fascinating of pairingsthis season...

59 INT. FEATHERINGTON HOME/DRAWING ROOM - DAY 59

Find Marina, on the sofa with Colin Bridgerton. As LordFeatherington pretends to read his paper nearby, eyeingthe low cut of his distant cousin's dress...

LADY WHISTLEDOWN (V.O.)If one is to trust these accounts,despite the fact they are allwritten by men, then Mister ColinBridgerton shall be awarded theyear's grand prize when he sweepsMiss Thompson from her prettylittle slippered feet...

Marina laughs at something Colin says. Penelope, teachingher puppy tricks on the floor, all but rolls her eyes. Abitter Lady Featherington stands with Mrs Varley.

VARLEY(quiet, to Lady F)

You could always send the willowback to her farm, madam.

LADY FEATHERINGTONAs if Lord Featherington wouldever allow that.

And off a disgusted Lady Featherington, turning away asPenelope gets her puppy to play dead...

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60 INT. BRIDGERTON HOUSE/DRAWING ROOM - DAY 60

A pensive Daphne stands by the window, reading Whistledown. Violet sits nearby.

LADY WHISTLEDOWN (V.O.)In other news, a most peculiarsuitor for Miss Daphne Bridgertonhas emerged...

VIOLETDaphne. Your caller...

And Daphne slowly turns. Sees Nigel, sitting on the sofa.

NIGELWill it be just the two of us? Yet again?

He pats the seat next to him.

LADY WHISTLEDOWN (V.O.)Though this miss cannot possiblybelieve that the town idiot willbe able to reverse her ratherdire circumstances, can she?

Off Daphne, proceeding to crumble up that copy ofWhistledown, we move...

61 OMITTED 61

62 EXT. HYDE PARK/ROTTEN ROW - DAY 62

The fashionable hour. As the QUALITY SET promenades. It's all see-and-be-seen when we find Daphne, riding

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Sidesaddle, a few feet ahead of Anthony, on his own horse. Anthony eyes Daphne, speeding up. He catches up to her--

ANTHONYWe shall pay a fine if you wantto gallop here.

DAPHNEI know the rules I must follow.

And that was curt. She smiles at passersby. Keeping upappearances, naturally. Anthony senses something's wrong.

ANTHONYDaphne...

DAPHNEI presume news of Nigel Berbrooke'scourtship has found its way backto you.

ANTHONYI read as much in this scandalsheet taking Mayfair by storm.

(then)Lord Berbrooke may be...persistent. But he is harmless. No one pays him any mind, sister. I certainly do not. Neither shouldyou. There will be others...

And Daphne just stares straight ahead. Incredulous,because--

DAPHNELady Whistledown has all butdeclared me ineligible. Worthyof the affection of a detestablesimpleton and no one else. Tellme... What others will ever wantsuch damaged goods now?

ANTHONYYou speak as if Lady Whistledownwere to be held in higher regardthan Her Majesty the Queen herself. You give far too much credit tosome anonymous scribbler. Thesemusings... They are not true.

DAPHNEOnly they are true, brother. Andthey are true because of you. You have managed to scare everyworthy suitor away. Whistledownhas merely reported it.

(then)I had hoped to find a love match.

(MORE)

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DAPHNE (CONT'D)It is all I have ever wanted. Ihad hoped to marry, my very firstseason, so that our dear sisterswould not have to devote themselvesto such an overwhelming task.

ANTHONYAnd you still can--

DAPHNE--Not if you continue to ruin allof my chances.

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ANTHONYI am looking out for you. I amprotecting you. It is my duty.

DAPHNEAnd what of my duty? You are notthe only one with responsibilityto this family.

And she swallows her rage. A lady shall never cause ascene.

DAPHNE (CONT'D)You have no idea what it is to bea woman. What it might feel liketo have one's entire life reducedto a single moment. This is allI have been raised for. This isall I am. I have no other value. If I am unable to find a husband... I shall be worthless. If I amunable to find someone to loveme... I shall be useless. Youhave rendered me useless tosociety.

ANTHONYDaphne... You are a Bridgerton.

And now Daphne has to smile. The irony.

DAPHNEIt would be easier if I were not.

ANTHONYHow can you say such a thing?

DAPHNEThe fact I am a Bridgerton is nowthe very reason why nobody wantsme. All eyes have been on me myentire life. Everyone has beenwaiting for Daphne, the perfectBridgerton bride, to make herdebut. And what did I end upproving to them? Only that I amnothing more than an encumbrance. A young lady tethered to muchtrouble indeed. That makes me noperfect bride. That makes me nodiamond. That merely makes meexactly what Lady Whistledownsays I am: A counterfeit.

