Ananda on 432

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    BY ANANDAre lies an adventurous project, and important venture, indeed. Ricc.lrdo Trist.is l"Arch.lngel"!, h.lS m.ln.lged to c.lptivate the essence of the uprising h.lrmonusic revolution in .l nutshell, th.lt encomp.lsses the V.lst complexity involved ingul.lr .lnd understandable manner for the general reader.is to be commended for this noble effort, in which complex music.ll principle

    .lt l ie at the heart of wh.lt \'\Ie h.lve termed the harmonic AUMega Music.lre conveyed to the reader in a re.ldily absorbable manner th.lt inspof these vit.ll principles, to become the inevitable st.lndard of ou

    cies music of the looming future - .l metamorphosis now well underw.ly.ll thought out in comprehensive subject sections, .lnd finely graphically

    ustrated for .ldded cognit ion, this book marks the beginning of a new literatureof h.lrmonic music science .lnd .lrtistic culture.is the very first effort in true book form, emerging from Italy, on this notably

    el subject to emerge in the entire \ \ ' o r l d ~\ \ le first envisioned the harmonic AUMega Music Revolution in 199b, to

    ilise harmonic tuning like 432hz .lnd 2.lbhz, and other key and import.lntonic structuring l ;, applied throughout each musical composition .lnd grafte

    to modern music - \ve were envisioned to see this .lS the means for a new forchnology for global cultur.ll events. "Vhereby, harmonic music, uti lising cohernscendental principles such as the golden r.ltio, "vould not only cre.lte .l newperience of sound in the experiencer, but \\lould .llso en.lble coherent effectse .ludiences' nervous system, he.llth, well-being, .lnd incre.lsed cre.ltive cognihereby, the documented .llph.l rhythm 18hZ) bi-lob.l1 hemispheres of the br.l innchronised into maximum creativitv. And, .lS documented in the m.lnv scienc, ,

    we h.lve of Dr. Andri j. l Puh.lrich Ithat added momentum, objective evided underst.lndi ng to the h.lrmonic AUMega Music Revolutiom, actually h.lve b

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    markable precise frequency research upon cells and the remission of 27 orgaeases \vas already engaged by Dr Puharich during the 1970s-80s. 10 \'Yherebyecise frequencies (and their associated cascades I, that we utilise in the AUMegRevolution, have been studied vvith intr icate precision, in their effect upo

    with over\vhelming results on the remission of diseases, and other impo'I. 10. 11

    foundation of this is alreadv \vell set in the science record and, therebv, bec,apparent for direct use in our music revolution design andvelopment, in 1996.e, thereby, set out to found this totally new field of harmonic modern music in

    arena, beginning in l ggg, and encourage all musicians to begin to utilisese age old and universal principles of sound resonance, that underlie the very

    of the harmonic arrangement of this universe. 1; 211st we have lectured and \\!ri tten extensively about this since! ggg I includin

    ternet pseudo-bookl, here lies the first true book on this subject to be publishee global l iterature community, embodying the independent research effort ofccardo Tristano Tuis, par excellence.hereas, classical musician Jonathan Tennenbaum founded the usc of the harm

    tempering scale tuning based on 412hz and2.S6hz within classicalmusic,2were to found this into modern electronic and popular music.1ggg I worked together with Dj Cybersnack and Dj Nki and instructed their

    of the first 432hz tuned modern music song that calibrated eachtone in an octave from 144hz to 288hz, and a modulating F tone. Firs

    scribed and implicated in the measurements taken in Tibet by Swedish scientiJarl, who measured harmonic effects of sounds utilised by Tibetan monks du

    e I940s2, and further described and mathematicallv formulated bv 1'\ew Zeala,scientist researcher Captain Bruce Cathie. \is led to the first modern music song "Omega", in Coa trance style, whichorporated this 144hz octave, \vith each individual tone calibrated in precise

