Aperture Fall 2014 catalogue

Fall and Winter 2014–15

David Campany, LaToya Ruby Frazier, Jason Fulford, Reinier Gerritsen, Gail Albert Halaban, Gregory Halpern, Todd Hido, Josef Koudelka, Dorothea Lange, An-My Lê,

Jeff Chien-Hsing Liao, Erwin Olaf, Kathy Ryan, Robin Schwartz, Tamara Shopsin, Stephen Shore, Paul Strand

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∞ four issues a year of Aperture magazine, our flagship publication presenting the most inspiring images and writing on photography aperture.org/magazine

∞ more than thirty new photobooks and books about photography each year aperture.org/books

∞ a growing digital publishing program, including e-books, apps, and a daily blog, as well as online features aperture.org/shop/epubs

∞ two issues each year of The PhotoBook Review, cultivating the appreciation of the photobook aperture.org/pbr

∞ nearly twenty-five print and other limited editions each year, many by emerging photographers, aimed at collectors, and published to support our programs and the photographers we work with aperture.org/prints

∞ an annual Portfolio Prize, recognizing and promoting the most exciting emerg-ing photographers internationally aperture.org/portfolio-prize

∞ the annual Paris Photo–Aperture Foundation PhotoBook Awards, with First PhotoBook, PhotoBook of the Year, and Photography Catalogue of the Year categories, recognizing the contri-bution of photographers’ books to the evolving narrative of photography aperture.org/photobookawards

∞ talks, workshops, signings, and education events, connecting with our community and reaching out to new audiences every week at our New York gallery and bookstore, and at partner venues aperture.org/talks-tours

∞ membership programs, offering unique opportunities to connect with photography aperture.org/join

Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.

From our base in New York, we produce, publish, and present a program of photography projects, locally and internationally, that includes:

Aperture is also responsible for the Paul Strand Archive, managing and promoting the rights and legacy of this key figure of twentieth-century photography, in partnership with the Philadelphia Museum of Art.

Inspired by the roadThe big theme for Aperture Foundation’s fall season is the Open Road. The road is a key motif in documentary photography, particularly in the United States, and our lead title The Open Road tells the romantic story of photographers and the American road, from Robert Frank’s The Americans to the present. An ode to the road as a place of discovery and freedom, and to the myth of America, it is also a tribute above all to Frank. Every artist who has gone on the road with a camera since the 1950s—as the book shows—has carried The Americans in their imagination.

We’ve also adopted the Open Road as a theme for our annual benefit, a party of photography, performance, and music, being staged at Manhattan’s Terminal 5. Details are forthcoming, but in the meantime, please mark your calendars for Tuesday, October 21!

Of course, there’s a lot more as well, including an issue of Aperture magazine guest- edited by fashion photographers Inez van Lamsweerde and Vinoodh Matadin; an exhibition of new photographs commissioned to respond to the ideas featured in The Photographer’s Playbook; the relaunch of Aperture’s classic Masters of Photography Series with new editions featuring Paul Strand and Dorothea Lange; our first book to result from an Instagram feed, Kathy Ryan’s Office Romance; and This Equals That, the founda-tion’s first book for children.

Much to inspire! —Chris Boot, executive director

Stephen Shore, U.S. 97, South of Klam

ath Falls, Oregon, July 21, 1973,

from The O

pen Road and Stephen Shore: Survey © Stephen Shore

aperture.org/booksFeatured Photographers:Robert Frank Ed RuschaInge Morath Garry WinograndWilliam EgglestonLee Friedlander Joel Meyerowitz Jacob HoldtStephen Shore Bernard PlossuVictor BurginJoel SternfeldShinya FujiwaraAlec SothTodd HidoRyan McGinleyJustine Kurland Taiyo Onorato & Nico Krebs

The Open RoadPhotography and the American Road TripBy David Campany

After the end of World War II, the American road trip began appearing prominently in literature, music, movies, and photography. Photographers purposefully embarked on such sojourns: Robert Frank’s classic The Americans was preceded by Edward Weston’s travels to illustrate Whitman’s Leaves of Grass, and by Henri Cartier-Bresson’s 1947 trip through the South and West, later published in Harper’s Bazaar. Ed Ruscha’s road trips between Los Angeles and Oklahoma were published as Twentysix Gasoline Stations.

Lavishly produced and highly accessible, The Open Road is the fi rst book to consider the photographic road trip as an important genre. David Campany’s introduction elo-quently contextualizes the story, and eighteen chronological chapters present diff erent road trips in depth through a portfolio of images and informative texts, highlighting some of the most important bodies of work made. The Open Road features work by Robert Frank, Garry Winogrand, Stephen Shore, Joel Sternfeld, and William Eggleston, as well as those working in their footsteps, including Alec Soth and Ryan McGinley.

Exhibitions: 2015, forthcoming.

10 × 111/2 in. (25.4 × 29.2 cm)336 pagesca. 250 duotone and four-color imagesHardcoverISBN 978-1-59711-240-6$65.00/£40.00 September 2014Not available in France

Join us for Aperture’s Open Road benefit on Tuesday, October 21, at Terminal 5, New York.

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“Joyrides, voyages of discovery, surveys, wanderings, migrations, polemics, travel diaries, and assessment of the nation. Is America even imaginable without the road trip?”—David Campany

Inge Morath

Taiyo Onorato &

Nico Krebs

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“I wasn’t simply interested in documenting America; I was also interested in learning and understanding photography and perception.”—Stephen Shore

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Stephen Shore: SurveyPhotographs by Stephen ShoreInterview by David CampanyTexts by Marta Dahó, Sandra S. Phillips, and Horacio Fernández

Stephen Shore has had a signifi cant infl uence on multiple generations of artists and photographers. His work was purchased by Edward Steichen for MoMA when he was only fourteen. By seventeen, he was a regular at Andy Warhol’s Factory, and at twenty- three, he was the fi rst living photographer since Alfred Stieglitz, forty years earlier, to have a solo show at the Metropolitan Museum of Art.

