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    Our Form, which art informationactualized through the Real

    seek communication

    to vanquish uncertainty

    in our self and in our surroundings.

    Supplicate instinct to present's flow

    sharpen material acuity

    suspending moral judgment indefinitely.

    Look not at the symbol

    but see through the facade.

    For Form is

    in the diagram

    in flow

    and ultimately the blob

    for now always on the verge.

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    a two part story | (blah)badam | owens

    adam(dot)w(dot)owens | gmail

    The mind exists in its own fluid

    medium as thoughts float around

    aimlessly. The almighty pen saves

    these nomadic drifters from

    purgatory. From one fluid to the

    next each with a greater constitution

    of material, thoughts find viscosity in

    translation.

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    PAGE| CONTENTS

    09 | SYSTEM

    11 | INTRO

    WHAT IS

    17| REAL

    23 | COMMUNE

    27| UNCERTAINTY

    31| MATTER

    35| IDENTITY

    AFFECTS OF WHAT IS

    45 | FAITH

    49 | SYMBOLISM

    53 | TRANSLATION

    55 | SALVATION

    59 | CRAFT

    63 | AESTHETIC

    67 | ANALOG75 | DEATH

    79 | SPONTANEITY

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    9

    SYSTEM | MATERIAL + DIAGRAM

    A system is a structuring of form. Theoretically, a

    system involves material as the form and a

    diagram as its structuring device. A system

    without material is merely a diagram. A gooddescription of the diagram is given by Sanford

    Kwinter inAtlas of Novel Tectonics:

    "The diagram is an invisible matrix, a set of

    instructions that underlies - and most

    importantly, organizes - the expression of

    features in any material construct. The

    diagram is the reservoir of potential that

    lies at once active and stored within an

    object or an environment (or in every

    aggregate or section of these). It

    determines which features (or affects) are

    expressed and which are saved. It is, inshort, the motor of matter, the modulus

    that controls what it does."

    A diagram can be thought of then, as Kwinter puts

    it, a modulator that controls what matter does. So

    a diagram can only be experienced throughmaterial. A system without material is just a

    diagram. This completely virtual construct does

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    not actually exist. A completely virtual systemsuch as this could be classified as absolute

    potential.

    The opposite condition is a little different

    however. While a system could theoretically exist

    without material, there is no system existing,virtual or actual, that can be said to be without

    diagram. There is always something structuring

    material. The only case where the diagram is

    seemingly absent is in an entity known as a blob.

    The blob is a special system where the material

    and diagram are exactly the same. The material isits own structuring device. In a blob, material is

    diagram.

    The blob is the most simple of systems. It is the

    only system with one component. This could be

    classified as pure form. This pure form is static.

    Any other component added to the system

    transforms the blob.

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    11

    INTRO | TOTEM

    In the movie Inception, characters transport

    themselves between the world experienced while

    awake and a world experienced while asleep. As

    the separation between the two worlds becomesless distinct, their minds find it more difficult to

    distinguish the waking life from their dream life.

    To overcome confusion, these sailors of the

    subconscious utilize a totem mechanism to create

    a personal link back to reality. If ever the

    individual questions the present psychological

    status they happen to exist in, characteristics of

    their personal totem device reinstate semblance

    to their mind.

    Exploring a dream world is not much different

    than delving into the metaphysical world. Some

    would even argue that the two are just versions ofone world. In order to arrive at any sort of viable

    conclusion capable of affecting our outlook on life,

    it is important not to lose our place during the

    explorations into such worlds. With this particular

    undertaking we need to allow ourselves a totem

    that can be referenced whenever the need arises.Real is information. This simple yet extremely

    powerful sentence is our totem. It is the

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    foundation for which the proceeding philosophicalsystem is built upon. Just like in the movie,

    creating a philosophical system requires an anchor

    that reestablishes the mind's equilibrium. If

    somewhere along the search we lose our way, this

    anchor is there to preserve our sanity.

    In philosophical parlance, this anchoring concept

    can be likened to the Latin idea known as prima

    facie. The literal translation is "first face". Think

    of this first face as the initial irreducible condition.

    Dissecting the structure of our prima facie andrecognizing how it is responsible for shaping our

    existence is the subject of the first chapter. After

    examining Reality and its relationship with

    information, chapter two focuses on the

    motivating influence of another familiar concept,

    communication. Chapter three goes on to explain

    the synthesis of communication and information.

    Spawned from the interference during

    communication, uncertainty emerges as one of

    the most important characteristics of Reality. Not

    until Chapter four do we build the bridge

    connecting Reality with human life. Matter is

    shown to be an interface the human intellect usesto understand the relationship we have with

    Reality. Concluding part one with a discourse

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    13

    regarding the process of identification, chapterfive proves to be one of the most obtuse chapters

    in this book. A radical exposition on the intellect's

    methodology for identifying forms of matter along

    with the potential pitfalls serves as an interesting

    segue into part two. While the difficulty of this

    chapter may prove to be a bit perplexing, themental stimulation afforded by its dense material

    will leave your mind primed and ready to absorb

    the fascinating discussions found in the second

    part of the book. Faith, symbolism, and salvation

    are a few of the topics included in part two that

    promise to provoke a new sense of wonder.

    In order to establish coherence, the chapters in

    part one are sequentially laid out building upon

    knowledge gained in preceding chapters. While

    this sort of linear progression is useful in

    establishing cogency, this linearity does not reflect

    the true nature of Reality. Reality operates more

    like a blob of happening. This blob is not divided

    into stratified layers within a hierarchy. It is best

    to keep this fresh in the mind as the details of this

    meshwork blob are presented in the following

    chapters.

    By the end of part one, this blob will make much

    more sense. However, the main objective of this

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    story is not to elucidate the nature of this blob.Understanding blobicityis secondary to the central

    purpose. Granted, this blob may just be a mere

    abstraction conveniently created to deliver

    nothing more than rhetoric. But the blob is not

    only an invention of a mind. It is something much

    more reverent. Regardless of how mystical theblob appears, it is in fact the only thing that

    matters. It is Real.

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    (blah)b | WHAT

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    17

    FORMATION | REAL

    Before the truth embedded in the word

    information is revealed, a few words must be said

    about the other two words in our totem sentence.

    The word Real is merely a placeholder for themental image used in our mind to conceive

    literally everything in existence. The universe and

    all of the substance contained within it can be

    reduced to the Real. Thoughts, ideas, or any other

    ephemeral noumena can also be reduced to what

    is Real. The branch of philosophy dedicated tounderstanding the metaphysical nature of

    existence is known as ontology. So ontologically

    speaking Real is the one and only entity in our

    world. It will be argued that nothing exists outside

    of reality. This entity, known as Real or Reality is

    irreducible. Reality is just the nature of the Real.The two words mean exactly the same thing and

    therefore can and will be used interchangeably.

    The verb is, used extensively in the English

    language, bridges isolated thoughts in a sentence.