    ratio, with a best approximate tempo at the time of 144 beats per minuour vocals" which climbed high in the European and Coa-trance mus

    during the year 2000.after, unfolding from this, within the composing of our own songs, we

    rfected a harmonic "sacred" number system that we call Unified Field Overa

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    ese harmonic numbers of the Unified Field Over,lll Mastering combine \'vith tPERFECT tuning, as well as the harmonic tempos that follO\v the heart's

    dio-rhythm measured during the onset of coherence, or the focus oflove, pioneered in the novel studies of the HeartMath Institute, w

    r. Robert Roll ie, Dr Roll in 1\I\cCraty and others. Iisurprising results, which include medical recoveries, and measurements w

    spital equipment shO\ving increase in cellular health, not surprisingly, cardioythm coherence, and strengthening the central nervous system Ithese and othesults are still to be published, pioneered by Dr. Nicola Limardo

    ], and others I.is lead to our founding the very first musical events called Universal Dane-es,

    during 2001-2002, and Universal Dances Open Air in S\'vitzerland in Aug\vhich \'vere the first concerts to utilise 4 " ~ 2 h z tuning, harmonic tempos an

    e other harmonic components of the AUJ\.1ega AIL/sic f\.pvolution, in modernsical histon/.I

    ow, Riccardo, via "Archangel", is the first metal music application of theseinciples, \'vhich are being follo\'ved by a growing number of musicians, includher metal bands. And this form of music is now being called "heart rock", as thtural progression from "hard rock", due to the effect of coherence on the hearmilar to the measured ECC lelectrocardiogrami of the heart at the moment of le principles of common harmonic tuning and compatible harmonic tempos in

    concerts, \vi ll enable global concerts to be linked through the internet acommunication technologies, into what \ve have termed The Global Song

    nvisioned in 199b, and first properly described by us in public events in 1(99)ch global cultural events, uti lising the harmonic principles described in this bon enable the musical arts to expand into a n ew m ed iu m of experience unitingnkind and various cultural musical styles into ne\'v heights of synergy, potentid cognitive cybernetic artistic unity, \'vith far reaching consequences.-'-'the earl\' 1990s then, the HeartMath Institute documented that the heart's rhv, Ir ing love produced a golden mean cascade of coherence in the magnetic field

    which also entrained the brain into the same golden ratio and cohereemisphere synchronization (Hhz alpha rhythm,. The golden cascade ampera

    at Hcycles per second in these studies." 1)

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    MUSIC OF UNIVERSAL lOVE & THE DNA SONGutilising the frequencies and numbers associated to the measured coherent

    scades in the heart's cardio-rhvthm during the onset of love, done bv the,artMath Institute, beginning in the early -I 990s,', Ii it is not surprising that the\lega Alusic has a well defined health effect on the cardio-system.

    r Rollin McCraty and Dr. Clen Rein of the HeartMath Institute optically testedeasured evidence that the effect of the heart, as a piezo/sonic laser ECC field ove, was measurable in increased coherent weaving of DI'\A helices, and effectagnetic entrainment in a tree 200 feet a\vay, measured by an ELF coil, reflectine same parallel golden ratio cascade as measured in the heart at the same timehich also entrai ned the EEC (electroencelograph I of the brain in the same goldean ratio, in simultaneous power spectrum analysis.-ein, the toroidal magnetic fields generated by the heart's 7 layers of heart mu

