Art Center Annual Report 2010-11

Dear Friends,

In recent months you have probably heard about many extraordinary changes taking place at Art Center. From the launch of our community-created strategic plan for 2011–2016, to the development of new leading-edge degree programs, to the purchase of a new property that will double the size of South Campus (see page 38 for the complete story), the progress we are making in re-imagining Art Center for future generations represents a pivotal moment in our history.

In this issue of Dot, I’m delighted to be able to introduce yet another change—the inclusion of the Art Center Annual Report, which will now appear in the first magazine of each calendar year.

Why this new addition? Because as we prepare to seize new opportunities that will advance our mission, it is of utmost importance that we understand our strengths. On the surface, annual reports are about numbers—from a summary of audited financial statements to endowment market value to total philanthropic support—but reflected in these numbers is a human story about our students’ growth and their efforts to improve lives and empower communities. It is this story that reminds us of the value of the work we do, and encourages us as we look to the future to do it even better.

Total philanthropy for fiscal year 2010-2011, the best we have seen in three years, aligns with a range of milestones that are quickly reshaping the landscape of Art Center. Becoming the preeminent college for art and design in the 21st century will, however, require the ongoing dedication of the entire Art Center community—trustees, alumni, faculty, staff, families and friends alike. Gifts of every size are helping us realize our vision, and all of us at the College are profoundly grateful for your support. We hope you will be inspired by what you read here, and recognize the very real ways you are making a difference. Because of your commitment, the future of Art Center has never looked brighter.

Robert C. Davidson, Jr.ChairmanArt Center College of Design Board of Trustees

Annual Report 2010–11

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ANNUAL REPORT 2010–11

Annual Report2010–11

Six Art Center Milestones and what they mean for the Future of the College “Invigorating and transformative.” That’s how President Lorne M. Buchman recently described Art Center’s accom-plishments of fiscal year 2010–2011. During the period starting July 1, 2010, and ending June 30, 2011, the College saw growth in private giving for the second year in a row. Moreover, FY2011 set the stage for even greater achieve-ments to come as Art Center re-imagines itself as the world’s leading college for art and design. We chose six milestones and asked a different person from the College community to talk about what one of them means to him or her—and to the future success and relevance of Art Center in the 21st century.

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CompletedThe “80 for 80” Scholarship Initiative

FY2011 was a banner year for new student support at Art Center. As part of the College’s 80th anniversary in 2010, Art Center launched the “80 for 80” Scholarship Initiative to raise $2 million for annual and endowed scholarships. Friends, alumni and other partners joined together to surpass that goal by 56 percent, for a total of more than $3 million

— the equivalent of 124 $25,000 scholarships.

“In 2011, I had the opportunity to meet regularly with Art Center’s Office of Development, and was pleased to discover the level of effort that went into looking for new scholarships. When I first heard of the ‘80 for 80’ Initiative, I was ex-cited to see our 80th anniversary being used to remind everyone in the Art Center community about what is really most important— the ability for students to attend a great college.

“Students want to be able to easily access a good education, and more scholarships allow that to happen. As president of Art Center Student Government, I would often hear stories about the financial chal-lenges that many students face. When I reported back to my fellow Student Government officers re-garding the success of ‘80 for 80,’ they were astounded. The Office of Development not only met their goal, they exceeded it. Initiatives like this provide hope for students in need, and assure us that the College is headed in the right direction.”

Erik Molano graphic design student, former Student Government president

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CreatedThe Designmatters Concentration

In FY2011, Art Center launched the Designmatters concentration, a new course of study offered to under-graduates wishing to focus on the use of art and design for meaningful social impact. From innovating design solutions to overcome water poverty in Peru to designing an art park to foster safe, artistic expression among at- risk teenagers in Pasadena, Art Center students can now declare the concentration during their third term.

BuiltThe Parsons Demonstration Shop

In FY2011 a generous grant from The Ralph M. Parsons Foundation created a new Demonstration Shop, where students from all majors are able to learn and apply skills such as woodworking, metal fabrication, vacuum forming, and plastic sheet fabrication. The shop is where many students now have their first experience working with power tools.

“Improving the lives of others is not just a part of governments or charitable organizations anymore. Every person has the opportunity to confront issues; the skills to understand, research, analyze and tackle conflict are an essential part of any education.