    Any subject represented by its corresponding

    word exists in a vacuum isolated as ideal. In the

    sentence Real is information, the word is provides

    Real with an escape from its word-created

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    vacuum. In the singular instance of any word, thesubject represented remains stagnant. IS presents

    itself to Reality as a catalyst. Through this potent

    verb, Real finds its outlet. Using IS in the present

    tense also has significance exposing Realitys

    temporality. Since the present engenders all other

    temporal states with relevance, Reality exists onlyin the present. Real is.

    This brings us to, perhaps, the most integral piece

    of this entire story. Information is a word

    widespread in our vernacular. Globally dispersed

    in various applications, its truth has been diluted.In fact, through repetition and redundancy,

    information has not only become trite, but applied

    ineffectively, superficially attached to other

    unworthy concepts. Information technology,

    knowledge transfer, and information management

    systems are just a few of these concepts that

    unjustly relegate information to mere

    compartments. To mend our relationship with

    this abused word and return it to its proper

    stature, we must take a detailed look at the

    words linguistic structure and how it operates.

    Three elements comprise the word information.There is a root attached with a prefix and a suffix.

    Each plays a significant role in the emergent

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    19

    profundity created by their synthesis. "The wholeis greater than the sum of its parts" is exemplified

    by the word information.

    Form is the root. In general, form can be thought

    of as any materialization of some abstract

    virtuality. In regards to our story, we can equatethis virtuality with Reality. If Reality is virtual, then

    form is a materialized instance of Reality. Form

    shapes the blob into specificity. Recalling the

    previous discussion regarding isolated words, this

    specificity of form is stagnant in its isolation.

    These forms exist in our mind as objectsingularities. In Reality, however, forms do not

    exist as they do in our minds. It would not be a

    stretch to say that forms, as individuated objects,

    are not Real.

    Form begins to realize itself with the addition of

    the suffix-ation. Combining -ation with form, the

    static understanding in the mind is put in motion.

    Formation is the process of form. Do not be

    misled by the conventional usage of formation as

    an identity. Formation is not a thing. It is a

    process responsible for forming the blob of

    Reality. When the root combines with the suffix,static form morphs into dynamic formation. In

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    spite of its capability to form Reality, formation isnot Real. Almost. But not quite.

    The prefix -in reifies formation. Reification, quite

    simply, is a process for bringing "stuff" to life.

    Think of life in this case as animation.

    Personification, an example of reification,animates non-living objects with qualities

    displayed by living forms. Forming could be

    described, then, as a process waiting to be reified.

    Formation, along with being non-real, is dead

    information. When attached to formation, the

    ordinary prefix -in provides extraordinary results.This new combination is the animation to an

    ultimate truth.

    If the process of forming is constant and

    continually at work, then this ongoing process can

    be referred to as in-formation. Reality is an

    ongoing process of forming. It is always in this

    process. This is the truth encoded by the word

    information. Before information can be a material

    substance, it behaves diagrammatically structuring

    Reality. When associated with more specialized

    topics, information evolves from a diagram to a

    material substance. Real is information employsthe information diagram to convey understanding.

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    21

    Regardless of its logical validity, this conclusion isthe secret to existence. I would not deny its

    appearance as just a clever manipulation of word

    usage. But to argue validity in a system, such as

    logic, where the ambiguity of words can never

    totally be eliminated seems trivial. Instead of

    forcing words to submit to our whimsical systemsof knowledge, we should allow them to speak for

    themselves. After all, words are just

    representations of something that came before. If

    we can allow the something being represented to

    present itself more genuinely, then we can

    comprehend its historicity more accurately.Representations by themselves are not Real. But

    what they have come to represent must have

    been Real somewhere along the way. Finding this

    somewhere is our mission.

    This completes our foundation. The words form

    and information will continue to be discussed in

    our ongoing attempt to understand Reality. Form

    in terms of identity will be the subject of chapters

    four and five. Transporting information is the

    topic of the next chapter. Here, information is

    material for the communication diagram.

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    23

    PROCESS | COMMUNE

    The word communication can be broken into two

    elements. Depending on the interpretation,

    commune or common is the root. Regardless of

    this ambiguity, common and commune

    underscore the same linguistic construct. To seek

    commune (or commonality) is to seek a bond

    establishing relationships. These relationships

    should enlarge ourselves by enlarging the network

    for which our selfs can be extended. Individual

    units unify into greater assemblages. These

    greater assemblages provide the units anopportunity for growth. In return, a member's

    unitized purpose must transform into a common

    purpose. The commune achieved should be more

    than the sum of its discrete parts. Just as with the

    word information, the suffix -ation transforms

    commune into a process full of potential. Tocontinually seek commune is communication.

    Transporting information (as material) is the

    diagram embedded in communication. As the

    present progressive form of the verb transport,

    transporting is the ongoing action of relocating

    substance. In this case, information is the material

    being relocated. Normally, an act of

    communicating information is referred to as a

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    transmission. Transmission is just an instance ofthe transportation diagram.

    One such device dedicated to transmitting

    information is the internet. The two main

    elements in the transportation diagram are ports

    and connections. Ports are where the connections join. A network is the articulation of ports and

    how they are connected. The material being

    transported dictates the articulation.

    Ports and connections must be equipped with the

    necessary capabilities to handle this material.Personal computers, phones, and other electronic

    devices are the type of ports accessed by the

    internet for its transmissions. The transportation

    diagram embedded in the internet is universally

    applicable. Communication is defined as

    transporting, not transmitting, information

    because using transmission leads to a tunnel

    vision. The idea of information and

    communication existing solely in virtual

    datascapes is the myopia we need to avoid. To

    avoid this myopia and comprehend

    communication totally, transportation is used. It

    is the universal method for relocating substance.

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    25

    This allows us to engage communication in adialogue much larger in scope. When engaged in

    effective communication, information is

    transported successfully.

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    27

    INTER | UNCERTAINTY

    If the self-portrait of Reality is information, where

    does communication paint itself into the picture?

    How do the two enliven the spirit and conquer the

    demons? Central to this exorcism is the need of

    the Real to communicate. Reality is constantly in a

    process of forming itself. The need to continue

    this process can be attributed to uncertainty.

    Operating with a certain degree of uncertainty,

    the Real engages in its material investigations to

    diminish this spell of doubt. The motivation is also

    the obstacle. Through communication, theprocess of seeking commune, Reality addresses all

    of its multi-form instances. To state it more

    precisely, the Real is information to seek

    commune with itself in the attempt to alleviate

    the effects of uncertainty. The more effective the

    communication, the less uncertain Reality is.

    To avoid any confusion or apparent

    contradictions, I must restate the main hypothesis.

    The Real is the one and only entity that exists.

    Participation in communication by the Real does

    not contradict this hypothesis. There is only what

    is Real. The negation or null state, non-Real, does

    not exist. When we speak of Reality

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    communicating with its different forms, it maysuggest that Reality is somehow divided into

    distinct entities awaiting some sort of gathering.

