Ardoise Family - Typofonderie

cdefgTYPOFONDERIEArdoise

typofonderie.com

[email protected]

+33 (0) 146 542 692

Legal

Typeface design by Jean

Francois Porchez. Copyright

©™ 1990-2013. All rights

reserved. Distributed

exclusively by Typofonderie.

→ Exclusive Pro version

Ardoise Pro version is available

from €55 one weight–one user.

→ Std version

Ardoise Std version is available

from €45 one weight–one user.

Various offers available online.

aaArdoise ThinArdoise Thin ItalicArdoise ExtraLightArdoise ExtraLight ItalicArdoise LightArdoise Light ItalicArdoise RegularArdoise ItalicArdoise DemiArdoise Demi ItalicArdoise BoldArdoise Bold ItalicArdoise ExtraBoldArdoise ExtraBold ItalicArdoise HeavyArdoise Heavy ItalicArdoise BlackArdoise Black Italic

Thin

ThinItalic

ExtraLight

ExtraLight Italic

Light

Light Italic

Regular

Italic

Demi

Demi Italic

Bold

Bold Italic

ExtraBold

ExtraBold Italic

Heavy

Heavy Italic

Black

Black Italic

available on this format

not available on this format

PRO STD

→ Help

OpenType font families are

compatible with Mac OS and

Windows platforms. Please

consult our Help section for

info concerning the language

support, OpenType support,

installation and use of these

fonts.

cdefgTYPOFONDERIE

typofonderie.com 2

Ardoise

aaArdoise Narrow ThinArdoise Narrow ExtraLightArdoise Narrow LightArdoise Narrow RegularArdoise Narrow DemiArdoise Narrow BoldArdoise Narrow ExtraBoldArdoise Narrow HeavyArdoise Narrow BlackArdoise Tight ThinArdoise Tight ExtraLightArdoise Tight LightArdoise Tight RegularArdoise Tight DemiArdoise Tight BoldArdoise Tight ExtraBoldArdoise Tight HeavyArdoise Tight Black

Narrow Thin

Narrow ExtraLight

Narrow Light

Narrow Regular

Narrow Demi

Narrow Bold

Narrow ExtraBold

Narrow Heavy

Narrow Black

Tight Thin

Tight ExtraLight

Tight Light

Tight Regular

Tight Demi

Tight Bold

Tight ExtraBold

Tight Heavy

Tight Black



PRO STD

cdefgTYPOFONDERIE

typofonderie.com 3

Ardoise

aArdoise Compact ThinArdoise Compact ExtraLightArdoise Compact LightArdoise Compact RegularArdoise Compact DemiArdoise Compact BoldArdoise Compact ExtraBoldArdoise Compact HeavyArdoise Compact Black

Compact Thin

Compact ExtraLight

Compact Light

Compact Regular

Compact Demi

Compact Bold

Compact ExtraBold

Compact Heavy

Compact Black



PRO STD

cdefgTYPOFONDERIE

typofonderie.com 4

ArdoiseThin

Bold Italic

Tight Black

Black

Compact Thin

Demi

ExtraLight Italic

Compact Black

Tight Regular

Narrow Bold

Specimen

ArdoiseÉTAT D’URGENCEA distinguished elegance

OliveMissile Shot Off Los Angeles PolitiqueDecline of Latin diplomacyEnfant terrible of French literature

The MagazineSpy on journalists

cdefgTYPOFONDERIEGlyph set: Pro version

typofonderie.com 5

Ardoise

cdfeg

ikjl

mn rs

12356

$£© abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 0123456789+−=() 0123456789+−=()abcdefghijklmnopqrstuvwxyz 0123456789 0123456789 ¼½¾%‰%‰+−±×÷=≠~≈^<>≤≥¬¤∞◊∆Ω∂∫√∑∏πµ°ℓ ((()))[[[]]],;:.…··•!?¡¿¿¡‘’“”‚„‹›‹›«»«»'"⁄/\|¦--––_——*†‡§¶&&@@@©®™ªº`´ˆˇ˜¨¯˘˚˝˙¸˛ʻàáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģĥħıìíîĩïīĭįĳĵķĺľļłŀńňñņòóôõöōŏőøǿœŕřŗśŝšşșßťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþ ÀÁÂÃÄĀĂÅǺĄÆǼĆĈČĊÇĎĐÈÉÊĚËĒĔĖĘfiflĜĞĠĢĤĦÌÍÎĨÏĪĬĮĲĴĶĹĽĻŁĿŃŇÑŅÒÓÔÕÖŌŎŐØǾŒŔŘŖŚŜŠŞȘßŤŢŦÙÚÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞàáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęfiflĝğġģĥħìíîĩïīĭįĳĵķĺľļłŀńňñņòóôõöōŏőøǿœŕřŗśŝšşșßťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðÞ

