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Animation Presentation By Holly Davis

Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

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Page 1: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Animation Presentation

By Holly Davis

Page 2: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Cartooning and animation history/origins

• Evidence of artistic interest in depicting figures in motion can be seen as early as the still drawings of Paleolithic cave paintings, where animals are depicted with multiple sets of legs in superimposed positions, clearly attempting to convey the perception of motion.

• Other examples include a 5,200-year old earthen bowl found in Iran in Shahr-e Sukhteh and an ancient Egyptian mural. The Persian bowl has five images painted along the sides, showing phases of a goat leaping up to nip at a tree. The Egyptian mural, found in the tomb of Khnumhotep and Niankhkhnum, at the Beni Hassan cemetery. The paintings are approximately 4000 years old and show scenes of young soldiers being trained in wrestling and combat.

• Seven drawings by Leonardo da Vinci (ca. 1510) extending over two folios in the Windsor Collection, Anatomical Studies of the Muscles of the Neck, Shoulder, Chest, and Arm, show detailed drawings of the upper body (with a less-detailed facial image), illustrating the changes as the torso turns from profile to frontal position and the forearm extends.

• Even though all these early examples may appear similar to a series of animation drawings, the lack of equipment to show the images in motion means that these image series are precursors to animation and cannot be called animation in the modern sense. They do, however, indicate the artists' intentions and interests in depicting motion.

Page 3: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Cartooning and animation technology

• Many of the early inventions designed to animate images were meant as novelties for private amusement of children or small parties. Animation devices which fall into this category include the zoetrope, magic lantern, praxinoscope, thaumatrope, phenakistoscope, and flip book

• Zoetrope (180 AD; 1834)• The zoetrope is a device which creates the image of a moving picture. The earliest elementary zoetrope was created in China

around 180 AD by the prolific inventor Ting Huan ( 丁緩 ). Made from translucent paper or mica panels, Huan hung the device over a lamp. The rising air turned vanes at the top from which hung the pictures painted on the panels would appear to move if the device is spun at the right speed.

• The modern zoetrope was produced in 1834 by William George Horner. The device is essentially a cylinder with vertical slits around the sides. Around the inside edge of the cylinder there are a series of pictures on the opposite side to the slits. As the cylinder is spun, the user then looks through the slits to view the illusion of motion. The zoetrope is still being used in animation courses to illustrate early concepts of animation.

• The magic lantern• The magic lantern is the predecessor of the modern day projector. It consisted of a translucent oil painting and a simple lamp.

When put together in a darkened room, the image would appear larger on a flat surface. Athanasius Kircher spoke about this originating from China in the 16th century. Some slides for the lanterns contained parts that could be mechanically actuated to present limited movement on the screen.

• Thaumatrope (1824)• A thaumatrope was a simple toy used in the Victorian era. A thaumatrope is a small circular disk or card with two different

pictures on each side that was attached to a piece of string or a pair of strings running through the centre. When the string is twirled quickly between the fingers, the two pictures appear to combine into a single image. The thaumatrope demonstrates the Phi phenomenon, the brain's ability to persistently perceive an image. Its invention is variously credited to Charles Babbage, Peter Roget, or John Ayrton Paris, but Paris is known to have used one to illustrate the Phi phenomenon in 1824 to the Royal College of Physicians.

Page 4: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Cartooning and animation technology

• Phenakistoscope (1831)• The phenakistoscope disc was invented by Eadweard Muybridge (1893).• The phenakistoscope was an early animation device, the predecessor of the zoetrope. It was

invented in 1831 simultaneously by the Belgian Joseph Plateau and the Austrian Simon von Stampfer.

• Flip book (1868)• The first flip book was patented in 1868 by John Barnes Linnet. Flip books were yet another

development that brought us closer to modern animation. Like the Zoetrope, the Flip Book creates the illusion of motion. A set of sequential pictures flipped at a high speed creates this effect. The Mutoscope (1894) is basically a flip book in a box with a crank handle to flip the pages.

• Praxinoscope (1877)• The praxinoscope, invented by French scientist Charles-Émile Reynaud, was a more sophisticated

version of the zoetrope. It used the same basic mechanism of a strip of images placed on the inside of a spinning cylinder, but instead of viewing it through slits, it was viewed in a series of small, stationary mirrors around the inside of the cylinder, so that the animation would stay in place, and provide a clearer image and better quality. Reynaud also developed a larger version of the praxinoscope that could be projected onto a screen, called the Théâtre Optique.

Page 5: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Different types of animation• Traditional animation• The first animated film was created by Charles-Émile Reynaud, inventor of the praxinoscope, an animation

system using loops of 12 pictures. On October 28, 1892 at Musée Grévin in Paris, France he exhibited animations consisting of loops of about 500 frames, using his Théâtre Optique system - similar in principle to a modern film projector.