    Conceptually, we use this suggestion to present a

    mental imagery. As long as we understand that

    any separation of Reality into parts is just an

    illusion, the imagery in the mind is salutary. TheReal is not divided. It is the source of primal

    unification. Reality is just a blob of happening.

    There exist no division gaps to be bridged. The

    need for bridges is a mirage. These mirages are

    perpetuated not by what is Real, but by the paths

    Reality chooses as its avenues for communication.To imagine how self-imposed gaps are white

    noise, permit me a metaphorical illustration.

    Visualize two mountain peaks belonging to the

    same mountain range. At the top of each peak

    stands a person. I would have little trouble

    convincing you that the two are separated by

    space. Suppose the need arises for the two

    people to exchange words. The distance between

    the two peaks is too great for the human voice to

    travel. Staying atop their respective peaks, the

    inability to communicate persists. The division

    gap remains intact as long as the two remainignorant to the fact that their separation is merely

    perceived. Any sort of successful communication

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    29

    results from knowing that the mountains connectat the base. Trekking back down to this tectonic

    merger, these intrepid mountaineers can relay

    their messages successfully eliminating the

    interference.

    Extending this metaphor to the hyper-ambiguouszone of Reality, different forms actualize into

    mountain peaks. The more these peaks formalize,

    the further they stray from their base of

    unification. If this ascension continues and forms

    forget where they come from, isolation ensues.

    The perceived communication gap widens. Asmuch as our screams yearn for an audience, the

    attempts to connect are futile. The gap is too

    great. If we are not careful, we will lose ourselves

    completely and with it our ability to communicate.

    Before this happens, we must traverse back to our

    voice and re-learn to speak. No matter how much

    we seek reception; there exist certain frequencies

    that remain undetectable.

    Since the Real is everything, our self is just one of

    the forms of Reality. Being just another unique

    form of the Real, we face the same motivating

    obstacles. We seek commune with ourselves justas the Real seeks commune with itself. Falling

    victim to the illusion that we are individuated from

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    our environments causes a discomforting friction.We feel separated. Just as the mountaineers

    ascend towards isolation, we too can become

    over-extended and our own ability to

    communicate decreases. To overcome this, we

    must embrace uncertainty as motivation. The

    Real needs us to understand the irreduciblepartnership we share we each other. If we are to

    reduce friction then we must accept Reality's ever-

    flowing stream. Supplication to this flow creates

    true novelty. The resulting insights deliver us to

    ultimate truth.

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    31

    FACE | MATTER

    The substrate of communication is Matter. Used

    in Physics as the basic building block of the

    universe, matter can be thought of as the

    interface for Reality. It is the entelechy of the

    Real. Through matter, the Real envelops itself into

    communicable forms. Matter is not necessarily

    the concrete stuff we usually think it is. It is more

    of an interaction. It is the agent employed by the

    Real to handle reification. Using the simple

    definition given earlier for reification, we can see

    that Reality brings itself to a version of life that iscommunicable. Life is a form of Reality. It is just

    another product of Reality's quest to

    communicate with itself. Matter, then, is the

    canvas in which the Real communicates most

    effectively within the form of life. Nothing that we

    know or think or speculate about is unrelated tomatter. Nothing that we experience is immaterial.

    Matter is extremely sophisticated in the forms

    envisaged by the Real. Our intellectual capacity to

    sift through this sophisticated material soup is not

    powerful enough to master it. To try and

    quarantine material into typologies is counter-

    productive. This leads to dead ends because

    matter is just the interface we use to connect. It

    cannot be objectified.

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    Accepting matter as an interface allows us tobreak down apparent complexities. Obscurity is

    nothing more than a filter used for security.

    Because we are of the same mold, we know this

    instinctively. This primal knowledge is our escape

    from the maze. To make our way through the

    labyrinth, the limits of knowing must beinvestigated.

    As we scratch the surface and attempt to indulge

    in epistemology, keep in mind that human

    knowledge is based on a limiting dogma. With

    these limits come choices. Every finite systemrequires sacrifices so that resources may be

    distributed optimally. Parameters in a closed

    system dictate inevitable choices. Until we have

    the ability to access everything instantaneously,

    decisions are unavoidable. The choice you have to

    continue reading is constant. You can continue to

    entertain these thoughts or you choose to discard

    them and focus your energy on something else.

    We must all choose which battles we want to

    fight. Regardless of the nature of the battle,

    whether it is a philosophical investigation or a

    contest of brute physical strength, the choice to

    participate is voluntary.

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    33

    These limiting parameters provide insight into themethods used by our biological systems to acquire

    knowledge. Information receptors operate in a

    specific manner tailored to the unique needs of

    any given form. Humans acquire knowledge

    differently than rocks do. An evolutionary product

    such as intellectuality exists as a tool humansutilize in order to communicate. It is part of how

    we know. The other part attempts to

    approximate the knowledge not acquirable by the

    intellect. This is known as instinct.

    Instinct is an art. Any true art form deserves toexist unadulterated without words attempting to

    represent its essence. As such, instinctuality is

    beyond the scope of our search and has only been

    mentioned to emphasize the limitations on our

    knowledge. Instinct is understanding the

    possibility of knowing something without

    knowledge of how we know it. The instinct picks

    up where the intellect leaves off. As important as

    the instinct is, it is not our direct focus. Instinct

    will be discussed indirectly at appropriate times.

    For now, the intellectual system of identification

    deserves our undivided attention. Building an

    identification framework to understand how ourminds process formations is essential.

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    35

    SCALE | IDENTITY

    In mathematics, there are two coordinates that

    locate a point on a plane. For any given function,

    values for dependent and independent variables

    are represented on this graph as a point.

    Considering the intellectual interface as a

    function, the Temporal Sequence can be thought

    of as the independent variable. This is the value

    that is manipulated externally and used to

    generate, through the rules of the function, the

    dependent variable. In our system, this

    dependent variable is called the Spatial Scale.Acting as the complementary axis to the Temporal

    Sequence, the Spatial Scale completes the

    identification process for any given object.

    TEMPORAL SEQUENCE Any computational

    processing diagram requires specific requests inorder to begin computation. In our minds, a

    question is one such request. A question is a

    solicitation for knowledge. When attempting to

    provide an adequate response to any given

    question, there is more than one way to retrieve

    the necessary data. When the question seeks to

    know what something is, the mind can take one of

    two paths. One of these paths leads to

    understanding how the subject under

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    consideration is made up. Examining the whole ofthe subject by breaking it up into smaller more

    localized parts provides answers into the history of

    formation. This historical record helps the mind

    expand the subject's present form into a larger

    global context.

    Take the question, what is paper? Breaking down

    the subject, Paper, into its constituent parts, we

    can provide a suitable answer. Paper is a

    homogenized pulp made from wood particles

    utilizing a chemical adhesive as a bonding agent.

    By addressing the subject in terms of its formationprocess as well as its subordinate components, we

    begin to discover its historical record. The history

    of the subject up to any particular moment is

    encapsulated in a singular event as an identity.