“Designmatters gives students at Art Center the opportunity to create innovative solutions to overcome challenges within our society by collaborating with people outside of one’s major and career path. Tackling real-world problems through Designmatters has given me a new passion to supplement the skills I have already acquired. Working with people from federal agencies and being exposed to their issues, capabilities and understanding, and learning to apply a designer’s research and knowledge to co-create strategic solutions, have been invaluable parts of my Art Center experience. These projects have permanently changed how I view myself as a designer. Designmatters is perma-nently changing our understanding of what a design school can do.”

Bianca Chin Fuchs graphic design student


“As Chair of the Advancement Committee, I was thrilled to be able to work closely with so many talented and thoughtful people in our Art Center community to create the strategic plan. Together we rolled up our sleeves and took on the complex task of examining the many interconnected questions surrounding the direction the College should take. In our first 80 years, Art Center has undoubtedly created an extraordinary educa-tional tradition. Yet, to remain relevant in today’s fast-changing world, we must strengthen our core values, adapt to change, and promote innovation at every level.

“Ultimately, we discovered that the strategic plan is not about any one program, initiative or building. It is about serving students. It is about providing them with the tools they need to succeed in their desired professions and in making our world a better place. It’s the reason that I and many others joined the Board of Trustees to begin with, and the reason I have found this year to be so personally rewarding. I am confident that we are strengthening Art Center in a way that will create leaders for decades to come.”

Judy Webb trustee, founder and president of Lothrop Ventures, Inc.

LaunchedThe Art Center Strategic Plan

If you’ve been paying atten-tion to goings-on at Art Center this past year, you’ve probably seen two words appear in our publications again and again: Create Change. It’s what the College faculty, staff, trustees and students named their collective new vision for 2011–2016. The plan’s three pillars—The Conservatory Spirit, Convening Diverse Communities & Disciplines, and New Spaces for Learn-ing—are aligning Art Center with the needs and aspira-tions of future generations of designers and artists.

“The Parsons Demonstration Shop is enhancing Art Center’s level of instruction, allowing us to provide students with greater knowledge and flexibility in the types of proj-ects they’re tackling in the early terms. When it is not in use as a classroom, Industrial Design and other students may use it as an additional shop and work space. The purchase of model-scale tools complements the current array of equipment we already have, and allows all students access to appropriate tools for their projects, regardless of major. The Parsons grant also funds upgrades to another classroom, and creates a clean space for our popular rapid prototyping equipment. At the end of the term the Shop also functions as an exhibit space for critiques.

“What does the Shop mean for the future of Art Center? Our ability to program this space for multiple uses acts as the perfect model for the kinds of multifunctional classrooms we are seeking to cre-ate in the remodel of the Ellwood building and the development of the South Campus. We are all very grateful to The Ralph M. Parsons Foundation for their generosity and for recognizing the far-reaching value of such a venture.”

Wendy Adest chair of the Integrated Studies Department

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EngagedGlobal Alumni Events with the President

Beginning in July 2010 and continuing through June 2011, Art Center President Lorne Buchman set off around the globe to meet with College alumni. His mission: to strengthen and invigorate relationships among alumni and the school, share the College’s new strategic plan, and create new opportunities for internships and for students abroad. He hosted events from Berlin to Portland, from Vevey to San Diego, affirm-ing at each step that alumni are one of Art Center’s most valuable assets.

“I liken my relationship with Art Center to a marriage. It requires unconditional dedication on both ends to make it work. Art Center enjoys its legendary reputation for fostering innovative designers and problem solvers due, in large part, to its commitment to alumni; and Lorne’s dedication to foster-ing this bond with the alumni network ensures that the school will continue to remain at the cut-ting edge of innovation.

“As one of Art Center’s (many) husbands, I must say it is essen-tial that we continue to grow and prosper together—we’ve always managed to keep it fresh. I’ve transitioned from a student taking an unconventional educational path, to a faculty member in the Transportation Design Department, to establishing a professional partnership between my company, Conscious Commuter Corporation, and the College’s Entrepreneurial Mentorship Initiative. Art Center has supported every level of engagement I’ve asked of it; and I continue to commit myself to Art Center because it continues its commitment to me.

