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Front Range Contemporary Quilters Presents
Celebrating 20 Years of FRCQ
Monday, November 17, 2008 Socializing at 6:30pm
Business Meeting followed by Introduction of FRCQ Founders and
Past Presidents at 7pm Show‐and‐Tell at 7:45pm
Digital Image Show at 8:15pm
Westminster Recreation Center This will be a fun and exciting evening of meeting and greeting the original members of FRCQ, getting acquainted with the past presidents, and viewing their art work from 20 years ago and from to‐day. The digital image show will consist of the 129 entries submitted for the updated FRCQ portfo‐lio. The last 24 slides will be the pieces accepted into the portfolio. They will be shown along with commentary from Dr Sandra Sider, the portfolio ju‐ror. Our incoming president, Melody Randol, will host this part of the program. To ensure that a good time will be had by all, we will be treated to special snacks and a 20 year birthday cake. This will indeed be an extraordinary meeting!
Page 1 Bits and Pieces Newsletter
Bits and Pieces Newsletter — November 2008
2009 FRCQ Schedule January 19, 2009
Tony Ortega, www.tonyortega.net
February 16, 2009—Inside FRCQ “Art Quilt Composition”
Melody Randol, www.melodyquilts.com
March, 2009 "Who Says? Challenging Quilt Assumptions" Ellen Kochansky, www.ekochansky.com
April 20, 2009—Inside FRCQ
Diedre Adams, www.deidreadams.com
May, 2009 Eric Maisel , www.ericmaisel.com
June 15, 2009—Inside FRCQ “R U Ready 2 B an Artist?”
Christi Beckmann, www.freereinarts.com
July 20, 2009 Potluck and Demos
August 17, 2009—Inside FRCQ
Carol Krueger, www.carolkrueger.com
September, 2009 Artist Talk
Susan Shie, www.turtlemoon.com
October 19, 2009—Inside FRCQ Denise LaBadie, www.labadiefiberart.com
November 16 2009 Artist Talk—TBD
Bits and Pieces is the monthly newslet‐ter of the Front Range Contemporary Quilters. Submission of art quilt related articles from members is welcomed. These should be no more than 350‐400 words. The editor and the Board re‐serve the right to edit for length, con‐tent and space. Deadline for submis‐sions to the newsletter is the 19th of the month prior to the publication. Email or send articles and items for submission to the publication to: Kathy Keating 13237 Teller Lake Way Broomfield, CO 80020 303‐465‐0262 [email protected] Bits and Pieces is a benefit of member‐ship in Front Range Contemporary Quilters and is not available by sub‐scription. Membership in FRCQ is $30 per year, due and payable January 1 of each year. Dues may be sent to mem‐bership chair. Terise Harrington 2014 E. Stratford Court Highlands Ranch, CO 80126 Change of Address: Please notify membership chair, Terise Harrington, for any change of address. (303‐791‐2124) [email protected] Advertising Policy: Classes offered by members are printed for free in the section called “Member Classes”; business cards of members or businesses with services of interest to our members are printed for $5 per issue; ¼ page, $20.00 per issue; ½ page, $40.00 per issue; full page, $80.00 per issue. All advertising should be submitted along with payment to the newsletter editor by the deadline. 2007‐2009 Board Members President: Greg Katz 720‐851‐6736 ~ [email protected] Secretary: Mary Marchand Treasurer: Deidre Adams Members: Terise Harrington Exhibits: Melody Randol Programs: Marcia Christopher Workshops: Faye Anderson Newsletter: Kathy Keating Other Contacts Web site: Kathy Keating Inside FRCQ: Carol Ann Waugh Martha Dyckes Yahoo List: Jeanne Lounsbury
President’s Letter by Greg Katz
“If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or
