Anything Could Happen

8/6/2019 Anything Could Happen

1/25

Anything Could Happen

By

Ed Heaton, Peter Spafford and ELFMs Next Generation

&Paddy Garrigan


2/25

INT. CLASSROOM - DAY

VIOLET is not concentrating on the lesson being taught toher, she is more interested in what shes writing in anotebook.

VEE(THINKS)

I want to dance. I want to sing.Where birds fly high withshimmering wings. Crap. Jump tothe moon. An untouchable force.Swim to the sun, dont know mycourse.

She quietly tears the page from her book and screws it up.

VEE

(THINKS)Free to shout. Free to dance.Free to speak my mind at last.Thats more like it. Perfect!

MUSICAL NUMBER 1

ANYTHING COULD HAPPEN

CHORUSANYTHING COULD HAPPEN, WERE OFFTO THE FEST

SUMMER IS COMING, ITS GONNA BETHE BESTANYTHING COULD HAPPEN, WELL HAVESO MUCH FUNWITH THE STAGE LIGHTS SHINING,THE BANDS JUST BEGUN

EDDIESure your dads gonna let you go?

VEECourse he will! Hes got to let

me out sometime.

VEE (WITH CHORUS)ANYTHING COULD HAPPEN, PLEASE LETME BE FREETO STAND WITH THE PEOPLE WHO LETME BE MEANYTHING COULD HAPPEN, TURN THEMUSIC UP LOUDSO I CAN SING WITH ONE VOICE, THEHEART OF THE CROWD

ALL THAT I KNOW IS NOTHING IS FORSURE

(MORE)

(CONTINUED)


3/25

CONTINUED: 2.

VEE (WITH CHORUS) (contd)

AND GIVEN ONE ANSWER LEAVES MEWANTING MOREALL THAT I KNOW IS NOTHING IS FORSUREAND GIVEN ONE ANSWER LEAVES ME

WANTING MORE

ANYTHING COULD HAPPEN, NOW IVEREACHED THE STAGEWHERE I RIP UP THE BOOK AND WRITEMY OWN PAGEANYTHING COULD HAPPEN SO WHY TOWTHE LINEI CHOOSE TO FOLLOW THE HEART NOTTHE MIND

ALL THAT I KNOW IS NOTHING IS FOR

SUREAND GIVEN ONE ANSWER LEAVES MEWANTING MOREALL THAT I KNOW IS NOTHING IS FORSUREAND GIVEN ONE ANSWER LEAVES MEWANTING MORE

EXT. OUTSIDE SCHOOL - DAY

Violet sees her dad (JOHN) waiting just outside the schoolgates. She sighs slightly, but walks up to him brightlynonetheless

VEEDad? Dad! Can I go to BeaconsFest?

JOHNBeacons Fest? What on earth isthat?

VEEJust a music festival. All my

friends are going; Eddie, Amy,Rebecca, Louise--

JOHNMusic festivals are no place fora group of young teens. And Imnot coming with you!

VEEBut dad--

JOHNNo buts, Violet. Youre notgoing, end of.


4/25

3.

John strides off, leaving a sullen Violet behind

INT. KITCHEN - AFTERNOON

John is at the cooker, Vee sits in a corner playing her

guitar quietly and scribbling notes.

The door opens, and SUSAN enters.

SUSANHi daddy!

JOHNSusan, love.

SUSANSo.. how was it?

JOHN..Oh, yknow. Look, youll wantsome tea anyway - help me getsome sausages on.

SUSANDad! Stop changing the subject,youve been stressing aboutOFSTED for weeks!

JOHNIt was fine. When youve been

teaching as long as I have onebunch of inspectors is much thesame as another.

SUSANBut what did they say? Did youpass!?

JOHNRoom for improvement. Story of mylife. Now stop yakking and getsome broccoli out of the freezer.

SUSAN(towards Vee)

Why cant SHE do it? Sits therestrumming that thing, neverhelping.. Hi Vee - how are you?

In her own little world Vee continues to strum the guitar.

SUSANSuit yourself.

Susan turns her back on Vee.

(CONTINUED)


5/25

CONTINUED: 4.

SUSANWe finished the audit today -council love it. I think theylluse us for everything now. Thanksdad! Helpful knowing a mathsteacher.

VEEIf youre an accountant...

SUSANWhats eating you then?

