Upload
others
View
1
Download
0
Embed Size (px)
Citation preview
a i rpo r t u rban i sm
a i rpo r t s , l andscapes and c i t i e s
02
D i re t t o re
Lau ra C ip r i an iUn i ve r s i t à deg l i S tud i d i Tren to
Comi ta t o sc i en t i f i co
Berna rdo Secch iUn i ve r s i t à I ua v d i Venez i a
G i o vann i Co rbe l l i n iUn i ve r s i t à deg l i S tud i d i Tr i e s t e
Ma r i no Lup iUn i ve r s i t à deg l i S tud i d i P i sa
Cha r l es Wa ldhe imHar va rd Des ign Schoo l , USA
a i rpo r t u rban i sm
a i rpo r t s , l andscapes and c i t i e s
The a i r p l a n e, f l y i n g o v e r f o r e s t s , r i v e r s , moun t a i n s , a nd s e a s a nd r e v e a l i n g s up r eme l y powe r f u l l aw s , t h e s imp l e p r i n c i p l e s wh i c h r e gu l a t e n a t u r a l p henomena , w i l l a r r i v e a t t h e c i t y o f t h e n ew e r a o f mach i n e c i v i l i z a t i o n .
L e Co r bu s i e r
T he book s e r i e s we l c omes r e s e a r c h wo r k s a nd r e s e a r c h b y de s i g n p r o j e c t s d ea l i n g w i t h t h e a i r p o r t l a nd s c ape t h eme. The i n t e r d i s c i p l i -n a r y a pp r o a ch a ims t o s t imu l a t e d eba t e a nd k now l edge o f a t o p i c wh i c h i s s t i l l ma r g i n a l i n i n t e r n a t i o n a l s c i e n t i f i c d eba t e a nd t h e t e a -ch i n g f i e l d .
La co l l a n a a c cog l i e r i c e r c a e s pe r imen t a z i o n i p r oge t t u a l i r e l a t i v amen -t e a l l a t ema t i c a a e r opo r t i e p ae s agg i o . L’ a pp r o c c i o i n t e r d i s c i p l i n a r e ado t t a t o i n t e nde s t imo l a r e i l d i b a t t i t o e l a c ono s cen z a s u u n t ema anco r a ma r g i n a l e n e l l a f o rma z i o ne d i d a t t i c a e n e l d i b a t t i t o s c i e n t i f i c o i n t e r n a z i o n a l e.
The r e s e a r c he r i s s uppo r t e d b y t h e Eu r opean Commun i t y a nd t h e Au t onomous P r o v i n c e o f Tr e n t o a nd co - f u nded b y Ma r i e Cu r i e Ac t i o n s . T he wo r k l e ad i n g t o t h i s p ub l i c a t i o n r e ce i v ed f u nd i n g unde r t h e 7 t h Eu r opean Commun i t y F r amewo r k P r og r amme 7 PQ/2007-2013 and f r om t h e Au t onomous P r o v i n c e o f Tr e n t o u nde r G r a n t Ag r eemen t no . 226070 ( no t i c e “ r e s e a r c he r po s t - doc 2010 I n com i ng CALL 1 ” - P r o j e c t “ Tr e n t i n o - PCOFUND-GA-2008-226070” ) .
Au t onomous P r o v i n c e o f Tr e n t o
Ma r i e Cu r i e Ac t i o n s Co f u nd
Eu r opean Commun i t y
T h i s p ub l i c a t i o n i s f r u i t o f t h e U r b an De s i g n Cou r s e h e l d du r i n g t h e f i r s t s emes t e r o f t h e 2012-13 a cadem i c y e a r a t t h e I UAV Ven i c e Un i v e r s i t y I n s t i t u t e o f A r c h i t e c t u r e a nd , a s f a r a s t h e p r epa r a t o r y a nd po s t - pub l i c a t i o n wo r k i s c once r ned , i s t h e p r oduc t o f t h e Ma r i e Cu r i e Co f u nd r e s e a r c h p r og r amme he l d b y t h e a u t ho r a t Tr e n t o Un i v e r s i t y.