    " were observed to order into the golden mean cascade, as a piezo-sonic laser,hen the pilot focussed compassionate love, ordering the magnetic field cascade 7 toroidal fields into the golden proportion, which entrained the brain's EECe same golden ratio ordering, and 8hz bi-hemisphere synchronization. Theseinciples are utilised in the AUMega Music Revolution compositional songs.e many hours of coherent ECC sampled data demonstrated that the center

    ency ratio of the cardiac electricity is l.bI8hz, the golden ratio: 0, havingther coherent modulations that are harmonically and geometrically important

    and 2hz. Note that 1.b18 is also the golden ratio of the DI'\A'sof]4 angstroms and vv'idth of 21 angstroms \34/21 = 01. 21 Also, since the':A helix rotates ,H)C (0 2 , per every sugar-phosphate subunit holding the

    of the genetic code, and this is exactly half the pentagon rotation, ais evidenced between the DNA sub-unit and the golden proportion.!;;

    mainly the golden ratio that allO\'vs complete information geometry to cascaderor-to-mirror, along the harmonic series \\.'ithout loss of power, information, o

    as above-so-below, these findings were very significant. These are theecise harmonics used in the AUMega Music Revolution compositions.ese studies clearly showed that the golden ratio of the heart's cardio-rhythm ive, entrained the brain EEC in the same harmonic series, cascading from 8 cycr second as the peak.', (i

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    HEART RESONANCE & THE MUSIC OF RESURRECTIONas Dr. Clen Rein, of the HeartMath Institute demonstrated, the DN

    aled bv the same harmonic entrainment in the heart as vvell.l> Dr. Rein trainedIlots in the art of biofeedback, vvhereby the ECC, placed with electrodes on the

    of the pi lots, would enable the individual to have a biofeedback computerreen readout of their heart's cardio-rhythm. As the focus of "compassionate louniversal love, instilled magnetic field coherence.I>". Rein took DI'\A and heat treated it so as to cause the double helix to uncoil,ified by a fluorescence reading. He then had the trained pilots who could up

    e focus of compassionate love in their ECC and EEC for an hour, to focus on tuncoiled DNA sample. Another fluorescence reading of the DI'\A showe

    at the DNA double helix had recoiled from its dead uncoiled state back to itssonant \\/oven state bv the 1)i1ot's focus of coherent heart electricitv, as the DNI Ihelix shares the SAJV\E golden ratio symmetry as the pielo/sonic magneti

    erence lasers produced by the heart in focused compassionate love, throughofeedback. Thereby, the dead DI'\A was resurrected to its Iivi ng resonant formAUMega Music Revolution utilises the harmonic symmetry numbers of the

    roughout its Unified Field Overall Mastering in each composition, leading to tnew field of true DNA resonating music of life, by the harmonics of the

    art in universal love.coupled to the findings of Dr. Ary L. Coldberger, demonstrating the 1000 le

    ep FRACTAL complexity of the heart's cardio-rhythm, operating as a "non-lineractor Field" with "non-local" attributes (beyond 30" holds great significancir implications for the AUMega Music Revolution, in perhaps resonating betw

    of axiomatic symmetry, by resonance of utilising these transcendent'1 4

    WITH THE UNI-VERSE AS MUSICAL SONG & COSMIC CONTACTrthermore, the harmonic AUMega Music Revolution utilises the underlying

    of the universe, such as the Sierpinski triangle numbers, which have bund to be the underlying reciprocal order of the flow of air molecules, and inndom number generation l ;, as the underlying harmonic structure ordering of t

    I >...'1 These underlying principles includes the harmonic symmetriesscovered in the periodic table of elements,l"', 1'1,..'1 and in the planetary symmening and arrangement of our solar system, expanded from Keplar's initial

    metrical models of the planets. l ;' I H, ..' 1

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    ith the Global Song-432 utilizing these harmonics, the artistic vision can becory real in realising a cultural attempt to make contact \vith the cosmos.at better wa y than to link mankind in the harmonics of universal love throug

    obal music events. Utilising harmonics that inspire and instill coherence dwarC in PHI, and creativity (brain EEC, in 8hz - the very best of mankindi, on aobal level, in global concerts linked together, and then to broadcast this as a sto space - mankind as all -one universal heart, united by the music of love,

    signall ing to the "cosmic intelligence".eby, uti lising what the great psychologist Dr Carl C. lung called the "ultimat

    of the species, the UFO, as the penultimate object representing thernal isation of the psyche (soul/" a n d " interiorization of the body," in his fin

    "Flying Saucers: A Modern Myth O f Things Seen In The Sky" - these noved archaic harmonic musical technologies may be used as the alchemicalbernetic tool, together \vith our post modern Information Technologies, to brinout this realisation. For Dr. lung, in his final \'vork, the UFO is the ultimateof the species, novv emerging.