    The infinitely many identities comprise, what I

    have termed, the Temporal Sequence axis. Any

    identity can be extracted from the sequence as an

    initial state for separate investigations. In our

    example, we communicate with this particular

    historical record at one specific point through an

    ongoing formation known as Paper. Paperis just a

    snapshot image we can use as an input for other

    intellectually manufactured systems in our minds.Although these identifying labels are not real as

    such, the value they hold as placeholders in our

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    37

    mind is substantial. When coupled with Reality,these mental shortcuts allow the creation of novel

    systems to transpire. Remember, systems are

    composed of material and diagram.

    Before moving on to the complementary Spatial

    Scale axis, a clarification is needed. Just like anypoint along a continuum, these identities have no

    substance. To understand an identity, such as

    paper, intervals along the identity's

    respective Temporal Sequence, must be studied.

    Nothing is the only thing that exists in vacuum

    singularities. This is the reason that the TemporalSequence is termed as such. Events of happening

    make sense only through the sequencing of other

    events. The dynamics of flow prevent singular

    instances any sort of sovereignty. Since time is a

    flow, any intellectual capture of time exists

    through our identification processes. As artificial

    as it may be, we choose where to stop this

    temporal process catering to our own intellectual

    needs or requests.

    SPATIAL SCALE Consider the original question,

    what is paper? Extracting paper from its Temporal

    Sequence and using it as the input to create a newsystem, a different answer may be elicited.

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    Paper is a substrate used to display graphicalsymbols in order to transport meaning from one

    mind to another. This answer does not focus on

    the substantial make up of Paper. Instead, it

    anticipates relationships with other forms to

    supply some purpose for the material form known

    as Paper. The supposed relationships depend oninteractions taking place at a given scale. This, of

    course, is the reason why this axis is so aptly

    named Spatial Scale. When engaging this axis, the

    Paper(as form) is not under consideration. Paper

    is the fundamental axiom in this new system of

    exploration. To a human being, the above answerprovided makes sense. To a bird, Paper doesnt

    make sense as a substrate for writing. To a bird,

    Paper may be fodder for building a nest. In both

    cases, however, the purpose of Paper is variable,

    not the form. The form, extracted from the

    Temporal Sequence, is constant. Depending on

    the scale that the form is engaged, there may be

    numerous purposes all predicated on how the

    Temporal Sequence input is defined.

    Predator/prey, symbiosis, parent/child are all

    examples of trademark spatial relationships using

    static identities extracted as inputs from the

    Temporal Sequence.

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    39

    These two axes, Temporal Sequence and SpatialScale, when utilized in conjunction with Reality's

    material systems provide the intellect with a

    method to acquire knowledge. The resulting

    identities produced by one sub-system become

    inputs for the creation of other sub-systems. The

    mind creates these systems to control theinevitable chaos encountered when order is

    absent. How we choose to identify a particular

    form of matter is how we "see" it in our minds. In

    order to communicate more effectively,

    sometimes we must choose to change the

    coordinates that point to a position of an identitystored in the memory reservoirs. More often than

    not, this choice is not instinctual. It must be

    practiced. Designers, artists, craftsmen, etc. thrive

    on seeing Reality differently. To trace a Temporal

    Sequence, belonging to any given identity, back to

    its original state is to arrive at the ultimate prima

    facie condition. Just before the Real is

    information, its null-state exists as void. The void

    is not ontologically different from Reality. It is a

    state lacking formation. Asymptotic to the

    moment of information, this state is Real. At this

    state, the Spatial Scale is undefined. Every point

    along any given Spatial Scale is the same valueregardless of the value of the independent

    variable. This is ultimate potential. Pure diagram.

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    We have reached the conclusion to the first partof our story. The remaining investigations are

    intended to inspire rather than educate. It is

    comprised of ethical scenarios that exist in the

    course of life. These ethical inquires build upon

    the foundation laid in this first part. As with any

    doctrine of ethics, the behavior of our self within asystem of Reality is the central thesis. These

    proceeding inquiries are practical applications

    resulting from the theoretical core just presented.

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    (blah)b | AFFECTS

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    ESCAPE | FAITH

    Uncertainty has already been ascribed as a

    motivating force to spur the Real into action. As a

    form of Reality, uncertain conditions affect our

    lives in the same manner. The present is alwaysuncertain and the method we have created to

    manage the unknowing is called faith. Devised as

    a mechanism for coping with effects stemming

    from an inability to ascertain prospective events,

    faith is our anti-future. The future exists as a

    mirror reflecting fears into our present. Implied by

    this metaphor, the future is not Real. It is reactive

    in its nature valid only as a placeholder. Filling a

    void created by future's irrelevance, faith

    substitutes value in the place left vacant by a

    fleeting future.

    Narrow in scope, most of the conventionsassociated with faith lead to misinterpretations.

    While visions of spiritual worships, such as church,

    are inextricably linked to faith, these are just

    consequences defected from faith. Notions of

    God and belief in supernatural beings are only

    manifestations of faith. What may seem as theantithesis of faith, science as a system is actually

    an integral component built to manage

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    unforeseen contingencies. Empirical observationslure us to dispel our faith-based understandings

    and accept scientific conclusions as Real factual

    moments of tangible knowing. Conclusions of this

    sort do provide a sense of security, but should be

    put into proper perspective. With any system,

    science operates within a set of parameters. Aslong as "facts" stay within these artificial

    boundaries, there is no need to reference faith as

    a relevant contributor. In mathematics, 2+2=4 is

    an impossible statement to refute as false. This,

    however, is not an inherent truth found

    organically. Allowing such systematic conclusionsto transcend Reality decreases our ability to

    communicate. To counter this, fabricated systems

    must be relegated to their proper place in Reality.

    Absence of faith, while required within such

    systems to produce valuable insights, is self-

    defeating. Negotiating system produced insights

    with Real knowledge to arrive at the ultimate

    truth is only achieved through faith.

    It is important to emphasize that these systems,

    operating as vacuum ideals, are significant.

    Controlled environments protected from variables

    difficult to account for in Reality potentially leadto innovation. Hypothetical scenarios, such as

    thought experiments, utilize idealistic constraints

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    to gain perspective about specific phenomena.Assuming the limitations are known in advance,

    vacuum ideals are very productive exercises.

    Practical utility comes from many such exercises.

    Most of our cherished luxuries come out of these

    hypothetical processes. Insurance companies

    could not provide risk aversion commoditieswithout actuaries modeling contingencies in a

    simulated world. By-products spawned from

    scientific and industrial experimentation usually

    find a spot on the shelf in retail outlets around the

    world. The creation of knowledge is one such

    product. In this case, true novelty happens. So toignore the significance that simulations have

    would be a mistake. In fact, some have gone so

    far to suggest that our whole system of Reality is a

    mere simulation. In these theories, axiomatic

    conditions approximate ultimate truths isolated

    inside a fabricated milieu.

    Ignorant to this fact, we take these

    approximations as Real. If this is actually the case,

    and we live in a simulated Reality, faith is much

    more imperative than originally thought. To

    escape the prison built upon our ignorance and

    facilitated by our intellect, faith may be the mostessential tool at our disposal. It is our direct

    connection to Reality.