cdefgTYPOFONDERIEGlyph set: Pro versionGlyph set 2: Pro version

typofonderie.com 6

Ardoise

cdfeg

ikjl

mn rs

12356

$£© fffifl ſThctstacglcC ctàáâãäāăåǻąćĉčċçĝğġģĺľļłŀĆĈČĊÇ12345678<>+^−±×÷≤≥=~acdefghvwxNOnlqstMUPSQDLVW

cdefgTYPOFONDERIENarrow, Glyph set: Pro version

typofonderie.com 7

Ardoise

cdfeg

ikjl

mn rs

12356


cdefgTYPOFONDERIEGlyph set: Pro versionNarrow Glyph set 2: Pro version

typofonderie.com 8

Ardoise

cdfeg

ikjl

mn rs

12356

$£© fifl ſstacglcC ct àáâãäāăåǻąćĉčċçĝğġģĺľļłŀĆĈČĊÇ12345678<>+^−±×÷≤≥=~abcdefghuvwxNOnlqstMUPSQDLVW

cdefgTYPOFONDERIETight Glyph set: Pro version

typofonderie.com 9

Ardoise

cdfeg

ikjl

mn rs

12356


cdefgTYPOFONDERIEGlyph set: Pro versionTight Glyph set 2: Pro version

typofonderie.com 10

Ardoise

cdfeg

ikjl

mn rs

12356

$£© fifl ſstacglcC ctàáâãäāăåǻąćĉčċçĝğġģĺľļłŀĆĈČĊÇ12345678<>+^−±×÷≤≥=~abcdefghuvwxNOnlqstMUPSQDLVW

cdefgTYPOFONDERIECompact, Glyph set: Pro version

typofonderie.com 11

Ardoise

cdfeg

ikjl

mn rs

12356


cdefgTYPOFONDERIEGlyph set: Pro versionCompact, Glyph set: Pro version

typofonderie.com 12

Ardoise

cdfeg

ikjl

mn rs

12356

$£© fifl ſstacglcC ctàáâãäāăåǻąćĉčċçĝğġģĺľļłŀĆĈČĊÇ12345678<>+^−±×÷≤≥=~abcdefghuvwxNOnlqstMUPSQDLVW

cdefgTYPOFONDERIEGlyph set: Std version

typofonderie.com 13

Ardoise

ceg

ij

m

$¢ abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890#€$¢£ƒ¥1234567890#€$¢£ƒ¥¼½¾%‰¹²³+−×÷=≠~≈^<>¬¤∞◊∆Ω∂∫√∑∏πµ° ()[],;:.…·•!?¡¿‘’“”‚„‹›«»'"⁄/\|¦-–—_*†‡§¶&@©®™ªº`´ˆˇ˜¨¯˘˚˝˙¸˛ àáâãäåæçèéêëıìíîïłñòóôõöøœšßùúûüýÿžðþÀÁÂÃÄÅÆÇÈÉÊËIÌÍÎÏŁÑÒÓÔÕÖØŒŠSSÙÚÛÜÝŸŽÐÞfiflffffiffl ct st Cacg →←

cdefgTYPOFONDERIENarrow Glyph set: Std version

typofonderie.com 14

Ardoise

ceg

ij

m

$¢ abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890#€$¢£ƒ¥1234567890#€$¢£ƒ¥¼½¾%‰123+−×÷=≠~≈^<>¬¤∞◊∆Ω∂∫√∑∏πµ° ()[],;:.…·•!?¡¿‘’“”‚„‹›«»'"⁄/\|¦-–—_*†‡§¶&@©®™ªº`´ˆˇ˜¨¯˘˚˝˙¸˛ àáâãäåæçèéêëıìíîïłñòóôõöøœšßùúûüýÿžðþÀÁÂÃÄÅÆÇÈÉÊËIÌÍÎÏŁÑÒÓÔÕÖØŒŠSSÙÚÛÜÝŸŽÐÞfifl st Cacg ba><n