Vee scowls at Susan, and returns to her guitar.

JOHNLeave her Sue - she wants to goto the.. beamsely.. festival.

VEEBEACONS Festival.

SUSANOn her own!?

JOHNNo, with Amy, Rebecca, Eddie--

SUSANYoure NOT letting her go? To amusic festival? With Eddie?

JOHNEddies a good boy!

SUSANBut shes only 15! Come on Dad,youre not going to let herpersuade you.

Vee stands up.

VEE

Its nothing to do with you.

SUSANListen - Im your big sister incase youd forgotten.

Picking up her guitar, Vee storms out.

SUSANOh yeah, flounce off to yourroom. I just dont want anythingto happen to you!

(CONTINUED)


6/25

CONTINUED: 5.

VEEEXACTLY. Nothing ever DOES happento me.

The sound of thudding up the stairs, followed by aslamming door.

SUSANWell, at least well get somepeace.

INT. VEES ROOM - CONTINUOUS

Vee is sat with a keyboard on her bed, and a notepad andpen in her hands.

VEE

Here I am. My thoughts forbidden.I need to be where they are nothidden. Free to shout, free todance. Free to speak my mind atlast. Ok!

She puts the notepad down, and begins playing

VEE(Sung)

NEED TO BE WHERE NOTHING ISHIDDEN.NO LIES TO CONCEAL, NO LOVE

FORBIDDEN.FREE TO SHOUT, FREE TO DANCE,FREE TO SPEAK MY MIND AT LAST.NEED TO SHOUT SO YOU WILL HEARIT.THIS HOUSE CANT CONTAIN MYSPIRIT.NO MORE WORRY, NO MORE CARE,FORGET I HAVE TO BE ANYWHERE.JUMP TO THE MOON, AN UNTOUCHABLEFORCE.SWIM TO THE SUN, DONT KNOW MY

COURSE.

The doorbell rings downstairs.

INT. KITCHEN - CONTINUOUS

SUSANThatll be Cameron!

She starts to leave the kitchen.

(CONTINUED)


7/25

CONTINUED: 6.

JOHNTonight? Its not Thursday.

SUSANThe meal! Were going out with myboss, remember?

JOHNIve cooked some bangers for younow! And whys Cameron coming ifyoure going to your bosss?

SUSANIts important. If Mr. Wigginsmeets Cam and sees were going toget married, hell definitelypromote me. Stable family lifeand all, helps in my line of

work.

The doorbell rings again

SUSAN(Shouting)

Coming!

JOHN(Shouting)

Violet! Come down and get sometea!

Susan enters with CAMERON.

CAMERONEvening, Mr Cole.

JOHNHello Cameron. Some bangersbefore you go?

CAMERONEr, im alright thanks! ..wheresVee?

SUSANShes off in a strop becauseDaddy wont let her go to afestival.

CAMERONWhich festival Dad? Beacons Fest?

CAMERONBEACONS FEST?! Thats brilliantthat one, I wouldnt mindgoing...

(CONTINUED)


8/25

CONTINUED: 7.

SUSANCameron! And straighten your tie.Look at us, Dad. Arent we justperfect together? What Vees gotto learn is that life isnt alldreams and flowers. Isnt that

right, Cam?

CAMERONIf you say so dear.

MUSICAL NUMBER 2

DO THE MATHS

SUSAN (WITH JOHN AND CHORUS)NOWADAYS WE ARE BLINDED BY

CONFUSIONTOO MUCH CHOICE AND CHANGE ISNOTHING BUT A STRIFELOOK AND SEE THAT THERES ONLYONE SOLUTIONTAKE A FAMILY PLUS A JOB EQUALSLIFE

LIFE IT CARES NOT FOR THE CHANCEROR THE JOKER WHO ONLY LIVES FORLAUGHSEQUATIONS PROVE THERES JUST ONANSWER

STICK TO THE STRAIGHT AND NARROW,DO THE MATHS

FOLLOWING SILLY DREAMS IS ASUBTRACTIONTHAT DIVIDES YOU FROM THE SIMPLEDIVIDENDWHY EXPECT MORE THAN YOUR GIVENFRACTIONIT ONLY ADDS TO DISAPPOINTMENT ATTHE END

YOULL SOON BECOME A THOUGHTTHATS JUST FORGOTTENBY TRYING TO STRIVE OUT ON YOUROWNNO PRIZE FOR TAKING ROADS THATARE LESS TRAVELEDIT ONLY MEANS YOURE WALKING ALLALONE

FREEDOM IS WORD THATS OVERRATEDA SLIGHT OF HAND TO ENTERTAIN THEBLINDDONT BECOME THE GHOST THAT ISSIMPLY HATED

(MORE)

(CONTINUED)


9/25

CONTINUED: 8.

