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8/6/2019 American Anthem http://slidepdf.com/reader/full/american-anthem 1/1 december 2 - december 9, 2010  BIRMINGHAM W EEK High-Low: Rhode Island folksters The Low Anthem will be at Bottletree on December 5. Photo by Ryan Mastro. I have heard sot and beautiul olk songs. I have elt the heartache rom a passionate lyric etch traces o longing over a wistul melody. In act, in recent years, as the record labels realized they could sell olk again and began homogenizing the term “indie”, I have heard an awul lot o albums chock ull o quiet, beautiul misery. So much so that it all  begins to get a bit hard to recall. At rst blush, The Low Anthem, a group o Americana-minded multi-instrumentalists, may appear to be another o these “indie” bands, harmless and aimless. But don’t be ooled, they are  just as capable o pulling o a drunken swaggering rocker or some psychedelic noise as they are a haunting hymn-like olk-tune, and they do it with purpose and style. I recently had a chance to talk to a raction o The Low Anthem, in the orm o clarinetist, classical composer and ormer NASA technician Jocie Adams, and she recalled the rst time she played with the other two original members o The Low Anthem, Ben Knox Miller and Je Prystowsky. “They asked me to come over and play on the last track o What The Crow Brings and sing,” says Adams. “I was too shy, and I also had never sung in public beore, or or anyone besides mysel. They  just told me, ‘Hey wanna come over and jam or something?’ When I came over, they had six shots o bourbon set out. We all took two shots and then  we went into the music room, and there were all these mics set up, and they were expecting me to sing and play clarinet! But the kicker is that they  wanted me to sing on this thing. I was pretty sure that they had made a mistake, but I think it came out pretty well. Like, naive, and beautiul or that.” That willingness to take a risky plunge seems at the heart o The Low Anthem. They manuactured What The Crow Brings entirely by themselves, even dumpster-diving or empty cereal boxes to use in constructing the album sleeves and painting and adding serial numbers to the 600 pressings by hand. Their new album, Smart Flesh,  which will arrive on February 22, 2011, will be slightly less hands-on, though The Low Anthem are returning to sel-production ater their only studio release, Oh My God, Charlie Darwin. “Honestly,” says Adams, “I think—between the our o us there was enough dierent ideas and disagreement about what we should do, and we try songs so many ways as it is, that I think that having another head in there doing the same thing music feature  s Gog Rhode Island folk act stands out In the cRowd American anthem really wouldn’t be positive. I think in the uture  we’ll denitely want to work with a producer, [but] it’s like asking a new person to join your band or something, it’s just another creative orce that  you’re working with and pulling ideas through. I think at this point there’s just so much that we  want to do already.” One o the things they wanted to do was record their new album in an abandoned pasta actory,  which was made available by a riend who couldn’t do anything with it because o the ailing economy. “It was just this big beautiul space with wood foors and the space was just so huge that when  you made a sound and got reverb rom the room, there’s not even any room noise. It’s just re verb, and it’s pretty incredible.” Considering that Oh My God, Charlie Darwin has 27 instruments on it, The Low Anthem are sure to have lled that reverberating actory foor with an orchestra-sized compliment o instruments. All o the members o The Low Anthem, including the newest member Mat Davidson, play many instruments, though Adams downplays her abilities. “I play a lot o things...badly,” she says. “I play guitar and bass and a little bit o drums... and I sing. All o these things. An organ, and I just started playing the hammer dulcimer,  which I have totally allen in love with. A lot o our instruments have come rom people giving them to us, and that’s how we have them. But some o them, we wanted a certai n sound, and had to gure out what made that sound. So we’d buy some new instru ment because  we wanted to make a new sound, mostly or recording purposes, and then sometimes the new instrument wouldn’t make the cut, and it’ll come on to the traveling circus.” I you’d like to catch a glimpse o that travelling circus, come out to Bottletree on Sunday, December 5 at 7 p.m. Tickets are $14, $12 in advance. Local Skybucket Records artist Delicate Cutters, who have a new album on the way as well,  will be opening. For more information on The Low Anthem, visit www.lowanthem.com. For more info on Delicate Cutters, visit thedelicatecutters.wordpress.com. For tickets visit www.thebottletree.com. Sam George is the managing editor of Birmingham Weekly . Please send your comments to [email protected].