And we watch that land on Anthony, who turns contemplative. Off Daphne, perfectly perched on her perfect horse in herperfect dress, we begin to HEAR the sounds of an OPERA,now taking place...

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63 INT. OPERA HOUSE - NIGHT 63

Blazing chandeliers float above the jam-packed, noisyaudience as Siena performs Gluck's "Iphigénie en Tauride." Anthony stands amongst a group of conversing MEN in thegallery. Every now and then, he meets eyes with Siena,up on stage. And as one of those looks between the twoof them lingers--

SOCIETY MAN(to Anthony, re:Siena)

Do you know her, Bridgerton?

It catches Anthony off-guard. But he plays it off.

ANTHONYThe singer? What ever for...

But as he resumes his conversation with the men, we wonderif he's started to feel rather like a counterfeit himself. When we ANGLE ON Violet and Daphne, just arriving. Andas they move through the crowd, Daphne suddenly spotsNigel, preening at her from afar--

DAPHNE(to Violet)

Our box, mama...

Violet nods, just as--

LADY DANBURY (O.S.)Lady Bridgerton! Join us.

Violet turns, sees Lady Danbury standing with none otherthan Queen Charlotte and her ladies-in-waiting. Violetsmiles, approaches with Daphne in tow. As they do, theQueen whispers something to one of her ladies, before...

QUEEN CHARLOTTELady Bridgerton.

VIOLETYour Majesty. Good evening.

(a curtsy)You must remember my daughter,Daphne.

QUEEN CHARLOTTEYes. She made quite an impression.

(quietly, to herladies)

How ever fleeting it may havebeen.

With that, the Queen heads away. Violet stands there,shook.

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DAPHNEWhat did she say, mama? Did youhear her?

VIOLETShe simply flattered you, dearest.

And Daphne nods. As Lady Danbury eyes Violetsympathetically, clearly having heard the Queen...

LADY DANBURYI would like to welcome you bothto my box this evening. I insist.

And we TIMECUT:

63A INT. OPERA HOUSE/DANBURY BOX - NIGHT 63A

Where Daphne and Violet sit with Lady Danbury. Daphneleans forward, clearly taken by the love story on stage. And as Violet can't help but eye Queen Charlotte, sittingin the royal box, Lady Danbury turns to her, quiet...

LADY DANBURY(re: Queen Charlotte)

They are saying her husband willnot live to the end of the month.

VIOLETSurely another rumor provided bythat vicious scandal mongeringwriter. Should her degradationknow no bounds?

LADY DANBURYLady Whistledown writes of myfamily, too. Yet I suppose theduke can withstand such scrutinysince he is, after all, a man.

Violet nods.

VIOLETHis Grace was fortunate to haveyou there with him as a child. After what happened to his mother. Awful.

LADY DANBURYHe is not what Whistledown says.

VIOLETNor is Daphne.

LADY DANBURYIt would seem the two of themhave that in common then. Matcheshave certainly been made with farless.

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VIOLETWhat are you suggesting?

LADY DANBURYLady Whistledown merely writeswhat she sees. Perhaps we needto help her see things a bit moreclearly.

(then)Unless of course you'd object tosuch a match for other more...contentious reasons.

And Violet turns to her as Lady D raises an eyebrow. Assessing. Checking. Is this gonna be a thing? Violetsmiles.

VIOLETSuch matches have always had myfull support, Lady Danbury. AndI would say that even if our Kingand Queen were not leading bysuch wondrous example.

And now Lady D smiles.

LADY DANBURYI knew there was a reason why Iliked you so much, Lady Bridgerton.

(then)The duke is quite fond ofgooseberry pie.

VIOLETThe very dish my cook is renownedfor.

They turn back to Daphne, who's still enthralled by theshow, when -- on stage, Siena suddenly clutches her chest,belting out A STUNNING ARIA. Off these two plottingladies...

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64 EXT. GROSVENOR SQUARE/EXT. FEATHERINGTON HOME - DAWN 64

As WORKERS make their morning deliveries, we find a COALMAN --overturning his bag of coal, depositing the contents downa COAL CHUTE in front of the Featherington Home. CUT TO:

65 INT. FEATHERINGTON HOME/MARINA'S ROOM - DAWN 65

We're on Marina, in her bed, running her hands on thosesheets again. And she's smoothing the linen in long,sweeping motions when her movements become faster. Frenetic. Her face telling us that something is very,very wrong with those sheets. What the fuck is wrongwith those sheets?? Something, because now Marina'sfuriously collecting them into one big ball in the centerof her bed and tossing them to the floor. Spent. Breathless. Distraught. Off this...

