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Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

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Page 1: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Arts & Inclusive Learningmaking connections

Shaqe Kalaj and Kati Blair

Page 2: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Goals & Objectives

Inclusive, arts-Integration and arts instruction requires persistence and risk-taking.

Arts processes can serve as inclusive strategies and promote self-agency in students with and without disabilities.

Page 3: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

  • Moving our bodies• Making art • Reflecting on arts processes as inclusive

strategies• Creating next step plans 

What are we doing today?

Page 4: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

How can we identify barriers and look for

approaches that lead to success?

Page 5: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Ben Comen video http://www.appreciatelife.com/blog/ben

Page 6: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

What Characteristics did Ben have? 

What Barriers existed for Ben? 

How was he supported?

Page 7: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Discussion in small & large groups

• What are your barriers? What barriers exist for your students?

• What are your supports?

Page 8: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

How can we go beyond labels and create new perceptions?

Page 9: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

DisabilityBeing aware of the different forms of disabilities but then asking...

How can we look for abilities?

physical 

cognitive/mental

sensory 

emotional 

developmental 

Page 10: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Mary's Powerpoint

 

Page 11: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Take a Break

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Representation (The What)

The way information and content are presented

Page 13: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Learning Styles

Kinesthetic         How do you learn the best?

Visual

Verbal

Hearing

Page 14: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Meyers Briggs How we process

Extrovert

The Outer world of Actions, Objects and Persons

Introvert

The Inner World of Concepts and Ideas

Page 15: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Meyers Briggs How we judge or make decisions

Thinking

need order

Feeling

need approval & support

Page 16: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Students become objects and a neanderthal at a burial based on text from class. 

Page 17: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Accessing Students previous knowledge about their surroundings.Lesson was based on a poem about a Bag Lady in Detroit

Page 18: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Tableaus of Text

• Groups silently read the student writing.• Discuss the information that was read.• Plan a tableau that communicates the main idea of the

text.• Create a Tableau for your excerpt. • Plan a title for your Tableau• Plan 5 - 6 words that communicate the meaning of your

tableau.• Rehearse reciting the title and words while fixed in your

tableau• Share your tableau with the other groups.

Page 19: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

What do you notice?

What do you see that prompts you say that?

Page 20: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Reflection on Representation

Review your UDL lens provided before the start of the lesson.

Was the UDL item achieved during the activity? 

Discuss with your small group.

Page 21: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Time for Lunch

Page 22: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Expression (The How)How can we initiate an art experience that leads into expression that is unique to the individual?

How students act on and express what they know?

Page 23: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Betty Edwards Method

A step-by-step process that allows you to see the parts as a whole.

Page 24: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Visual Thinking Strategies

What do you see?

Why do you see that makes you say that?

What more can we find?

Page 25: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

What do you see?

Page 26: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Adaptive tools & strategies that meet physical needs

Page 27: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Creativity in adapting

More physical adaptive tools

What about tearing?

Page 28: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Tracing

Adaptive tools & strategies that meet Cognitive / Emotional / Mental needs

Page 29: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Approach using Style

Expressionism

Realism

Outsider Art

Page 30: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Reflection on Action & Expression

Review your UDL lens provided before the start of the lesson.

Was the UDL item achieved during the activity? 

Discuss with your small group.

Page 31: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Take a Break

Page 32: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Engagement (The Why)How do the arts support an attitude of engagement?

Stimulate interest and motivation in learning

Page 33: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Evolution of one student

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Page 36: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Musical Art Chairs

1. As soon as music plays you draw continuously

2. If you are unsure what to draw, makes shapes or lines

3. When music stops, you stop drawing

4. Pass your drawing to the right

5. When music starts up again, draw continuously until music stops.

6. Repeat process

Page 37: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Reflection for Engagement

Review your UDL lens provided before the start of the lesson. 

Was the UDL item achieved during the activity? 

Discuss with your small group.

Page 38: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Take a Break

Page 39: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

Next Steps

Engagement: In what ways can you build in varying levels of challenge? Reflection? Goal setting?

Expression & Action: Describe some materials and processes that will provide opportunities for varied expression. Adaptive Tools?

Representation: How can you present content in multiple ways, auditory, visually or kinesthetically?

What kind of resources and support can you find in your community?

Page 40: Arts & Inclusive Learning making connections Shaqe Kalaj and Kati Blair

www.vsaarts.org

http://artandudl.blogspot.com/

http://www.cast.org/

http://www.udlcenter.org/

Resources