Published for his fi rst-ever retrospective exhibition, this survey documents Shore’s career from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Surfaces, and Uncommon Places. It elucidates his analysis of photographic and visual language, his topographical approach to the contemporary landscape, and his signifi cant use of color. Also included are an informative interview, critical texts,

and a complete biography and chronology.Exhibition: Fundación MAPFRE, Madrid, September 17–November 23, 2014;

additional venues TBA.

113/4 × 91/2 in. (30 × 24 cm)300 pages250 black-and-white and four-color imagesHardcoverISBN 978-1-59711-309-0$65.00/£40.00October 2014Copublished with Fundación MAPFRE

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This Equals ThatBy Jason Fulford and Tamara Shopsin

Aimed at children aged fi ve and up, this clever and surprising photography book by artists and collaborators takes young viewers on a whimsical journey while teaching them associative thinking and visual language, as well as colors, shapes, and numbers. Through a simple narrative and rhythmic sequence of photographs, the book raises multiple meanings, making the experience of reading the book interactive—parent and child must ask questions and come up with their own answers, drawing on the child’s imagination. Each spread presents a new relationship that changes and shifts as the book unfolds, with the last picture relating again to the fi rst, forming a circle. Through playful and inspired sequencing, everyday scenes are transformed into a game of pairs, enjoyable for adults and children alike.

73/4 × 73/4 in. (19.7 × 19.7 cm) 80 pages40 four-color imagesReinforced hardcover with PLCISBN 978-1-59711-288-8$19.95/£12.95September 2014

Limited-edition print available

An original gift book full of surprises for children and adults

Jason Fulford

Jason Fulford

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ExilesPhotographs by Josef KoudelkaEssay by Czesław Miłosz New commentary with Josef Koudelka and Robert Delpire

This newly revised and expanded edition of the 1988 classic includes ten new images and evokes some of the most compelling and troubling themes of the twentieth century, while resonating with equal force in this time of widespread migration and transience. In a new compilation text, famed publisher Robert Delpire and the artist explain how the work came to be. In 1968 Josef Koudelka photographed the Soviet-led invasion of Czechoslovakia. Upon leaving, he became stateless, and was granted political asylum by the UK. Koudelka, a member of Magnum, has published ten books of photographs, including Gypsies, Black Triangle, Invasion 68: Prague, and Wall. Now based in Paris and Prague, he has received international recognition with major exhibitions, awards, and honors.

Retrospective Exhibition: Art Institute of Chicago, June 2014; J. Paul Getty Museum, Los Angeles, November 2014

113/4 × 105/8 in. (29.8 × 27 cm)180 pages77 duotone imagesHardcover with jacketISBN 978-1-59711-269-7$65.00October 2014Available in North America only

See Josef Koudelka’s other titles on page 49, including Gypsies, now back in stock.

“Koudelka’s unsentimental, stark, brooding, intensely human imagery refl ects his own spirit, the very essence of an exile who is at home wherever his wandering body fi nds haven in the night.”—Cornell Capa

Back in stock and

newly expanded

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Office RomancePhotographs from Inside the New York Times BuildingPhotographs and texts by Kathy RyanIntroduction by Renzo Piano

Offi ce Romance is Kathy Ryan’s photographic love song to life at her offi ce. Mostly shot on the sixth fl oor of the landmark Renzo Piano-designed New York Times building, where she works as director of photography at the New York Times Magazine, Ryan captures moments of luminous beauty in her daily routine. First published on Ryan’s Instagram feed, these photographs off er her rendering of the minute details of her working environment: her colleagues, the glorious building she works in, and the light of New York City. As well as the joy and pleasure in each moment cap-tured, this book refers to the contrasts and ironies that characterize the photo world today; as old media meets new, an editor who commissions work from swashbuckling photographers all over the world fi nds moments of transcendent beauty within her offi ce. Ryan introduces the photographs with her own account of the pictures, and of how she got hooked on Instagram.

5 3/8 × 8 in. (13.7 × 20.3 cm)160 pages132 four-color and black-and-white images Hardcover with jacket ISBN 978-1-59711-304-5 $29.95/£19.95September 2014

“From the beginning, the New York Times building was all about the light, and the vibration of light and shadow. In Kathy Ryan’s pictures, I’m happy to fi nd somebody who has captured it!”—Renzo Piano

Our most popular

series, reissued

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Aperture Masters of Photography SeriesThe Aperture Masters of Photography Series is an unparalleled library of both historical and contemporary photographers, and serves as an accessible compi-lation for anyone studying the history of photography. Initially presented as the History of Photography Series in 1976, the fi rst of twenty volumes featured Henri Cartier-Bresson and was edited by legendary French publisher Robert Delpire, who cofounded the series with Aperture’s own Michael Hoff man. The series is being relaunched, elegantly updated and refreshed for today’s photography-hungry audiences. Each volume presents an evocative selection of the photographer’s life’s work, introduced with a foreword by a notable curator or historian, image-by-image commentary, and a chronology of the artist’s life. The series will include many of the artists featured in previous volumes, plus several more for new masters.

A classic series in the history of photography, elegantly redesigned and refreshed for today’s photography-hungry readers

Dorothea Lange

Paul Strand

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Dorothea LangeAperture Masters of Photography SeriesIntroduction and commentary by Linda Gordon

Dorothea Lange (1895–1965) documented rural poverty for the Farm Security Administration from 1935 to 1939. Her powerful images—from migrant workers in California fl eeing the “dust bowl,” to struggling Southern sharecroppers—became icons of the era. She later photographed Japanese Americans in internment camps during World War II and traveled throughout Europe and Asia. She possessed the ability, as she put it, to photograph “things as they are” and through this, her pho-tographs give us “more about the subjects than just the faces.” It is no wonder that Edward Steichen called her the greatest documentary photographer in the United States. Linda Gordon, author of Dorothea Lange: A Life Beyond Limits, contributes a new biographical essay and an image-by-image commentary.