“It’s the way a meaningful relation-ship works.”

Gabriel Wartofsky TRAN 09 cofounder of Conscious Commuter Corporation

ProgrammedLAYAR DAY L.A.

In May, augmented reality leader Layar sponsored a full day of space- and time-hacking at Art Center, consisting of a hands-on workshop teaching how to make augmented reality experiences on the Layar platform, and a symposium with visionaries in the field. Among the luminaries featured who are changing the way we view the world: Layar co-founder Maarten Lens-FitzGerald, Scott Fisher of USC’s School of Cinematic Arts, and Dutch artist Sander Veenhof.


Art Center College of Design’s strategic plan, “Create Change,” challenges us to be ever more nimble, strong and pur- poseful. It asks us to innovate, to adapt and to create. We have always done this exceptionally well. The challenge is to now do these things with a view toward broader outcomes and more ambitious goals. The accomplishments of the past year, as well as the bold initiatives we are undertaking for the future, are shaped by our understanding that, more than ever, education must be an effort that combines expertise from both inside and outside the institution, from the academic to the philanthropic, from the nonprofit to the corporate, working together as a team to create change that not one of us could fully imagine on our own.

Fred Fehlau provost

“Augmented reality is changing how people interact with informa-tion, artifacts and spaces, and how we navigate through life. It is challenging our perceptions and changing the very way we think about how to employ technology. LAYAR DAY L.A. provided Art Center students with an invaluable oppor-tunity to explore this fascinating area that is blurring the lines between what is real and what is computer-generated, and to meet and be inspired by the creative minds driving this field.

“The project also reflects the way Art Center is moving forward, where new boundaries are con-stantly being pushed. For the College to be at the center point of innovation, this is how it must continue to imagine itself—at the border between what we know and what we have yet to imagine.”

Karen Hofmann chair of the Product Design Department; director of the Color, Materials and Trends Exploration Laboratory

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Art Center College of Design Statement of Activities for the Year Ended June 30 (IN THOUSANDS)

Temporarily Permanently Unrestricted Restricted Net Restricted Net Net Assets Assets Assets Total

Operating RevenuesNet tuition and fees 60,622 60,622Private gifts and grants 404 1,670 1,263 3,337Investment and other income 716 716Sales and services of auxiliary enterprises 507 507Other sources 558 1,054 1,612Amounts released from restrictions 5,013 (4,426) (587)

Total revenues 67,820 (1,702) 676 66,794

Operating ExpensesEducation 44,642 44,642Student services 5,935 5,935Administration 8,413 8,413Advancement 2,606 2,606Auxiliary services 565 1,054 565

Total revenues 62,161 (1,702) 676 62,161

Increase (decrease) in net assets in operations 5,659 (1,702) 676 62,161

Other Changes in Net AssetsEndowment income 999 999Net change in actuarial obligations 46 46Net appreciation in fair value of investments 1,481 7,282 8,763Loss on interest rate swap (1) (1)Donor re-designation (41) 41 Other expenses (1,129) (1,129)

Increase in net assets from other changes 397 8,240 41 8,678

Increase in net assets 6,056 6,538 717 13,311

Net Assets at June 30, 2010 35,418 5,077 43,953 84,448

Net Assets at June 30, 2011 $ 41,474 $ 11,615 $ 44,670 $ 97,759

THE FAIR MARKET VALUE OF ART CENTER COLLEGE OF DESIGN’S ENDOWMENT ON JUNE 30, 2011 WAS $50,393,000.

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Gifts and Government Grants by Purpose

Gifts and Government Grants by Source

Gifts

Trustees $ 1,165,286 Alumni 218,434 Parents 24,700 Faculty / Staff / Administration 17,749 Other Individuals 272,756 Corporations 1,912,631 Foundations 952,812

$ 4,564,368 Government Grants 90,000

Total $ 4,654,368

ENDOWMENT

29% CURRENT EXPENDITURE

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Donor Honor Roll July 2010 – June 2011The support of our generous donors makes all that we do at Art Center possible. This honor roll acknowledges all contribu-tors to the College in 2010–2011, including active pledges and gifts made from July 1, 2010, through June 30, 2011. On behalf of the Art Center community, we thank you, our friends and supporters, for helping to make Art Center the leading college of art and design. We have made every effort to ensure the accuracy of this document. If an error or omission has occurred, please contact the Office of Development at 626.396.4267 so that we can correct our records. Contributions made by two or more individuals with different surnames are listed alphabetically by only one of the surnames; please check under all related surnames to find the acknowledgment.