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    To perpetuate acceptance of this simulation,security from uncertainty must be offered as a

    substitute for what is Real. Avoidance of

    uncertainty, however, is in direct contradiction to

    the motivating principle of existence. Embracing

    uncertainty, not avoiding it, disintegrates the

    symbolic control of simulation. Our lives need notbe symbols for what is Real. Representation of

    this kind is a shortcut appropriated by ignorance

    to incarnate itself symbolically.

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    ISOMORPHIC | SYMBOLISM

    Language is symbolic. From the conclusions of the

    last chapter, it may be deduced that language is

    ignorance. In some cases, this proves to be true.

    When a metaphor is mistaken as a substitute forReality, ignorance is perpetuated. We can avoid

    these ignorant practices as long as metaphors and

    other symbolisms exist in their proper places.

    Metaphorical systems, such as language, are

    agents of progression when generating Real forms

    instead of supplementing them. This is an

    important distinction. Problems arise when

    metaphors are stripped of their material

    historicity. Allowing symbolic metaphors

    independence from their material ancestry, gross

    representative degradations replace the Real

    historical record. However, it is difficult to

    differentiate between Reality and its alluringrepresentation. The line is thin. When walking

    this line, the task is knowing which side to fall on

    when we lose our balance. Practicing this stunt is

    how we grow. Just knowing that representation

    comes from Reality is a good start.

    Words are no different. As representations, words

    have come to stand for their material origins.

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    Actually, through the process of evolution, wordshave found their own material form. It may seem

    absurd to suggest that a linguistic construct is

    nothing more than a material incarnation. At the

    most basic level, words and the paper they are

    written on are made of the same stuff. Everything

    is Real, but lines of the evolution of Reality finddifferent forms.

    Materiality is not wholly enveloped inside

    tectonics. Yes, tectonics is a landscape that

    matter has traversed. From tectonics, however,

    matter has entered into a genetic state ofexistence. The genetic age is how matter exists

    now. As evolution of Reality continues, matter

    seems to seek linguistic outlets for its forms. The

    Real, acting through matter, finds novel forms of

    communication in its developing linguistic face.

    These forms, not substantially different than

    previous forms, do exist as paradigm-shifting

    assemblages. Culture is a precursor to the coming

    age shift. Matter now replicates itself not only

    genetically but within mimetic interchanges.

    Memes are a cutting edge form of replication

    resulting from the genetic/linguistic transition.

    More will be said about how these different agesaffect interpretations of beauty in a following

    chapter.

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    These various examples of material form illustratethe sophistication of Real evolution and its

    overarching scope. The eons spent milling about

    through countless bifurcations has refined Reality

    beyond comprehension. This sort of refinement is

    only made possible through generations of

    experience. In an effort to shortcut this processand plunder the Real for its priceless wisdom, the

    delinquent form known as symbolism burrows

    itself into Realty's hide. Branching off of the main

    evolutionary progression, this parasite latches on

    to its Real brethren to take advantage of its

    toilsome labor. Symbolism, disguised as Reality,blends in to disrupt communication. This form of

    Reality is an enemy to those that seek ultimate

    truth. Detecting the enemy is just as troublesome

    as defeating it. Take a thought for example. Its

    complexity is embodied by its extreme

    intangibility.

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    MIND | TRANSLATION

    Thoughts aren't affirmatively Real. To materialize

    a thought requires a process. Take the ink on this

    page. This is the beginning of a life. In a world

    where Reality counts for everything, this materialbirth is most crucial to a thought's development.

    A single pen stroke may seem simple enough, but

    complexities begin to mount at a dizzying rate. At

    first, this innocent mark is just a stain reminding us

    what happens when a liquid medium mixes with

    an absorbent substrate. Not soon after, this stain

    vectorizes itself with data evolving into direction

    as a line. Genetic texture emerges out of this

    tectonic interplay. Our sensory receptors

    anticipate something greater than just physics

    inherent in these harmless ink happenings. All of

    a sudden, these lines assemble themselves into

    linguistic modules escaping the genetic tyranny ofmere sensation phenomena. There is meaning

    here. Letters grow from these arbitrary shapes.

    Language, as the cultural precursor of our own

    evolution, happens. Still, this language is not Real.

    The effect it has on matter, however, is intensely

    relevant. The pressure for adaptation causes ourpresent situation to participate in this culturally

    dynamic current.

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    Trees and rocks become shade and projectiles.Shade and projectiles become homes and war-

    machines. Houses and tanks become nostalgia

    and decadence. Feelings of abandonment and

    escapism become poems and revolution.

    Everything seeks higher ground when water

    comes to collect. Just as this black-ink seeps intoits wood-pulp substrate, our thoughts solidify into

    the mountains of our children. Liquid materialism

    has no bounds devouring everything ephemeral

    eventually. When the tides descend, new

    treasures spark novel contemplation.

    Acknowledging the nature of language and

    symbolism is the first step. Recognizing forms of

    symbolism is a much more difficult obstacle to

    overcome. Symbolism is not evil, per se, but its

    infectious allure to bypass the Real process of

    materialization is highly deleterious and must be

    cured. The ability to realize ultimate self-forming

    potential resides in our commitment to evade

    compromising obsolescence. There is something

    greater at stake than just our happiness or

    satisfaction. In this battle for liberation, our

    salvation hangs in the balance.

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    PRISON | SALVATION

    Saving our self is an arduous task. Escaping this

    prison will test our fortitude. Before attempting a

    prison break, however, we must ask our self if the

    consequences that come with freedom areagreeable with our dispositions. Do you want to

    exist outside of the parameters a prison offers?

    The answer may seem obviously affirmative. No

    one would willingly live in a place called prison.

    This place, where there is no time for leisure, is

    scary. Mental images of dark dirty dungeons and

    rats scurrying to and fro along the edges of the

    confines remind us that prison is no place anyone

    wants to live. Even more civilized prisons, ones

    with bare white walls inside an institutional

    kennel, don't induce a pining for such a habitat.

    This may just be an illusion protected by the word

    itself.

    Whatever picture is painted by the word prison, it

    is only a linguistic construction. As we digress

    from the severity of the word prison to less

    abominable names such as bondage, the concept

    of slavery morphs into more agreeableconfinement. The modality of enslavement

    changes with the words used to represent it.

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    Purely tectonic barriers utilized in correctionfacilities morph into apparatuses less physical in

    substance. Even words like obligation and

    commitment imply slavery. Its just that the

    shackles used to coerce its victim into

    subservience are more covert binding devices. The

    more tectonic the chains, the more we know weare slaves. As prison chains transform

    linguistically into dutiful determinism, the

    sanctions imposed on our freedoms become more

    self-generated.