8 × 8 in. (20.3 × 20.3 cm) 96 pages42 duotone imagesHardcover with jacketISBN 978-1-59711-295-6$18.95/£12.00October 2014


Paul StrandAperture Masters of Photography SeriesIntroduction and commentary by Peter Barberie

Paul Strand (1890–1976) was more than a great artist: he was one of the fi rst to discover the true potential of photography as the most dynamic medium of the twentieth century. As a youth, Strand studied under Lewis Hine; after World War II, he traveled around the world to photograph, and created a dynamic and signifi cant body of work in the process. In this redesigned and expanded classic Aperture book, Peter Barberie, curator of the forthcoming retrospective exhibition, introduces the work and pre-sents an image-by-image commentary, along with an expanded chronology of the artist’s life.

Retrospective Exhibition: Philadelphia Museum of Art, October 2014; selected photographs, Aperture Gallery, New York, October 2014

8 × 8 in. (20.3 × 20.3 cm) 96 pages42 duotone imagesHardcover with jacketISBN 978-1-59711-286-4$18.95/£12.00October 2014


A seductive portait

of the city

Jeff Chien-Hsing Liao: New YorkPhotographs by Jeff Chien-Hsing Liao Essays by Sean Corcoran and Justin Davidson

With painstaking care and the use of multiple exposures, Jeff Chien-Hsing Liao crafts each of his images with technological precision. Shooting primarily with a large-format fi lm camera, then scanning and digitally editing the negatives, Liao creates enormous, detail-driven panoramas of the social and urban landscape of New York. From rehabilitated Coney Island to the Grand Concourse in the Bronx, the demise of Shea Stadium in Queens to the newly built One World Trade Center, Liao has created a lasting docu-ment of a signifi cant period of transformation in New York’s skyline and social fabric. His unique perspective on New York is both personal and hyper-real, managing to capture both the lasting charm of the city’s known landmarks as well as the moment when New York entered the twenty-fi rst century.

Exhibition: Museum of the City of New York, January 2015

16 1/2 × 13 3/8 in. (41.1 × 33.9 cm)160 pages100 four-color imagesHardcoverISBN 978-1-59711-279-6$95.00/£60.00September 2014


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Luscious, original panoramic portraits of the Big Apple as you’ve never seen it

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The Notion of FamilyPhotographs by LaToya Ruby Frazier Interview by Dawoud Bey Essays by Laura Wexler and Dennis C. Dickerson

In this, her fi rst book, LaToya Ruby Frazier off ers an incisive exploration of the legacy of racism and economic decline in America’s small towns, as embodied by her home-town, Braddock, Pennsylvania. The compelling story of three generations of women—her Grandma Ruby, her mother, and herself—is set against larger questions of civic belonging and responsibility. In The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family, and her mother in particular. Frazier says her mother is “coauthor, artist, photographer, and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse.” In these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives.

9 1/2 × 10 3/4 in. (24.1 × 27.3 cm)156 pages100 duotone images and 32 four-color video stillsClothbound ISBN 978-1-59711-248-2$60.00/£40.00September 2014

Limited-edition book and print set available

A powerful visionary work at once personal and truly political, for audiences interested in art, race, and the social fabric of America

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Events AshorePhotographs by An-My Lê Essay by Geoff Dyer

An-My Lê’s fi rst publication, Small Wars (2005), off ered a trilogy of tautly rendered black-and-white landscapes. These photographs evoked the troubling beauty that informs and binds Hollywood’s simulacra of war to its documentation by photojour-nalists, as well as to Lê’s memories of a wartime childhood.

With Events Ashore, her fi rst publication entirely in color, Lê crisscrossed four hem-ispheres and both poles to assemble a visual narrative of the hardware, personnel, destinations, and points of contact that constitute the experience and infl uence of the American military. Lê’s transition to color negative fi lm reveals her to be a mas-terful colorist, making new and often surprising connections between American landscape photography and nineteenth-century European painting, with historical allegories of naval power and colonial utopias.

Exhibition: Milton Keynes Gallery, United Kingdom, September 2014

13 × 101/2 in. (33 × 26.7 cm)192 pages plus 2 gatefolds125 four-color imagesClothboundISBN 978-1-59711-299-4$89.95/£60.00 October 2014


“This work is as much about my perspective, and personal history as a political refugee from Vietnam, as it is about the vast geopolitical forces and confl icts that shape these landscapes.” —An-My Lê

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Amelia and the AnimalsPhotographs by Robin SchwartzEssay by Amelia Forman

In many ways, Amelia, aged fourteen, is your average American teenager. Since she was three years old, she has been her mother’s muse and photographic subject. Not every mom is a world-class photographer with a predilection for photographing ani-mals, however, and it’s not every teenager who has portraits of herself with elephants, llamas, ponies, tigers, kangaroos, chimpanzees, and endless dogs, cats, and other animals—portraits that hang in the collections of major art museums around the world. Amelia and the Animals is Robin Schwartz’s second monograph featuring this collaborative photographic series. These images are more than simply documents of Amelia and her rapport with animals; they off er a meditation on the nature of inter-species communication and serve as evidence of a shared mother-daughter journey into invented worlds, of fables they enact together.

8 1/2 × 10 3/4 in. (21.6 × 27.3 cm)144 pages75 four-color imagesHardcover with jacketISBN 978-1-59711-278-9$39.95/£25.00October 2014Not available in German-language territories


“I’m looking for a relationship between Amelia and the animal. It’s like creating a fairy tale.” —Robin Schwartz, on the New York Times blog Lens

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Erwin Olaf: Volume IIPhotographs by Erwin Olaf Essay by Francis Hodgson

Award-winning Dutch photographer Erwin Olaf approaches storytelling in a uniquely evocative and enticingly ambiguous manner. Critic Francis Hodgson writes that Olaf’s images “lead us to a Stimmung (sense of atmosphere), which is broad enough to repay many second readings of the pictures and so keep us viewers interested.” In this collection of his most recent work, Olaf expands on his highly polished and stylized color studio images to include a series drawn from his sculptural video installation, Keyhole; a group of black-and-white images he has exhibited as carbon prints; and photographs created on location in Berlin. Erwin Olaf: Volume II showcases the artist at the height of his powers as an artisan of atmosphere, and as a craftsman who uses high polish to both perverse and seductive eff ect.