RETHINKING TREVISO AIRPORT URBANISMLANDSCAPE DES IGN STRATEG I ES FROM NOW ON
Lau ra C ip r i an i ed .
Copy r i gh t © MMXIVARACNE ed i t r i ce S . r . l .
www.a racneed i t r i ce . i ti n f o@aracneed i t r i ce . i t
v i a Ra f f ae l e Ga ro fa l o , 133 /A–B00173 Roma
(06 ) 93781065
I s b n 978–88–548–7437–4
I d i r i t t i d i t r aduz i one , d i memor i z za z i one e l e t t r on i ca , d i r i p r oduz i one e d i ada t t amen to anche pa r z i a l e ,
con qua l s i as i mezzo , sono r i se r va t i pe r t u t t i i Paes i .
Non sono asso lu t amen te consen t i t e l e f o t ocop i esenza i l pe rmesso sc r i t t o de l l ’ Ed i t o re .
I ed i z i one : agos to 2014
RETHINKING TREVISO AIRPORT URBANISMLANDSCAPE DES IGN STRATEG I ES FROM NOW ON
Lau ra C ip r i an i ed .
WRITTEN BY Lau r a C i p r i a n i
CONCEPT AND PREL IM INARY STUD I ESLau r a C i p r i a n i
TRANSLATORTe r Cen t r o Tr adu z i o n i
COLLECT ION OF H ISTOR IC AND CARTOGRAPH IC DATAA l i c e Co v a t t a
IMAGES AND PHOTOSS t uden t a u t ho r s a nd L au r a C i p r i a n iS t uden t s : I l a r i a A l f o n s i , And r è Ba l l i s , Da v i d e Ba t t i l a n a , A l e s s i a Ben so , Ma t t i a Be r g amo , G i u l i a Be r go , Anna D i d i Be t t i o l , Ma r i n a B i a n che, E l i s a be t t a B i z z o t t o , And r e a Boa t t i , S e r e na Bo r e l l a , Da v i d e Ca i s , F i l i p po Ca r r a r o , I r e ne Ca r r a r o , Anna Ce r a n t o l a , G i a n l u c a Comand i n i , Ce l e s t e Da Bo i t , I g n a c i o de V i l l a l a i n , A l e s s and r o Don ze l l o , G i a n l u c a Fa cch i n e l l i , Gu i do F r i s o n , And r e a Ga l l o , L au r a Ga r bo , L a r a G i b e l l a t o , C r i s t i n a G i r o l ime t t o , Ma r i e He r a u l t , Emanue l e I s i d o r o , Du s an Jo v ano v i c ’ , S t e f a no Longo , P i e r l u i g i Ma r a ngon i , Fede r i c o Ma r c a t o , Annach i a r a Ma r con , F r a n ce s c a Ma r cona t o , And r e a Ma r i n e l l i , N i c o l a Masco t t o , A l e s s and r o Me r c an t i , M i r k o Mo r e t t i , K e t t y Mo r o , M i c he l e Mune r a t i , L o r e n zo Mus i o , G i o v ann i N i e r o , Ca r l o O l i v a t o , Ma t t e o Pa i a no , L uca Ronch i , R au l S an z , Ma r co Sca t t o l i n , Da v i d e Scompa r i n , J a copo Sc r em i n , F r a n ce s c a Se t t emb r i n i , F r a n ce s c a S i l v a , Ca t e r i n a So r a n zo , Mau r o So r don , M i c he l a Ta r z a r i o l , J a copo T i s o , A l b e r t o Tonon , Ma r i a Tr i l l o , G i o v ann i Vend r ame, Lu i s a Ma r i a V i e r o , E l i s a Vo l p a t o , Ma r co Zanche t t a , A l e s s i o Z ane l l a , N i c co l ò Zanu s , C r i s t i n a Zanu so
GRAPH IC DES IGNLau r a C i p r i a n i
LAYOUTLau r a C i p r i a n i a nd A l i c e Co v a t t a
Cop y r i g h t © The a u t ho r s . A l l r i g h t s r e s e r v ed . No p a r t o f t h i s book ma y be r ep r oduced o r t r a n sm i t t e d i n a n y f o rm b y a n y e l e c t r o n i c o r mechan i c a l mean s ( i n c l u d i n g pho t o cop y i n g, r e co r d i n g, o r i n f o rma t i o n s t o r a ge a nd r e t r i e v a l – w i t h ou t p e rm i s s i o n i n w r i t i n g f r om t h e a u t ho r. U se r s a r e no t p e rm i t t e d t o moun t t h i s f i l e o n a n y n e two r k s e r v e r s .
