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Addendum 6, Part 11
CMT Music Awards: Geo-Politicized to Service the
Ubiquity of Chinada Condemnation When the American country music family assembled to celebrate the best in what the genre produced during the period covered by the awards, it once again turned its television platform into a geo-stage to
fire salvoes of anger at the psychopathic Chinada High Command and its followers.
June 9, 2010 was like each and every award show back to early 2008 –
designed to maintain the pressure on those who believe they’re not
accountable for most egregious violations of domestic and international law.
The 2½-hour Nashville broadcast was from beginning to end another
example of how tenaciously resolved the global community of democracy,
rule of law, human rights and free market capitalism advocates are in
containing China and fixing Canada.
When the broadcast commenced the very first message the malfeasant got
was “we’re gonna f _ _ k you up real good”; motivated by what lies at
Canada’s political and corporate core - a bizarre fascination with the occult.
It’s delivered on behalf of the entire country music industry by the award
show’s host Kid Rock.
He’s choreographed to appear as if he was putting the final touches on his
wardrobe for the show. First comes a close-up of him slipping a mammoth
ring on his middle finger - the Powell Maneuver, followed by picking up and
putting on sunglasses – a Colbert Maneuver; then arranging his unique belt
– one with the Garden of Eden serpent buckle to draw attention to what’s at
Canada’s core; and then walking out the dressing room and adjusting his
cowboy hat – a McGraw-Jackson Maneuver.
As the opening number’s delivered, the director points the camera at the
audience and the very first celebrity to be shown is Brad Paisley. It’s timed
to the lyrics of the Waylon Jennings song being performed “the mountain
might get 'em, but the law never will”; highlighting the Chinada High
Command’s attitude about escaping international justice.
The first two presenters are chosen because both are recipients of a high
coalition honor, the Uber-Achievement Geo Award – Faith Hill in 2008 and
Taylor Swift in 2010. A few minutes later it was confirmed a third honoree
was present, Nicole Kidman, who also was a recipient in 2008. During the
presentation Taylor employs the Diaz Maneuver to generate communiqués:
Taylor: Hello Nashville. Faith: Yes, hello Nashville and [Taylor: Diaz M.] everyone
watching across America. Taylor and I are honored to be here tonight in a room filled with so many [Taylor: Diaz M.] amazing artists…
Taylor: …and some of the most unbelievable fans in the world.
Thanks for being with us tonight. [audience applause]. You know, when you’re touring for months on end, the fans are what keep you inspired; and thank-you for that
as well [Diaz M.]
In addition to servicing my international persona she acknowledges how the
coalition and I led her to produce a multitude of diplomatic initiatives. As is
observed in her nine Geo Award nominations for 2009, her ‘Partner of the
Year’ honor and the Uber-Achievement Geo Award she certainly was
“inspired”.
The first time the ‘Partner of the Year’ is seen sitting in the audience, she’s
right next to Brad Paisley to link her achievements with several of the
coalition’s objectives.
Where else the lexicon is embedded became evident swiftly. The stage, as
had been the case with all award shows, is designed to articulate the
certainty of prison. And there are a quantum ratifying five video screens.
Graphics for announcing nominees includes a coalition identifier.
And voting for video of the year by the at-home audience is done by texting
to the number “8603” – a triple combination China identifier, quantum
ratifier and coalition identifier; again articulating that the partnership is
arranging for me to take possession of the quantum I’m entitled to from
those who made me suffer over a two decade period.
Quantum is again present when Reba McIntyre sits beside the coalition’s
‘Partner of the Year’.
When Blake Shelton takes the stage with Lara Bell Bundy he uses his few
moments on the geo-stage to full advantage; employing multiple lexiconic
gestures timed to remarks; with one having diplomatically coercive
connotations. And an initiative in the isolation-deprivation (marriage)
category is embedded.
Lara: [Blake: Cl.M. X2] You’ve had a pretty good year yourself. […] [Blake: Erin-Federer M.] You are blowing up Twitter. [Blake: Cl.M.] You’re nominated tonight. But you have
[Blake: Becky M.] something way way more exciting coming up.
Blake: Yea, that’s correct. I have a new album comin’ out.
August 10th. Lara: No, no you dirt bag. [Blake: Protracted Cl.M.] That’s not
what I meant. Don’t you think you’re forgetting something?
Blake: All right. All right. I’m getting’ married to Miranda Lambert.
Lara: Ding, ding, ding, ding, ding.*
* quantum ratifier
When Keith Urban wins an award and the camera captures his reaction,
Nicole employs a Diaz Maneuver, which naturally leads to generating a
reference to ‘Dogville’.
Leann Rimes performs and dancers are assigned numbers to recreate a
country ballroom competition. The only visible numbers on stage are 13 – a
Taylor Identifier - and on the video screens a coalition identifier.
The last instance of scripted geo-remarks is when Taylor takes the stage to
announce another performance. She employs the Diaz Maneuver as the
graphics on the screen behind her articulate a coalition identifier – prison
certainty theme, timed to “I’ve been waiting all night for this very special
performance; it’s a moment music fans dream about”. The purpose is to
underscore how much coalition partners are looking forward to the day when
I can leave the torturous confines of Dogville and have years-in-the-making
visits and celebrations with my fellow partners.