66 INT. BRIDGERTON HOUSE/DINING ROOM - NIGHT 66

We POP AROUND this luxurious room, where bits of theBridgerton family history are on display: THE FAMILYCREST. A PAINTING of Aubrey Hall (the family's grandancestral estate). Another of the family playing PALLMALL. Before we find the Bridgertons enjoying a boisterousdinner with an entertained-looking Simon, seated next toDaphne, of course.

ANTHONYFor all we know, Whistledown maybe some interloper living inBloomsbury of all places.

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BENEDICTWhat should be so terrible aboutBloomsbury? Is it because peoplethere actually work for a living?

DAPHNEShe does seem to be someone withaccess.

COLINWho knows if Whistledown is evena she?

ANTHONYFair point.

ELOISEOh, because she is simply toogood to be anyone but a man?

FRANCESCAI think it rather obvious thatthe writer is Lady Danbury.

DAPHNELady Danbury enjoys sharing herinsults with society directly. She would never bother herselfwriting them all down.

And at that, Simon has to smile. Violet catches it.

HYACINTHCould it be Lady Featherington?

ALL OF THE BRIDGERTONSNo.

And their collective answer makes them laugh. Hyacintheyes them, confused.

ELOISEYou have yet to read whatWhistledown writes of theFeatheringtons, little sister.

And as this fun, lively conversation resumes, Violet turnsto Simon...

VIOLETYou must forgive this rather unrulydebate, Your Grace.

SIMONNonsense. I find it entertaining. All of you at one table, even thechildren.

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VIOLETI realize it may be unfashionable,but... We like each other. Mostof the time.

(off his smile)You should join us more often. Perhaps when we travel to ourcountry seat. You would be mostwelcome.

And that seems to make Anthony sit a bit straighter in hischair. As if he just realized something. But then--

HYACINTH--Gregory! You must stop tossingpeas at me!

GREGORYThose peas were already there! And you cannot tell me what todo. I am older!

HYACINTHI am taller!

VIOLETChildren!

And as Violet quietly scolds them, everyone falls intoconversation amongst themselves. ANGLE ON Francesca andEloise, hushed:

FRANCESCAHe does have a presence abouthim...

ELOISEIf rakish Dukes were one's thing.

We ANGLE ON Colin, leaning across the table to Benedict:

COLINI'm to spar with Jackson himself.

BENEDICTYou?

COLINIs that envy I detect in yourvoice?

BENEDICTJudgment, brother. I shall needto witness this...

And as these conversations continue, we finally ANGLE ONDaphne, quietly sitting next to Simon. She looks up,catching Simon's eye. Promptly returns to her meal.

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SIMONYou appear displeased.

DAPHNEDo I?

SIMONWe find ourselves seated besideeach other, Miss Bridgerton. Iwould like to think you happyabout that.

DAPHNEPerhaps, Your Grace, it would bebetter if you refrained fromthinking about me at all.

He nods. Amused. Violet eyes them from across the table.

SIMONIt is simply... surprising.

DAPHNEYes. How ever is it possible fora lady to offer anything but asmile whilst seated beside a Duke? Even one of your reputation.

SIMONYou are aware of my reputation?

DAPHNEI am aware of your friendshipwith my eldest brother. And if that were not enough, I amalso aware of the things a certainwriter has recently written ofyou. Presumptuous, clearly. Arrogant, most definitely. Youare a rake, through and through. Tell me I am wrong, Your Grace.

SIMONWho should refrain from thinkingabout whom again?

DAPHNEI assure you... I am anythingbut interested in you.

SIMONGood.

DAPHNEQuite.

SIMONAnd I anything but interested inyou.

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She looks at him. Again. As Violet shifts in her seat.

SIMON (CONT'D)The eldest sister of my oldestfriend. Yet another recent subjectof a certain writer. Chaste. Neat. Desperate.

DAPHNEI shall have you know--

SIMON--To marry, that is.

(off her look)Tell me I am wrong.

And at that, a laugh seems to escape Eloise's lips. UntilViolet shoots her a look. As Anthony clears his throat--

ANTHONYHastings. I am so glad you decidedto join us this evening. It wasmost spontaneous of you.

SIMONNot at all. With Lady Danburyaccepting your dear mother'sgracious invitation on my behalf,well, how ever could I havedeclined?

Anthony turns to his mother, all innocence.

VIOLETIt is always a pleasure, YourGrace.

And as Daphne and Simon's conversation resumes...

DAPHNEYou seem to consider the desireto marry a fault. Why is that?

SIMONI am afraid I cannot give youthat answer, Miss Bridgerton. For if I offered you those ratherunsavory reasons, then I would beforced to marry you. And neitherof us would want that now, wouldwe?

And he smiles. There's something about it. Wickedlysexy, that smile. And for the first time, Daphne findsherself oddly, annoyingly, drawn to it. Until...

DAPHNECertainly not.