Exhibitions: Berlin; Debrecen, Hungary; and Istanbul, all fall 2014

10 × 13 in. (25.4 × 33 cm)112 pages75 four-color imagesClothboundISBN 978-1-59711-298-7$65.00/£40.00October 2014


“I want the world I create with my photos to be one that captures both the eye and the mind.”—Erwin Olaf

A bibliophile’s delight

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The Last BookPhotographs by Reinier Gerritsen Essay by Boris Kachka

The world—and the word—are in the process of becoming less and less dependent on paper. So much so that Nicholas Negroponte, author and technologist, has stated “the paper book is dead,” to be replaced by digital technology. This is the premise of The Last Book, by Amsterdam-based photographer Reinier Gerritsen, who takes up the subject of books and their readers on New York City’s subways as proverbial canaries-in-the-coal-mine, indicators of the still-robust nature of public readership, in the face of its osten-sible decline. Gerritsen has produced a series of compelling, unexpected, documentary portraits, set against a visual landscape of bestsellers, classics, romance novels, detective thrillers, Bibles, and biographies. From the subtle interactions of passengers to the socio-logical clues of book titles, a complexly layered narrative is informed by riders as they are transported both literally and fi guratively, by the books in their hands.

Special bonus: The dust jacket unfolds to show alternative covers.

6 1/2 × 9 in. (16.5 × 22.75 cm)240 pages45 four-color images and a visual indexHardcover with jacketISBN 978-1-59711-270-3$65.00/£40.00September 2014


A gorgeously designed artist’s book about books and reading

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Gail Albert Halaban: Paris Views Photographs by Gail Albert Halaban Introduction by Christian Caujolle Essay by Cathy Rémy

In this new series, a continuation of her work in Out My Window, Gail Albert Halabanshifts her focus from New York to Paris—while continuing to steady her gaze into the windows of her neighbors and the local community. The photographs, taken between 2012 and 2013, feature cinematic atmospheres and intimate domestic stills. Through Halaban’s lens, the viewer is welcomed into the private worlds of ordinary people. The photographs in Gail Albert Halaban: Paris Views explore the conventions and tensions of urban lifestyles, feelings of isolation in the city, and the intimacies of home and daily life. In these meticulously directed, window-framed versions of reality, Halaban allows the viewer to create his or her own fi ctions about the charac-ters, activities, and interiors illuminated within. This invitation to imagine renders the characters and settings both personal and mysterious.

15 × 13 in. (38.1 × 33 cm)120 pages60 color imagesHardcoverISBN 978-1-59711-302-1$79.95/£50.00October 2014


“Halaban can’t help staring into her neighbors’ windows, but she’s made an art of it.”—Vince Aletti, the New Yorker

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Todd Hido on Landscapes, Interiors, and the NudeThe Photography Workshop SeriesIntroduction by Gregory Halpern

Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective. He reveals insight into his own practice and discusses a wide range of creative issues, including mining one’s own memory and experience as inspiration; using light, texture, and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating pow-erful stories with emotional weight and beauty.

Learn how to:

• Create landscapes and interiors with emotional charge that suggest a larger story

• Work with color and composition to evoke mood and feeling

• Use low and available light to isolate your subject and capture dramatic portraits

• Work with subjects and different environments to explore what happens when you pair a person with a place

7 1/2 × 10 in. (19 × 25.4 cm)128 pages60 black-and-white and four-color imagesPaperback with flapsISBN 978-1-59711-297-0$29.95/£19.95 October 2014

“I’m a wandering photographer. I just go out, usually by car, and shoot. I don’t always know what I’m going to fi nd. But I know if I go out looking, I will fi nd something.”—Todd Hido

Just published in

The Photography Workshop Series

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The Photography Workshop SeriesIn The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—off ering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers inter-ested in deepening their understanding of the art of photography. Each book features the creative process and core thinking of a photographer, told in their own words and through pictures of their choosing. Each volume is introduced by a well-known student of the featured photographer.

71/2 × 10 in. (19 × 25.4 cm)128 pagesPaperback with flaps$29.95/£19.95

Larry Fink on Composition and ImprovisationIntroduction by Lisa Kereszi

Learn how to:

•Create pictures with energy that take advantage of the tension of the scene

•Maximize the frame to create sophisticated photographic compositions

•Create images that convey your vision and feelings about the subject

76 duotone imagesISBN 978-1-59711-273-4

Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic ImageIntroduction by Teju Cole

Learn how to:

•Discover luminous, poetic images in the world

•Work with complexity, color, and creative tension within the picture frame

•Gain confi dence photographing among people of different cultures

74 black-and-white and four-color imagesISBN 978-1-59711-257-4

Todd Hido

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aperture.org/magazineAperture Magazine

Aperture is an essential guide to the world of contemporary photography that combines the finest writing with inspiring photographic portfolios. Relaunched in 2013, the new Aperture updates its sixty-two-year-old mission as the world’s most vital photography magazine in print. Alongside regular columns such as What Matters Now? and The Collectors, each issue examines one theme at the heart of contemporary photography, explored in two distinct sections: Words, focused on ideas, interviews, and debate, and Pictures, offering an immersive photographic experience of artists’ projects and series.

Fall 2014, issue 216: “Fashion,” produced in collaboration with esteemed fashion photography duo Inez van Lamsweerde and Vinoodh Matadin, explores the role of image reference and quotation in fashion photography, showcasing both contempo-rary and historical work, and underscoring how the genre has long been defined by experimentation and innovation.

Winter 2014, issue 217: “Lit.” considers the relationship between photography and literature, looking at writers who were also practicing photographers and contem-porary photographers who investigate language and narrative, or have used works of literature as springboards for their work.

The digital edition is available on Kindle, Nook, and Zinio. All print subscriptions include the Zinio digital edition at no additional cost, as well as a free subscription to The PhotoBook Review.