    C/ohal Song-4.-U ETI Contact ConlPrto, is an example that \ve ourselves arcwith great zeal, as it is set in stone at the very beginning of the ince

    modern music ... Thereby, utilising the modern music mythos inspir ing such has Elvis Presley, lohn Lennon and the Beatles, David Bowie, Pink Floyd,

    lling Stones, and Robbie \Yilliams, amidst others, who each claim to haveperienced the Extraterrestrial Intelligence and UFO.l these key founders and holders of the sternum of the modern music argo, claor "contact", vvith the UFO, or extraterrestrial intelligences..'()is our inspirat ion to utilise this musical mythos to create the next level of the

    SumnJPr of Lovp "Flower Children" revolution and LivP-Aid, by utilising trmonic sonic principles of the AUMega Music Revolution into a planetary l inal Song-432, as the means of a cultural artistic effort to attempt to make

    \-vith Other intelligences vvithin our universe, or beyond. This would bst cultural artistic global effort, by mankind themselves Inot by el ite scientist

    of mankindl, to make such an attempted contact, by broadcastinSong-432 into space, with coherent interactivity betvv'een each individua

    of the species, through the harmonics of universal love.the very least, it will groove as a cultural and artistic event that will not only b

    n for everyone, it wi II be a new artistic and cybernetic experience, even if therresponse from space, or beyond. An event looming in our musical future horou r species.

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    the "bove said, I am very excited to hand you this book with gre"tommendation, for it holds many keys to a very exci ting and coherent future fbook and project is to be commended for making available for the first time

    ncise form a coherent body of data, which can be directly applied in the musisearch fields and wellness music of the next generation of musicians, artists ane cultural and individual benctit of mankind at large.

    book cannot be taken lightly, I heartily congratulate Riccardo for thismendous and diligent effort, forwarding mankind onwards online with the cocotheque symphony of creation ..the Musical Revolution of the HeART, and the heArtists co-creating this unive

    of the All-One Heart Music.Colden Via A1pdia.da Bosman,

    of the AUMega Music Revolution!:

    Bawd on our prpv/ous IlJlJ..+ saupd gpomptriC"al)D C"ompLJtpr animation reseaIntergeon7Ptry/iso-geometry and t/7P Vortpxijah. Ilere \vp C"omposed the isotetrahedron, an d the Iso-stpllated tetrahpdron/C"uhe, to C"omposp S x 710 on thaxis, the DNA symmetry o{ hase pairs, as a iso-stellated-tptrahpdron C"omposeinter-dodpC"ahedron tor examplp.\1PLOSION (magazine), no It H, Ola{ Alpxanderson, S\vpdish SC"hauhergerSotiety (Living \Vate(J. Relates the sC"ipntit/C" measurements of Or. Jarl, of theTihetan monks, in pstahlishing levitation through sound.TIlE BRIDCE TO INFI/\/ITY, f larmoniC" )7 12 44 , hy Captain BruC"P Cathie, Il)(}American \Vest Puhlishers, Boldpr, Colorado, USA.TI IE VORTEX OF LIFE: Nature's Patterns in SpaC"e an d Timp, Lavvrenn' EchvarFloris Books, England IlJl)) (first puhlishpd ll)(j2).\i\/hen Time Breaks DO\'\/IJ: The Three Dimpnsional Dvnamics of E!pltroC"hemiI\i\/aves 8. CardiaC" Arrhythmias, pro{pssor Arthur T. \\/infrep, university of Arizo(professor in Dppartment o{ EC"ology S Evolutionary Biology 8. the Program inApplied ,'\1athematin l; PrinC"eton University Press.Biological [{felts of S'calar Acoustic" Enprgy: 1\10dulation of DNA. Proceedingsthe US PsyC"hotronics AssoC"iation., Columhus, Ohio, July, IlJlJH. Clen Rein,Ph. O.C)uantum Biology Rewarch Lah ,'\1illpr PlaC"e, /\/. Y. 1I / ( )4)