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It's a moment not lost on Violet or Anthony either. AsViolet can't help but smile, clocking that look on herdaughter's face, and Anthony stabs his beef course withhis fork--

ANTHONYWell. Tonight has beenexceptional, but I am afraid itis getting late.

VIOLETAnthony. We have not even hadour dessert. Gooseberry pie, YourGrace.

SIMONAh. Lovely.

Off a none too pleased Anthony, onto his mother, weTIMECUT:

67AND68

OMITTED 67AND68

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69 INT. BRIDGERTON HOUSE/ANTHONY'S STUDY - NIGHT 69

Anthony works at the desk a beat, when Violet appears atthe doorway. He doesn't bother looking up.

ANTHONYYou were a perfectly reasonablemother until your eldest daughtercame of age.

VIOLETAnthony...

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ANTHONYThis matchmaking scheme you rathertransparently concocted with LadyDanbury... It will not work.

VIOLETI can think of worse matches forDaphne than a Duke. I believedthe two of you to be friends.

ANTHONYWe are good friends. Which ishow I know he has absolutely nointention of marrying.

VIOLETYou must understand that all menmake that assertion.

She glances at the PORTRAIT OF EDMUND BRIDGERTON on thewall.

VIOLET (CONT'D)Your father, even--

ANTHONY--Do not bring father into this.

(then)Even if he were in want of a wife,you would most certainly not havethe Duke anywhere near Daphne.

VIOLETI fully subscribe to the beliefthat reformed rakes make the verybest of husbands--

ANTHONY--He will NOT make her happy. Daphne deserves better. I knowyou think you are solving aproblem, but you are not. Thatis all I shall say about thematter.

And he goes back to his work, resolute. And even thoughViolet knows it is her place to now go, she doesn't move:

VIOLETThe Duke will be joining us asour guests at Vauxhall tomorrowevening.

He looks up at her. Stunned.

VIOLET (CONT'D)I admit, it was not easy toconvince him to come, but--

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ANTHONY--You overstep--

VIOLET--She is my eldest daughter--

ANTHONY--Yet she is MY responsibility. As are you.

VIOLETResponsibility?

ANTHONYDo not make this any more difficultthan it already is.

VIOLETI wish to know something, Anthony. Tonight, when you leave this studyyou continue to keep at your familyhome, are you to return to yourbachelor lodgings across the squareor shall you pay visit to a certainsoprano you tend to in an apartmentyou pay for on the other side oftown? Relying on your youngerbrothers to one day do the jobyou cannot?

(off his look)And you like to speak ofresponsibility, my dear son? Ofduty? Pray tell... What shouldyou know of it?

A long beat, as the two of them hold each other's gaze.

VIOLET (CONT'D)I sit with her in that drawingroom, and do you know what I see? A young woman who is terrified. Because she knows what kind oflife, what kind of future awaitsher should YOU continue to get inher way. She shall become aspinster. Should she not marry,she shall become invisible. Insignificant. My lively,beautiful girl... Presumed nobetter than the fetid street matterscraped from your boots everymorning and night.

And Anthony scoffs at the thought.

VIOLET (CONT'D)And yet she is not the only onewho is terrified. Is she, Anthony?

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He just keeps staring at her. Because he knows exactlywhat she's getting at.

VIOLET (CONT'D)If your father were still here,Daphne would have already beenmatched. The man would have madean arrangement with an old friend. The man would have done what wasnow necessary. So you must askyourself: Are you merely an olderbrother? Or are you the man ofthis house?

And with that, she begins to go. As Anthony sits there...

ANTHONYI miss him. Father.

VIOLETIt has been ten years. You canno longer use that excuse.

She exits. Off a pensive Anthony, staring over at Edmund'sportrait on the wall, wrestling with these burdens...

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70 INT. FEATHERINGTON HOME/SCULLERY - NIGHT 70

As Mrs Varley sets a pail full of laundry on the counter. She removes the contents -- linens, unmentionables and,finally, that big ball of Marina's sheets. When shesuddenly pauses, noticing something. Off her startledface...

71 INT. FEATHERINGTON HOME/LADY FEATHERINGTON'S ROOM - NIGHT 71

Lady Featherington sits, applying her arsenic-laden nightlyface cream. When she eyes herself in the mirror. Noticesa nasty-looking RASH forming just underneath her hairline. She picks at it. A few hairs easily falling right out. When we see Mrs Varley appear in the doorway. CLUTCHINGthose sheets. We stay on her for a beat, silentlydebating. When she finally FORCES herself to go in...

VARLEYMadam?

LADY FEATHERINGTON(startled)

Yes, Varley?

Off Mrs Varley, closing the door behind her...