far away.” ‐ Henry David Thoreau It has been an interesting few months politically to say the least. In addition, within our own community there has been a flutter of activity. We’ve had a call for entries for the show in southern Colorado and the opportunity to become a part of FRCQ’s new portfolio. In addition to the FRCQ opportunities, on the national scale we had the submission deadline for Quilt National. So why am bringing up these “juried” shows? I got to thinking about what it means for each of as artists to be validated for the work we create. It may seem like these opportunities are competitions but that’s not really the case. They are about telling a story. The juror in each show has a story they want to tell and that happens through the pieces they select. I really want to stress this point because if you don’t get accepted into a show it may seem like a personal rejection when in fact you just need to find the story that matches your art. Don’t get me wrong, I’m not saying that envy doesn’t enter the picture. I’m a realist and I understand that the green‐eyed monster can certainly have its way with me, leading me to those self‐deprecating remarks we’re told to avoid during show‐and‐tell. It’s human nature to want to be accepted. It’s human nature to want to be seen and heard. If you weren’t selected to be part of a juror’s story what will you do moving forward? How will you create your own story? Do you know the story you want to tell? Every day I have the opportunity to speak with artists across the country about the drummer they hear. When you become friends with the drummer in your heart, your art will reflect your vision, your creativity and your gifts. It’s important that each of us define “success”. Don’t rely on the dictionary or the resume of another artist. Sit, think, and feel what it means for you to be the success you are currently and the success you will become down the road. I’ve come to understand that I keep pace with my companions by sharing my love of art, my devotion to creativity and by sharing a world of possibility with each of you.
Greg Katz, FRCQ President www.gregkatz.com [email protected]
720‐851‐6736
Page 2 Bits and Pieces Newsletter
What’s Inside President’s Letter Page 2 Inside FRCQ Page 7 Member News Page 3 Exhibit Entry Forms Pages 8‐9 Renewal Form Page 4 Exhibit Opportunities Page 10 Book Review Page 6 If an FRCQ meeting is cancelled due to inclement weather, a notice will be posted on the website at www.artquilters.org
Member News
Several pieces from Angie Nordstrum's quilt series, See‐ing the Light, will be on exhibit in the Members Gallery at the Old Firehouse Art Center in Longmont November 14 ‐ December 20, 2008.
Linda Witte Henke's "Theotokos" and "Pieta" have been juried into Mary, Mary, Mary: Visions of Grace, an exhi‐bition at the Via Creativa Gallery in Virginia Beach, VA, which runs November 9, 2008 through January 9, 2009.
Members of the High Fiber Quilters invite you to visit their show at the Lafayette Library. The show runs Nov 1‐ Dec 5 at 775 W. Baseline Road in Lafayette. All are FRCQ members and they include Carolyn H. Anderson, Miriam Basart, Christi Beckmann, Becky Fellows, Barb Gardner, Judy Kurtz, Jeanne Lounsbury, Mary Mar‐chand, Nanci I. McCutcheon, and Bonnie Van Deursen.
Barb Gardner’s work titled "Blue Heaven" won a third place at the Lafayette Art Center Show. The show will be up through Oct 31 at the Lafayette Art Center, in the La‐fayette Library at 775 W. Baseline Road in Lafayette.
Regina Benson’s new dimensional discharge work, “Lakeside Morning”, was juried into Quit National ’09. The show will hang in Athens, Ohio, at the Dairy Barn Cultural Arts Center from May 23 ‐ Sept 7, 2009. Portions of the show will then travel and exhibit at other venues through 2011. Regina’s work, “Surround Sound”, part of QN ’07, remains on national tour and has already been purchased by an art collector in St. Louis, MO.
Joan Sowada has four pieces in the show called Beyond the Block, St. John's Episcopal church Boulder, CO, Oct. and Nov."Skating" was accepted into the PIQ Festival, Santa Clara, CA, Oct.16 ‐ 19. "Pink" will be in the AQA judged Show, Des Moines, IA, Oct. 8 ‐ 11. "Fresh Out‐look" is receiving a cash award at the IQA judged show, Houston, TX, Oct. 28 ‐ Nov. 2.