PROFESSOR Lau r a C i p r i a n iT EACH ING ASS ISTANTS A l i c e Co v a t t a w i t h Se r g i o Bo r t o l u s s i
STUDENT GROUPSMa r i n a B i a n che, Ma r i e He r a u l t , F r a n ce s c a S i l v aSe r ena Bo r e l l a , A l e s s and r o Don ze l l o , Ma r co Sca t t o l i n A l e s s i a Ben so , Anna D i d i Be t t i o l , L au r a Ga r bo , Ke t t y Mo r o , C r i s t i n a Zanu soG i a n l u c a Fa cch i n e l l i , L a r a G i b e l l a t o , Du s an Jo v ano v i c ’ , L o r e n zo Mus i o , Ca r l o O l i v a t oDa v i d e Ca i s , M i c he l e Mune r a t i G i u l i a Be r go , I r e ne Ca r r a r o , Gu i do F r i s o n , E l i s a Vo l p a t o , A l e s s i o Z ane l l aL uca Ronch i , Mau r o So r don , M i c he l a Ta r z a r i o l , G i o v ann i Vend r ame, Ma r co Zanche t t aAnd r è Ba l l i s , A l e s s and r o Me r c an t i , N i c co l ò Zanu s Ce l e s t e Da Bo i t , S t e f a no Longo , F r a n ce s c a Ma r cona t o , L u i s a Ma r i a V i e r o I g n a c i o de V i l l a l a i n , Rau l S an z , Ma r i a Tr i l l o I l a r i a A l f o n s i , Anna Ce r a n t o l a , And r e a Ga l l o , Annach i a r a Ma r conDa v i d e Ba t t i l a n a , Ma t t i a Be r g amo , Da v i d e Scompa r i n , A l b e r t o Tonon , J a copo Sc r em i nE l i s a be t t a B i z z o t t o , C r i s t i n a G i r o l ime t t o , M i r k o Mo r e t t i , G i o v ann i N i e r oAnd r e a Boa t t i , F i l i p po Ca r r a r o , G i a n l u c a Comand i n iEmanue l e I s i d o r o , P i e r l u i g i Ma r a ngon i , Fede r i c o Ma r c a t o , And r e a Ma r i n e l l i , N i c o l a Masco t t oMa t t e o Pa i a no , F r a n ce s c a Se t t emb r i n i , Ca t e r i n a So r a n zo , J a copo T i s o
10 ACKNOWLEDGEMENTS
12 I NTRODUCT ION
26 RESEARCH BY DES IGN
28 I n f r a s c ape
48 Wa t e r s c ape
72 G r een s c ape
82 Ene r g y s c ape
90 U r b an s c ape
CONTENTSRETH INK ING TREV ISO A IRPORT URBAN ISMLANDSCAPE DES IGN STRATEG I ES FROM NOW ON
TOOLS
Sem i s e r i o u s Too l s | SHORT TERM
Eco l og i c a l Too l s | MED IUM TERM
Ground -wa t e r Too l s | LONG TERM
DES IGN BY RESEARCH
Scena r i o s | MED IUM TERM
Ex t r eme Scena r i o s | LONG TERM
REfERENCES
IMAGE CRED ITS
98
100
116
138
150
152
192
210
220
10 ACKNOLEDGEMENTS
ACKNOWLEDGEMENTS
Th i s p ub l i c a t i o n i s f r u i t o f t h e U r b an De s i g n Cou r s e h e l d du r i n g t h e f i r s t s emes t e r o f t h e 2012-13 a cadem i c y e a r a t t h e I u a v Un i v e r s i t y o f Ven i c e a nd , a s f a r a s t h e p r epa r a t o r y a nd po s t - pub l i c a t i o n wo r k i s c once r ned , i s t h e p r oduc t o f my Ma r i e Cu r i e Co f u nd r e s e a r c h p r og r amme a t Tr e n t o Un i v e r s i t y.