Single issues: $24.95/£14.00 One-year subscription (4 issues): $75.00 Two-year subscription (8 issues): $124.00 Kindle, Nook, and Zinio digital subscriptions (4 issues): $25.00 Aperture magazine, issue 216, Fall 2014 ISBN 978-1-59711-282-6 Aperture magazine, issue 217, Winter 2014 ISBN 978-1-59711-283-3

Required reading for everyone seriously interested in photography

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Exhibition

The New York Times Magazine PhotographsSeptember 18–November 1, 2014

Long-time New York Times Magazine photo editor Kathy Ryan provides a behind-the-scenes look at the collaborative, creative process that has made this magazine the leading venue for photographic storytelling within contemporary news media. The exhibition is comprised of eleven individual modules, each of which focuses on a notable project or series of projects that has been presented in the pages of the Magazine. The featured projects mirror the Magazine’s eclecticism, presenting seminal examples of reportage and portraiture as well as fi ne art photography.

Related book:The New York Times Magazine PhotographsEdited by Kathy Ryan9 1/2 × 11 1/2 in. (24.1 × 29.2 cm)448 pagesOver 500 four-color images Hardcover ISBN 978-1-59711-146-1 $75.00/£50.00

Exhibition

The Photographer’s PlayspaceNovember 20, 2014–January 29, 2015

Fifteen photographers are commissioned to respond to assignments from The Photographer’s Playbook, Aperture’s collection of 307 inspiring, smart, and fun assignments from leading photographers and educators. The book includes contributions by John Baldessari, Tina Barney, Philip-Lorca diCorcia, Katy Grannan, Stephen Shore, Alec Soth, Tim Walker, and more.

Related book:The Photographer’s Playbook: 307 Assignments and Ideas Edited by Jason Fulford and Gregory Halpern6 × 9 in. (15.2 × 22.8 cm)440 pages26 black-and-white imagesPaperback with flapsISBN 978-1-59711-247-5$24.95/£19.95

Gregory C

rewdson

Mike Slack

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Exhibition

The Paris Photo–Aperture Foundation PhotoBook Awards December 11, 2014–January 29, 2015

Short-listed titles and winners from the third annual Paris Photo–Aperture Foundation PhotoBook Awards will be exhibited in the Aperture reading room, following their presentation at Paris Photo in November 2014. The presentation of these titles—available for visitors to look through from cover to cover—provides an invaluable survey of the most innovative thinking in bookmaking today, from self-published titles to those by the most esteemed publishers. Publishers and photographers may submit their work for consideration from May 5 through September 13, 2014. Past award winners and full details are available at aperture.org/photobookawards.

The prize categories are:

• First PhotoBook

• PhotoBook of the Year

• Introducing a new category: Photography Catalogue of the Year

Short-listed titles from the 2013 PhotoBook Awards travel through November 2014 to the following venues: Copenhagen Photo Festival; PhotoIreland Festival, Dublin; Backlight Photo Festival, Tampere, Finland; FotoFocus Cincinnati

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Exhibition

Parting Words and Black is the Day, Black is the NightPhotographs by Amy Elkins, winner of the 2014 Aperture Portfolio Prize November 26, 2014–January 29, 2015

The Aperture Portfolio Prize identifies trends in contemporary photography, as well as specific photographers whose work deserves a wider audience. This year’s winner, Amy Elkins, submitted two portfolios stemming from issues surrounding capital punishment. Parting Words presents black-and-white portraits of people executed in the United States, constructed via the repetition of their last words. The effect is both formal and abstract, rendering each person’s fate chillingly concrete. In Black is the Day, Black is the Night, the letters Elkins exchanged with prisoners on death row are interspersed with images created in an effort to capture the interior landscapes evoked by these correspondences. Elkins’s work is elegiac and provocative, asking the viewer to engage above and beyond their first impressions of the images.


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“How rare it is to see master photographers give an eloquent account of their practice.”—Teju Cole on Alex Webb and Rebecca Norris Webb’s workshop

Aperture WorkshopsAperture Foundation’s workshop program continues a valued tradition originating with Aperture magazine’s founding editor and legendary teacher, Minor White. Known for his open-minded, inventive, and insightful approach to teaching, White leaves a legacy that defines the workshop program at Aperture. Aperture workshops are a chance for students to work one-on-one with major figures in the global pho-tographic community. Recent workshop leaders include Alex Webb and Rebecca Norris Webb, Larry Fink, Joel Meyerowitz, Shelby Lee Adams, Todd Hido, and Rinko Kawauchi.

Most workshops are held at Aperture Gallery and Bookstore, located in Chelsea, New York City. Students visiting from out of town enjoy a competitive rate at Hôtel Americano. Please inquire about the hotel discount at the time of workshop registration.

Workshop leaders in fall 2014 include:

• Elinor Carucci

•W. M. Hunt

• Justine Kurland

• Penelope Umbrico

For a full workshop program visit: aperture.org/workshops-classes

From Sources and Influences, an A

perture workshop w

ith Todd Hido.

From the panel discussion C

ollaborative Images: N

ew M

odels of Authorship and

Aggregation. Im

age: Brock Stoneham

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Understanding a PhotographBy John BergerEdited and introduced by Geoff Dyer

“Essential reading for anyone interested in understanding the power of this ubiquitous medium.”—the Guardian

Words Not Spent Today Buy Smaller Images TomorrowEssays on the Present and Future of Photography

By David Levi Strauss

“David Levi Strauss talks about what has been forgotten, what is being systematically erased, and what we need to remember for tomorrow.”—John Berger

6 × 81/2 in. (15.24 × 21.6 cm)192 pages25 color and black-and-white imagesFlexibindISBN 978-1-59711-271-0$29.95/£19.95

Aperture Ideas series

Bending the Frame: Photojournalism, Documentary, and the CitizenBy Fred Ritchin6 × 81/2 in. (15.2 × 21.6 cm) 176 pages, 40 images $19.95/£12.95 ISBN 978-1-59711-120-1New iBook $16.99ISBN 978-1-59711-292-5

The Pleasures of Good PhotographsEssays by Gerry Badger6 × 81/2 in. (15.2 × 21.6 cm) 224 pages,36 images $29.95/£16.95ISBN 978-1-59711-139-3

