A2 Dance Set Work Revelations (1960) Alvin Ailey StyleHorton and Graham techniques are fundamental

Highly theatrical and integrated costume, lighting and set

Use of the torso, elongated tilted Horton carriage contrasting with Graham contractions, Dunhams African undulating spine and pelvis, Coles jazzy percussive ripples

Balletic, lyrical gestures and Horton based angular arm designs

Dunham like isolations and African movements

Explosive leaps and elevation

High leg extensions and use of the floor

Ascending and descending quickly

Repetition of motifs and simple steps

Motif development

Developing dramatic themes and narratives

Use of other dance styles social and Jazz dance

Topical themes not overtly political

Athletic qualities used to express emotions

Importance of the African American heritage is acknowledged in his choice of music

Roles are built on the particular strengths of the individual dancers

Typical music-dance relationship