SUSAN (WITH JOHN AND CHORUS) (contd)

AND LEAVE US OUT OF SIGHT AND OUTOF MIND.


SUSANRight. Give me a minute, and imready to go.

Susan heads upstairs. John is staring out of the window ashe cooks.

CAMERONMr. Cole? Are you okay?

JOHN

To be honest Cameron, I justdont know. I cant figure itout.

CAMERONYou mean youre not sure, aboutViolet and the festival?

JOHNCertainly not as sure as Susan.We used to be so close me andViolet.

CAMERONYou still are! Anyone can seethat. Its the way youve broughther up Joh. She just wants achance to let her hair down, abit of freedom.

Susans head pokes down from the top of the stairs.

SUSANCameron. Have you been to thetoilet? You know what youre

like.

Cameron sighs.

JOHNSometimes she reminds me so muchof her mother. Anne, that is.Its like all this is a re-run. Adream I cant shake off...


10/25

9.

FLASHBACK - EXT. MOORS - DAY

John and his wife, ANNE, are sitting on a picnic blanket.

ANNEJohn?

JOHNYes Anne?

ANNEYou remember when we first met,and I think it was our firstdate.

JOHNUp here, on the moor?

ANNEIt was beautiful. Just like it isnow. Remember that sunset, andthe robins egg we found by thehedge. Do you remember what Itold you John, about my dream? Iknow were pregnant, and thingswill change, but I still havethat ambition.

JOHNOf course Anne.

ANNEAnd youll help me, you promised.

JOHNI promised.

INT. KITCHEN - DAY

Anne is getting her belongings together in the kitchen,John is sat through in another room.

ANNE

John, have you got that tenner?

JOHNWhat did you say it was for?

ANNEYou know what its for.

A baby starts crying.

JOHNOh yes, artists supplies..Violets crying.

(CONTINUED)


11/25

CONTINUED: 10.

ANNEJohn, i need that tenner!

JOHNYoure not an artist Anne.

ANNEI could be if youd let me buythe brushes and paint.

INT. LIVING ROOM - DAY

Anne is sitting on a sofa, staring into space. John,behind her, has his arm outstretched.

JOHNCome on, Violet. Big steps! Welldone.

ANNEAll im asking for is one weekendaway.

JOHNAnne, you always want to be away,somewhere else. Dont you likebeing with us: me, Susan, Vee?Your family.

ANNEIts a three-day course and Ivealways wanted to learn pottery. Ifeel it in my hands. I know Icould do it.

JOHNNever enough, painting,pottery... Youve got your job inthe school. I know its onlycleaning but at least it gets youout the house. Come on, Vee.

ANNEBut I need more. I want more.

SUSAN / ANNELet me go. Let me go...


Susan strides in to the kitchen. Johns eyes glisten as Campats his shoulder.

SUSANHere we are! Mr. Wiggins will be

waiting.

(CONTINUED)


12/25

CONTINUED: 11.

CAMERONTake it easy John, youll befine.

JOHNEnjoy your meal Cameron.


Vees phone rings.

VEEAmy.

AMYHey Vee, what you doing?

VEEDunno. Writing a poem, might be asong.

AMYYoure always writing poems,loser. Look, are you coming toBeacons?

VEEI hope so, but you know what mydads like...

AMYYou always do this! Say youll dosomething then back off. Justfight for something for once.Itll be fun!

VEEOkay.

AMYWell, listen. Theres only oneseat left in my brothers car and

Jenny from two doors down hasbeen asking.

VEELook, look, I will come, allright! Ill talk to my dad. Helllet me go, I know he will.

AMYSo let me know. First thingtomorrow.

Amy hangs up, and Vee throws her phone down.

(CONTINUED)


13/25

CONTINUED: 12.

VEERight.

Vee goes to her bedroom door. As she opens it John isstood there ready to knock.

JOHNThere you are. Im off to bed,night Violet.