Photography After FrankEssays by Philip Gefter6 × 81/2 in. (15.2 × 21.6 cm) 224 pages, 75 images $29.95/£16.95ISBN 978-1-59711-095-2iBook $16.99ISBN 978-1-59711-292-5

Between the Eyes:Essays on Photography and PoliticsBy David Levi Strauss51/2 × 81/4 in. (14 × 21 cm) 208 pages, 47 images $19.95/£12.95ISBN 978-1-59711-214-7

Light Matters: Writings on PhotographyEssays by Vicki Goldberg51/2 × 8 1/2 in. (14 × 21.6 cm)248 pages, 27 images $19.95/£12.95ISBN 978-59711-165-2

Crisis of the RealEssays by Andy Grundberg61/2 × 9¼ in. (16.5 × 23.5 cm) 292 pages, 44 images $19.95/£12.95ISBN 978-1-59711-140-9

In Our Own ImageBy Fred Ritchin61/2 × 9½ in. (16.5 × 23.5 cm)164 pages, 38 images $16.95/£9.95ISBN 978-1-59711-164-5

Core Curriculum: Writings on PhotographyEssays by Tod Papageorge6 × 81/2 in. (15.2 × 21.6 cm) 208 pages, 50 images $29.95/£18.95ISBN 978-1-59711-172-0 New iBook July 2014, $16.99ISBN 978-1-59711-223-9

Inside the Photograph: Writings on Twentieth-Century PhotographyEssays by Peter C. Bunnell51/2 × 8 1/2 in. (14 × 21.6 cm) 288 pages, 43 images $19.95/£12.95ISBN 978-1-59711-104-1

Aperture Ideas: Writers and Artists on PhotographyA series devoted to the fi nest critical and creative minds exploring key concepts in photography

6 × 8 1/2 in. (15.24 × 21.6 cm) 176 pages27 black-and-white images ClothboundISBN 978-1-59711-256-7$24.95 Rights: U.S. and Canada only

New iBook ISBN 978-1-59711-290-1August 2014$16.99

aperture.org/books

46

Previously Announced

AfghanistanPhotographs by Larry Towell

Renowned Magnum photographer Larry Towell presents a moving and in-depth look at Afghanistan, whose citizens and landscapes are aff ected by confl ict on a daily basis. Towell, who received a grant from the Magnum Emergency Fund for this work, off ers a tour de force examination of survival, exile, loss, and recuperation. This limited-edition book presents a facsimile of the photographer’s original artist maquette, complete with his hand-written notes and stories, items he collected in the fi eld, and over 350 images, including Towell’s powerful collages. Beautifully produced and collectible, this extraordinary object off ers an important historical document on present-day Afghanistan seen through its social, political, and environmental landscapes.

11 × 15 in. (27.94 × 38.1 cm)192 pages350 duotone and four-color imagesHardcover with jacketLimited edition of 1,000 copiesISBN 978-1-59711-266-6$150.00/£100.00October 2014

Immediate FamilySally Mann11 × 91/2 in. (27.9 × 24.1 cm)88 pages, 60 imagesHC $50.00/£35.00978-1-59711-254-3

The BikeridersDanny Lyon61/4 × 91/4 in. (15.9 × 23.5 cm)94 pages, 48 imagesHC $35.00/£22.95978-1-59711-264-2

Touching StrangersRichard Renaldi9 × 111/2 in. (22.9 × 29.2 cm)120 pages, 71 imagesHC $45.00/£30.00978-1-59711-249-9

Limited edition available

Other RoomsJo Ann Callis8 1/2 × 11 in. (21 × 27.3 cm)80 pages, 45 imagesHC $65.00/£40.00978-1-59711-275-8

Chewing Gum and ChocolateShomei Tomatsu10 × 12 in. (25.4 × 30.5 cm)216 pages, 125 imagesHC $80.00/£50.00978-1-59711-250-5

¡Vámonos!Bernard Plossu in México113/8 × 125/8 in. (28.9 × 32.1 cm)336 pages, 330 imagesHC $125.00/£75.00978-1-59711-276-5

Recently published

Petrochemical AmericaRichard Misrach and Kate Orff240 pages, 150 images117/8 × 91/4 in. (29.9 × 23.5 cm)PB $39.95/£25.00 978-1-59711-277-2131/2 × 101/2 in. (34.3 × 26.7 cm)HC $80.00/£50.00 978-1-59711-191-1


The Ballad of Sexual DependencyNan Goldin10 × 9 in. (25.4 × 22.9 cm)148 pages, 126 imagesPB $35.00/£19.50978-1-59711-210-9HC $50.00/£35.00978-1-59711-208-6




48

backlist highlights

Diane Arbus: Monograph9 3/4 × 11 in. (23.5 × 27.9 cm)182 pages, 82 imagesHC $60.00/£40.00 978-1-59711-174-4PB $39.95/£25.00 978-1-59711-175-1

Monographs

Diane Arbus: Magazine Work92/5 × 11 in. (23.2 × 27.9 cm)176 pages, 146 imagesPB $35.00/£19.95978-0-89381-233-1

Occupied TerritoryLynne Cohen12 × 9 3/5 in. (30.5 × 24.4 cm)144 pages, 110 imagesHC $60.00/£40.00 978-1-59711-145-4


Paris•New York•ShanghaiHans Eijkelboom101/2 × 81/4 in. (26.7 × 21 cm)240 pages, 1,256 imagesHC $55.00/£32.00978-1-59711-044-0

KodachromesWilliam Christenberry92/5 × 112/5 in. (23.9 × 29 cm)176 pages, 115 imagesHC $65.00/£45.00978-1-59711-147-8

Untitled: Diane Arbus11 × 14 in. (27.9 × 35.6 cm)112 pages, 52 imagesHC $75.00/£45.00978-1-59711-190-4

Site Specifi cOlivo Barbieri93/4 × 132/3 in. (24.9 × 34 cm)184 pages, 126 imagesHC $75.00/£50.00978-1-59711-229-1