F i r s t l y, I wou l d l i k e t o t h a n k my s t u den t s a nd t h e i r c on s t a n t c omm i tmen t t h r o ughou t t h e s emes t e r. W i t h ou t t h em , t h i s p ub l i c a t i o n wou l d n e v e r h a v e s een t h e l i g h t o f d a y.
A s pec i a l t h a n k y ou t o my co l l a bo r a t o r s . I n p a r t i c u l a r, t o my i n d i s pen s ab l e a s s i s t a n t d u r i n g t h i s t e a ch i n g e xpe r imen t , A l i c e Co v a t t a , f o r h e r c on s t a n t h e l p e x t e nd i n g l o ng a f t e r t h e e nd o f t h e s emes t e r a nd t o Se r g i o Bo r t o l u s s i f o r h i s s uppo r t d u r i n g t h e de s i g n wo r k s hop .
My t h an k s t o t h e I u a v Un i v e r s i t y o f Ven i c e f o r a l l ow i n g me t o wo r k w i t h a h i g h l y mo t i v a t e d g r oup o f s t u den t s a t a h i g h p r o f e s s i o n a l l e v e l .
My t h a n k s t o t h e Ma r i e Cu r i e Co f u nd P r og r amme and Tr e n t o P r o v i n c e f o r h a v i n g g i v e n me t h e oppo r t u n i t y t o a pp l y my r e s e a r c h i n a t e a ch i n g con t e x t . W i t h ou t t h e e xpe r i e n ce a nd k now l edge a cqu i r e d du r i n g t h e t h r e e - y e a r r e s e a r c h p r og r amme, I wou l d n e v e r h a v e been ab l e t o r e f l e c t o n t h e me t hod s t o a dop t d u r i n g t h e s emes t e r.
T he s t u d y i s a l s o i n deb t ed t o n ume rou s peop l e a nd a mu l t i t u de o f a u t ho r i t i e s , a dm i n i s t r a t i o n s a nd mapp i ng c en t r e s w i t h whom I h a v e been i n c on t a c t .My t h a n k s t o t h e Mun i c i p a l i t y o f Qu i n t o d i Tr e v i s o a nd i n p a r t i c u l a r t o And r e a Sanca s s an i o f t h e U r b an P l a nn i n g Depa r tmen t f o r h i s w i l l i n g h e l p du r i n g s i t e
RETH INK ING TREV ISO A IRPORT URBAN ISM 11
v i s i t s a nd mee t i n g s ; t o Anna l i s a P i g n a t a i n t h e En v i r o nmen t Sec t o r f o r h e r u s e f u l a nd p r e c i s e t e c hn i c a l - e n v i r o nmen t a l i n d i c a t i o n s a nd t o Ma yo r Mau r o Da l Z i l i o f o r h i s i n t e r e s t a nd p a r t i c i p a t i o n du r i n g t h e f i n a l wo r k s hop .
My t h an k s t o t h e l o c a l Tr e v i s o a s soc i a t i o n s who he l p ed me l o o k a t t h e a r e a f r om ano t h e r po i n t o f v i ew. I n p a r t i c u l a r, I wou l d l i k e t o e x p r e s s my e x t r eme g r a t i t u de t o t h e Tr e v i s o A i r p o r t Comm i t t e e, t o D i r e c t o r Dan t e Fa r aon i a nd t o A l e s s and r o So t t a n a f o r t h e i r c on s t a n t s uppo r t o f o u r wo r k .