    This is what I suspect is meant by the termsalvation. Knowing the consequences of our own

    self-impositions and deciding how to define

    imprisonment. It is the method of escaping our

    self that must be cultivated. Allowing our shapes

    to fit properly and discovering the very nature of

    the institutional wardens holding us against our

    truth is crucial. Salvation is the genuine

    acquisition of knowledge so primal that ignorance,

    preventing us from jumping in the river that flows

    with Reality, dissipates.

    Comparable to the art of the samurai swordsmith,

    acquiring salvation is never perfected onlypracticed. The craft undertaken is where

    exaltation is found. The practice of our life is a

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    forging process requiring attention and respect forthe forces at work. We can neutralize opposing

    forces by mobilizing the beneficial forces of craft.

    When any action is performed repetitiously

    enough to transcend monotony, meditation

    generates craft. Carving a piece of wood or

    striking a golf ball countless times on a rangeindulges a sense of unity, taming our anxieties. We

    find willingness to let go. No longer trying to be,

    we just are. Saved from obsolescence.

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    READ | CRAFT

    Not all monotonous action translates into

    meditation, however. Voluntary cooperation, not

    a reward, is necessary as primary motivation.

    Rewards are used to appease ambition. In thisway, ambition is antithetical to craft. Rewarding

    behavior is a means to distract us from

    communicating with Reality. There is no Real

    connection between goals and rewards. The

    stimulation used to procure anticipated treasures

    is superficial. Superficiality is a dangerously

    binding contract, one that may require excessive

    litigation to annul. Therefore, we can never free

    ourselves from the bondage created by ambition.

    This lack of connection is the major distinction

    between reward behavior and craft behavior.

    Prestige, money, fame, sex are all parts of a

    sophisticated plan meant to mis-form the Real.

    So, again, we see that the Real is its own enemy.

    It must continually refine the search for itself.

    Even if we are fortunate enough to find craft that

    excites true passion, we must still be weary of

    what lurks in the shadows. Extremely vulnerableto false passion trails, the intellect, built upon its

    own evolution, yearns for identity encapsulation.

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    This is why we latch on to "objects" of ouraffection. To say, "I am passionate about music,"

    is insecurity embodied by hope in a purported life

    craft. Filled with doubt, hiding behind these

    identities, we are scared that our fraudulent selves

    will betray us.

    Individuals spend their entire lives building

    fortresses to ward off doubt. Doubt is a powerful

    agent of construction. Promulgation of the self

    results from the monuments we build to honor

    the self's projection. As the promulgating

    campaigns garner more attention, deeper thedoubt burrows into our being. Always on the

    fragile brink, catastrophe inches closer with each

    additional brick. Craft is the anecdote to

    catastrophe. By practicing craft, our life starts to

    craft itself. The Real flourishes.

    As a blank canvas, Reality paints its beauty. Living

    through craft, the consciousness wanes as we

    transcend the limiting mechanisms of

    understanding. The intellect is no longer relevant.

    The future no longer exists when nowhere is our

    destination. Surprisingly, the escape is not a

    departure but an arrival. Here we find an eerilyfamiliar freedom. The prison of enumerable

    temptations once holding us captive is still present

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    but operating differently. No longer is there aslave/master dynamic to contend with. This is

    more like a fluid/form dichotomy. In this

    intermediary state, we broker viscosity and its

    restriction to flow. The perfectly fluid automaton

    allows its own uninhibited form. Limits and laws

    govern our shape no longer. This is not freedom.This is beauty. Revealed by craft, this beauty is

    the Real aesthetic.

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    AGE | AESTHETIC

    Is it how we see or what we see that is beautiful?

    Neither. It is more primitive and irreducible than

    can be captured by any intellectual system. The

    experience of beauty is un-objectifiable. It existsbeyond our self. Due to an inextricable link to

    what is sacred, beauty transcends relationships

    between forms. As we venture away from

    sacrality, experience becomes more profane.

    These are two polar extremes providing an

    aesthetic dynamo. Both poles acting in

    conjunction as a beauty battery also mark out the

    boundaries between adjoining aesthetic ages. Any

    particular age is a macro-form of matter governing

    our actions in the aesthetic realm. The current

    Genetic Age is sandwiched between the Tectonic

    Age and Linguistic Age. We can only know where

    we came from (Tectonic Age) and where we areheaded (Linguistic Age). Before or after the

    adjoining ages, characteristics of beauty are

    unknown. Within each age, there is a scale of

    aesthetics ranging from both extremes, sacred and

    profane. Once only a virtual sponge, the age

    existing between two poles begins to soak upforms. As the number of forms increase, level of

    profanity increases approaching a critical

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    saturation threshold. Sacrality becomes lessabundant and resembles Reality less and less.

    Nearing the inevitable bifurcation where a new

    age of aesthetics emerges, nostalgia is substituted

    in place of sacrality to ease the transition.

    Each of the two polar extremes exists as bothsacred and profane depending on the current age

    and the direction from which it is approached.

    What is considered absolutely profane in one age

    transforms into absolute sacrality at the time of

    bifurcation. The new age finds beauty in what the

    preceding age sees as ugly. While we can neverknow the exact moment of bifurcation, its

    consequences make us aware to its happening.

    Through examination of what is held sacred in our

    current age, we can trace the transition back to its

    origin. The phenomenal sunset is one such clue.

    Experiencing a sunset unleashes primitive sacrality

    upon our being. No longer do we feel

    disconnected with our environment and its

    surrounding truth. We are not in our environment

    but realize that we are our environment. This is

    the sacred truth of where we come from. This

    understanding of the sacred in our current GeneticAge allows us to extrapolate assumptions about

    the prior Tectonic Age. This preceding age must

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    have found utter profanity in the sunsetexperience. The same beauty we see in the sunset

    was seen as ugly. This ugliness in the universe

    eventually resulted in the age shift. The increasing

    level of profanity within the sunset and everything

    else surpassed the saturation threshold. The

    Tectonic Age evolved into the Genetic Age. Atonce, the sunset no longer contained ugliness. It

    is now a link to Reality for the Genetic Age

    formations. As an artifact of our historicity, the

    sunset is now extremely beautiful.

    Another beautiful experience is sex. As an act ofsupreme regeneration of life, the sacrality in

    sexual reproduction is profound. This, however,

    will not always be the case. As the need for sex

    becomes obsolete, so will its sacrality. It is

    absorbing profane qualities constantly along a

    common trajectory. From its sacred origins as a

    generator of life to a profane sophisticated

    manipulator, its trajectory is becoming evident.

    Tracking this trajectory can help predict an age

    shifting bifurcation.

    From scantily-clad models to subtle instigations by

    advertising firms to brand products, sex could bean indication of a critical saturation in profanity.