72 INT. FEATHERINGTON HOME/MARINA'S ROOM - NIGHT 72

Marina -- her hair, wrapped -- sits at a writing desk,furiously scribbling, when the door opens to reveal LadyFeatherington, who now holds the sheets in her hand. Marina stops what she's doing, as Lady F comes over anddrops the pile of sheets on the desk. A long beat, asMarina stares back at her, nervous.

LADY FEATHERINGTONYou haven't bled.

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Shit.

LADY FEATHERINGTON (CONT'D)It has been over a month sinceyour arrival. And you haven'tbled.

And Lady F just glares her damn scary glare.

LADY FEATHERINGTON (CONT'D)I suppose I should be happy. Upuntil now, I had no legitimateexcuse to dispense with you. Butwhen Lord Featherington hears ofthis. When your own papa hearsof this...

MARINAPlease--

LADY FEATHERINGTON--I suppose I should be happy. And if it were guaranteed that myown ladies should not be affectedby your revolting recklessness, Iwould be.

(then)Do you even know who the fatheris?

MARINAPlease... Do not tell anyoneabout any of this. I beg of you,ma'am--

LADY FEATHERINGTON--I shall have nothing TO DO withthis! My ladies shall have nothingto do with this! Not ONE of uswill have ANY association withyou whatsoever! Do you know whatyou have done?!

MARINA(quietly)

What I know... Is that you shallnever understand.

LADY FEATHERINGTONWhat was that?

MARINAYou shall never UNDERSTAND. Someone like you. Living thisridiculously charmed... Do youthink I wanted to come here? Tobe with people like you? So outof touch, so superior--

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SLAP!! Lady Featherington is NOT to be trifled with rightnow. And as she stares daggers at this girl, we CUTOUTSIDE:

73 INT. FEATHERINGTON HOME/OUTSIDE PENELOPE'S ROOM - NIGHT 73

As Prudence, Philipa and Penelope all gather, ears to thedoor, LISTENING to shit. Go. Down. Horrified, when MrsVarley appears at the end of the hall, shooing them away...

LADY WHISTLEDOWN (V.O.)Be it shame or slander. Seductionor smear...

74 INT. SIENA'S LONDON FLAT - DAY 74

We move through this well-appointed flat to find a post-coital Anthony and Siena. He's lost in thought, twirlinghis pocket-watch through his fingers.

LADY WHISTLEDOWN (V.O.)There is one thing that continuesto humble even the most highly-regarded members of our dear ton: A scandal.

He turns to her. She senses something is very, very wrong.

ANTHONYI cannot see you anymore.

She stares at him.

SIENAI do not understand.

ANTHONYIt is not for you to understand. I must do what is necessary.

And Siena just sits there a beat. Stunned.

SIENAYou said you would always protectme. You promised to care for me,my lord. And now... What shallI do now?

Anthony holds her gaze a beat, until:

ANTHONYYou shall leave.

Off a blindsided Siena...

75 EXT. VAUXHALL PLEASURE GARDENS - DUSK 75

As SOCIETY MEMBERS arrive at this decadent pleasureplayground.

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LADY WHISTLEDOWN (V.O.)Tonight, a privileged selectionof only the most fashionable guestswill descend upon the most scandal-prone grounds in all of London: Vauxhall Pleasure Gardens...

SOME, through the main entrance, by carriage. OTHERS,like the Bridgertons, through the THAMES RIVER ENTRANCE,by boat. Daphne eyes the approaching spectacle, taking abreath, fortifying herself. And as we soar above thetree-lined promenades leading to illuminated waterfallsrunning past canals surrounded by lush, expansivegrounds...

LADY WHISTLEDOWN (V.O.) (CONT'D)Its shaded garden walls, such asthose of the Dark Walk, havecovered for the most notorious oftrysts. This author wonders whichpersons of quality shall bediscovered there tonight. Orbetter yet, how many?

We focus on a darkened canopy of trees, where CYPRIANWOMEN await, and ONE SLY COUPLE disappears into the shadows --clearly up to no good -- before we're:

76 EXT. VAUXHALL PLEASURE GARDENS/BALL AREA - NIGHT 76

With MORE COUPLES, dancing beneath the stars at thisvisually stunning, spectacular event. We land on Penelope,wearing a surprisingly beautiful, NON-YELLOW GOWN. She'seyeing the dancers from the sidelines again, looking forsomeone...

COLIN (O.S.)Pen!

She sees him approaching. Plays it cool.

PENELOPEColin. I did not know you wouldbe here.

COLINSorry to disappoint. Have youseen Miss Thompson?

PENELOPEShe is... ill. My mama stayedhome with her. Papa had tochaperone.

They look over to see Lord F, guffawing with the otherMEN.

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PENELOPE (CONT'D)I am quite enjoying the fact heis here. Mama would never allowme to wear a dress like this. Not yellow enough, I think.