[d] = deceased

$1M AND MORE Judy C. Webb

$100,000–$999,999 The Ahmanson Foundation CODA Automotive The Nathan Cummings Foundation, Inc. Honda R & D Co., Ltd. Hutto-Patterson Foundation Johnson & Johnson Consumer Companies, Inc. Nestle Purina PetCare Nestlé S.A. The Ralph M. Parsons Foundation United States Geological Survey (USGS)

$50,000–$99,999 The Richard and Jean Coyne Family Foundation Dai Nippon Printing Company Daimler Trucks North America Ford Motor Company Ford Motor Company Fund General Motors Corporation General Motors Foundation Phil Hettema (ILLU 81) Linda (ADVT 64) and Kit Hinrichs (ADVT 63) Doug Johnson and Valerie Gordon Johnson (FILM 78) Lowell Milken Family Foundation and Professor Leah Toby Hoffmitz, Honorary Alumna

National Collegiate Inventors and Innovators Alliance Nestlé USA, Inc. State Farm Insurance Surdna Foundation Toyota Motor Corporation Un Techo para Chile

$25,000–$49,999 Anonymous Aquarium of the Pacific The Ayrshire Foundation Cavalli Motors, LLC Bettina Chandler The Chrysler Foundation Corbis Corporation Faye and Robert Davidson Fujitsu Ten Corporation of America Herman Miller, Inc. Adelaide Hixon Nancy and Jerry V. Johnson (ADVT 59) Legendary Pictures LG Electronics Inc. lynda.com Emily and Sam Mann Elise Mudd Marvin [d] Metal Finishing Association of Southern California, Inc. National Association for Surface Finishing Pasadena Art Alliance David and Fela Shapell Family Foundation Warner Bros. Entertainment Inc. Lynda Weinman and Bruce Heavin (ILLU 93) Alyce and Warren Williamson

$10,000–$24,999 Kathleen and Frederick Allen Grace Ray Anderson Laura and John Babcock Anita and Michael Bates Bernhardt Design Linda and Douglas Boyd (TRAN 66) Margaret A. Cargill Foundation Collectors Foundation Christian Denhart (PROD 10) Eight, Inc. GE Jeffrey Glassman Bill Gross and Marcia Goodstein The Kinyon Family Tim Kobe (ENVL 82) Layar Lockton Insurance Brokers, LLC The McKelvey Foundation McLaren Automotive Ltd. Raylene and Bruce Meyer Clement K. Mok (GRPH 80) Ramone C. Muñoz (ADVT 77, MFA ART 90) and Tom Jacobson National Endowment for the Arts National Science Foundation Nokia Inc. The Kenneth T. and Eileen L. Norris Foundation Wilhelm Oehl (PROD 94) James R. Powers (TRAN 56) Project Concern International The Richards Group Rustic Canyon Partners Joanna and Julian Ryder (ADVT 72) Esther Sinclaire Sodexo, Inc. Tavat Eyewear Tides Foundation Reiner Triltsch Palencia Turner Tom Unterman

Susan and Clark Valentine (PROD 71) Paul A. Violich Wallis Foundation Wells Fargo Bank, N.A.

$5,000–$9,999 adidas North America, Inc. ALIPH Avery and Andrew Barth Kathy and Frank Baxter Beatrice and Paul F. Bennett Lorne Buchman and Rochelle Shapell Courtney and John Hotchkis (TRAN 86) Joan and John Hotchkis Johnson Controls, Inc. Stacy and George H. Ladyman, Jr. (TRAN 87) John Love Michelin North America, Inc. The Organization of American States Pasadena Community Foundation Ann Peppers Foundation Peggy Phelps Tom Price Rick Rosenfield Carole Spence John and Beverly Stauffer Foundation, Inc. Universal City Studios