VEEDad, im going to the festival,whatever you say.

JOHNDont make this tough for meViolet.

VEELet me go then! Its only 3 daysand ill be with friends,nothings going to happen.

JOHNBut how do you know? Youre onlyyoung. At school I hear all sortsof things about festivals likethis. Lets just get some sleep.

VEEBut youve never been to anything

like this. You never go anywhereor do anything that isn tteaching maths.

JOHNOr looking after the family.Someones got to do that. Violet,its only because I care.

VEEIf you cared, youd let me go.Its music, Dad. Its what I want

to do. Three days is all Imasking.

JOHNNow stop this and go to bed. Yourplace is here with me and hereyoull stay.

VEEI dont care what you say!


14/25

13.

MUSICAL NUMBER 3

THE ARGUMENT SONG

WHY DO YOU ALWAYS DO THIS TO ME?YOU JUST WANT TO DRIVE ME AWAY.

WANT TO BREAK FREE.

JOHN:A FATHERS DUTYS TO KEEP A CHILD SAFE.BUT YOU THROW IT BACK IN MY FACE.CANT YOU SEE?

VEE:YOURE HURTING ME

JOHN:IM HURTING TOO

VEE:YOURE KILLING ME

JOHN:YOURE KILLING ME TOO.

JOHN AND VEE:WHY CANT YOU SEE IT MY WAYWHY CANT YOU SEE IT MY WAYWHY CANT YOU SEE IT MY WAY

VEE:

YOU LOSE MY RESPECT WITH EVERY WORDYOUR ARGUMENTS ARE JUST ABSURDJUST GIVE IT UP

JOHN:YOURE GOING TOO FAR. DONT YOU REALIZE THAT?MY EXPLANATIONS ALL FALL FLAT.I WANT TO GIVE UP.

VEE:YOURE CHOKING ME

JOHN:I DONT MEAN TO.

VEE:YOURE KILLING ME

JOHN:YOURE KILLING ME TOO.


(CONTINUED)


15/25

CONTINUED: 14.

JOHN:ALL I WANT IS A HAPPY LOVING FAMILY

VEE:YOURE NOT GOING TO GET IT THIS WAY.



VEEIts no use, im ringing Amy

Vee grasps her phone, starts to push past John and head

downstairs.

JOHNTo tell her what?

VEEThat im going to Beacons.

JOHNCome back now. ANNE!

Vee stops.

VEEWhat did you call me?

JOHNWhere are you going?

VEETo the park.

Vee storms downstairs.

JOHN

But its nearly midnight.

The door opens, and slams shut.

JOHNVEE!

EXT. PARK - SUMMER EVENING

Vee walks purposefully before sitting on a swing.

(CONTINUED)


16/25

CONTINUED: 15.

VEEWhy doesnt he understand? Hedidnt used to be like this. Ifmum was around, if she was herenow...

From round a corner she hears running feet. Fear takinghold she stands up and braces herself. As a figure comessprinting round she sticks her leg out. The person tripsand shouts.

VEEWhat..

Eddie rolls over, and looks up at Vee.

EDDIEWhat are you doing?

VEEEddie?!

EDDIEViolet? You kicked me!

VEEWhat are you doing?

EDDIEJogging! I always jog in thepark.

Eddie stands up and starts to warm down, star jumps andthe such.

VEEAt this time of night? What doesyou mum think?

EDDIEShe doesnt think. I could be outall night and she wouldnt care.You?

VEEI needed space.

EDDIEYoull get that if you keepkicking your friends in thebollocks. (PAUSE) Dont tell me.Its your dad. See, I just puttwo and two together. Get it?Maths teacher?

(CONTINUED)


17/25

CONTINUED: 16.

VEEEddie, I need to be alone.

EDDIEI think youre pretty lonelyalready. But youre not alone.

Whats going on?

VEEI dont want to talk about it.

EDDIENow come on, tell Eddie. it mustbe.. Beacons Fest? It IS BeaconsFest.

VEE(SIGHS) I want to go. I

really want to go. Theresone space left in Amysbrothers car and Ive gotto tell her by tomorrowmorning, but my dad wontlet me. Hes obsessed. Justbecause my mum walked out onhim, he wont let me goanywhere. He even called meAnne. Her name. And the morehe stops me spreading mywings, the more I want torun away. Just like she did.