They smile. Until Penelope spots Cressida, glass of punchin hand, approaching with her minions. These bitches.

CRESSIDAMister Bridgerton, I believe youowe me a dance this evening. AndI have only one more spaceremaining on my card. At present.

PENELOPE(under her breath)

How convenient.

Cressida goes to retrieve her card. But as she does, sheaccidentally spills her punch. All over Penelope's dress.

CRESSIDAPenelope! I did not see you there! Yet again.

Penelope stares down at her ensemble. Ruined. And asshe starts to back away, Colin eyes her. Turns back toCressida:

COLINI am afraid I cannot offer youthat dance, Miss Cowper. I am toescort Miss Featherington to thefloor. At present, I think.

Penelope stops in her tracks, as an incredulous Cressidawatches Colin take Penelope's hand, leading her to thefloor. Penelope eyes Colin, a little unsure, until theystart to dance. And then she breaks into a smile, andthen a full-on laugh, before we move... To find Daphneand Violet, entering the fray. And they can't help butnotice a few passersby quickly averting their eyes uponseeing them. Daphne steels herself, before spotting Simon,on the other side of the dance floor, surrounded byAMBITIOUS MAMAS AND DAUGHTERS -- all fighting for hisattention. As we join them:

AMBITIOUS MAMA(to Simon)

The resemblance is remarkable. You look just like him. Yourfather.

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Simon stares daggers at this woman, about to respond,when--

MASTER OF CEREMONIES (O.S.)Ladies and gentlemen, a mostextraordinary event is about totake place! Right this way! Come! Come!

As everyone's ushered away from the dance floor, we stayon Simon, who turns and goes in the opposite direction ofthe crowd. Off Simon's dark expression, we move...

77 EXT. VAUXHALL PLEASURE GARDENS/DARK WALK - NIGHT 77

Simon walks, by himself, down this shady corridor of trees. Sounds of revelers in the distance, as Simon passes ALORD AND LADY getting down and dirty in the dark. A littlefurther and he passes TWO LORDS having some fun of theirown. Finally, Simon finds what he's been hoping to find --a group of CYPRIAN WOMEN. Simon pauses. Eyeing one womanin particular. And off this, we SMASH TO:

78 EXT. VAUXHALL PLEASURE GARDENS/DARK WALK - NIGHT 78

As Simon and his lady friend GET TO IT in these shadows. His hands, everywhere. His mouth, hungry. Needy. Beforewe finally afford these two their privacy and move--

79 EXT. VAUXHALL PLEASURE GARDENS/LANTERN AREA - NIGHT 79

On the wide-eyed faces of our crowd. Above, as many asfifteen-thousand colorful glass lanterns hang from festoonsin trees. Our MASTER OF CEREMONIES stands with THREEPANDEAN MINSTRELS on a small stage up front.

MASTER OF CEREMONIESIt is with great privilege Ipresent Vauxhall's newest spectacleof illumination! Feast your eyesabove! And allow all that isradiant to overwhelm you!

He nods towards an AIDE, who lights a nearby FUSE. Whichis when the most glorious, golden-colored light bathesour crowd, as every single one of those lanternsILLUMINATES! The effect is BREATHTAKING. The crowd GASPS. An awed Daphne looks up, smiling, as MUSICIANS play. Anthony approaches.

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DAPHNE(seeing him)

Is it not the most bizarre... Look, brother.

But he's not looking. And so now she's looking at him.

DAPHNE (CONT'D)What is it?

And she eyes him as he struggles with this. He takes abeat.

ANTHONYLord Berbrooke's barony is overtwo-hundred years old. His lineageis legitimate. He has had anexcellent education. Possessesno debts. Never hurt an animalor a woman and he is even a decentshot. To speak strictly, thereis nothing wrong with him.

DAPHNEWhat should any of this--

ANTHONY--You are to marry him.

DAPHNENigel.

They hold each other's gaze. Tense. Before:

ANTHONYI had to find you a husband,sister. Now be grateful it isdone. It should be just as easyfor you to fall in love with LordBerbrooke as with anyone else--

DAPHNE--I will not hear of this.

And Daphne STORMS away. Off a troubled Anthony, we CUTTO:

80 EXT. VAUXHALL PLEASURE GARDENS - NIGHT 80

Where a furious Daphne paces, alone. Away from the party. We stay on her for a beat, hearing the SOUNDS of partygoersin the distance, until--

NIGEL (O.S.)What ever are you doing?

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Daphne turns, sees Nigel coming out of the shadows.

DAPHNENigel. Not now.

NIGELNigel? Are we to drop thehonorifics so soon? I suppose,as your husband--

DAPHNE--You will never be my husband. I will never marry you. Mybrother... He made a mistake.