$2,500–$4,999 Douglas S. Andelin (ILLU 87) Ann Dobson Barrett David C. Bohnett Hilary E. Crahan Creative Artists Agency Dandelion Foundation Stephen T. Daugherty (ADVT 71) Dito Devcar Foundation Mark Fennimore (ADVT 86) fuseproject The Getty Foundation, Los Angeles Hagerty Insurance Agency Matthew A. Haligman (ADVT 81) Bradford Hall Kelsey Browne Hall The Hathaway Family - Brian Hathaway Memorial Scholarship Yvonne and Wayne Herron Mr. and Mrs. William D. Horsfall Marie and Louis Jones Judith G. Kelly Neiman Marcus Donald R. Pennell (THE LIGATURE) Helen M. Posthuma Tadatoshi Sato (GRPH 74)Barbara Mann Steinwedell Uliko StudioJoyce and Harold Ward

$1,000–$2,499 Anonymous Connie and Mel Abert (ADVT 66) Apple, Inc. Argonaut Charitable Foundation Daniel Ashcraft (PROD 73) Desdy Kellogg Baggott Rob Ball (ENVL 83) Chantal and Stephen Bennett Edward (Ted) Bethune (ADVT 50) The Beulah Fund Paul Bielenberg (PHOT 98) Helen and Peter S. Bing Jeannie Blackburn Joan and Roger Blackmar, Jr. Marsha and Vern Bohr Judith B. Brandt Virginia B. Braun

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Wendy West Brenninkmeijer Susan Brown (PROD 76) Linda Brownridge and Edward Mulvaney Wendy Bruss John R. Burrows California Community Foundation Sioux Cann Paul and Sherrill Colony Jon Conrad (ILLU 82) Arthur L. Crowe Timothy J. Delaney (PROD 72) Design Studio Press Linda Stewart Dickason Jennifer Diener Kristen Ding (GRPH 94) and Mitchell Chang Louise O. Dougherty Darian Marvin Dragge Arwen and Sean Duffy Betty and Brack Duker Jay M. Eitel Phyllis and Donald Epstein Georgianna and Paul Erskine Fred Fehlau (FINE 79, MFA ART 88) Fidelity Investments Charitable Gift Fund Barbara Kitasako Finn Constance and Gordon Fish Follett Corporation Mary Alice and Richard Frank Earl Gee (GRPH 83) Gensler THE GROOP Carol and Warner Henry Christine and Curt Hessler Josh Higgins Design Ethie and Steve Hitter (PROD 69) (Hitter Family Foundation) Gail H. Howland (PHOT 03) Donald Huie (PROD 62) Wayne Hunt and Carla Walecka Roberta Huntley Ann Hazeltine Hyde IMAX Corporation Innovative Office Solutions Aya and Akira Ito (PROD 91) Barbara and Frank Jameson Ryan Jimenez Sally and Allan Johnson (PROD 51) Stephen A. Kanter, M.D. Patricia H. Ketchum Robert Knechel Terri and Jerry Kohl G. Kondrup (MFA GRPH 93) Andrew Kramer (ENVL 73) Deanna M. Kuhlmann-Leavitt Ming Lai Frank L. Lanza (ADIL 57) Richard Kenneth Law (INDU 58) Joyce and Tom Leddy Ronald and Elaine Lee Barbara and Geza Loczi (PROD 65) Spencer L. MacKay (PROD 74) Jon A. Masterson Kaholyn and Carson McKissick Meguiar’s, Inc. Gary M. Meyer (ILLU 59) Stanley Mikolajczk (PROD 55) Fred A. Miwa (ADVT 57) Lorraine Molina (PHOT 96) and Jose Caballer (GRPK 96) D. Harry Montgomery Seeley W. Mudd Foundation Dave Muhs and Jill Farrer Muhs Wendy Munger and Leonard Gumport Maggie W. Navarro Eric Newman Cory Noonan (ADVT 93)