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8/6/2019 American Anthem

http://slidepdf.com/reader/full/american-anthem 1/1december 2 - december 9, 2010  BIRMINGHAM W EEK

High-Low: Rhode Island folksters The Low Anthem will be at Bottletree on December 5.

Photo by Ryan Mastro.

I have heard sot and beautiul olk songs. Ihave elt the heartache rom a passionate lyric etchtraces o longing over a wistul melody. In act, inrecent years, as the record labels realized they couldsell olk again and began homogenizing the term“indie”, I have heard an awul lot o albums chockull o quiet, beautiul misery. So much so that it all begins to get a bit hard to recall.

At rst blush, The Low Anthem, a group o Americana-minded multi-instrumentalists,may appear to be another o these “indie” bands,harmless and aimless. But don’t be ooled, they are just as capable o pulling o a drunken swaggeringrocker or some psychedelic noise as they are ahaunting hymn-like olk-tune, and they do it withpurpose and style.

I recently had a chance to talk to a ractiono The Low Anthem, in the orm o clarinetist,classical composer and ormer NASA technicianJocie Adams, and she recalled the rst time sheplayed with the other two original members o TheLow Anthem, Ben Knox Miller andJe Prystowsky.

“They asked me to come over and play on thelast track o What The Crow Brings and sing,” saysAdams. “I was too shy, and I also had never sung inpublic beore, or or anyone besides mysel. They  just told me, ‘Hey wanna come over and jam orsomething?’ When I came over, they had six shotso bourbon set out. We all took two shots and then we went into the music room, and there were allthese mics set up, and they were expecting me tosing and play clarinet! But the kicker is that they  wanted me to sing on this thing. I was pretty surethat they had made a mistake, but I think it cameout pretty well. Like, naive, and beautiul

or that.”That willingness to take a risky plunge seems atthe heart o The Low Anthem. They manuacturedWhat The Crow Brings entirely by themselves, evendumpster-diving or empty cereal boxes to usein constructing the album sleeves and paintingand adding serial numbers to the 600 pressings by hand. Their new album, Smart Flesh, which willarrive on February 22, 2011, will be slightly lesshands-on, though The Low Anthem are returningto sel-production ater their only studio release,Oh My God, Charlie Darwin.

“Honestly,” says Adams, “I think—between theour o us there was enough dierent ideas anddisagreement about what we should do, and wetry songs so many ways as it is, that I think thathaving another head in there doing the same thing

music feature  s Gog

Rhode Island folk act stands out In the cRowd

American anthem

really wouldn’t be positive. I think in the uture we’ll denitely want to work with a producer, [but]it’s like asking a new person to join your bandor something, it’s just another creative orce that you’re working with and pulling ideas through.I think at this point there’s just so much that we want to do already.”

One o the things they wanted to do was recordtheir new album in an abandoned pasta actory, which was made available by a riend who couldn’tdo anything with it because o the ailing economy.“It was just this big beautiul space with woodfoors and the space was just so huge that when you made a sound and got reverb rom the room,there’s not even any room noise. It’s just reverb, andit’s pretty incredible.”

Considering that Oh My God, Charlie Darwin has 27 instruments on it, The Low Anthem aresure to have lled that reverberating actory foor with an orchestra-sized compliment o instruments. All o the members o The Low Anthem, including the newest member MatDavidson, play many instruments, though Adamsdownplays her abilities.

“I play a lot o things...badly,” she says. “Iplay guitar and bass and a little bit o drums...and I sing. All o these things. An organ, andI just started playing the hammer dulcimer, which I have totally allen in love with. A lot o our instruments have come rom people givingthem to us, and that’s how we have them. Butsome o them, we wanted a certai n sound,and had to gure out what made that sound.So we’d buy some new instru ment because we wanted to make a new sound, mostly orrecording purposes, and then sometimes the new 

instrument wouldn’t make the cut, and it’ll comeon to the traveling circus.”I you’d like to catch a glimpse o that travelling

circus, come out to Bottletree on Sunday,December 5 at 7 p.m. Tickets are $14, $12 inadvance. Local Skybucket Records artist DelicateCutters, who have a new album on the way as well, will be opening.

For more information on The Low Anthem, visit www.lowanthem.com. For more info on Delicate Cutters, visit thedelicatecutters.wordpress.com. For tickets visit www.thebottletree.com.

Sam George is the managing editor of Birmingham Weekly . Please send your comments to [email protected].