Linda Witte Henke's "Green Blades Rising" quartet was juried into a fine arts exhibition on display Oct 20‐30 at the Imago Dei Arts Center in Kansas City, KS. Henke's "Shadrach, Meshach, and Abednego" was juried into Arts of Courage, a SEEDS Fine Art exhibition that will run from Nov 29 through Jan 10 at the Crystal Cathedral, Garden Grove, CA. Two pieces of her work, "Theotokos" and "Promises," were selected for inclusion in the 2009 Christian Seasons Calendar; "Promises" will also appear on the cover (www.thechristiancalendar.com).
257 Active Members Please make the following changes, corrections and additions to your 2008 FRCQ Directory. Please change email address for:
Denise Labadie [email protected] Martha Dyckes [email protected]
Please change the following information for:
Ellen Guy 555 Harrison St. Denver, CO 80206 303‐579‐4960 [email protected]
Page 3 Bits and Pieces Newsletter
Membership
Altered Threads Works by Front Range Contemporary Quilters
Gala Opening Reception
November 19, 2008 5‐7 PM
Sangre de Cristo Arts Center 210 N. Sante Fe Avenue
Pueblo, Colorado www.sdc‐arts.org
I25 south, exit 98B, travel west one block and turn north onto Santa Fe Avenue.
The following FRCQ artists will be exhibiting:
Betsy Cannon, Vicki Carlson, Susan Crouse‐Kemp, Leah Dennison, Jo Fitsell, Barb Frey, Laurie Hill Gibb, Gwen Hatchette, Patty Hawkins, Patricia Joy, Kathy Keating, Carol Krueger, Phillippa Lack, Gay Lasher, Mary Jo Law‐rence, Mary Louise Learned, Claudia Martin, Lea McCo‐mas, Nanci McCutcheon, Ginger Munoz, Do Palma, Mary Quinn, Kit Robinson, Jan Routh, Louisa Smith, Joan So‐wada, Barbara Studenka, Anne Theobald, Heather Tho‐mas, Judith Trager, Anna Turek, Carol Watkins, Carol
Waugh, Charlotte Ziebarth.
Page 4 Bits and Pieces Newsletter
FRCQ MEMBERSHIP - 2009 DUES Time to renew your FRCQ membership so you can keep receiving our wonderful newsletter, be in the 2009 Directory, and be eligi‐ble for workshops and exhibits. Membership Dues is $30.00* per year. In order to be included in the 2009 FRCQ Membership Directory, we must receive your form and annual dues by: FEBRUARY 15, 2009. *EARLY BIRD SPECIAL: If you renew before January 1, 2009, membership dues are only $25.00! FRCQ is going GREEN. To do our part in helping the environment, the FRCQ newsletter will be emailed to you directly every month. So be sure and give us your current email address! Hard copy of the FRCQ newsletter will be available through 2009 for those who request it. To request a hard copy, check the box for hard copy only on the membership form. Please use the form below and include all information you would like to have in the FRCQ directory. If you have questions, call: Rebecca Fellows: 303‐530‐5642 or Email: [email protected]
2008 FRCQ MEMBERSHIP FORM
Please note: If you are a returning member and your current information is the same as the previous year, you can just fill in your name and write “SAME” on the 2009 membership form. FRCQ is going GREEN. The monthly FRCQ newsletter will be delivered directly to your email address!
Check here if you would like to receive a hard copy of the newsletter instead of a monthly email newsletter.