Eric C. Otto Panavision Phoenix Decorating Co., Inc. Judy and Ben Reiling (Reiling Family Foundation) Gloria R. Renwick Andrew Scott Robertson (TRAN 90) Matthew Rolston (PHOT 78) Ray and Janet Scherr Foundation Yvonne de C. Segerstrom David Shannon (ILLU 83) Charles M. Smith Joni J. Smith Sony Corporation Katie Johnson Sprague (GRPH 91) Ginny Stever Herbert W. Swain, Jr. (ADVT 76) Carol and Charles R. Swimmer Ginny and David Sydorick Mark Tansey (FINE 72) Laney Techentin Geneva and Charles Thornton, Jr. Steven A. Trank (PHOT 80) Universal Protection Service, LP Elizabeth P. Urban Andrea Van de Kamp Volvo AB Christian von Sanden (GRPH 96) Carolyn Watson Aaron and Valerie Weiss Sally and Russell White Mr. and Mrs. Norman B. Williamson Nina and Stephen Winterbottom Doyald Young (ADVT 55) [d]

$999 AND BELOW Anonymous (9) Aalto University Meredith Abbott (ILLU 62) Antoinette Adams and Frederic Cohen Laine Dunham Akiyama (ILLU 81) Gene Albert (PHOT 57) Lynn Aldrich (MFA ART 86) Mary and Nicholas Alexander Roy Alexander (ILLU 65) Ashley and Theodore Alexopoulos (MFA MEDE 07) Charles L. Allen, Jr. (PROD 68) American Honda Motor Co., Inc. Walter Andrus (FILM 75) David R. Arnold (ADIL 63) Gale and Dokson Arvanites Chris Arvetis (ADVT 49) Marla (ILLU 83) and Michael Baggetta (ILLU 84) Dave Bailey (MFA ART 95) Robert L. Bailey (PROD 60) Roberta Bailey (ADVT 61) Patricia and Charles Bakaly Joan and Robert Banning Jacques Barret Adele Bass (GRPH 81, MFA NEWM 01) Jeannie and Kurt Beckmeyer Roger Behrens (PHOT 68) Richard Biersch (ADVT 70) Carolyn and Mac Billups (ENVL 69) Mia Carpenter Block (ADVT 56) Peter L. Bloomer (PHOT 67) Betty and Duane L. Bohnstedt (TRAN 51) Archie Boston Graphic Design Gail Bove (PROD 73) Robert Brackenbury (PROD 50) Claire and Brad Brian Victoria Bromley (FINE 74) Seth Buchman Henry and Czarina Buckingham (PHOT 95) Anita Bunn (PHOT 90) William P. Burchett Bruce Burdick (ENVL 61) and Susan Burdick

David Buxton and Domenique Sillett (ILLU 94) Kristine Bybee (GRPK 83) M. Estelle Byrne (ADVT 58) Bruce Carroll (PHOT 75) Caruso Management Co. Ltd. Karen and Murray Chalmers Wayne Chang (GRPH 06) Judy M. Chin and Gary L. Woods Ophelia Chong (FINE 89) Ivan Chu and Hua Ling (ENVL 94) Wayne Clark (GRPH 78) Russ Cohen (ADVT 88) Bob Cooley (ADVT 49) Francine Tolkin Cooper and Herbert Cooper David Coulson (ADVT 81) David Cunningham William Wesley Davis (ILLU 51) Mrs. Arden Day, Jr. DC Shoes, Inc. Alphonsus H. de Klerk (PHOT 84) Lorinda P. de Roulet Kenneth R. Deardoff (ILLU 56) Joe Del Rosario (PROD 95) Jane Delancey (ILLU 74) Pia DeLeon and Michael Neumayr (PROD 91) Warren Dern Susan Dewey John R. Dickson Patti Digh Elaine Dine Neda and Timothy Disney Michael J. Doyle II (GRPH 94) Beth Duffy and Erik Kistel Haruko Eann (ADVT 71) Tim Effler (ILLU 79) Arthur W. Ellsworth (PROD 57) Erma Engels and Joanne Engels Rose Friesen Faler (ILLU 82) Donald Far (PROD 50) Rosa M. Farrer Natalie Montoya Farrow Ferrari Club of America Jack Richard Finegan (TRAN 59) William J. Finnegan Lisa and Brad Freer Margaret and James Galbraith Daniel Gambito (FILM 93) Beverly (ILLU 57) and William Geck (PHOT 57) Glenn C. Gee (PROD 73) R. Gerstenberger (TRAN 70) Alfred Gescheidt (PHOT 49) Bruce Geyman (PROD 65) Mal Giaimo Mary and Robert Gilmartin Thomas A. Gleason (ADVT 57) Katherine Go (ADVT 78) Goethe-Institut Los Angeles Jered Gold Walter H. Gollwitzer (PROD 63) Mrs. Douglas Goodan Tom Graboski (ENVL 71) Mr. and Mrs. Max L. Green David Griffiths (PROD 65) Dora A. and William H. Grover, F.A.I.A. (PROD 62) Evi and Daniel S. Gurney (Gurney’s All American Racers, Inc.) Thomas Hale (TRAN 66) Anthony B. Haller (ADVT 48) Emily and Henry Hancock John Hanna (PROD 62) Mitchell B. Harmon (ADVT 78) Cherie W. and Mark Harris Frances Harvey (ILLU 99) Richard B. Hatch (PROD 67) Kasey Worrell Hatzung (GRPH 95) Kathryn E. and Jack Hermsen (ADVT 72)