• The first animated work on standard picture film was Humorous Phases of Funny Faces (1906) by J. Stuart Blackton. It features what appears to be a cartoonist drawing faces on a chalkboard, and the faces apparently coming to life; whereas it was actually black line art drawn on white paper and then printed as a film-negative to look like white chalk.

• Fantasmagorie, by the French director Émile Cohl (also called Émile Courtet), is also noteworthy. It was screened for the first time on August 17, 1908 at Théâtre du Gymnase in Paris. Émile Courtet later went to Fort Lee, New Jersey near New York City in 1912, where he worked for French studio Éclair and spread its technique in the US.

• Influenced by Cohl, Russian scientist Ladislas Starevitch started to create animated films using dead insects with wire limbs. In 1911 he created "The Cameraman's Revenge", a complex tale of treason, suicide and violence between several different insects. It is a pioneer work of puppet animation, and the oldest known example of an animated film of such dramatic complexity, with characters filled with motivation, desire and feelings.

• In 1914, American cartoonist Winsor McCay released Gertie the Dinosaur, an early example of character animation.

Page 6: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Different types of animation• Feature-length films• The first animated feature film was El Apóstol, made in 1917 by Quirino Cristiani from Argentina. He also

directed two other animated feature films, including 1931's Peludopolis, the first to use synchronized sound. None of these, however, survive to the present day. The earliest-surviving animated feature, which used colour-tinted scenes, is the silhouette-animated Adventures of Prince Achmed (1926) directed by German Lotte Reiniger and French/Hungarian Berthold Bartosch. Walt Disney's Snow White and the Seven Dwarfs (1937) is often considered to be the first animated feature when in fact at least eight were previously released. However, Snow White was the first to become successful and well-known within the English-speaking world and the first to use cel animation.

• The first animation to use the full, three-color Technicolor method was Flowers and Trees (1932) made by Disney Studios which won an Academy Award for this work.

• The first Japanese-made feature length anime film was the propaganda film Momotaro's Divine Sea Warriors ( 桃太郎 海の神兵 ) by the Japanese director Mitsuyo Seo. The film, shown in 1945, was ordered to be made to support the war by the Japanese Naval Ministry. The film's song AIUEO no Uta ( アイウエオの歌 ) was later used in Osamu Tezuka's anime series Kimba the White Lion. Originally thought to have been destroyed during the American occupation, a negative copy survived and the film is now available in Japan on VHS.

Page 7: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Different types of animation• Stop motion• Stop motion is used for many animation productions using physical objects rather than

images of people, as with traditional animation. An object will be photographed, moved slightly, and then photographed again. When the pictures are played back in normal speed the object will appear to move by itself.

• The first example of object manipulation and stop-motion animation was the 1899 short film by Albert E. Smith and J. Stuart Blackton called The Humpty Dumpty Circus. A European stop motion pioneer was Wladyslaw Starewicz (1892–1965), who animated The Beautiful Lukanida (1910), The Battle of the Stag Beetles (1910), The Ant and the Grasshopper (1911).

• This process is used for many productions, for example, the most common types of puppets are clay puppets, as used in The California Raisins and Wallace and Gromit, and figures made of various rubbers, cloths and plastic resins, such as The Nightmare Before Christmas and James and the Giant Peach. Sometimes even objects are used, such as with the films of Jan Švankmajer.

• Stop motion animation was also commonly used for special effects work in many live-action films, such as the 1933 version of King Kong and The 7th Voyage of Sinbad.

Page 8: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Three well known cartoon characters

Mickey Mouse is a cartoon character created in 1928 by Walt Disney and Ub Iwerks at The Walt Disney Studio. Mickey is an anthropomorphic black mouse and typically wears red shorts, large yellow shoes, and white gloves. Mickey is one of the most recognizable cartoon characters in the world and is today used as the mascot of The Walt Disney Company.Created as a replacement for Oswald the Lucky Rabbit, Mickey debuted in 1928 in animated cartoons. He first appeared in May that year in an unfinished test screening of Plane Crazy, yet the film failed to obtain a distributor. Today Mickey's birthday is celebrated on November 18, which marks the release of his first official cartoon, Steamboat Willie. Mickey went on to appear in about 120 films.

Page 9: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Three well known cartoon characters

Tom and Jerry is an American series of theatrical animated cartoon films created by William Hanna and Joseph Barbera for Metro-Goldwyn-Mayer, centering on a never-ending rivalry between a cat (Tom) and a mouse (Jerry) whose chases and battles often involved comic violence. Hanna and Barbera ultimately wrote and directed one hundred and fourteen Tom and Jerry shorts at the MGM cartoon studio in Hollywood, California between 1940 and 1957, when the animation unit was closed. The original series is notable for having won the Academy Award for Animated Short Film seven times, tying it with Walt Disney's Silly Symphonies as the theatrical animated series with the most Oscars. A long time television staple, Tom and Jerry has a worldwide audience that consists of children, teenagers and adults, and has also been recognized as one of the most famous and longest-lived rivalries in American cinema. In 2000, TIME named the series one of the greatest television shows of all time.