This Is MarsEdited and designed by Xavier Barral13 3/4 × 111/2 in. (35.4 × 30.2 cm)272 pages, 150 imagesHC $100.00/£65.00978-1-59711-258-1

StormsMitch Dobrowner13 × 10 in. (35.2 × 25.7 cm)96 pages, 51 imagesHC $50.00/£30.00978-1-59711-230-7

Stonework and Lime KilnsBernd and Hilla Becher10 5/8 × 113/4 in. (27 × 29 cm)244 pages, 232 imagesHC $85.00/£55.00978-1-59711-252-9

Sketch of ParisJH Engströ m81/2 × 112/3 in. (21 × 27.5 cm)314 pages, 250 imagesPB $65.00/£45.00978-1-59711-253-6



The PondJohn Gossage113/4 × 11 in. (29.8 × 27.9 cm)108 pages, 52 imagesHC $65.00/£45.00978-1-59711-132-4


Model AmericanKaty Grannan9 7/8 × 111/2 in. (25.1 × 29.2 cm)112 pages, 70 imagesHC $40.00/£22.00978-1-931788-81-6

KamaitachiEikoh Hosoe91/2 × 123/4 in. (24.1 × 32.4 cm)112 pages, 48 imagesHC $60.00/£40.00978-1-59711-121-8

Sawdust MountainEirik Johnson11× 11 in. (27.9 × 27.9 cm)144 pages, 70 imagesHC $50.00/£32.00978-1-59711-091-4


IlluminanceRinko Kawauchi81/2 × 11 in. (21.6 × 28 cm)176 pages, 125 imagesHC $60.00/£40.00978-1-59711-144-7


AmetsuchiRinko Kawauchi9 2/5 × 121/4 in. (24 × 31 cm)80 pages, 40 imagesHC $80.00/£50.00978-1-59711-216-1

KoudelkaJosef Koudelka117/16 × 11 in. (29.5 × 28.5 cm)276 pages, 161 imagesHC $75.00 978-1-59711-030-3U.S. and Canada only

Invasion 68: PragueJosef Koudelka9 5/8 × 12 5/8 in. (24.5 × 32 cm)296 pages, 244 imagesPB $60.00 978-1-59711-068-6U.S. and Canada only

GypsiesJosef Koudelka91/2 × 121/2 in. (24.1 x 31.8 cm)224 pages, 109 imagesHC $85.00 978-1-59711-177-5 U.S. and Canada only

WallJosef Koudelka14 3/4 × 10 1/4 in. (37.5 × 26.4 cm)120 pages, 54 imagesHC $60.00/£40.00 978-1-59711-241-3 U.S. and Canada only

Sergio Larrain81/4 × 111/2 in. (21 cm × 29.2 cm)400 pages, 372 imagesHC $85.00978-1-59711-259-8U.S. and Canada only

Emmet Gowin91/2 × 114/5 (24 × 30 cm)240 pages, 180 imagesHC $69.95/£45.00978-1-95711-2611

aperture.org/books

50

backlist highlights

Zwelethu Mthethwa113/4 × 10 in. (29.8 × 25.4 cm)120 pages, 75 imagesHC $55.00/£45.00978-1-59711-113-3

Labyrinth: Daido Moriyama113/4 × 133/4 in. (29.8 × 34.9 cm)304 pages, 300 imagesPB $80.00/£50.00978-1-59711-217-8

Invisible: Covert Operations andClassifi ed LandscapesTrevor Paglen9 1/2 × 10 3/4 in. (24.1 × 27.3 cm)160 pages, 69 imagesHC $49.95/£32.00 978-1-59711-130-0

WorkersSebastião Salgado9 3/4 × 13 in. (24.8 × 33 cm)400 pages, 346 imagesHC $100.00 978-0-89381-525-7U.S. and Canada only


Life’s a BeachMartin Parr81/4 × 6 in. (30 × 15.25 cm)80 pages, 100 imagesHC $25.00/£16.95978-1-59711-213-0


Destroy This MemoryRichard Misrach15 × 111/2 in. (38.1 × 29.2 cm)140 pages, 70 imagesHC $65.00/£45.00978-1-59711-163-8

Lisette Model12 × 15 in. (30.5 × 38.1 cm)112 pages, 54 imagesHC $50.00/£27.50978-1-59711-049-5

Legacy: The Preservation of Wilderness in New York City ParksJoel Meyerowitz12 × 10 1/2 in. (30.5 × 26.7 cm)300 pages, 250 imagesHC $65.00/£45.00 978-1-59711-122-5


101 Tragedies of Enrique Metinides8 1/2 × 10 3/8 in. (21.6 × 26.4 cm)184 pages, 150 imagesHC $50.00/£35.00978-1-59711-211-6

City StagesMatthew Pillsbury111/2 × 8 1/2 in. (21× 29.2 cm)128 pages, 75 imagesHC $65.00/£45.00978-1-59711-237-6


The Non-ConformistsMartin Parr8 × 9 1/2 in. ( 20.3 × 24.1 cm)168 pages, 124 imagesHC $45.00/£30.00978-1-59711-245-1


Earth to Sky: Among Africa’sElephants, A Species in CrisisMichael Nichols113/4 × 83/8 in. (29.8 × 21.7 cm)192 pages, 2 gatefolds, 215 imagesHC $49.95/£29.95 978-1-59711-243-7

Paul Strand in MexicoText by James Krippner113/8 × 12 7/8 in. (28.9 × 32.7 cm)356 pages, 435 imagesHC $75.00/£50.00978-1-59711-137-9


Uncommon PlacesStephen Shore12 × 10 in. (32.7 × 26.4 cm)188 pages, 162 imagesHC $55.00 978-1-931788-34-2U.S. and Canada only

The Garden at OrgevalPaul Strand8 × 10 3/8 in. (20.5 × 26.4 cm)96 pages, 45 imagesHC $45.00/£30.00 978-1-59711-124-9


SouthwestPaul Strand91/2 × 113/8 in. (24.1 × 29 cm)112 pages, 95 imagesHC $50.00/£27.50978-1-931788-46-5