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Phyllis and Ronald Hill (TRAN 54) Karen Hofmann (PROD 97) Gina Knox Holzman Maura and Martino Hoss (ADVT 87) Annie S. Huang (GRPH 91) Sally and Bill Hurt (William H. Hurt Foundation) Suk Hyon and Yong Hyon Kim (Western Building Cleaning Co.) Baruch Inbar (ILLU 01) Christopher Ince Norman K. Inouye (PROD 68) Kunihisa Ito (TRAN 77) Gabrielle Jennings (MFA ART 94) Jewish Community Fund Kyle Jochai (ILLU 03) Avery and Fred Johnson Carolyn and Ernest Johnson George Johnson Andrew Kaiser Yasushi Kato (TRAN 90) Kristin Keller (GRPH 04) Paul Kleiter (ADVT 66) Daniel Ko (GRPH 90) Phillip Komai (ADVT 71) Lisa and Stan Kong (PROD 83) Kubly Family Scholarship Suzanne Labiner George Larkins II (PHOT 93) Sandra and Chuck Law Anita Lawson Elaine Lax Wendee H. Lee (PROD 02) Harvey A. Lerner (ADVT 68) David Ligare (ILLU 65) Gary Lim (PROD 87) Beverly and Chester Limbaugh (PROD 58) Helen R. Litt Carol and Sarah Lobb Eileen Longacre (FINE 73) Paul D. Loomis (ADVT 76) Eleanor Cohen Louis (ILLU 89) Lorraine Lum (ADVT 76) Judy MacCready Rosie and Pedro Magdaleno (PHOT 87) Jay Malloy (PROD 84) Diana Taylor Malotte (GRPH 85) Peter M. Marino (TRAN 61) Dorothy and John Matthiessen Jeanne and John Matthiessen Charles McVicker (ILLU 57) Thomas Franklin Meredith, Jr. (GRPH 04)Pablo Meyer (PROD 82) Microsoft Corporation Brian Moreno (ILLU 71) Jennifer Morita (ADVT 99) Caroline Labiner Moser and Franklin Moser Heidrun Mumper-Drumm Matt Murphy (ENVL 93) NBC Universal Mateo Neri (GRPK 93) Helen Ng (ENVL 82) Marilyn (ILLU 74) and Dale Nordell (ILLU 73) Trina (GRPK 88) and Frank S. Nuovo (PROD 86) Kay and Steve Onderdonk Victor and Sandra Faye Oppegard (ILLU 63) Harry L. Oppenheimer, Jr. (PHOT 66) Original Paint & Equipment Inc. Randy Oxley (ILLU 95) Justine Limpus Parish (ILLU 73) Gordon J. Pashgian Joanna Paterson Robert J. Pedersen (ADVT 69) Richard Pietruska (TRAN 70) Pascal Pinck (GRPH 96) Stanley Pisakov David L. Provan (PROD 52)