SEND TO: Date: ________________________ FRCQ C/O Rebecca Fellows DUES: $30 (Only $25 if Paid before 1 JAN 2009) 4575 Robinson PL Boulder, CO 80301 _____ CHECK _____ CASH RENEWING MEMBER:______ ____ I Would like to be a Mentor NEW MEMBER:______ ____ I Need a Mentor Name:__________________________________________________________________________________ Address:________________________________________________________________________________ City:_____________________________________________ State:_________ Zip Code:_______________ Home Phone: (_______)__________________ Work Phone: (____)_______________________ Email:_________________________________ Web Site:________________________________
A couple of weeks ago I was invited to the opening of a show by a group of artists who have banded together to shake up the art world. Their intention was to turn their support, encouragement and edu‐cation of one another into a feast for the eyes. Un‐common Cloth a group of textile artists who banded together through FRCQ decided to take their cama‐raderie beyond the studio and put it out for the world to see and appreciate. Before I speak about the show, I’d like to offer a big kudos to the mem‐bers of Uncommon Cloth: Susan Brooks, Lili Chris‐tensen, Lorri Flint, Barb Frey, Jeanne Gray, Mary Quinn, Sara Rockinger, and Joan Sowada. The artists decided to challenge themselves by first brainstorming ideas for themes and then selecting themes that would be translated into works of art. Whenever I attend exhibits I usually scan the room and then allow the attraction factor to draw me in to specific works of art. Having the work grouped by theme allows us as viewers to see the true meaning of interpretation. I think that’s one of the greatest gifts this group offers one another is the opportunity to find their voice and create art that reflects who they are and they walk in the world. The artists were all gracious hosts as they greeted guests. I spoke to most of the artists one‐on‐one and to my amazement (I have a lot of experience speaking to artists about their work), these artists were able to give voice to their art. They all had sto‐ries about each piece and for me when you pair a story with the art it brings the work to life! You could see the passion, the commitment to their per‐sonal process and their commitment to their collec‐tive consciousness as artists. That’s the power of a design group! The theme that expressed the diversity in the group is the Tree themed work. One of the reasons this grouping is so captivating is that every member of the group was represented in the display. Having the opportunity to see eight pieces and how each artist could stand out in a group of work is com‐mendable. Giving us, the viewer, the opportunity to
The Many Meanings of “Beyond the Block” by Greg Katz
Page 5 Bits and Pieces Newsletter
peak into their design process as a group invigorates creativity and proves that the group experience is both educational, challenging and a catalyst for fu‐ture work. I hope you get to see “Beyond the Block” at St. John’s Episcopal Church in Boulder because it pro‐vides a wealth of inspiration for anyone beginning their art career. It also punctuates the fact that no matter if you’re just beginning your life as an artist or walking this world as a “working artist” the sup‐port of others will push you beyond what you be‐lieve today is the border of your creativity. Thanks for the invite!
Design Explorations for the Creative Quilter Katie Pasquini Masopust
2008, C&T Publications, Lafayette CA I have long appreciated the quilts of Katie Pasquini Masopust, and have always admired how she changes her quilt styles so often — and with such success. Her newest book is just out and is stunning. Starting with a comprehensive discussion of color, fresh ways to approach composition, and the usual discussion of tools and supplies, it ends with con‐struction, and making patterns. The early part of the book has some nice and informative guides to layout styles, focal points, space, scale, and visual path‐ways, which are quite useful, especially for newcomers to art quilts. Through‐out the book you will get a great lesson on value changes by looking at the au‐thor’s own quilts. But the heart of this book is a series of ten explorations into design compo‐nents such as shape, line, repetition, and then different ways to develop designs using simple painting techniques. The exploration of shapes shows student design studies and then their final quilts, and discusses steps to follow to achieve a great design. Another chapter explores subject detail, where you are guided to focus in on an image using framing or cropping strips, tracing that isolated spot on a piece of acetate, then enlarging it to the size you want and making tem‐plates for your fabric. For each topic the class samples and their preliminary studies are terrific. One piece I like is based of the foam from waves crashing on a rock. An exploration of repetition proceeds similarly, and perhaps my favorite quilt is Katie’s Sedona Cactus, which is shown on the cover of the book and focuses on a blooming cactus. Enlarged and resized portions of the original image (Katie calls them cubes) form fractured mini quilts and surround the original image appliqué. She gives clear instructions throughout to step you through her design process. Painting on paper offers several fresh ways to approach design, and the quilts from these experiments are wonderful. The innovative quilts shown all through the book have sprung from very simple design methods. This is a beautifully illustrated and clearly written workbook to guide you to great quilt designs, and while some quilts are more intricate than others, there should be a few processes that interest you. I think her procedures can be adapted to fusing appliqué methods, which simplify some of the complex designs. What a terrific present to give or receive during the Holiday season.
