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Booker’s Seven Basic Plots

Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

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Page 1: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Booker’s Seven Basic Plots

Page 2: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

The basic premise to the basic plots:

Christopher Booker argues that all storytelling is woven around basic plots and archetypes that are inescapable and help to define the human condition. We are psychologically programmed to tell stories in a way that reflects our most basic physiological needs.

Page 3: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

The plots are:

Overcoming the MonsterRags to RichesThe QuestVoyage and ReturnComedyTragedyRebirth

Page 4: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

#1: Overcoming the Monster

Page 5: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Overcoming the Monster

Essence of the plot: A community falls under the shadow of an evil power (more on this later).The monster threatens destruction, often has in its possession a great prize -- treasure or a “Princess”The hero, often armed with a magic weapon, must confront the monster, usually near its lair.Hero makes a thrilling escape from death, slays the monster, inherits the prize and the kingdom.

Page 6: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Overcoming the Monster

Epic of GilgameshJames Bond novels and filmsMany tales in Greek mythology (Perseus, Theseus)Dragon slayer storiesGothic novels: Frankenstein, Dracula

Page 7: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

#2: Rags to Riches

Page 8: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Rags to Riches

The plot is rooted in folk tales from around the world and is regarded as one of the most basic stories in the world.

Page 9: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Rags to Riches: the hero or heroine

We are introduced to the central figure in childhood, or at least before full maturity. We know immediately that the story is about the process of growing up.The hero or heroine is usually inferior: an orphan, or the youngest child and disregarded by family and peers.They languish in the shadows of a dominant, antagonistic “dark” figure, frequently an adult.

Page 10: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Rags to Riches

Legend of King ArthurPygmalion/My Fair LadyThe Ugly DucklingAladdin

This plot is one of the earliest we come to know as children.

Page 11: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Rags to Riches: the central crisis

Early on the story, the inferior hero experiences some success and is elevated from his original lowly status.However, these changes in fortune are superficial, and soon the hero encounters a CENTRAL CRISIS in which all seems lost. (Ex: Jane Eyre’s failed attempt at marriage, and her subsequent desperate wandering around the moors.)

Page 12: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

#3: The Quest

Page 13: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Essence of the plot

Far away, there is a priceless goal, worth any effort to achieve: a treasure, a promised land, something of infinite value. The hero sets out on a hazardous journey to attain the goal and overcomes any number of perilous hindrances in order to achieve the objective.

Page 14: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

The Quest

Arthurian/Grail legendsDante’s Divine ComedyHomer’s OdysseyThe Lord of the RingsIndiana Jones movies

Page 15: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

#4: Voyage and Return

Page 16: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Voyage and Return: essence of the plot

The hero or heroine travels out of their familiar, everyday “normal” surroundings into another world completely cut off from the first, where everything seems abnormal. The early experience might feel exhilarating, but eventually a shadow intrudes. By a “thrilling escape” the hero is returned to his normal world.

Page 17: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Voyage and Return

Goldilocks and the Three BearsAlice in WonderlandThe Time MachineRobinson CrusoeProdigal Son parable from the BibleGone with the Wind

Page 18: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

#5: Comedy

Page 19: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Comedy: a history

Etymology of “comedy”: a banquet, a jovial festivity, a festal processionMany of the conventions of the comedy plot have scarcely changed in 2,000 years

Page 20: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Comedy: a history“Old Comedy”

The plays of Aristophanes, performed between 425 and 388 BCAt heart of his comedies lay an agon, or conflict, b/w two characters or two groups of charactersOne side is life-giving, the other side life-denying (freedom vs. oppression)The losing side (always the meanies) is suddenly forced to recognize something so important about themselves that it changes their ways and leads to reconciliation.

Page 21: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Comedy: a history“New Comedy”

Biggest mutation is that comedy became a love storyCentral characters are a hero and heroine; the purpose of the confusion or conflict in the story is to keep the two apart until they are brought triumphantly together in the closing scenes

Page 22: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Comedy: ExamplesA Midsummer’s Night DreamMuch Ado about NothingPride and PrejudiceEmmaThe Hangover

Page 23: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

#6: Tragedy

Page 24: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Tragedy :

Usually centers around a character of high status who is forced into a situation where he/she is downtrodden and the important things in life are taken from him/her.Often this is used as a starting point leading to revenge, justice, enlightenment, liberation, etc.

Page 25: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Tragedy : Examples

MacbethHamletGoodfellasThe Godfather

Page 26: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Tragedy : Hero as Villian

Some tragedies can end on a note of solemn rejoicing because the hero/life-denying monster has been destroyed, and life can begin to flow again.“Ultimately the destruction of the dark hero has been a victory for light.”

Page 27: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

#7: Rebirth

Page 28: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Rebirth: synopsis

A hero or heroine falls under a dark spell which eventually traps them in some wintry state, akin to living death: physical or spiritual imprisonment, sleep, sickness or some other form of enchantment. For a long time they languish in this frozen condition Then a miraculous act of redemption takes place, focused on a particular figure who helps liberate the hero or heroine from imprisonment.

Page 29: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

Rebirth: examples

Beauty and the BeastA Christmas CarolStar Wars

Page 30: Booker’s Seven Basic Plots. The basic premise to the basic plots: Christopher Booker argues that all storytelling is woven around basic plots and archetypes

The End! Woohoo!