Just like I want to rightnow.

EDDIEWhere did she go?

VEEHe wont talk about it, neverhas. Apparently she wanted to anartist and ran away to some hippyplace. I was only three when sheleft, I dont even remember her.

Eddie is stretching s Vee talks.

VEEEddie, what you doing?

EDDIEJust warming down. Listen, Vee.Cut the whingeing and think of itfrom your dads point of view.

VEEWhat?!

(CONTINUED)


18/25

CONTINUED: 17.

EDDIEHippy Commune, Music Festival?Cant you see the connection? Ifhe lets you to go, you might notcome back. Hes scared, Vee. Nowyou wont mind if I break into

song.

MUSICAL NUMBER 4

THROUGH HIS EYES Including dialogue on stage.

EDDIEYOURE NOT THE ONLY ONEWHO LOST SOMEONEYOURE NOT THE ONLY ONE

A NEED THAT IS SO GREATSOMEONE TO SHARE THE HEARTACHESOMEONE TO FEEL YOUR PAIN

YOU THINK THAT NO ONE IS THERETO LOOK OUT FOR YOU OR CAREYOU NEED...

SOMEONE TO SEE IT THROUGH YOUREYESSOMEONE TO KNOW HOW IT ISSOMEONE TO SEE HOW THE WORLD LIESTHROUGH YOUR EYES

THROUGH YOUR EYES

VEEYoure not coming on to me areyou Eddie?

EDDIEIm talking about your dad,stupid.

EDDIEHE IS THE ONLY ONE

WHO LOST SOMEONETHATS WHAT YOUR OLD MAN THINKS

HE LOST HIS APPLE COREWHEN SHE WALKED OUT THE DOORAND NOW HE FEELS SO SORE

HE THINKS THAT NO ONE IS THERETO LOOK OUT FOR HIM OR CAREHE NEEDS...

SOMEONE TO SEE IT THROUGH HISEYESSOMEONE TO KNOW HOW IT IS

(MORE)

(CONTINUED)


19/25

CONTINUED: 18.

EDDIE (contd)

SOMEONE TO SEE HOW THE WORLD LIESTHROUGH HIS EYESTHROUGH HIS EYES

EDDIE

He thinks youre going to leavehim, just like she did. Just likemy dad left my mum. Youve got toreassure him that if he lets yougo to the festival, youll comeback. Get him to trust you. Andthat means going home now.

VEEEddie, can you stop running onthe spot?!

EDDIEIm keeping up the flow ofendorphins!

EDDIE / VEEYOURE NOT THE ONLY ONEWHO LOST SOMEONEYOURE NOT THE ONLY ONE

A NEED THAT IS SO GREATSOMEONE TO SHARE THE HEARTACHESOMEONE TO FEEL YOUR PAIN

YOU THINK THAT NO ONE IS THERETO LOOK OUT FOR YOU OR CAREYOU NEED...

SOMEONE TO SEE IT THROUGH YOUREYESSOMEONE TO KNOW HOW IT ISSOMEONE TO SEE HOW THE WORLD LIESTHROUGH YOUR EYESTHROUGH YOUR EYES

EXT. PARK - SUMMER AFTERNOON

VEEThanks Eddie.

EDDIEAll part of the service.

Eddie winks and Vee smiles.


20/25

19.

INT. HOUSE - NIGHT

Susan enters happily with Cameron in tow.

SUSANPromotions in the bag. What do

you reckon, Cammy? Food was crapthough. Why did you have thatbeef? Looked horrible.

CAMERONWasnt that bad at all actuallySusie.

SUSANAnd the wine he chose.

Susan and Cameron head through into the kitchen.

SUSAN (CONT.)Really, Dad. Tasted like watereddown water.

CAMERONSusan chose it, Mr. Cole. Cost abit too.

Johns head is in his hands as he sits and the kitchentable.

SUSAN

We had to impress the boss. Ifwed chosen some cheap Italianplonk.... Dad? Are you all right?

JOHNShes gone.

SUSANWhat? Who?!

JOHNViolet, shes gone. To the park,

on her own. Shes been gone forhours.

SUSANIm phoning the police.. Shealways was dramatic. Takes afteryou know who.

CAMERONWait. Calling out the policemight be the last thing sheneeds.

(CONTINUED)


21/25

CONTINUED: 20.

SUSANHow do you know what my littlesister needs?