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    ECC Spectra: The measurement of loherent and incoherent frequencies and trelationship to mental and emotional states. J\.lcCraw 1\., J\.1. Atkinson and (;.Rein .. J\.lonterey: Proc. .)rd Annual ConI: of the Internal. Soc. Study SuhtleEnergies S Energy i \ledi line (It) t) jIJ.See for example: i\lethod Of Splitt ing The \\/ater J\.lolecule according to theTheory of Extremely LO\'ll FrequenlY (ELFI, Phonon-Ilydron Amplitlcations OfStimulated Emission Radiation, Dr. Andrija Puharich, A1. D., UD, IWUA Nevv Control And Information System DIscovered In Biology And J\.ledilinExtremely LO\v Frequency A1agnetic Fields (ELFI, Dr. Andrija Puharich, J\1.D.,Fehruary I t)87.

    I. Protocommunilation II, Universallntormation/"\ctton Transfer Theory and AExperimental J\.lodel Designed To Test The Theory: Pro/f'ct Tesla. Dr. AndrtjaPuharich, Essentia Research Assoliates, Devotion, /,,'orth Carolina, Fehruary19871.AIUSIC A1IND t\ BRAI/',,', Alanfred Clynes, Plenum, Ne\v York, 198h.

    . Dr. I I 0 Peitgen, Bausteine des Chaos, Vo!. I, Chapter h. University of BremFRACTAL J\.fECflANISAfS 1/'" TilE ELECTROPIIYSIOLOCY OF TilE flEART, A

    L. Coldherger, Beth Israelllospital, I iarvard Aledilal School.. Ne\'ll Explorations \'I!'ith The 1\loon Alodel, TO\'llard a ne\'\/ model of the nucleuhased on the pIOneering \vork in physils of Rohert /. J\foon, Dr. Laurence I feCharles B. Stevens, l Is t CENTURY IAlagazinel, J\lay 7, .!UU..JThe (;eometry Of Lit(l, Dr. Nigel Rosinsky, AID. Fusion, Septemher-OctoherI 98..J. On DJ\'A decagramme and dodelahedron geometry.

    The Universe Sings: A Ceometrilal Derivatton Of the Alusilal Scale That .';hO\\/hat J\lusic And Astrophysics I fave In Common \\/ith LiVing Forms. Carol \\/h.! I st Century, july-August 1988.

    Ceometric Extensions Of Consciousness, Anne CriS\vold Tyng, Zodial # 19.\\/hilh demonstrates the dodecahedron DNA douhle helix tormation, and 0) cmaking one dodecahedron. The DNA Douhle I felix lan likp\\-'ise he modelledthe icosahpdron \'\,'hilh is comprised of 0) oltahedrons. Prppared uAdvancemeScience in thp Finp Arts.J\.fysterium I\./iuolosmicum: The Ceomptric Basis For The ppriodiciW O f The

    Elements, .! I -I Century (magazine J, 1\lay-june 1988, pp ]()-jU.. Alien ROlk: Thp Rock 'n ' Roll Extratprrpstrial Conneltion, iHichael C. LUlkmaPocket Books (Simon l\ Schusten, New York, .!UU').. NHV DISCOVERIES ON Tf fE CURVATURE OF SPACE, hy jonathanTennenhaum, 1 I st CENTURY ImagazinPI, Spptpmher-Oltohpr 1988.

    Universal Danles, Ananda Bosman, .!UUU, lUU I,repuhlished on . Originally on

    ,2001