    Everything that is sacred and Real transforms into

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    cultural representation. With enough power andenergetic influx into this aesthetic system, the

    threshold will be crossed into the Linguistic Age

    where subliminal sexual innuendos are held as

    absolutely sacred. All that will be left is an

    undeniable nostalgia for the Genetic Age where

    sunsets were beautiful, not the pervertedphotographs of them. It may be hard to imagine

    an age when pornography is esteemed as

    monumentally sacred enjoyed for its spiritual

    awakenings. If the evidence supporting this

    trajectory is accurate, this is where we are

    headed. Once this new age is reached, we willknow no different. This reaction to our new

    sacrality will be organically visceral. Just as

    impossible it is to imagine an age where sunsets

    are considered profane, it will be impossible for

    whatever receptive entity existing in the coming

    Linguistic Age to imagine how pornography and

    consumer manipulation could once have been

    considered anything but absolutely sacred. The

    ones to receive these aesthetic codes know only

    beauty by its affects, not its method.

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    CODE | ANALOG

    Whether these receptive entities are human or

    something yet to exist, there seems to be a digital

    mapping in the works. The values of sacred and

    profane may just be the 0's and 1's for which some

    universal code is being written. If we are not

    already, we may become robotic code readers

    processing aesthetic informations. As a result of

    our processing, higher level forms of Reality

    emerge to tackle larger codes. These codes being

    written are not digital, however. Strictly material

    in origin, these codes are substantially analog. All

    we can do is decipher them.

    When speaking of analog and digital, we must

    understand their relationship in regards to matter.

    Analog and digital are often viewed as oppositemethodologies. This is not entirely accurate.

    While digital and analog methods do differ

    significantly in technological and industrial

    applications, the two are not diametrically

    opposed. In fact, digital is just a product of

    analog. Analog is a way of classifying matter intointervals of value. Matter generates its own

    threshold boundaries by its internal parameters

    and structuring diagram, whatever that may be. A

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    digital system is just the representation of thesevalues using abstract categorizing placeholders

    based on given indexical rules. The binary system,

    utilized by computers, is one such example.

    Computers use the two binary digits, 0 and 1, as

    indicators for the corresponding physical states offand on. Using predefined intervals, these digits

    concentrate amounts of energy into single

    codexical triggers. The code triggers physical

    switches to shut, completing the circuit, or stay

    open, killing the circuit. All of these localized

    switches perform a symphony of motion in orderto arrive at some particular computational output.

    This is fueled materially by a flow of electrons

    through transistors. Certain measurements of

    energy, such as voltage, are cataloged into these

    predefined intervals. Each interval is given either

    a 0 or 1 based on the operational needs of the

    computer hardware. The digits become the

    language we use to interact with this materially

    energetic field. The flow of electrons provides

    digital programs the energetic field necessary to

    fulfill its organizing schema. This electronic flow

    along with our ability to modulate energy using a

    series of valves is an analog process. Digitalprograms are spawned from this process to allow

    us to interface with matter. A digital program is

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    not some entirely different entity. Digital is just amore linguistic form of matter emerging to

    facilitate and stabilize its own evolution. The

    more of these digits that enter the equation, the

    more complex digital structures seem. Linguistic

    evolution complexifies digital systems and appears

    to exist as some new form of Reality. This is anillusion. Regardless of how complex digital

    systems become with the advancement in

    computer architecture, it still comes down to

    matter and our ability to regulate its flow.

    Analog and digital systems are not exclusive toindustrial applications. The presence of their

    relationship is noticeable in something much more

    personal than technological gadgets. Our own

    bodies exhibit analog/digital dynamics. The

    prevailing theory regarding the growth and

    development of an organism assumes the

    presence of some sort of code found inside the

    DNA structure. This code is said to be a blueprint

    providing a sort of instruction manual for

    assembly. Using proteins made of specific

    combinations of amino acids along with this

    magical DNA coding device, our bodies build

    themselves by following a digitized algorithm.While the accuracy of this theory is not under

    assault, it is not complete. It is too digital in its

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    appearance. The question, then, is not if the codeexists but what is it really made of? Since there is

    sufficient evidence to support the existence of this

    process as a biological fact, there needs to be a

    different approach to overcome established bias.

    How do our bodies exist outside of ourselves andread a code for its own assembly? It seems purely

    ideological and somewhat mystical to assume that

    ephemeral codes can be foundationally

    responsible for life. To understand the code and

    its substance, the origin of its digitality must be

    uncovered.

    This is no small feat. Perhaps, this is the

    fundamental direction biological investigation will

    take in the coming decades. Already, there is

    exciting theories being put forth that may help

    bridge this analog-digital gap. Just as binary digits

    in a computer program act as an interface,

    perhaps the genetic code is a sort of interfacing

    agent matter uses to communicate with its forms.

    As already established, there must be an analog

    base that spawns its digitized representation. This

    is exactly what has been purported by scientists

    studying embryogenesis. Instead of relying on ahighly abstract digital coding explanation of

    organism development, these scientists dig

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    deeper and find truth in purely material analogcoding. Evidence supporting this new theory

    suggests that there is an actual analog code

    embedded within the flesh of our bodies.

    Processes of development are organized through a

    series of folding prescribed by textural mappings

    found on the inside walls of cellular membranes.Folding, a universal shaping mechanism, has been

    shown as a possible cause explaining a variety of

    forms of life regardless of specie type. A toroidal

    membrane emerges as the isomorphic shape

    found within subsequent nestings of several

    iterations of the process. A torus, the necessaryshape governing the matter, is responsible for the

    self-organizing capabilities of embryogenesis.

    Materially imbued with the diagram of growing a

    life form, the flesh is its own creator.

    Without delving further into the fascinating

    details, the self-forming potential exhibited by

    toroidal membranes suggests that a creator is not

    needed for life to flourish. Flows of energy within

    a material field supply internal logic to not only

    form its present state but also provide

    opportunities for novelty under unpredictable

    circumstances. Following the textural (notrepresentational) map Reality can propagate

    organically. When maps are devoid of digital

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    artificiality, they become the territory beingmapped. In this case, the analog topography

    along the membrane walls, mapping the folding

    process, is the Real territory of life. Analog coding

    of this nature is not a new phenomenon. It is

    ubiquitous throughout Reality. The codes are

    simply causes of unplanned outcomes. Since theoutcomes cannot be planned, there is no reason

    to assume the codes are pre-meditated. Even to

    refer to them as written codes is misleading.

    These are not retroactive interactions with the

    past. Instead, these codes use an apparatus

    provided by previous discarded codes in anongoing writing process. Regeneration of material

    forms allows a present full of potential.

    Take for example the TV series, The Price is Right.

    Plinko, a popular game using a board with an array

    of metal pegs, is one such material field formed as

    a potential outlet for analog coding. The metal

    pegs work in association with variable forces to

    formulate novel coding existent on the verge of

    the present. Air friction, gravity, player's whim,

    etc., all contribute to the coding synthesis of an

    event. The final resting state of the Plinko disk is

    the most anticipated of these events. Thisoutcome dictates how much money the

    contestant wins for participating in the writing of

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    the code. Good luckmay just be another means ofexpressing that a code has been successfully read.

    As we allow ourselves to become more natural

    code-readers, we become sharpened tools for

    Reality to work with. Refining the tools we

    become afford us new message decoding

    opportunities.

    Extending this metaphor a step further, suppose

    that there are higher order assemblages using

    these tools (our self) to craft their own Reality.