FRCQ Book Review by Carolyn Anderson
Page 6 Bits and Pieces Newsletter
2009 FRCQ Exhibit Opportunity
The Connecting Threads Entry deadline: 20 Jan 2009
An FRCQ exhibit of 2 and 3‐dimensional wall quilts, diptychs, triptychs, wearable art and non‐functional 3‐dimensional fiber art
hosted by: The Longmont Museum, Longmont, Colorado (see entry form in this newsletter)
“The Agony and Ecstasy of Creating Art” Speaker: Patty Hawkins
Inside FRCQ, October 20, 2008 The making of art is an expression of passion for Patty Hawkins. The subject matter and ideas she ex‐plores reflect her love of the outdoors and the var‐ied landscape around her. She often begins with photographs of places or objects that interest her, and proceeds from that concrete beginning to ex‐amine and probe, producing something that reflects but doesn't imitate the landscape. She encouraged the audience to think about the photos they like to take and to acknowledge what these photos might tell about their deep interests and sources of inspi‐ration. Patty began her presentation with a series of images that showed the process she used to produce a wonderful quilt entitled Survivor. We all watched in fascination as she demonstrated how she began with a rough pencil sketch of a dying tree and worked her way to the finished product. The route to completion had many false starts and involved considerable experimentation with basic design, color, mood and contrast. Using hand‐dyed and silk‐screened fabrics she solved various aesthetic prob‐lems through constant struggling until she found the solution that resonated and satisfied. Patty is fascinated with trying different techniques and materials. Cheesecloth and tulle, bubble wrap and bits of plastic, corrugated cardboard and a vari‐ety of dyes are some basics for starters. She adds to these to include potato dextrin, bleach, pole wrap shabori and monoprinting to increase the wealth of creative opportunity. At the same time she searches for solutions that simplify, finding beauty in imper‐fection and inspiration from Wabi Sabi: The Art of Everyday Life. In addition to Survivor, Patty showed several other pieces she has completed, and many samples of works in progress. Outstanding among them is the
landscape she is working on as part of her new status as Artist in Residence for Larimer County. Her hand‐dyed fabrics bring depth and life to the moun‐tain range she depicts in a striking horizontal for‐mat. She encouraged us to try journal quilting, making small samples on a regular basis, to play with ideas and techniques and critique one Another’s work. One of the great joys of the creative process for Patty is learning from others and sharing what she has learned. We all benefitted from that sharing and left the meeting with heads spinning with new ideas, new techniques and renewed joy in the art that fabrics make possible. Thank you, Patty!
Inside FRCQ Program Review by Martha Dyckes
Page 7 Bits and Pieces Newsletter
2009 Workshop Schedule
February 27‐28
“Art Quilt Composition” Melody Randol, www.melodyquilts.com
March 17‐19
"Who Says? Challenging Quilt Assumptions" Ellen Kochansky, www.ekochansky.com
Location: TACtile center in Denver
May 15‐17 Eric Maisel , www.ericmaisel.com
Location TBD
September 24‐27 "Diary Painting for Quilts"
Susan Shiem www.turtlemoon.com High Peaks Camp in Estes
FRCQ 2009 — ”Connecting Threads” Exhibit Entry Form
***Please read all the fine print.*** SPECIFICATIONS
• Each quilt must have at least 2 layers held together by hand or machine quilting, embroidery, tying, etc.
• Diptychs, triptychs, framed, mounted, wearable art and 3‐dimensional works may be submitted. Glass is prohibited.