NotesJock Sturges9 × 9 in. (22.9 × 22.9 cm)96 pages, 92 imagesHC $39.95/£25.00978-1-931788-47-2


Misty Dawn: Portrait of a MuseJock Sturges10 × 11 in. (25.4 × 27.9 cm)168 pages, 100 imagesHC $50.00/£32.00978-1-59711-074-7


The Last Day of SummerJock Sturges91/2 × 11 in. (24.1 × 28.9 cm)96 pages, 60 imagesHC $45.00/£25.00 978-0-89381-494-6PB $35.00/£19.95 978-0-89381-538-7


The Suffering of LightAlex Webb131/2 × 12 in. (34.3 × 30.5 cm)204 pages, 115 imagesHC $65.00 978-1-59711-173-7U.S. and Canada only

Is This Place Great or WhatBrian Ulrich9 3/4 × 111/4 in. (24.8 × 28.6 cm)144 pages, 95 imagesHC $50.00/£32.50978-1-59711-192-8


Penelope Umbrico(photographs)9 1/2 × 10 3/4 in. (24.1 × 27.3 cm)172 pages,100 imagesHC $65.00/£40.00978-1-59711-171-3


James Welling: Monograph9 1/2 × 111/2 in. (24.1 × 29.2 cm)256 pages, 250 imagesHC $80.00/£50.00978-1-59711-209-3


The Sochi Project: An Atlas of War and Tourism in the CaucasusRob Hornstra9 1/2 × 111/2 in. (24 × 30 cm)412 pages, 200 imagesHC $80.00/£50.00 978-1-59711-244-4


aperture.org/books

52

backlist highlights

Photo ArtUta Grosenick and Thomas Seeling81/4 × 10 in. (21 × 26.4 cm)512 pages, 565 imagesPB $55.00 978-1-59711-062-4U.S. and Canada only

Photographic MemoryVerna Posever Curtis91/2 × 111/2 in. (24.1 × 29.2 cm)288 pages, 350 imagesHC $75.00/£45.00978-1-59711-131-7

The New York TimesMagazine PhotographsEdited by Kathy Ryan9 1/2 × 111/2 in. (24.1 × 29.2 cm)448 pages, 500 imagesHC $75.00/£50.00 978-1-59711-146-1

reGeneration2William A. Ewing9 × 10 5/8 in. (22.9 × 27 cm)224 pages, 208 imagesPB $39.95 978-1-59711-160-7U.S. and Canada only


EssaysDiane Arbus: A Chronology61/2 × 8 in. (16.5 × 20.32 cm)192 pagesPB $29.95/£19.95978-1-59711-179-9

The Unseen EyeW. M. Hunt10 1/4 × 11in. (26 × 28 cm)320 pages, 370 imagesHC $75.00 978-1-59711-193-5U.S. and Canada only

The Latin American PhotobookHoracio Fernández9 × 12 in. (24 × 30 cm)256 pages, 350 imagesHC $75.00/£45.00 978-1-59711-189-8

The Dutch PhotobookFrits Gierstberg and Rik Suermondt91/2 × 11 in. (24 × 28 cm)240 pages, 620 imagesHC $75.00/£50.00978-1-59711-200-0

AnthologiesColor Rush: Seventy-Five Years of Color Photography in AmericaKatherine A. Bussard and Lisa Hostetler91/2 × 111/2 in. (24.13 × 29.21 cm)244 pages, ca. 200 imagesHC $60.00/£40.00 978-1-59711-226-0

The Edge of Vision: The Rise of Abstraction in PhotographyLyle Rexer8 × 10 in. (20.3 × 25.4 cm)292 pages, 180 imagesPB $35.00/£25.00 978-1-59711-242-0


E-Booksand Apps

Aperture Magazine Anthology:The Minor White Years, 1952–1976Edited by Peter C. Bunnell6 3/8 × 93/8 in. (16.2 × 23.8 cm)456 pages, 150 imagesHC $39.95/£25.00978-1-59711-196-6

Along Some RiversRobert Adams51/2 × 81/4 in. (14 × 21 cm)112 pages, 28 imagesHC $24.95/£13.95978-1-59711-004-4

Beauty in PhotographyRobert Adams5 1/2 × 81/4 in. (14 × 21 cm)112 pages, 23 imagesPB $16.95/£9.99978-0-89381-368-0

Why People PhotographRobert Adams51/2 × 81/4 in. (14 × 21 cm)189 pages, 29 imagesPB $16.95/£9.99978-0-89381-603-2

Photography Changes EverythingMarvin Heiferman7 × 10 in. (17.8 × 25.4 cm)356 pages, 250 imagesPB $39.95/£25.00 978-1-59711-199-7

The Mind’s EyeHenri Cartier-Bresson51/4 × 81/4 in. (13.3 × 21 cm)112 pages, 11 imagesHC $19.95/£12.50978-0-89381-875-3

Merce Cunningham: 65 YearsDavid VaughaniPad app $14.99978-1-59711-188-1

Words Without PicturesEdited by Charlotte Cotton and Alex KleiniBook $11.99 978-1-59711-187-4

Photography After FrankPhilip Gefter75 imagesiBook $16.99 978-1-59711-221-5

Bending the FrameFred Ritchin40 imagesiBook $16.99 978-1-59711-292-5

Moving Mountains (1850–2012)Photographs by Penelope UmbricoiPad app: Free978-1-59711-267-3

free


54

Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.

For individual orders of Aperture titles and to subscribe to Aperture magazine, visit aperture.org or call toll-free: +1 800.929.2323 Monday–Saturday, 10 a.m.–6 p.m. Eastern time.

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Cover ImageInge Morath, Outside Memphis, Tennessee, 1960, from The Open Road © Inge Morath/Magnum Photos

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t u e s d a y , o c t o b e r 2 1 , 2 0 1 4

t e r m i n a l 5 , n e w y o r k c i t y

a p e r t u r e . o r g / b e n e f i t

An evening of art and entertainment in tribute to Robert Frank

Documents

Aperture Fall 2014 catalogue