Bibliographie d Anthropologie Visuelle2014

8/10/2019 Bibliographie d Anthropologie Visuelle2014

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Anthropologie visuelle 2013-2014

Bibliographie du sminaire de Jean Paul Colleyn

Alho, O. 1987, Ethnographic Film in Finland . Kalevala et traditions orales dumonde, Paris, Colloque international du CNRS, (d.).

Altleitner, H. and Leutner, D. 1996. Applying Standard Network Analysis toHypermedia Systems: Implications for Learning , The Journal of EducationalComputing Research, 14:3.

Arrt sur images. 2007. Photographie et anthropologie . Ethnologie franaise (1janvier 2007).

Aug, Marc et Colleyn Jean-Paul. 1990. Nkpiti : la rancune du prophte, Paris, Editions

de l'Ecole des Hautes Etudes en Sciences Sociales (coll. Anthropologie Visuelle). Aumont, Jacques (ed). 2000.La Mise en scne. Bruxelles, De Boeck Universit.

Aumont, Jacques, 1996. quoi pensent les films. Paris, Sguier.

Aumont, Jacques, Bergala, Alain., Marie, Michel et Vernet, Marc. 1983. Lesthtique dufilm.Paris Nathan

Aumont, Jacques. 1979, Montage Eisenstein. Paris, Albatros.

Aumont, Jacques. 1984. Vertov et la vue , Cinmas et Ralits(Universit de Saint &Etienne, CIEREC) Travaux XLI, p.23-42

Aumont, Jacques. 1988.LAnalyse des films(avec M. Marie). Paris, Fernand Nathan. Aumont, Jacques. 1989, 1995, LOeil interminable. Paris, Librairie Sguier.

Aumont, Jacques. 1990.Limage. Paris, Nathan.

Aumont, Jacques. 1992.Du visage au cinma, Paris, d. de l'toile.

Aumont, Jacques. 2001. Dictionnaire critique et thorique du cinma (avec M. Marie).Paris, Nathan.

Austin, John L. Feindre .Ecrits Philosophiques. Paris, Le Seuil.

Ayersman, D. 1996. Reviewing the Research on Hypermedia-Based Learning ,

Journal of Research on Computing in Education, Summer 28:4. Ba, A. 1999.Les tlspectateurs africains l'heure des satellites. De la case d'coute

la parabole, Paris, L'Harmattan (coll. Champs visuels).

Banks, Marcus & Morphy, Howard, eds. 1997. Rethinking Visual Anthropology. NewHaven: Yale University Press.

Banks, Marcus. 1997.Rethinking visual anthropology, Yale University Press.

Banks, Marcus. 2001. Visual Methods in Social Research , London - New Delhi,Thousand Oaks - Sage

Barbash, Ilisa. Taylor, Lucien. 1997. Cross-cultural Filmmaking : A handbook for

making documentary and ethnographic films and videos, Berkeley, University ofCalifornia Press.


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Barnouw, Erik. 1983 (1974). Documentary, A History of Non-Fiction Film. Oxford:Oxford University Press. Rev. ed. 1993.

Barsam, Richard Meram (ed). 1976. Nonfiction Film Theory and Criticism, A DuttonPaperback, New-York.

Barsam, Richard Meran. 1988. The Vision of Robert Flaherty: The Artist as Myth andFilmmaker. Bloomington : Indiana University Press.

Barthes Roland. 1980. La chambre claire. Notes sur la photographie. Paris. Le Seuil(Les Cahier du cinma).

Bateson, Gregory and Mead Margaret. 1942. Balinese Character : A PhotographicAnalysis, New York, Academy of Sciences, 278 p.

Baudrillard, Jean. 2003. La violence du mondial , in La violence du monde, Editionsdu Flin, Institut du Monde Arabe, Paris.

Baudry, Jean-Louis. 1975. Le dispositif .Psychanalyse et Cinma,n23.

Bazin, Andr. 1958-62. Quest-ce que le cinma?, Paris Ed du Cerf, 4 t. Ed condense en1975.

Bazin, L. Piault, M-H. 1983-84, Lieux dits : essai d'ethnologie visuelle en Occitanie,Montpellier, Association Languedocienne du film sociologique ethnologiquedocumentaire.