• The smallest dimension must be more than 12” but has no maximum size restriction.
• The work must be original and the result of independent or group effort. All entrants must be FRCQ members.
• All work must be completed within the last three years.
• Work submitted CANNOT have previously been displayed in any FRCQ exhibition.
• Each quilt must have a 4” top hanging sleeve or other sufficient means necessary for work to be hung on a wall.
• Labeled hanging slats are to be provided by the artist.
• 3 D work must be sufficiently sturdy for pedestal display.
• Artist name and contact information must be permanently attached to back of work.
• Quilt must be clean, in good condition, and delivered in a labeled cloth bag.
• Accepted work will be insured only while in Longmont Museum.
• Work may or may not be for sale. Longmont Museum will handle all sales and retain a 40% commission.
• All work must be displayed for the duration of the exhibit.
• Failure to meet the above conditions will disqualify the entrant. FEES & ELIGIBILITY Entrants may submit up to three entries and must be FRCQ members. Please submit diptychs and triptychs as one entry. The $25 entry fee is non‐refundable. HOW TO ENTER Please mail entry to Mary McCauley, 3617 Woodridge Road, Fort Collins, CO 805247. Entries must be postmarked no later than 9 March, 2009, and in‐clude:
Completed entry form with signature CD with images $25 check or money order payable to FRCQ
All entries must include digital images in JPEG (.jpg) format on CD‐ROM (which will not be returned). Submit 1 full and 1 detail image for each entry. Each image must be a MINIMUM of 1800 pixels on the longest side for jurying. However, note that the Longmont Museum will need some larger images for printed publicity. If you have larger images, up to 3000 pixels, use them for your submission so they can be considered for this purpose. Image file names must consist of your last name, the title of the quilt, and whether it is a full or detail image, separated by underscores, for each submis‐sion. Examples: lastname_title_full lastname_title_detail. Label your CD with your full name and the titles of each entry. NOTE: All communication for “Connecting Threads” (including notification of acceptance) will be done via email. For clarification or more information, please contact Mary McCauley, FRCQ Exhibits Chair, [email protected]
The Connecting Threads
Hosted by Longmont Museum Longmont, Colorado
Nov 28, 2009 – Feb 7, 2010
Artist’s Name____________________________________________ Address_________________________________________________ City/State/Zip____________________________________________ Phone (H)_____________________(W)_______________________ e‐mail__________________________________________________ Entry #1. Title____________________________________________ Year completed 2006 2007 2008 2009 Dimensions: W_______________H________________ Sale Price _______________________________________ Materials and Methods____________________________________ _______________________________________________________ _______________________________________________________ Entry #2. Title____________________________________________ Year completed 2006 2007 2008 2009 Dimensions: W_______________H___________________ Sale Price _______________________________________ Materials and Methods_____________________________________ ________________________________________________________ ________________________________________________________ Entry #3. Title____________________________________________ Year completed 2006 2007 2008 2009 Dimensions: W_______________H___________________ Sale Price _______________________________________ Materials and Methods_____________________________________ ________________________________________________________ _________________________________________________________ TIMELINE
I wish to enter the above items in “Connecting Threads” and agree to abide by the stated rules and decision of the juror. I grant FRCQ and Longmont Museum permission to copy and use photographic images of my work in the publicity and promotion of FRCQ and Longmont Museum and their activities. Signature________________________________________________ Date____________________________________________________
9 MARCH 2009 Last day for entry postmark 23 APRIL 2009 Notification sent to artists
21 SEPTEMBER 2009 Exhibit pieces collected at FRCQ meeting
28 NOV– 2 FEB 2010 Exhibit open to public
MARCH 2010 Exhibit pieces returned at FRCQ meeting
Page 8 Bits and Pieces Newsletter
FRCQ 2009 — “Colors of Life” Exhibit Entry Form
***Please read all the fine print.*** SPECIFICATIONS
• Each quilt must have at least 2 layers held together by hand or machine quilting, embroidery, tying, etc.