cdefgTYPOFONDERIETight Glyph set: Std version

typofonderie.com 15

Ardoise

ceg

ij

m


cdefgTYPOFONDERIECompact Glyph set: Std version

typofonderie.com 16

Ardoise

ceg

ij

m


cdefgTYPOFONDERIEOpenType features: Pro version

typofonderie.com 17

Ardoise

[(‹«abcdefghijklmnopqrstuvwxyz- – — »›)]@¡¿[(‹«ABCDEFGHIJKLMNOPQRST- – — »›)]@¡¿[(abcdefghijklmnopqrstuvwxyz- – — »›)]abcdefghijklmnopqrstuvwxyz no No 1a 2oabcdefghijklmnopqrstuvwxyz no no 1a 2offfbffbfhffhfiffifjffjfkffkflfflftfft fffbffbfhffhfiffifjffjfkffkflfflftfft 12345678900#€$¢£ƒ¥ %‰12345678900#€$¢£ƒ¥ %‰12345678900#€$¢£ƒ¥ %‰12345678900#€$¢£ƒ¥ %‰1234567890+−=() 1234567890+−=()1234567890+−=() 1234567890+−=()1234567890 12345678901/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 0/001/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 ‰

all capitals feature

all small caps feature

standard

superiors & ordinals

standard

ligatures

capital tabular figures (default)

capital figures

minuscule tabular figures

minuscule figures

standard

superscript & subscript figures

numerator& denominator figures

standard

fractions feature

£

cdefgTYPOFONDERIEOpenType features: Pro version

typofonderie.com 18

Ardoise

£

discretionary ligatures

standard

historical forms

standard

stylistic set 1

stylistic set 2

stylistic set 3

stylistic set 4

swashes

stylistic alternates

standard

ornaments,

stylistic set 5

ctstThctctstThctsſacglCcacglCcacglCcacglCcacglCcacglCcacglCc12345678<>+^−±×÷≤≥=~abcdefghuvwxNOnlqstMUPSQDLVW12345678<>+^−±×÷≤≥=~acdefghvwxNOnlqstMUPSQDLVW

cdefgTYPOFONDERIEStylist sets samples: Pro version

typofonderie.com 19

Ardoise

stylistic set 3

stylistic set 4

stylistic set

1 + 2 + 3 +4

or stylistic alternates

stylistic set 5

or ornaments

stylistic set 2

stylistic set 1

g

ccC

a

l

acgl

£

I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most cases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of

I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comi-cal, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for

I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comi-cal, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for

I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comi-cal, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for




cdefgTYPOFONDERIETabular figures matching weights

typofonderie.com 20

ArdoiseTabular figures widths (in

lining or oldstyle versions)

are compatible in all weight

combinations.

Thin

Thin Italic

ExtraLight

ExtraLight Italic

Light

Light Italic

Regular

Italic

Demi

Demi Italic

Bold

Bold Italic

ExtraBold

ExtraBold Italic

Heavy

Heavy Italic

Black

Black Italic

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥


typofonderie.com 21




combinations.

Narrow Thin

Narrow ExtraLight

Narrow Light

Narrow Regular

Narrow Demi

Narrow Bold

Narrow ExtraBold

Narrow Heavy

Narrow Black

Tight Thin

Tight ExtraLight

Tight Light

Tight Regular

Tight Demi

Tight Bold

Tight ExtraBold

Tight Heavy

Tight Black

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥


typofonderie.com 22




combinations.

Compact Thin

Compact ExtraLight

Compact Light

Compact Regular

Compact Demi

Compact Bold

Compact ExtraBold

Compact Heavy

Compact Black

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥

12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥12345678900#€$¢£ƒ¥

cdefgTYPOFONDERIEThin

typofonderie.com 23

Ardoise

8 pt – 6 pt

12 pt

£with a selection

of OpenType Pro features

14 pt

18 pt

24 pt

40 pt

10 pt

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface,

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance

A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain

A NEW TYPEFACE HAD TO BE FOUND

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have cre-ated Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typogra-

However, most of the existing types were old-fashioned and not adapted to today’s work-

abcdefghi jk lmnopqrstuvwxyz 0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ &

In recent years, a new ten-

cdefgTYPOFONDERIEThin Italic

typofonderie.com 24

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust…

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments,


In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again.

A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In re-cent years, a new tendency has become manifest in the decorative arts. While the simplici-ty of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not

However, most of the existing types were old-fashioned and not adapted to today’s working



cdefgTYPOFONDERIEExtraLight

typofonderie.com 25

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-

A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typog-

However, most of the existing types were old-fashioned and not adapted to today’s A NEW TYPEFACE HAD TO BE FOUND

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that cor-responded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ele-gance is coming into its own again. Typography has not been


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and

10 pt


cdefgTYPOFONDERIEExtraLight Italic

typofonderie.com 26

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvi-ous reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is

A new typeface had to be found with a design that corresponded to today’s taste. There-fore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts.