My t h an k s t o S t e f a no Bucc i , d i r e c t o r o f t h e S i l e Na t u r a l Pa r k , f o r h a v i n g s h a r ed op i n i o n s a nd i d e a s f o r r e f l e c t i o n w i t h u s du r i n g h i s p a r t i c i p a t i o n i n t h e wo r k s hop .
A spec i a l t h a n k s mus t a l s o go t o t h e l i b r a r i e s we we r e i n c on t a c t w i t h t o r e t r i e v e t e x t s a nd i n f o rma t i o n - t o t h e I u a v Un i v e r s i t y o f Ven i c e L i b r a r y a nd t o t h e I n t e r d epa r tmen t a l Cen t e r f o r Su r v e y, Mapp i ng a nd P r o ce s s i n g (C IRCE ) f o r t h e i n v a l u ab l e c a r t o g r aph i c ma t e r i a l .
My t h a n k s t o e v e r y one.
INTRODUCTIONRETH INK ING TREV ISO A IRPORT URBAN ISM
14 I NTRODUCT ION
TREV ISO
VENETO I S THE MOST V IS I TED I TAL IAN REG ION
THE VENETO REG ION AREA
18 399 km² PEOPLE IN VENETO REG ION
4 960 336 PEOPLE / km² I N VENETO REG ION
269.6
RETH INK ING TREV ISO A IRPORT URBAN ISM 15
I NTRODUCT ION
When I wa s a s k ed t o t e a ch a n u r b an p l a nn i n g cou r s e f o r t h e Second Le ve l Deg r ee i n Con s t r u c t i o n s a nd Con se r v a t i o n a t t h e I u a v Un i v e r s i t y o f Ven i c e, I f e l t i t wou l d be a good oppo r t u n i t y t o a pp l y my r e cen t r e s e a r c h on a i r p o r t s a nd t h e l a nd s c ape t o a conc r e t e p r o j e c t whe r e I wou l d f i n a l l y b e ab l e t o t r y o u t a s e r i e s o f me t hodo l og i c a l a nd de s i g n c ho i c e s t o ge t h e r. T he i d e a wa s t o modu l a t e t h e u r b an p l a nn i n g wo r k s hop w i t h mu l t i - d i s c i p l i n a r y k now l edge wh i c h i n c l u ded a i r p o r t - i n f r a s t r u c t u r e r e l a t e d t h emes , b u t a bo ve a l l e x p l o r ed t h e n ume rou s e n v i r o nmen t a l q ue s t i o n s wh i c h t o da y r e qu i r e u r g en t a n swe r s . A i r p o r t s a r e p l a y i n g a n e v e r mo r e impo r t a n t r o l e i n r e g i o n a l a nd l o c a l d e v e l opmen t . I n f r a s t r u c t u r e on t h i s s c a l e b ene f i t s s o c i e t y a s a who l e, b u t t h e e n v i r o nmen t a l a nd s oc i a l e f f e c t s a r e a p a r t i c u l a r l y h e a v y bu r den on t h e commun i t i e s d i r e c t l y i n v o l v ed . How i s t h e l a nd s c ape mod i f i e d b y a i r t r a n spo r t a t i o n? Can t h e l a nd s c ape a nd a i r p o r t i n f r a s t r u c t u r e be i n t e g r a t e d f o l l ow i n g e co l og i c a l c r i t e r i a ? How c an a n a i r p o r t b e i n t e g r a t e d i n t o t h e l o c a l c on t e x t ? Wha t d e s i g n de v i c e s c an be u s ed? How c an we comb i n e t o da y ’s t e c hno l og i c a l r e qu i r emen t s w i t h t h e n eed f o r u n f o r e s een new f u n c t i o n s i n t h e f u t u r e? I n t h e f u t u r e, h ow m i gh t d i s u s ed a i r p o r t i n f r a s t r u c t u r e po s s i b l y b e “ r e c y c l e d ” ?The pub l i c a t i o n i s t h e r e f o r e t h e ou t c ome o f a n U r b an P