• Diptychs, triptychs, framed, mounted, and 3‐dimensional works may be submitted. Glass is prohibited.
• The smallest dimension must be more than 12” but has no maximum size restriction.
• The work must be original and the result of independent or group effort. All entrants must be FRCQ members.
• All work must be completed within the last three years.
• Work submitted CANNOT have previously been displayed in any FRCQ exhibition.
• Each quilt must have a 4” top hanging sleeve or other sufficient means necessary for work to be hung on a wall.
• Labeled hanging slats are to be provided by the artist.
• 3 D work must be sufficiently sturdy for pedestal display.
• Artist name and contact information must be permanently attached to back of work.
• Quilt must be clean, in good condition, and delivered in a labeled cloth bag.
• Accepted work will be insured for 65% value only while in Carnegie Arts Center.
• Work may or may not be for sale. Carnegie Arts Center will handle all sales and retain a 35% commission.
• All work must be displayed for the duration of the exhibit.
• Failure to meet the above conditions will disqualify the entrant. FEES & ELIGIBILITY Entrants may submit up to three entries and must be FRCQ members. Please submit diptychs and triptychs as one entry. The $25 entry fee is non‐refundable. HOW TO ENTER Please mail entry to Mary McCauley, 3617 Woodridge Road, Fort Collins, CO 805247. Entries must be postmarked no later than 20 January, 2009, and include:
Completed entry form with signature CD with images $25 check or money order payable to FRCQ
All entries must include digital images in JPEG (.jpg) format on CD‐ROM (which will not be returned). Submit 1 full and 1 detail image for each entry. Each image must be a MINIMUM of 1800 pixels on the longest side for jurying. However, note that the Carnegie Arts Center will need some larger images for printed publicity. If you have larger images, up to 3000 pixels, use them for your submission so they can be considered for this purpose. Image file names must consist of your last name, the title of the quilt, and whether it is a full or detail image, separated by underscores, for each submis‐sion. Examples: lastname_title_full.jpg lastname_title_detail.jpg Label your CD with your full name and the titles of each entry. NOTE: All communication for “Colors of Life” (including notification of accep‐tance) will be done via email. For clarification or more information, please contact Mary McCauley, FRCQ Exhibits Chair, [email protected]
Colors of Life: The Fiber Art of FRONT RANGE CONTEMPORARY QUILTERS
Hosted by CARNEGIE ARTS CENTER Juror: Jane Sauer, Thirteen Moons Gallery, Santa Fe, NM
Alliance, Nebraska May 19, 2009– June 29, 2009
Artist’s Name____________________________________________ Address_________________________________________________ City/State/Zip____________________________________________ Phone (H)_____________________(W)_______________________ e‐mail__________________________________________________ Entry #1. Title____________________________________________ Year completed 2006 2007 2008 2009 Dimensions: W_______________H________________ Sale Price _______________________________________ Materials and Methods____________________________________ _______________________________________________________ _______________________________________________________ Entry #2. Title____________________________________________ Year completed 2006 2007 2008 2009 Dimensions: W_______________H___________________ Sale Price _______________________________________ Materials and Methods_____________________________________ ________________________________________________________ ________________________________________________________ Entry #3. Title____________________________________________ Year completed 2006 2007 2008 2009 Dimensions: W_______________H___________________ Sale Price _______________________________________ Materials and Methods_____________________________________ ________________________________________________________ _________________________________________________________