Nigel eyes her. And as this man takes a rather predatorystep forward, we CUT TO:

81 EXT. VAUXHALL PLEASURE GARDENS - NIGHT 81

On a sly Simon, now making his way back to the ball. Andhe's in his head, his thoughts making him smile, until--

NIGEL (O.S.)Do you think yourself better thanme?

DAPHNE (O.S.)It would be best for you to leave.

NIGEL (O.S.)You should be thanking me. I amyour last hope. No one WANTSyou, Miss Bridgerton--

DAPHNE (O.S.)--LET GO OF ME!

And now Simon breaks into a run, heading for the trees,ready to save his best friend's sister, until he comesround and spots DAPHNE CLOCKING NIGEL SQUARE IN THE JAW! Nigel goes down. Hard. Even Daphne's surprised by herown strength, as she looks up to lock eyes with Simon.

DAPHNE (CONT'D)Your Grace. I had no intention...

SIMONOf knocking the climp flat out? I must say I am impressed.

She eyes him.

DAPHNEWhat are you doing out here?

SIMONAvoiding certain... people.

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DAPHNEPeople?

SIMONMothers. They are people, Isuppose.

DAPHNEYou were coming from the DarkWalk. It is merely a few stepsaway...

SIMONWhat would you know of...

DAPHNE(realizing)

The Dark Walk is merely a fewsteps away... And I am alone. With two men.

SIMONI believe you are only with oneman, the other is...

DAPHNEI shall be compromised just thesame. I must go.

NIGELMarry me... Miss Bridgerton...

And she looks back down at a half-conscious Nigel, whorolls himself over and falls back to sleep.

SIMONNow as far as proposals go, thatmay be the least romantic of all.

Daphne sighs. Allows herself a tiny smile.

DAPHNEI suppose if someone were to findme here, it would be one way outof marrying him.

SIMONYou cannot possibly be thinkingof marrying him.

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DAPHNEIf I am unable to secure anotheroffer, there may be no alternative. Unlike you, I cannot simply declareI do not wish to marry. I do nothave such a privilege.

SIMONYes, I was quite surprised tolearn you no longer have a lineof suitors around every last squarein London.

She exhales, frustrated--

DAPHNEI am in no need of your derision,sir.

SIMONI do not mock you. I am beingsincere.

And now she looks at him. Sees that he means it. A beat.

SIMON (CONT'D)I know of what this LadyWhistledown has written. Trust Ipossess as much contempt for theauthor as you. She has all butissued a challenge to London'smost ambitious mamas --encouraging, provoking them to...

DAPHNEClaim you as their prize?

(then)Do not worry, Your Grace. Ibelieve such a win would bepromptly forfeited, indeed.

And now he looks at her. There's that smile again. Daphnesuddenly hears something off in the distance, refocuses--

DAPHNE (CONT'D)I must... Go this way. You,through those trees--

SIMON--Perhaps there is an answer. Toour collective Lady Whistledownissue.

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She slows. She's listening.

SIMON (CONT'D)We could pretend to form anattachment.

DAPHNEYou and I?

SIMONWith you on my arm, the worldwill believe I have finally foundmy Duchess. Every presumptuousmother in town will leave me alone. And every suitor will be lookingat you.

(off her look)You must know men are alwaysinterested in a woman if theybelieve another, particularly aDuke, to be interested as well.

DAPHNEYou presume Lady Whistledown will--

SIMON--I presume she will deem usprecisely what we are: Me,unavailable. You... Desirable.

And she holds his gaze a beat. Until:

DAPHNEIt is an absurd plan.

SIMONI find it quite brilliant. Provided you do not wish to marryme, and I do not wish to marryyou -- what ever should you haveto lose? Besides him, of course.

Daphne looks down at Nigel, fast asleep on the ground. Just as we HEAR the WHISTLE OF AN APPROACHING FIREWORK inthe distance. Off Daphne, a decision in her hands...

82 EXT. VAUXHALL PLEASURE GARDENS/BALL AREA - NIGHT 82

FIREWORKS soar above, reflecting on the lake below. AsCOUPLES head to the dance floor, Anthony finds Violet.

ANTHONYI decided to heed your advice. The opera singer. I am to seeher no more.

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And Violet eyes him, surprised, when there's a SUDDENBUZZ about the room, as WHISPERS abound. All discerningeyes turning to... Simon and Daphne. Heading to the centerof the dance floor. He takes her in his arms. Daphnelooks around. Tense.

SIMONStare into my eyes.

And her eyes dart to his. A beat, as they start to move.

DAPHNEYou look quite... serious.

He smiles.

SIMONIs this better?

She smiles. Relaxing a bit.

