Anant Raje1

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  • Architect

    Anant

    Damoda

    r Raje (September 26

    1929 - June 27,

    2009)

  • Life & Times

    Anant Raje was born in Mumbai, India. He studied at the Sir J. J. College of Architecture

    He worked with Louis Kahn in Philadelphia, where he also taught at the University of Pennsylvania.

    For over thirty years he has taught at the School of Architecture Ahmedabad.

    He also taught at the University of New Mexico, in The United States of America, and was a visiting

    professor at many universities in America and

    Europe.

  • His well known works include the :

    The Executive Management Centre at the Indian Institute of Management in Ahmedabad, India

    The Forest Management Institute in Bhopal, India

    Farmers Training Institute, Palanpur, Gujarat, India

    The Institute of Statistics, New Delhi.

  • Management

    Development Centre,

    Ahmedabad

    The Management development centre is the last

    important element to be added

    to Louis Kahn's campus for the

    IIM left incomplete at his death.

    Anant raje has shown due respect for that powerful context

    by assiduously employing Kahns

    brick vocabulary.

    He has taken Kahns ideas on the order of the materials and

    light further.

    The play of light can be seen in the elegant shaft that pierce the

    central academic block of the

    complex.Interior court(junction of east wing and

    central block)

  • Despite a masterful

    fidelity to the

    formal language

    of Kahn, this

    intimate

    introverted

    composition is a

    refreshing

    exception to the

    overbearing

    weight and

    masculinity of

    the earlier

    campus

    buildings-a

    landmark in its

    self.

    Guest room wing flanking upper and lower courts

    Lower courts

  • Plan

  • Indian Institute of Forest

    management

    Anant Raje has conceived this large govt. project with the combination of

    Romanticism and Monumentality

    unprecedented in recent Indian

    architecture.

    Contemporary images are secondary and there influence of the design; the

    primary inspiration is historical, and

    comes from the ruined palace of

    Mundu.

    The plan is a palimpsest: a formal base order half effaced by an overlay of

    autonomous, sometimes colliding

    geometries, like successive

    archaeological deposits on a single site.

  • The dense congregation

    of structures

    creates a

    romantic

    sequence of

    semi enclosed

    and open to

    sky spaces

    intimate

    enough in

    scale to be a

    useful, sun

    protected

    extension of

    the building.

    Exterior view dormitory complex

  • Viaduct linking library and

    teaching wing

    Viaduct,

    detail

  • the model ,academic

    complex

  • FARMERS TRAINING INSTITUTE,

    PALANPUR, GUJARAT

    The campus accomodates15-20 trainees, who, monk-like, are encouraged in their studies by the self contained isolation of the institute. Sleeping, eating, instruction, social activity, and all daily functions revolve around the tiny cloister.

    This monastic analogy extends to the architecture in various respects; spatial orientation is consistently inward looking.

    The curve sweep of the east wall decisively seals off the most public exposure of the building. A small gap is there to enter.

  • The dining loggia and casual activity spaces look in on the central quadrangle

    In a manner reminiscent of monks cell in European charterhouses, the L-shaped

    dormitories look in on semi contained verandas in lieu of direct views of rural

    landscape.

    CONSTRUCTION: It is simple and powerful. Rough dressed stone bearing walls with

    clearly rendered slabs, arches and lintels in reinforced concrete.

    All large spaces, such as the dining hall, are open to loggias which are in turn closed

    owing to the perennial infiltration of hot winds and dust.

  • CONCLUSION

    Anant raje plays of composition/light/form in a

    truly unbelievable manner.

    His deep veneration for Louis Kahn is

    undisguised, but he has allowed himself

    exceptional license to distort and enrich Kahns

    idiom.