Becker Howard S. 2001. Sociologie visuelle, photographie documentaire etphotojournalisme , Communications, Volume 71, Nume!ro 1 : p. 333 351

Becker Howard. 1986.Doing Things Together: Selected Papers. Evanston. NorthwesternUniversity Press.

Bellour, Raymond. 1999.Lentre-image 2. Mots, images. Paris : P.O.L. Belting, Hans. 2004. Pour une anthropologie des images, Paris, Gallimard (coll. Le

temps des images).

Benson, Thomas W. and Carolyn Anderson. 1989. Reality Fictions: The Films ofFrederick Wiseman.Carbondale, IL: Southern Illinois University Press.

Bettetini, Gianfranco. 1984. Nanook of the North (R. Flaherty) : analyse de deuxsquences, in Travaux XLI: Cinmas et ralits, Centre Interdisciplinaire dEtude et deRecherches sur lExpression Contemporaine, Universit Saint-Etienne.

Biella, Paul. 1993 . The Design of Ethnographic Hypermedia in Anthropological

Film and Video in the 1990s, Jack R. Rollwagen (ed), The Institute, Inc. Biella, Paul. 1993. Beyond Ethnographic Film: Hypermedia and Scholarship', in

Anthropological Film and Video in the 1990s, Jack R. Rollwagen (ed.), The Institute, Inc.

Bonitzer, Pascal. 1976.Le regard et la voix. Recueil de textes parus dansLes Cahiers duCinma. 10/18

Bonitzer, Pascal. 1978. Dcadrages , Cahiers du Cinma, n284, janvier Bonitzer,Pascal. 1982. Le Champ aveugle, essai sur le cinma. Paris, Cahiers du Cinma-Gallimard.

Bordwell, David. 1985.Narration in the fiction film. Madison: University of Wisconsin

Press. Boukala, M. Laplantine, F. 2006. "Une certaine tendance des sciences sociales en


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France : le cinma msestim",Anthropologie et Socits, vol.30, n2.

Bourdieu, Pierre. 1965. Un art moyen : essai sur les usages sociaux de la photographie.Paris, ditions de Minuit.

Burch, Noel. 1986. Une praxis du cinma, Paris, Gallimard, Folio.

Cassetti, Francesco. 1984. Lapparition du rel, ou faire regarder, regarder ensemble,revoir, in Travaux XLI : Cinmas et ralits, Centre Interdisciplinaire dEtude et deRecherches sur lExpression Contemporaine, Universit Saint-Etienne.

Cassetti, Francesco. 1999. Les thories du cinma depuis 1945. Paris : Nathan.

Chalvon-Demersay, Sabine et Dominique Pasquier. 1986. De l'e!crit a" l'e!cran, Paris,Centre Georges Pompidou.

Chalvon-Demersay, Sabine et Dominique Pasquier. 1994. Mille sce!narios, une enqutesur l'imagination en temps de crise, Paris, Edition Me!tailie!.

Chion, Michel. 1982.La voix au cinma, Paris, Cahiers du cinma, 1982 (Essais)

Chion, Michel. 1985. Le son au cinma, Paris, Cahiers du cinma, (Essais)

Chion, Michel. 1988.La toile troue, Paris, Cahiers du cinma, (Essais)

Chion, Michel. 1990.L'audio-vision, Paris, Nathan Universit, (Fac. cinma)

Clair, J. 1989. Mduse : contribution une anthropologie des arts du visuel, Paris,Gallimard, coll. Connaissance de l'inconscient.

Clifford, James and Marcus, George. E. (eds). 1986. Writing Culture, University ofCalifornia Press.

Clifford, James. (ed). 1988. The Predicament of Culture, Harvard University Press.

Colin, Michel. 1984. Le statut logique du documentaire , in Travaux XLI : Cinmas etralits, Centre Interdisciplinaire dEtude et de Recherches sur lExpressionContemporaine, Universit Saint-Etienne

Collectif, 1982. Africa on film and videotape : 1960-1981 (a compendium of reviews),co-auteurs : Cancel, Robert Pflugrad, Diane Elkiss, T.H. Campbell, Amie, Wiley DavidS. (d.). East Lansing : The African Studies Center, Michigan State University.