l a nn i n g wo r k s hop he l d du r i n g t h e 2012-13 a cadem i c y e a r a nd con s i d e r i n g t h e t h eme “ a i r p o r t a nd l a nd s c ape ” , t a k i n g a s i t s s t a r t i n g po i n t t h e s t u d y o f a n a r e a i n no r t h e a s t I t a l y n e a r t h e c i t y o f Tr e v i s o , mo r e p r e c i s e l y, t h e a r e a s u r r o und i n g t h e l ow co s t c i v i l a i r p o r t o f Qu i n t o d i Tr e v i s o a nd t h e m i l i t a r y a i r f i e l d o f I s t r a n a .Tr e v i s o Cano v a a i r p o r t i s t h e p a r ad i gm o f t h a t e x t e n s i v e n e two r k o f a i r p o r t s l o c a t ed nea r m i no r t own s a nd c i t i e s wh i c h h a s been de ve l op i n g i n E u r ope o v e r t h e l a s t t e n y e a r s o r s o w i t h t h e ad v en t o f l ow co s t a i r c ompan i e s . I n i t i a l l y a
16 I NTRODUCT ION
m i l i t a r y a i r f i e l d , t h en f r om t h e e nd o f t h e 1950s con ve r t e d t o c i v i l u s e t o s e r v e t h e c i t y o f Ven i c e, s i n c e t h e beg i n n i n g o f t h e 2000s , i t h a s g r own i n t o one o f n o r t h e a s t I t a l y ’s mos t u t i l i s e d l ow co s t a i r p o r t s , p r og r e s s i v e l y i n c r e a s i n g i t s v o l ume o f t r a f f i c a nd e xpand i n g i t s r u nwa y s a nd t h e t e rm i n a l o v e r t h e y e a r s . I s t r a n a a i r p o r t , o n t h e o t h e r h and , i s a m i l i t a r y a i r f i e l d c on s t r u c t ed i n t h e 1950s wh i c h w i l l g r a dua l l y b e abandoned o v e r t h e n e x t f ew y e a r s d ue t o l a c k o f u s e a nd h i g h ope r a t i n g co s t s . T he dec i s i o n t o s t u d y Tr e v i s o wa s no t a r a ndom cho i c e. F i r s t l y, t h e i n f r a s t r u c t u r a l , e n v i r o nmen t a l a nd s oc i a l c ond i t i o n s i n t h e s t u d y a r e a make i t e x t r eme l y c omp l e x . Cano v a a i r p o r t i s l o c a t ed i n a p r o t e c t ed n a t u r a l a r e a a l o ng Eu r ope ’s l o nge s t r e s u r gence r i v e r, t h e S i l e, a nd t h e a v i a t i o n a c t i v i t i e s , i n compa t i b l e w i t h t h e e co l og i c a l c h a r a c t e r i s t i c s o f t h e a r e a , c l e a r l y g i v e r i s e t o ob v i o u s con t r a d i c t i o n s .Ta k i n g t h e e n v i r o nmen t a l i s s u e s a s i t s s t a r t i n g po i n t , t h i s s t u d y s e t s o u t t o r e t h i n k t h e a r e a , p a y i n g a t t e n t i o n no t j u s t t o i n f r a s t r u c t u r a l a s pec t s , b u t a bo ve a l l s t u d y i n g t h e wa t e r s y s t ems , g r e en s pace s , r e s i d en t i a l a r e a s , h i s t o r i c a l h e r i t a ge s i t e s , a b andoned i n du s t r i a l s i t e s a nd l o c a l i n h ab i t a n t s . T he r e a l p r o t a gon i s t o f t h e s t u d y i s t h u s t h e l o c a l a r e a a s a who l e a nd i n a l l i t s c omp l e x i t y. F r om t h e s t u d y, t h e l a nd s c ape a nd c i t y s ome t imes eme rge a s s pec t a t o r s , r a t h e r t h a n a c t o r s , l e a v i n g t h e ( i n ) v i s i b l e h and o f t h e c ap i t a l i s t s y s t em t o de s i g n t h e p l a c e s . T he r a p i d s p a t i a l t r a n s f o rma t i o n s a r e o f t e n no t g u i d ed b y compa r a t i v e o r c r i t i c a l s t u d i e s , b u t r a t h e r s e em t o be d i s c i p l i n ed b y p r e c i s e comme r c i a l l o g i c s wh i c h i d en t i f y i n t h e weakne s s o f u r b an p l a nn i n g t o o l s a po t e n t i a l t o b e e xp l o i t e d t o t h e i r a d v an t a ge. T he r a ndomnes s o f t h e i n i t i a t i v e s a nd ab sence o f i n t e g r a t e d g l o ba l p r o j e c t s a l l ow t h e s p r e ad o f a n u r b an p r oduc t i o n mode l wh i c h p a s s i v e l y f o l l ow s t h e d y n am i c s a nd d y n am i sm o f t h e ma r k e t , f l e x i b l e i n emb r a c i n g t h e n ew pa r ad i gms o f c on sump t i o n , b u t i n c apab l e a nd impo t e n t t o go ve r n a nd unde r s t a nd t h e s y s t ems o f l o c a l c h ange. P r e c i s e l y t o a v o i d be i n g s ubo r d i n a t e t o t h e e conom i c f o r c e s , p r e s s u r e s o f s pecu l a t i o n , c h ance a nd t h e immed i a c y o f d e c i s i o n -mak i n g, t h i s s t u d y t h e r e f o r e i n t e nd s t o a dop t a me t hodo l og i c a l a pp r o a ch wh i c h i n t e r p r e t s t h e l a nd s c ape i n i t s e n t i r e t y. Second l y, t h e i n t e n t i o n wa s t o a pp l y my r e s e a r c h on “ e co l og i c a l a i r p o r t
RETH INK ING TREV ISO A IRPORT URBAN ISM 17
TREV ISO C I TY CENTER
CANOVA A IRPORT
ISTRANA A IRPORT
S I LE R I VER
STUDY AREA
WASTEWATER TREATMENT PLANT
“FONTANASSO” SPR ING
SANT ’ANGELO CHURCH
“POSTUM IA” ROAD
OLD RA I LWAY L INE | TREV ISO OST IGL IA
CURRENT RA I LWAY L INE
ISTRANA
QU INTO D I TREV ISO
PAESE
On t h i s p age, t h e s t u d y a r e a a nd p r i n c i p a l l o c a l e l emen t s .
18 RESEARCH BY DES IGN
1978
1983
2006
LANDSCAPE TRANSfORMATIONS
1954
Le f t : u r b an e vo l u t i o n o f t h e s t u d y a r e a .Cano v a a i r f i e l d wa s t r a n s f o rmed i n t o a c i v i l
a i r p o r t i n t h e 1930s .W i t h c on s t r u c t i o n o f t h e t e rm i n a l i n 1953 , t h e
a i r p o r t wa s opened t o t h e pub l i c.Un t i l t h e open i n g o f Ven i c e Te s s e r a a i r p o r t i n
1960 , Cano v a a i r p o r t wa s t h e a i r p o r t c l o s e s t t o t h e n ea r b y c i t y o f Ven i c e.
The a i r p o r t o f Tr e v i s o - I s t r a n a wa s bu i l t i n 1954 f o r m i l i t a r y p u r po se s .
Sou r c e d a t a : GA I F l i g h t , 1954-55 ; Re ven f l i g h t , 1954-55 ; Re ven f l i g h t , 1978 ; O r t opho t o AGEA ,
2006 .
R i g h t : h i s t o r i c e v o l u t i o n o f t h e S i l e r i v e r b ed l o c a t ed ne x t t o Cano v a a i r p o r t .
Wa t e r c apac i t y p r og r e s s i v e l y d e c r e a se s down t h e c en t u r i e s .
Sou r c e d a t a : GA I F l i g h t , 1954-55 ; Re ven f l i g h t , 1954-55 ; Re ven f l i g h t , 1978 ; O r t opho t o AGEA ,
2006 .