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Beaux-Arts Classicism, 1885-1930
Ecole des Beaux-Arts (Paris, France)– American architects
Richard Morris Hunt, Louis Sullivan, H.H. Richardson, William Robert Ware, Charles Follen McKim, Bernard Maybeck, Julia Morgan, Thomas Hastings
Beaux-Arts principles: Composition and symmetry
Exuberance and projection
Julien Guadet codified the Beaux-Arts principles
a. Investigation of the proper expression for a building
b. Site location, climate always modify expression
c. Simply constructible compositions
d. Truthful architectural compositions-no shams
e. Perceivable visual strength in the structure
f. Easy admittance of air and light
g. Composition proceeds by necessary compromises
Beaux-ArtsCharacteristics
Porticos, pavilions, rich details
Grand stairways and vaulted interiors
Balustrades
Statuary and sculpture
Elaborated windows
Domes
1889-1897, Washington, D.C. Smithmeyer and Pelz
Return to Classicism
Reaction to the picturesque
Return to classicism during a time of change
Social upheaval and new immigrants
Return to the Colonial past and the search for order
Neoclassicism and the new American empire
Neoclassicism, 1895-1950Restrained classicism
Monumental scale: large columns and colossal porticos
Modern windows
Broad Street Station, Richmond, Va John Russell Pope, 1913
Albright-Knox Art Gallery,Buffalo, NY, 1905
Albright Gallery, Buffalo, NY, Edward Brodhead Green, 1905
Château Style, 1880-1910
Building in the manner of French Renaissance architecture of French country houses (châteaux) built in the Loire Valley
Cross windows (croisette)
Hip roof
Smooth surface
Tower with conical roof
Wall dormers