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography



In recent years, a new ten-abcdefghi jk lmnopqrstuvwxyz 0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIELight

typofonderie.com 27

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a dis-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new type-face had to be found with a design that corresponded to today’s taste. Therefore

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again.

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is com-ing into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decora-tive arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant type-face, both practical and robust… In recent years, a new tendency has

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again.


However, most of the existing types were old-fashioned and not adapted to today’s

In recent years, a new abcdefghi jk lmnopqrstuvwxyz 0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIELight Italic

typofonderie.com 28

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these develop-ments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been ne-glected in these developments, which have been expressed by an obvious reversion to

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typogra-




cdefgTYPOFONDERIERegular

typofonderie.com 29

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-ing and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant type-face, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance

In recent years, a new tendency has become manifest in the decorative arts. While the simplic-ity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragil-ity. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new ten-

In recent years, a new tendency has become mani-fest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-ing and a distinguished elegance is coming into its


However, most of the existing types were old-fashioned and not adapted to

In recent years, a new abcdefghi jklmnopqrstuvwxyz 0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIEItalic

typofonderie.com 30

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragil-ity. A new typeface had to be found with a design that corresponded to today’s


In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is com-ing into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new type-face had to be found with a design that corresponded to today’s taste. Therefore we have cre-ated Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been




In recent years, a new abcdefghi jk lmnopqrstuvwxyz 0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ &

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decora-tive arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an


cdefgTYPOFONDERIEDemi

typofonderie.com 31

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. There-fore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been pre-served, the straightness is yielding and a distinguished

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these devel-opments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both prac-tical and robust… In recent years, a new tendency has become manifest in the decorative

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is com-ing into its own again. Typography has not been neglected in these develop-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years,

In recent years, a new tendency has become mani-fest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is com-


However, most of the existing types were old-fashioned and not adapted

In recent years, a new abcdefghijklmnopqrstuvwxyz 0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIEDemi Italic

typofonderie.com 32

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-ing and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance

In recent years, a new tendency has become manifest in the decorative arts. While the simplic-ity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a

In recent years, a new tendency has become mani-fest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-ing and a distinguished elegance is coming into its


However, most of the existing types were old-fashioned and not adapted to


cdefgTYPOFONDERIEBold

typofonderie.com 33

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods,

However, most of the existing types were old-fash-ioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a dis-tinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to cer-tain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new ten-

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been ne-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fra-gility. A new typeface had to be found with a design that cor-responded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust…

In recent years, a new tendency has become manifest in the decorative arts. While the sim-plicity of the lines has been preserved, the straightness is yielding and a distinguished ele-




cdefgTYPOFONDERIEBold Italic

typofonderie.com 34

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. There-fore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been pre-served, the straightness is yielding and a distinguished

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these devel-opments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the deco-


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years,





cdefgTYPOFONDERIEExtraBold

typofonderie.com 35

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straight-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not

However, most of the existing types were old-fash-ioned and not adapted to today’s working meth-ods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved,

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-sion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust…

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the sim-plicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typogra-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and

In recent years, a new tendency has become manifest in the decorative arts. While the sim-plicity of the lines has been preserved, the straightness is yielding and a distinguished

A NEW TYPEFACE HAD TO BE

However, most of the existing types were old-fashioned and not

In recent years, a abcdefghijklmnopqrstuvwxyz 0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIEExtraBold Italic

typofonderie.com 36

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a dis-tinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working meth-

However, most of the existing types were old-fash-ioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a dis-tinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fra-gility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and





cdefgTYPOFONDERIEHeavy

typofonderie.com 37

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-sion to certain styles. However, most of the existing types were

However, most of the existing types were old-fashioned and not adapted to today’s work-ing methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvi-ous reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again.