Collectif, 1988,Les nouveaux enjeux de l'anthropologie : autour de Georges Balandier,Bruxelles, Institut de Sociologie, Universit Libre de Bruxelles, in Revue de l'Institut de

Sociologie. 3-4. Collectif, 1993. Cinma, rites et mythes contemporains : montrer, ne pas montrer,

Paris, Ecole Pratique des Hautes Etudes, in Sciences Religieuses, revue annuelle del'Ecole Pratique des Hautes Etudes.

Collectif, 2006. Medias visuels et femmes en Afrique de l'ouest, Werner, J-F. (d.),Paris, L'Harmattan, (coll. Logiques sociales. Etudes culturelles).

Colleyn Jean Paul. 1990. Manires et matires du cinma anthropologique , Cahiersd'tudes africaines, Volume 30, Numro 117, p. 101 116

Colleyn Jean Paul. 1999. L'image d'une calebasse n'a pas le got de la bire de mil.

L'anthropologie visuelle comme pratique discursive ,Rseaux, Volume 17, Numro 94 :pp. 19 47


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Colleyn, Jean Paul. 1988a. Les chemins de Nya : Culte de possession au Mali, Paris,EHESS.

Colleyn, Jean Paul. 1988b. "Anthropologie visuelle et tudes africaines", Manding :Cahiers d'Etudes africaines, vol.28 (3/4), n111-112.

Colleyn, Jean Paul. 1992. "Or, barrages et vide!os", Cahiers d'E

!tudes africaines, N125.

Colleyn, Jean Paul. 1992b. Demain le cinma ethnographique, avec Catherine DeClippel, CinmAction, Paris, n64, 202 p. Prambule, 6-11 ; Il faut dcloisonner legenre , 26-39 ; Jean Rouch, 54 ans sans trpied , Entretien avec Jean Rouch, 40-50 ; Luniversitaire, le journaliste et le grand public , 112-116.

Colleyn, Jean Paul. 1993a. Le regard documentaire, Paris, Centre Pompidou (coll.Supple!mentaires). Epuis

Colleyn, Jean Paul. 1993b."De la me!thode d'enqute a"l'e!dition audio-visuelle", inImagesdAfrique et sciences sociales. Actes du colloque de Ouagadougou, M. Fie!loux et al.(Eds), Paris, Karthala-Orstom.

Colleyn, Jean Paul. 2002.lments d'anthropologie sociale et culturelle, Bruxelles, d.de l'Universit Libre de Bruxelles, 2002 [7e d. revue et augmente, 1e d. 1979], 192 p.(Arguments et documents).

Colleyn, Jean Paul. 2004. "Jean Rouch, presque un homme sicle", LHomme, n171-172.

Colleyn, Jean Paul. 2004.LAnthropologie, avec Marc Aug, Paris, PUF, 135 p. (Quesais-je ?).

Colleyn, Jean Paul. 2005a. "Films on African Folklore" in African Folklore : AnEncyclopedia, P.M. Peek, (ed.), New York, London, Routledge.

Colleyn, Jean Paul. 2005b. "Jean Rouch : An Anthropologist Ahead of His Time",American Anthropologist, vol. 107(1).

Colleyn, Jean Paul. 2005c. "Fiction et fictions en anthropologie", LHomme, Paris,n175-176.

Colleyn, Jean Paul. 2007. La rencontre et la raison graphique ; Derzou Ouzala, AkiroKurozawa, 1975. in La rencontre, pp. 155-170 / Jacques Aumont (dir.), Cinmathquefranaise/ Presses universitaires de Rennes.

Colleyn, Jean Paul. 2008. Lieux et non-lieux de Marc Aug, avec Jean-Pierre Dozon,LHomme, numro thmatique Lanthropologie et le contemporain : autour de Marc

Aug, Paris, n185-186 :7-32.

Colleyn, Jean Paul. 2008. Rouch porte des yeux . Cahiers dtudes africainesn191 ; 586-605

Colleyn, Jean Paul. 2009. Images, signes, fe!tiches. A"propos de lart bamana (Mali) .Cahiers dE!tudes africaines, XLIX (3), 195, pp. 733-745.