SIMON (CONT'D)Here. Closer. If this is towork, we must appear madly inlove.

She moves closer. He moves closer. They stare into eachothers eyes. They dance. Her breath catches. And nowtime stands still. As we LIVE in this dance. Becausethis dance? Is magic. But this dance is also just acharade... right?

LADY WHISTLEDOWN (V.O.)For those not in attendance atthe Vauxhall celebration, youmissed the most remarkable coupof the season...

MEN elbow their pals. MAMAS goss furiously. Penelopewatches from afar, moved. And Violet stands there,beaming. Before she looks over at Lady Danbury, who smilesright back at her. As these two exchange a subtle nod...

LADY WHISTLEDOWN (V.O.) (CONT'D)It appears Miss Daphne Bridgertonhas captured the interest of thenewly returned Duke of Hastings. Perhaps she is the season's mostprecious gem -- incomparable andunbreakable -- after all.

We find a seething Anthony, glaring at his sister andSimon...

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83 EXT. BUCKINGHAM HOUSE/FRONT ENTRANCE - DAY 83

As our serious-looking Queen, trailed by her ladies, stalkstowards an apparent commotion on her front steps...

LADY WHISTLEDOWN (V.O.)Of course, how Miss Bridgertonsecured her newfound suitor isyet to be determined...

And now we see the GUARDS, apparently mid-argument withour Delivery Boy. Everyone stiffens upon seeing the Queen.

QUEEN CHARLOTTEWhat is the meaning of this?

GUARDHe is asking for... money, ma'am.

DELIVERY BOYWhistledown started to charge,Your Majesty. Five pence if youwant the latest.

Queen Charlotte blinks. Incredulous. Tense. Until...

QUEEN CHARLOTTEWell someone pay the boy! Atonce!

And as someone hands the boy his money, and the Queensnatches up her copy of the latest Whistledown...

84 INT. UNDISCLOSED LOCATION - NIGHT 84

CLOSE on A HAND, belonging to SOMEONE, SOMEWHERE,writing...

LADY WHISTLEDOWN (V.O.)Yet if anyone shall reveal thecircumstances of this match, dearreader, it is I. Yours truly. Lady Whistledown.

And as this hand signs the paper with flourish, we haveour...

END OF EPISODE

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ADDENDUM

Scene 66: Lively background conversations around thetable as the Bridgertons eat dinner with Simon.

ELOISEYou have yet to read whatWhistledown writes of theFeatheringtons, little sister.

And as this fun, lively conversation resumes, Violet turnsto Simon...

HYACINTHPerhaps if I were allowed to readthis paper, I would be much betterat this game.

ANTHONYI cannot help you there, sister.

GREGORYAm I allowed to read this paper?

ANTHONYNo.

BENEDICTI shall have all of you know thatBloomsbury is actually quitescenic.

ELOISEPerhaps it is Lady Richmond.

COLINShould you not mean Lord Richmond?

ELOISEShould you not be off somewhereplanning your travels?

HYACINTH--Gregory! You must stop tossingpeas at me!

GREGORYThose peas were already there! And you cannot tell me what todo. I am older!

HYACINTHI am taller!

VIOLETChildren!

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And as Violet quietly scolds them, everyone falls intoconversation amongst themselves. ANGLE ON Francesca andEloise, hushed:

FRANCESCAHe does have a presence abouthim...

ELOISEIf rakish Dukes were one's thing.

HYACINTHWhat are you two talking about?

ELOISENothing.

HYACINTHNo one ever tells me anything.

ELOISEPerhaps you should just eat yourpeas.

FRANCESCAI thought rakish Dukes were meantto be everyone's thing.

ELOISECertainly not mine.

FRANCESCAYou pass judgment much too easily,Eloise.

ELOISEOnly regarding subjects that aremuch to easy to judge. When doyou leave for Bath again?

FRANCESCAIn two days. You are going tomiss me.

ELOISEMiss one less voice to have tospeak over? I do not believe so,sister.

We ANGLE ON Colin, leaning across the table to Benedict:

COLINI'm to spar with Jackson himself.

BENEDICTYou?

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COLINIs that envy I detect in yourvoice?

BENEDICTJudgment, brother. I shall needto witness this...

COLINCome witness it, then. It ishappening. Tuesday.

BENEDICTI will clear my schedule.

COLINWhat better things do you have todo anyway, brother?

BENEDICTI do things.

COLINSuch as?

BENEDICTThings that are none of yourbusiness.

COLINIf you say so. You really try sovery hard to be mysterious, doyou realize that?

BENEDICT(shrugs)

Not such a bad thing.(then)

So tell me. About your upcomingbout with Jackson himself.

COLINIt is a sparring session, only. Not a bout.

BENEDICTAt least that is what you hope.