Niki and Andy Rapattoni (Rapattoni Corporation) Maria Rendon (ILLU 92) and Robert Giaimo (ADVT 74) Barbara Davis Reynolds (ILLU 80) Debby and Bill Richards Ruth and Steven L. Rieman (PROD 74) Ricki and Marvin Ring Hector Robledo (ADVT 56) Bobbiedine Rodda Phillip Ross (GRPH 76) Robert Ruby Sherry Nicolai Russell (GRPH 86) Mark Ryden (ILLU 87) William L. St. Clair (PROD 56) Steven Saitzyk and Anne Anderson Saitzyk (ILLU 91) San Marino League Leonard Schachner (PROD 65) Joseph H. Schmidt Randi E. Schmidt (TRAN 95) Eileen Schoellkopf Harry Schoepf (PROD 66) Theodore Schroeder (PROD 62) The Schwab Fund for Charitable Giving David H. Schwarz (MFA MEDE 04) Gretchen and David C. Seager Joseph B. Seibold (PROD 55) Suzanne M. Shakespeare Paul Shaw Mike Shinoda (ILLU 98) Susan MacCaul Siegmund Alissa Brownrigg Small Jeffrey Smith (ILLU 80) Erne Soos (ENVL 79) Brien Spanier (ADVT 88) William Sparling J. Michael Spooner (ILLU 75) Pamela and Foster Stahl Ken Staley (ADVT 48) Paula and Bill Steele Timothy Steinmeier (ILLU 75) Jillian D. Stern (ADVT 86) Brigitte and Frank Sterrett Susan and Loren Stirling (PROD 62) George Stokes (ILLU 90) Tia Stoller (GRPH 87) Davidjohn Stosich (PROD 67) Paula Sugarman (GRPH 84) Amy and Mark Swain Delbert A. Swanson (PROD 68) Gail and William Taber Naomi (Hata) Taube (ADVT 79) TerryTours.com, LLC Keith Thorne (PROD 70) Erick Thorpe (ILLU 96) Maximilian Toth (FINE 03) Susan and Michael Toth Toyota Motor Sales U.S.A, Inc. Lenna Tsutsumi (GRPH 01) A.T. Ueland (PHOT 89) Takao Umehara (GRPK 02) Mary and Bill Urquhart Julie Veitch (PHOT 82) Charles Wackerman Torey and Erik Wahlstrom Steve Walag (PHOT 88) Dana L. Walker (PHOT 95) Judith and Roger Wallenstein Jenny W. Wang (GRPH 99) Ralph Waycott III (PHOT 78) Ardyss and John Wherry Renee and Galen Wickersham (TRAN 59) Robert A. Wilson (PROD 52) George Windrum (PROD 52) Glen Winterscheidt (PROD 57) Jo Ann and Edward Yamada (ENVL 66)

Ed Young (ILLU 57) Susan Zehnder (ILLU 88) Bob and Patty Zuber

GIFTS-IN-KIND Aquarium of the Pacific AutoPacific Elizabeth Bayne (MFA FILM 11) Maria Biber-Ferro (MFA FILM 10) Theresa and Jeff Burnett Canon U.S.A., Inc. Clear Image Printing Co. David Curry Spencer G. Davis (ILLU 90) Pamela (PHOT 75) and James Elyea (ILLU 73) Frank Garcia Greater Los Angeles Auto Show Kristina Halcromb Joseph R. Henry and S. Stanley Gordon Gweneth H. Hourihan Huntington Library Japanese American National Museum Jan Kesner Gallery Jill Kollmann Amanda Lane Mary E. Lee Los Angeles County Museum of Art lynda.com Jillian Mamey (FINE 10) Wendy E. McClay Meguiar’s, Inc. Museum of Contemporary Art Natural History Museum of Los Angeles County The Petersen Automotive Museum Ed Thaden Diana and Randy Triplett Kevyn Wallace (ILLU 90) [d] Ronald R. Wilkniss

TrusteesMr. Robert C. Davidson, Jr., Chairman Mr. Carl Bass Mr. Douglas C. Boyd (TRAN 66) Dr. Lorne M. Buchman Mr. Wesley A. Coleman Mr. Jeffrey L. Glassman Ms. Linda M. Griego Mr. William T. Gross Mr. Kit Hinrichs ( ADVT 63) Mr. William D. Horsfall Mr. Charles Floyd Johnson Mr. Timothy M. Kobe (ENVL 82) Mr. George H. Ladyman, Jr. (TRAN 87) Mr. Samuel J. Mann Mr. Peter W. Mullin Mr. Reiner M. Triltsch Mr. Raymond C. Vicks, Jr. Mr. Paul A. Violich Mrs. Judy C. Webb Mrs. Alyce de Roulet Williamson

Documents

Art Center Annual Report 2010-11