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant type-

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-


However, most of the existing types were old-fashioned and


cdefgTYPOFONDERIEHeavy Italic

typofonderie.com 38

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not

However, most of the existing types were old-fash-ioned and not adapted to today’s working meth-ods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved,

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-sion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust…

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the sim-plicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typogra-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both

In recent years, a new tendency has become manifest in the decorative arts. While the sim-plicity of the lines has been preserved, the straightness is yielding and a distinguished


However, most of the existing types were old-fashioned and not


cdefgTYPOFONDERIEBlack

typofonderie.com 39

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become mani-fest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. How-

However, most of the existing types were old-fashioned and not adapted to today’s work-ing methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-ing and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that cor-responded to today’s taste. Therefore we have created Ardoise, a modern

A new typeface had to be found with a design that correspond-ed to today’s taste. Therefore we have created Ardoise, a mod-ern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming

However, most of the existing types were old-fash-ioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern





cdefgTYPOFONDERIEBlack Italic

typofonderie.com 40

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-sion to certain styles. However, most of the existing types were

However, most of the existing types were old-fashioned and not adapted to today’s work-ing methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvi-ous reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again.

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant type-





cdefgTYPOFONDERIENarrow Thin

typofonderie.com 41

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into

However, most of the existing types were old-fashioned and not adapted to today’s work-ing methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been neglected in these developments, which

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been pre-served, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected

A NEW TYPEFACE HAD TO BE FOUND WITH

However, most of the existing types were old-fash-ioned and not adapted to today’s working meth-

In recent years, a new ten-ab cdefgh i jk lmnop qrstuvwxyz 0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIENarrow ExtraLight

typofonderie.com 42

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into

However, most of the existing types were old-fashioned and not adapted to today’s work-ing methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to cer-tain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types


In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been pre-served, the straightness is yielding and a distinguished ele-gance is coming into its own again. Typography has not been




cdefgTYPOFONDERIENarrow Light

typofonderie.com 43

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typog-raphy has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typog-raphy has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working meth-ods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In re-cent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have cre-ated Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been pre-served, the straightness is yielding and a distinguished ele-gance is coming into its own again. Typography has not been



In recent years, a new ten-abcdefgh i jk lmnopqrstuvwxyz 0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIENarrow Regular

typofonderie.com 44

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplic-ity of the lines has been preserved, the straightness is yielding and a distinguished elegance

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a mod-ern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvi-ous reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is

A new typeface had to be found with a design that corresponded to today’s taste. ere-fore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.






cdefgTYPOFONDERIENarrow Demi

typofonderie.com 45

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise,

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragil-ity. A new typeface had to be found with a design that cor-responded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ele-gance is coming into its own again. Typography has not been

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-






cdefgTYPOFONDERIENarrow Bold

typofonderie.com 46

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvi-ous reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s


In recent years, a new tendency has become manifest in the decorative arts. While the simplic-ity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practi-cal and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straight-ness is yielding and a distinguished elegance is coming into its own again. Typog-raphy has not been neglected in these developments, which have been expressed


In recent years, a new tendency has become mani-fest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own




cdefgTYPOFONDERIENarrow ExtraBold

typofonderie.com 47

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these devel-opments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both prac-tical and robust… In recent years, a new tendency has become manifest in the decorative


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a





cdefgTYPOFONDERIENarrow Heavy

typofonderie.com 48

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant type-face, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ele-gance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to

However, most of the existing types were old-fash-ioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a dis-tinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a mod-ern and elegant typeface, both practical and robust… In recent years, a new tendency

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ele-gance is coming into its own again. Typography has not been neglected in

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent

In recent years, a new tendency has become man-ifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is com-




cdefgTYPOFONDERIENarrow Black

typofonderie.com 49

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a dis-tinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the exist-ing types were old-fashioned and not adapted to today’s working

However, most of the existing types were old-fash-ioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a dis-tinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new

A new typeface had to be found with a design that corresponded to to-day’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and





cdefgTYPOFONDERIETight Thin

typofonderie.com 50

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a mod-ern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straight-ness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new type-

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an

A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fra-

In recent years, a new tendency has a b c d e fg h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9A B C D E F G H I J K L M N O P Q R ST U V W X YZ &

cdefgTYPOFONDERIETight ExtraLight

typofonderie.com 51

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these develop-ments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these develop-ments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods,

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found

However, most of the existing types were old-fashioned and not adapted to today’s working meth-ods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-ing and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their

In recent years, a new tendency has a b c d e fg h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9A B C D E F G H I J K L M N O P Q RST U V W X YZ &

cdefgTYPOFONDERIETight Light

typofonderie.com 52

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-sion to certain styles. However, most of the existing types were old-fashioned and

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these devel-opments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corre-sponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decora-tive arts. While the simplicity of the lines has been preserved, the straightness is yielding and

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to

In recent years, a new tendency ab cde fgh i j k lmnop q r s tuvwxyz 0123456789ABCDEFGHI JKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIETight Regular

typofonderie.com 53

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-ing and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the