Colleyn, Jean Paul. 2009. Photographie et exotisme. Saisir le temps d'Henri Cartier-Bresson. In Anne Cartier-Bresson & Jean-Pierre Montier (dir.), Revoir Henri Cartier-

Bresson, Paris : Textuel, coll. "L'criture photographique", 448 p.

Colleyn, Jean Paul (ed.). 2009. Jean Rouch. Cinma et anthropologie. Textes de Jean

Rouch, prface dEdgar Morin, d. Cahiers du cinma/INA, 220 pages, 30 ill.


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Colleyn, Jean Paul. 2010. La culture visuelle au sud du Sahara , Cahiers dtudesafricaines, L (2-3-4), 198-199-200, pp. 1055-1065.

Colleyn, Jean Paul. 2010. La fiction dans le cinma documentaire : Tentation ouhantise ? , Les Carnets du BAL / LImage-Document, Entre ralit et fiction, n1,octobre, Marseille, Images En Manuvres ditions, pp. 146-166.

Colleyn, Jean Paul. 2011. Corps, dcor et envers du dcor dans les vidos populairesafricaines , LHomme, Revue franaise d'anthropologie 198-199, avril-sept, Paris, Ed.de LEHESS, pp. 33-50.

Colleyn, Jean Paul. 2011. Les masques et le rapport linvisible In Arts dAfrique.Voir linvisible. Catalogue Exposition Arts dAfrique. Voir lInvisible , Bordeaux,Muse dAquitaine, 21 mars-31 aot 2011, Paris, Hazan, pp.19-21.

Colleyn, Jean Paul. 2011. Les masques, jeu et ralit (Afrique occidentale) , InMascarades et Carnavals, C Falgayrettes-Leveau & M Agier (dir.). Paris, FondationDapper : 63-96.

Colleyn, Jean Paul. 2012. Champ et hors champ de lanthropologie visuelle ,LHomme, n 203-204, n spcial Anthropologie dbut de sicle, pp. 457-480.

Colleyn, Jean Paul. 2012. Chassez la par la porte, elle rentrera par la fentre : lanotion de culture en anthropologie . In La culture et les sciences de lhomme. Undialogue avec Marshall Sahlins. Sous la direction dErwan Dianteill. Paris, ArchivesKarline, 83-92.

Collier John, 1967 (1986). Visual anthropology: Photography as a Research method.Albuquerque, University of New Mexico Press.

Collier, John. Jr. 1967. Visual Anthropology: Photography As a Research Method,

Albuquerque, University of New Mexico Press. Colloque de Ouagadougou, 1990.Images d'Afrique et sciences sociales : les pays Lobi,

Birifor et Dagara (Burkina-Faso, Cte-d'Ivoire et Ghana), Fieloux, M. Lombard, J.Kambou- Ferrand, J-M. (ds.), Paris, Karthala, ORSTOM, coll. Hommes et Socits,1993.

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Comolli, Annie. 1983. Les Gestes du savoir ou la dcouverte filmique desapprentissages, Nanterre, FRC - Paris X, (coll. Cinma et sciences humaines), deuximedition 1991 La Garenne-Colombes, ditions Publidix, ditions de lEspace Europen.

Comolli, Annie. 1986. "LApprentissage des rites : problmes de description filmique",Cinma, rites et mythes contemporains, 3.

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Anthropology (Harwood Academic Publishers), 6 (1).

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Comolli, Annie. 2005. Corps film, corps filmant (co-dir. avec Claudine de France),

Nanterre, FRC - Paris X (coll. Cinma et sciences humaines). Comolli, Annie. 2007.Limage documentaire : expriences et rflexions (co-dir. avec

Claudine de France), Nanterre, Universit Paris X-FRC, (coll. Cinma et scienceshumaines).

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Dall'Agnolo, D. Etterich, B. Gonseth, M-O. (ds.), 1991. Ethnofilm : katalog, beitrge,interviews = catalogue, rflexions, entretiens, Berne, Socit Suisse d'Ethnologie =Schweizerische Ethnologische Gesellschaft, coll. Ethnologica Helvetica 15.

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Ellen, R.F. 1984.Ethnographic research : a guide to general conduct, prface Firth. R.London- Orlando-San Diego, Academic Press (ASA Research Methods in SocialAnthropology).

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