    Just as a craftsman uses a hammer to fulfill a

    purpose, these assemblages use us and ourcreations for some higher level purpose. All of

    what we do, all of what we create are just layered

    chunks of codes fractally dispersed throughout our

    datascapes. The buildings we build and the

    movies we make are examples of a higher level

    language comprised of syntax and meanings we

    can never comprehend. While the yearning to

    learn this systemic language is present, all we can

    hope to achieve is successful readings of the codes

    we have been equipped to untangle. The more

    fluid and less viscous we are as actors in this giant

    codex theater, the closer we get to selfhood.

    The purpose intertwined in selfhood has not been

    written. It is not a static code. Actually, it is in the

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    process of being written and ever-changing. In itsnaked state, the truth shows us that we are

    writers just as we are readers of this code.

    Discovering how to read and write simultaneously

    removes certain filters that distort Reality and its

    underlying truth. Removing these filters reveals a

    more sincere form of purpose, one that can onlybe reserved as a revelation. One strange

    characteristic with any revelation is the

    requirement of a finite duration. Time, as an

    ultimate parameter, affords relevance to ultimate

    purpose. Such a finite parameter is exhibited

    beautifully in an all too familiar eventuality.Acting as both motivator and contextualizer, death

    becomes an integral piece of the code. It is a

    peculiar piece that has the capacity to complete

    its own form.

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    73

    VIA | DEATH

    No critical thinking must be undertaken to figure

    out why this verse was planned as the last in my

    song. Aptly named, this concluding verse unites

    this brief survey of ethical anecdotes. Intended toinspire further thought, the original intent was

    mapped out using key ideas I felt closest to.

    Identity, selfhood, representation, materialism

    were some of the parameters used to focus and

    complete activity. While it may be true that

    nothing is ever complete, there do exist moments

    of rest offering opportunities to enjoy reflection.

    Fulfilling this promise to myself, I feel satisfaction

    in my ability to stay the course. Whether or not I

    have actually said anything useful is not for me to

    dwell on. There are an infinitely many ways to say

    something, but only one way to do it. The

    experience of doing is unique to the moment it isdone. That is as close to control as we can get.

    Ignoring this and seeking control through

    judgment narrows an already myopic vision. The

    longer we can suspend judgment, the bigger the

    picture we can see. Regardless of how the

    execution of this story will be perceived, capturingthese thoughts was more than anything, an

    exercise in living.

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    Through living we experience benchmarks alongthe way. Whether these are natural or artificial,

    they remind us of our finity. Artificial deadlines

    we impose on our duration serve as catalysts for

    action. These are the games within the game.

    Without these temporal boundaries, nothing

    would be the only thing that is relevant. To avoidnothing as ultimate relevance, these parameters

    infuse our existence with meaning. This is the life

    I have known and with no other frame of

    reference, this is all I can know. Living a life of

    temporality, I must accept death with an utmost

    respect. It is our meaning. Without death, thereis no relevance. Life would cease to be potential.

    Just as this book was crafted under parameters,

    death provides the same impetus for life. As a

    fulfillment of life, death is a self-fulfilling

    prophecy. In many dialogues, a self-fulfilling

    prophecy is worthless. To me, there is nothing

    wrong with an attempt to fulfill the self. After all,

    this is what is strived for, right? The map of self-

    fulfillment only leads to such an ultimate truth if

    the map is the territory. It must be this way.

    I could have quit after writing the totem, Real isInformation. That is all that needs to be said, if

    anything. Everything to follow is an attempt to

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    75

    confirm this statement. Needless to say, I didntstop there. I must continue on in an effort to

    eliminate uncertainty. I am just a form of Reality

    that abides by this principle of uncertainty. The

    urge to go on thinking, experiencing, and living

    until I die is a testament to the power of

    uncertainty. I will proceed with knowledge I haveknown all along. The same knowledge that has

    been known throughout history will always find

    novel outlets to be known eternally. Everything is

    really the same in some form or another.

    Communication of this self-fulfillment is realized in

    our own unique attempts at truth.

    To be afraid of death is to be afraid of life. If we

    are afraid of what we do not know, the truth in life

    escapes us. Suppose we already knew everything.

    How could fear exist? Only through uncertainty

    and its catalysis of all forms do we experience fear

    and its subsequent un-fulfillment. Death is the

    cipher that cracks the code. The word death may

    be too potent a sentiment, but there must be a

    reason for that. Perhaps, this death I speak of is

    not literal but some kind of allegory. Words have

    a secret life of their own that existing beyond our

    control. When unleashed, their power is limitless.We become victims to undeniable consequences.

    The words associated with death deserve the

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    same respect that the event itself has earned.Otherwise, our fear of death will shield us from

    salvation. Meanwhile, purpose remains locked

    away until death unlocks the door. Until this time,

    our life is un-acquired. We have not truly lived

    until we die.

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    Thriving at the seams of Reality's

    aperture, a battle wages on. Punic in its

    essence, lines of this battle draw an

    ominous mindscape. Once this mental

    imagery is witnessed, opportunity to

    concede vanishes. We must go all in at

    this point. For the required payment

    must be made in full. No more bets to be

    hedged or portfolios to be diversified.

    The safety afforded by these risk-

    dispersing tactics is a beguiling refractor.

    Chimeras sparkle in the waters skewing

    our present vision. With astigmia, we

    catch only cartoon fish. Lacking

    substance, this diet of safety leads to

    susceptibility to future's venom.

    Ironically it was the future that so

    spurred the initial trappings of safety.

    To neutralize this cycle of deception,

    vision must terminate its relationship

    with our eyes. To lose sight is a small

    price to pay if we can keep our vision. It is

    better to be blind than to wear safety

    glasses.

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    79

    SPONTANEITY | GOD

    There is no denying the similarity or possible

    equality between God and the Real. God and Real

    are just names and may be used interchangably as

    long as the meaning isnt skewed by traditional

    ideas of God. If we are to allow the two terms

    such an equality, certain criteria must be met.

    God is not transcendental. What is Real allows

    nothing to transcend its operations. Reality is

    everything. To assume some possible

    transcendence would be in direct contradiction

    with our prima facie condition.

    God is not Creator. An entity known as creator

    implies a creator/created relationship.

    Hierarchical power structures form within this sort

    of system. Reality is a blob of happening. Any

    hierarchical levels attributed to reality are

    intellectual fabrications allowing us to capture

    knowledge. At times these can be helpful, but

    possibly misleading.

    God is not omniscient. Since the future does notexist, and the verge existing on the edge of the

    present disallows entire real-time knowledge of

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    the system, uncertainty cannot be vanquishedcompletely.

    God is made of the same stuff that we are made

    of. The Real or God works through us as much as

    we will allow. This does not require us to fold.

    This does not require us to kneel. Salvation is notcontingent on our submission. How can it? We

    are the same as God. We are God. We are Real.

    The understanding of ourselves and our

    relationship to the Reality within ourselves is the

    path to salvation.

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