CAMERONListen - think of someone other

than yourself for once.

SUSANCAMMY!

CAMERONI just mean give her some slack.Shes gone for a walk, for a bitof space. Young people do that.They need that. We all do

Cameron sits down next to John.

CAMERON (CONT.)Its all right, John. Listen,well give you a ring in a bit.Shell be home. I know she will.Come on, Sue.

Susan is stunned by Cameron.

SUSANRight, erm, see you later

They leave. John is left sitting alone at his kitchen

table.

INT. KITCHEN - LATER

John is slumped over the kitchen table, asleep. A cup oftea sits cold next to him.

The front door opens and slams shut. John wakes with astart.

JOHN

Violet?!

Quietly and slowly Vee enters the kitchen.

JOHNViolet! Where have you been? Ivebeen worried sick. I triedcalling you. Your phone was off.I called Amy. She didnt knowwhere you were. I thought youwere... I thought you were...

(CONTINUED)


22/25


23/25

CONTINUED: 22.

VEE (contd)

I WOULDNT LEAVE YOU ON YOUR OWN.EVEN LET YOU BE ALONE FOR TOOLONG.I DONT KNOW WHAT I WANNA DO.BUT ILL ALWAYS BE HERE FOR YOU.

ALL IM ASKING IS THAT YOU LET MEGO.

JOHNANYTHING COULD HAPPENYOURE JUST A CHILD.JUST LIKE YOUR MOTHERYOU NEED TO RUN WILD.

ANYTHING COULD HAPPENCAN YOU UNDERSTAND.HOW HARD IT WILL BE

TO LET GO OF YOUR HAND.

JOHNViolet... your mother gave youthat name yknow

VEEYou never told me that.

JOHNI find it so hard to talk about.Your mum. Anne. What happened.

VEEYou know where she is, dont you.You know where Mums living.

JOHNIm sorry. I should have told youbefore.

VEEIts alright dad. Its okay...NEED TO BE WHERE NOTHING ISHIDDEN.

NO LIES TO CONCEAL, NO LOVEFORBIDDEN.FREE TO SHOUT, FREE TO DANCE,FREE TO SPEAK MY MIND AT LAST.

NEED TO SHOUT SO YOU WILL HEARIT,THIS HOUSE CANT CONTAIN MYSPIRIT.NO MORE WORRY, NO MORE CARE,FORGET I HAVE TO BE ANYWHERE.

JUMP TO THE MOON, AN UNTOUCHABLEFORCE,

(MORE)

(CONTINUED)


24/25

CONTINUED: 23.

VEE (contd)SWIM TO THE SUN, DONT KNOW MYCOURSE...

VEE / JOHNALL THAT I KNOW IS NOTHING IS FOR

SURE.AND GIVEN ONE ANSWER LEAVES MEWANTING MORE.ALL THAT I KNOW IS NOTHING IS FORSURE.AND GIVEN ONE ANSWER LEAVES MEWANTING MORE.

INTRO TO ANYTHING COULD HAPPEN

EXT. TOWN HALL STEPS - LEEDS - DAY

Everyone arrives one by one to talk to Vee. Cameron, Johnand Susan stand behind her as a car pulls up.

AMYSo youre not backing out thistime?

VEEI talked to my dad, hes coolabout it.

John smiles, he is.

REBECCAWhos that geek with you?

LOUISAHe looks alright

VEEThats my sisters boyfriendCameron. Hes coming alongto keep an eye on me.

SUSANYou behave yourself Cammy.

CAMERONI will love.

VEEAnd heres Eddie!

Sprinting up in his Jogging gear, Eddie gets a cheer.

(CONTINUED)


25/25

CONTINUED: 24.

CHORUSANYTHING COULD HAPPEN, WERE OFFTO THE FEST.SUMMER IS COMING, ITS GONNA BETHE BEST.ANYTHING COULD HAPPEN, WELL HAVE

SO MUCH FUN.WITH THE STAGE LIGHTS SHINING,THE BANDS JUST BEGUN .

ALL THAT I KNOW IS NOTHING IS FORSURE.AND GIVEN ONE ANSWER LEAVES MEWANTING MORE.ALL THAT I KNOW IS NOTHING IS FORSURE.AND GIVEN ONE ANSWER LEAVES MEWANTING MORE.

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Anything Could Happen