TIMELINE I wish to enter the above items in “Colors of Life” and agree to abide by the stated rules and decision of the juror. I grant FRCQ and Carnegie Arts Center permission to copy and use photographic images of my work in the publicity and promotion of FRCQ and CAC and their activities. Signature________________________________________________ Date____________________________________________________
20 JAN 2009 Last day for entry postmark 28 FEB 2009 Notification sent to artists
16 MAR 2009 Exhibit pieces collected at FRCQ meeting
19 MAY-29 JUN 2009 Exhibit open to public
20 JUL 2009 Exhibit pieces returned at FRCQ meeting
Page 9 Bits and Pieces Newsletter
November 7, 2008 “Nothing New” Textile Center Minneapolis, MN www.textilecentermn.org December 1, 2008 “23rd Annual International Juried Show” Visual Arts Center of New Jersey Summit, NJ www.artcenternj.org January 4, 2009 “Art Quilting Studio” Stampington & Company new publication www.stampington.com January 5, 2009 “American Quilt Show and Competition” Paducah, KY www.americanquilter.com January 9, 2009 “Sacred Threads” Biennial Exhibition www.sacredthreadsquilts.com January 12, 2008 “Embracing Our Differences” Sarasota, Florida www.embracingourdifferences.org January 23, 2009 “ARTQUILTStransitions” Durham, NC‐several venues [email protected]
Exhibit Opportunities by Christi Beckmann
February 15, 2009 “Fantastic Fibers” Yeiser Art Center, Paducah, KY www.theyeiser.org February 15, 2009 “Fiber Celebration 2009” Loveland Museum, Loveland, CO www.fortnet.org/ncwg February 15, 2009 “The Lowertown Arts District Quilt Walk” Paducah, KY www.yeiserartcenter.org February 28, 2009 NCAR Community Art Program Boulder CO www.ucar.edu/outreach/art_gallery/calendar.html March 1, 2009 “Surface Matters” –SDA Members only Surface Design Association Conference Kansas City, MO www.surfacedesign.org March 1, 2009 “2009 Albuquerque Fiber Arts Fiesta” Albuquerque, NM www.fiberartsfiesta.org March 1, 2009 “Fourth European Quilt Triennal” Heidelberg, Germany www.heidelberg.de/museum
Page 10 Bits and Pieces Newsletter
March 15, 2009 “Boulder County Arts Alliance/Barnes & Noble Booksellers” Monthly Exhibit‐28th and Pearl St, Boul‐der Barnes & Noble Café www.bouldercountyarts.org March 15, 2009 “Interdependence” International Fiber Collaborative 30,000 leaves Project Big Springs International Park Huntsville, AL www.internationalfibercollaborative.com April 1, 2009 “Collage Mania” Call for Donations‐American Cancer Soci‐ety, On‐Line Fundraiser www.virginiaspiegel.com April 30, 2009 “Art Quilts Lowell” Brush Art Gallery Lowell, MA www.thebrush.org MULTIPLE DEADLINES ALTERED COUTURE Belle Armoire and Somerset Studio www.stampington.com SEW SOMERSET Somerset Studio, www.stampington.com ART IN EMBASSIES PROGRAM www.aiep.state.gov
2009 Exhibit Opportunity Colors of Life: Fiber Art of FRCQ
Entry deadline: 20 Jan 2009
An FRCQ exhibit of 2 and 3‐dimensional wall quilts, diptychs, triptychs, and non‐functional 3‐dimensional fiber art
hosted by: Carnegie Art Center, Alliance, Nebraska
(see entry form in this newsletter)
Page 11 Bits and Pieces Newsletter
FRCQ meetings are held at the
Westminster City Recreation Center 7:00 PM
2009 FRCQ SCHEDULE
January 19, 2009—Tony Ortega February 16, 2009 (Inside FRCQ) — Melody Randol March, 2009 — Ellen Kochansky April 20, 2009 (Inside FRCQ) — Diedre Adams May, 2009—Eric Maisel June 15, 2009 (Inside FRCQ) — Christi Beckmann July 20, 2009 —Potluck and Demos August 17, 2009 (Inside FRCQ) — Carol Krueger September, 2009 — Susan Shie October 19, 2009 (Inside FRCQ) — Denise LaBadie November 16 2009—TBD
NON-PROFIT ORG US POSTAGE PAID BROOMFIELD CO
PERMIT #135
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