A new typeface had to be found with a design that corresponded to today’s taste. erefore we have cre-ated Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods,

However, most of the existing types were old-fashioned and not adapted to today’s work-ing methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness

In recent years, a new tendency has become manifest in the decora-tive arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these develop-


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing

In recent years, a new tendency ab cde fgh i j k lmnop qr s tuvwxyz 0123456789ABCDEFGHI JKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIETight Demi

typofonderie.com 54

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typogra-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decora-tive arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a mod-ern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been


A NEW TYPEFACE HAD TO BE FOUND WITH A

However, most of the existing types were old-fash-ioned and not adapted to today’s working methods,

In recent years, a new tendency ab cde fgh i jk lmnop qrstuvwxyz 0123456789ABCDEFGHI JKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIETight Bold

typofonderie.com 55

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become


In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments,

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and


In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been pre-served, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected




cdefgTYPOFONDERIETight ExtraBold

typofonderie.com 56

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust…

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments,

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In re-cent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the






cdefgTYPOFONDERIETight Heavy

typofonderie.com 57

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is com-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a mod-ern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the exist-ing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvi-ous reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been ne-glected in these developments, which have been expressed by an obvious reversion to

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative





cdefgTYPOFONDERIETight Black

typofonderie.com 58

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplic-ity of the lines has been preserved, the straightness is yielding and a distinguished elegance is

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-sion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fra-gility. A new typeface had to be found with a design that cor-responded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ele-gance is coming into its own again. Typography has not been

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-


In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a dis-tinguished elegance is coming into its own again. Typog-



In recent years, a new ten-abcdefghi jklmnopqrstuvwxyz 0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIECompact Thin

typofonderie.com 59

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise,

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years,

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the sim-plicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and


In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these devel-opments, which have been expressed by an obvious reversion to certain styles. However,

A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT COR-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new

In recent years, a new tendency has a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9A B C D E F G H I J K L M N O P Q R S T U V W X Y Z &

cdefgTYPOFONDERIECompact ExtraLight

typofonderie.com 60

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility.

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Ty-pography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both


In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new

In recent years, a new tendency has a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9A B C D E F G H I J K L M N O P Q R S T U V W X Y Z &

cdefgTYPOFONDERIECompact Light

typofonderie.com 61

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these develop-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fra-gility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A

In recent years, a new tendency has a b c d e fg h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9A B C D E F G H I J K L M N O P Q R ST U V W X Y Z &

cdefgTYPOFONDERIECompact Regular

typofonderie.com 62

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these develop-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typog-raphy has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that

A new typeface had to be found with a design that corresponded to today’s taste. erefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the dec-orative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste.


In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-

A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A


cdefgTYPOFONDERIECompact Demi

typofonderie.com 63

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments,

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a mod-ern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the exist-ing types were old-fashioned and not adapted to today’s working methods, owing to

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straight-ness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility.

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distin-guished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-ing and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their


cdefgTYPOFONDERIECompact Bold

typofonderie.com 64

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious rever-sion to certain styles. However, most of the existing types were old-fashioned and

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these devel-opments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ar-doise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these develop-ments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corre-sponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decora-tive arts. While the simplicity of the lines has been preserved, the straightness is yielding and

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straight-ness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to

In recent years, a new tendency a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9A B C D E F G H I J K L M N O P Q R ST U V W X Y Z &

cdefgTYPOFONDERIECompact ExtraBold

typofonderie.com 65

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt


However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield-ing and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typog-raphy has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have cre-ated Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working meth-

However, most of the existing types were old-fashioned and not adapted to today’s work-ing methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straight-




In recent years, a new tendency ab cde fgh i j k lmnop qrs tuvwxyz 0123456789ABCDEFGHI JKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIECompact Heavy

typofonderie.com 66

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the exist-ing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been pre-served, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new type-face had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a mod-ern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been

In recent years, a new tendency has become manifest in the decora-tive arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these



In recent years, a new ten-ab cdefgh i jk lmnop qrstuvwxyz 0123456789ABCDEFGHI JKLMNOPQRSTUVWXYZ &

cdefgTYPOFONDERIECompact Black

typofonderie.com 67

Ardoise

8 pt – 6 pt

12 pt

£with a selection


14 pt

18 pt

24 pt

40 pt

10 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typogra-

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become


In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned


In recent years, a new tendency has become manifest in the dec-orative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is com-ing into its own again. Typography has not been neglected in




Documents

Ardoise Family - Typofonderie