Page 10: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Three well known cartoon characters

The Simpsons was created by Matt Groening, who conceived of the idea for the Simpsons in the lobby of James L. Brooks's office. He named the characters after his own family members, substituting "Bart" for his own name. The family debuted as shorts on The Tracey Ullman Show on April 19, 1987. After a three-season run, the sketch was developed into a half-hour prime time show The Simpsons, which debuted on December 17, 1989. The show was an early hit for Fox, becoming the first Fox series to land in the Top 30 ratings in a season (1989–1990).The show was controversial from its beginning and has made the news several times. In the early seasons, some parents and conservatives characterized Bart as a poor role model for children and several United States public schools even banned The Simpsons merchandise and t-shirts. In January 1992, then-current President George H. W. Bush made a speech during his re-election in which he said: "We are going to keep on trying to strengthen the American family, to make American families a lot more like the Waltons and a lot less like the Simpsons".

Page 11: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Three well known animation studios

Aardman Animations, Ltd., also known as Aardman Studios, or simply as Aardman, is a British animation studio based in Bristol, United Kingdom. The studio is known for films made using stop-motion clay animation techniques, particularly those featuring Plasticine characters Wallace and Gromit. However, it successfully entered the computer animation market with Flushed Away (2006).

Page 12: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Three well known

animation studios

Cartoon Network Studios is an American animation studio. A subsidiary of the Turner Broadcasting System (an arm of the Time Warner media conglomerate), Cartoon Network Studios focuses on producing and developing animated programs only for and related to Cartoon Network. Some programming produced by Cartoon Network Studios has also been broadcast on the now-defunct Kids' WB, Cartoon Network's former sister network.The studio began in 1994 as a division of Hanna-Barbera Cartoons which was dedicated to producing original programming for Cartoon Network, including latter-day Hanna-Barbera creations such as Dexter's Laboratory, Johnny Bravo, Cow and Chicken, I Am Weasel and The Powerpuff Girls. In 1997, the division's productions credited them as their parent studio Hanna-Barbera.In 1999 Cartoon Network Studios acquired its own facility located at 300 N 3rd St in Burbank, CA. The site was the location of an old brick building that was previously a commercial bakery.In March 2001, after the death of William Hanna, the Hanna-Barbera name was dropped as a production entity and the H-B studio was folded into Warner Bros. Animation.Cartoon Network Studios was then revived as a separate entity from Hanna-Barbera, growing out of the animation studio.

Cartoon Network Studios has continued to thrive with productions such as The Grim Adventures of Billy and Mandy and Samurai Jack.

Page 13: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Three well known animation studios

Marvel Animation, LLC is an American animation production company. The Marvel Entertainment subsidiary was incorporated on January 25, 2008 to direct Marvel's efforts in animation and home entertainment markets. Marvel Animation incorporated current animation efforts with Lionsgate and Nickelodeon.

Page 14: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Emile Cohl

• Emile Cohl - Born January 4, 1857, in Paris, who died in January 20, 1938. Emile was a French Caricaturist of the largely forgotten Incoherent Movement, cartoonist and animator, called "The Father of the Animated Cartoon" and "The Oldest Parisian". Cohl made "Fantasmagorie" from February to May or June 1908. This is considered the first fully animated film ever made. It was made up of 700 drawings, each of which was double-exposed, leading to a running time of almost two minutes. Despite the short running time, the piece was packed with material devised in a "stream of consciousness" style.

Page 15: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

J. Stuart Blackton

• Blackton was born in Sheffield, Yorkshire, England, in 1875. At the age of ten, he and his family immigrated to New York City. In 1894, Blackton and two fellow English émigrés, Albert E. Smith and Ronald A. Reader, formed a partnership to break into vaudeville. Smith called himself the "Komikal Konjurer", Blackton was the "Komikal Kartoonist", and Reader operated an early version of the slide projector called a "magic lantern". Blackton's act consisted of "lightning sketches", where Blackton drew and rapidly modified drawings on an easel pad before the audience's eyes, accompanying this with a stream of talk nearly as rapid. The act failed to make enough money and the trio broke up to get regular jobs.

Page 16: Animation Presentation By Holly Davis. Cartooning and animation history/origins Evidence of artistic interest in depicting figures in motion can be seen

Bibliography• http://en.wikipedia.org/wiki/History_of_animation#Early_Animation• http://en.wikipedia.org/wiki/Mickey_Mouse• http://en.wikipedia.org/wiki/Tom_and_Jerry• http://en.wikipedia.org/wiki/History_of_The_Simpsons• http://www.google.co.uk/imgres• http://en.wikipedia.org/wiki/Aardman_Animations• http://en.wikipedia.org/wiki/Cartoon_Network_Studios• http://en.wikipedia.org/wiki/Marvel_Animation