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Fruhauf Music Publications FruMusPub.net – P.O. Box 22043
Santa Barbara, CA 93121-2043 ~ U.S.A
.2020
aroque onata
usic for arillon,
arp, or eyboards
i. reludio
ii. ria and rio ~ ecitativo
iii. inale
Fruhauf Music Publications P.O. Box 22043
Santa Barbara, CA 93121-2043 USA www.frumuspub.net
2020
usic for arillon, arp, or eyboards
aroque onata for Carillon, Harp, Piano, various Keyboard Instruments,
or as an accompanied sonata for a solo treble instrument
i. reludio
ii. ria and rio ~ ecitativo iii. inale
otes A Baroque Sonata offers three movements, the first of which is a Preludio in common time (i.e. in 4/4),
featuring a compound rounded binary (da capo) structure. The second movement, Aria and Trio, presents an
ornamented andante menuet (in 3/4) consisting of seven phrases, with each one repeated, followed by a
contrasting trio (in 6/8), and the aria's return (without repeats). A brief recitativo passage leads to a lively Finale,
a large rondo structure (i.e. ABACA in 12/8 and 6/4 meter) that alternates a refrain with two contrasting couplets
(or verses) and returns once more with an abbreviated coda.
The sonata was prepared on a standard piano keyboard, but it is designed for performance on carillon, harp or
other keyboard instruments. The sonata's overall manner and harmonic language provide a mixture in equal parts
of Baroque and Rococo influences, in spite of its titled implications. In keeping with period practice traditions,
few interpretive instructions have been provided. A sensitive realization of the work will include the use of
flexible tempos, varying dynamic levels, and a wide range of shadings and touches.
A Note from the composer of A Baroque Sonata
As can be seen – and heard – in the following score for keyboard, the role of composer was that of assembling
a freely associated musical composite extrapolated from any number of keyboard works by Johann Pachelbel,
Johann Kaspar Ferdinand Fischer, Johann Gottfried Walther, Georg Frideric Handel, Johann Sebastian Bach, and
numerous others, over years of association and practice. Less familiar but eminently notable sources would
include the carillon repertories of Jan de Gruytters, as well as the preludes of Matthias van den Gheyn. Apologies
are rendered for any and all unintended or outright trespassing, as it were, on the properties or works of historical
and inspirational forerunners.
for Carillon, Harp, or Keyboard(s)
5
9
13
[2a volta al Coda]
Ennis Fruhaufi. Preludio
Poco allegro
Copyright © 2005 Ennis Fruhauf
In memory ofAnthony Bramley Fruhauf
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17
21
25
29
33
2 A Baroque Sonata ~ i. Preludio
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37
41
45
49
53
[ D.S. poi al Coda ]
3A Baroque Sonata ~ i. Preludio
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57
61
65
69
p o c o a l l a r g a n d o
poco
4
Coda
A Baroque Sonata ~ i. Preludio
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Aria
Larghetto
5
1. 2.
6
1. 2.
11
1.
15
2.
1.
Copyright © 2005 Ennis Fruhauf
2.
ii. Aria and Trio
A Baroque Sonata
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19
6
23
1. 2.
27
1. 2.
31
1. 2.
35
Trioa tempo
A Baroque Sonata ~ ii. Aria and Trio
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7
41
44
47
p o c o r i t a r d a n d o
50
a tempo
A Baroque Sonata ~ ii. Aria and Trio
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53
8
poco ritard.a tempo
56
p o c o r i t a r d a n d o
D.C. Aria senza rep.
poi al Recitativo
59
molto espressivo
Recitativo
Largo
poco
61
63
r i t a r d a n d o
Segue
Finale
A Baroque Sonata ~ ii. Aria and Trio
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9
Andante con moto
poco
Refrain
4
7
10
poco ritard.
13
a tempo
Copyright © 2005 Ennis Fruhauf
A Baroque Sonata
iii. FinaleFM
PBaro
queS
onata
Crlln2
020
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ruhau
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10
poco ritard.
19
1st Couplet
a tempo
22
25
poco ritard.
28
a tempo
Refrain
A Baroque Sonata ~ iii. Finale
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11
34
37
[. = ]poco ritard.
40
[. = ]
molto espressivo
Adagietto, meno mosso
2nd Couplet
43
46
A Baroque Sonata ~ iii. Finale
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49
12
52
[=.]poco ritard.
55
[=.]
Andante con moto
Refrain
58
61
A Baroque Sonata ~ iii. Finale
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64
13
67
70
73
r i t a r d a n d o
76
p o c o a p o c o
p o c o r i t a r d a n d oquasi a tempo
A Baroque Sonata ~ iii. Finale
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Fruhauf Music Publications P.O. Box 22043
Santa Barbara, CA 93121-2043 USA www.frumuspub.net