MTV Music Video Awards: Stealth Cognition Technologies, Prison
Certainty, a Beijing Olympics Assassination Reminder and Occult Condemnation
On September 12, 2010 one of the major institutions of American music, MTV, held its annual award show and as has been the case with every event of that nature producers employed the lexicon to generate communiqués for geo-political consumption. The difference this time:
the International Criminal Court complaint; and with the synergistic cooperation of many of music’s biggest stars there were a series of messages they want the ICC to hear as it assesses the Canadian lawyer’s submissions.
It was evident from the outset of the two-hour broadcast what the primary
issue for everyone associated with its design and production was: that
moment in time when the Chinada threat morphed into more of a lethal
global threat – the assassination of American Todd Bachman attending
Beijing’s Summer Olympics.
MTV producers began the September 12th award show with a performance
that included a stage full of drums to recall this barbaric act and what it
represented then and now since more diplomacy over the last two years
didn’t produce any significant results.
Confirmation this was one of three major geo-themes came a bit later with
the announcement when coalition darling Taylor Swift would be performing.
An assassination reminder was employed:
And to underscore to whom this condemnation was in part directed towards,
it was immediately preceded by the announcement when a Canadian singer
was going to perform. Plus the digits 47 and 9 add up to twenty – another
initiative underscoring trepidation over the R&D, deployment and global
proliferation of stealth cognition technologies.
A second geo-theme producers emphasize for ICC purposes is occult
condemnation. It was embedded in the number the at-home audience could
text to when voting for the fan favorite award. Lexiconically, the number
66333 includes ‘666’ and a coalition identifier. Additionally, there is a series
of three coalition identifiers – which itself mirrors the triple digit number of
the beast.
To make it absolutely clear this was the intent, (i) in the coalition identifying
third slot on the list is the name of that Canadian singer, (ii) the text
number for him includes the letter ‘C’, which stands for both Canada and
coalition, and (iii) this communiqué is contextualized in terms of what the
Canadian lawyer suffered being a twenty-year plus enslaved, tortured
human experimentation victim and what he’s entitled t. Producers arranged
for a confectioner to be the sponsor of this award – Five gum.
The third geo-theme has been standard since award shows were turned into
national and international coalition stages -- embedding prison certainty
somewhere on stage. Its design in the floor in fact served two purposes;
the other to high profile stealth cognition technologies, being the revolving
wheel hypnotists use to put their subjects in a trance.
Kanye West, who concluded the broadcast with a performance, included the
colors and pattern of Chinada prison certainty and choreographed a coalition
identifying three ballerinas; and, including him, near the end a total of five
people on stage.
The much-anticipated performance by Taylor Swift was scripted to include a
standard warning. As she sang the lyric “everyone has messed up”, she
raises her left hand to reveal a diamond ring on her middle finger – a Powell
Maneuver. And near the end the stage was lit up with the colors of Chinada.
View video
The 2011 Grammy Awards: High Profiling the Assassination
of Todd Bachman and Dogville Coercive Diplomacy
The only question there was about how the award show was going to be geo-politicized was what categories of diplomacy were going to be embedded in the broadcast.
The American music industry has been a major contributor to containing
China’s unlawful global ambitions and fixing Canada’s systemic
dysfunctionalities that contribute to them since 2006. Over the years that
extraordinary creativity found only where democracy combines with
capitalism has been committed to keeping the Chinada High Command on
notice that its egregious violations of Canadian and international law attract
severe and life-lasting consequences. Producers and sponsors and
participants of the 2011 Grammy Awards continued the tradition
established in 2007 and carried on in 2008, 2009 and 2010 of embedding
the lexicon to articulate specific themes in the diplomacy and service the
ubiquity of condemnation as has been the case in past years and with
programs in that genre of television.
There were two principal themes in the February 13th broadcast, which
was comprised of an hour of red carpet interviews and then the 3½ hour
award show. The performance of Canada’s newest superstar Justin Beiber,
who’d spent the previous few weeks doing the promo circuit for his feature
film and revealing himself to be a committed coalition partner as
documented, was scripted to high profile that which proved the Chinada
threat was morphing into a truly action-necessitating danger – the cold
blooded murder of American entrepreneur success Todd Bachman during
the first full day of the 2008 Beijing Summer Olympics. (A little less than a
month before the Grammies, on January 15, 2011, the matter returned to
geo-political center stage.) It’s to be noted that producers prepared this
diplomacy in full knowledge of the A7AI undertaking and so those invited to
help trigger the international incident that will hold Beijing, Ottawa and
their private sector partners to account can appreciate partners’
trepidations about doing nothing to halt the global proliferation of
everything inimical to democracy, rule of law, human rights and free
market capitalism.
To prove that the original outrage still resonates within the partnership,
Justin’s performance began with a China-identifying eight men dressed in
warrior outfits that contained the prison certainty (chain link fence)
pattern. They marched through the audience to the stage where they
delivered a choreographed dance sequence.
The second theme was observed in the program’s logo and graphics for the
award constituent of the broadcast. Since it was the 53rd Grammy Awards,
lexiconically the fifty-third – a quantum ratifier and coalition identifier –
they created two types of moving graphic that mimicked being crushed to
articulate that is exactly what’s going to happen to those who engaged in
some of the most egregious human rights violations on the international
books.
Graphics colors and patterns were of the Chinada prison certainty variety:
When it came time to give out the award for Best Female Country Vocal
Performance, Dirks Bentley and Zac Brown presented. They were scripted
to deliver this quantum ratifier, coalition identifier and an
acknowledgement that everything in the Fiefdom treatise and diplomacy
archive is “the truth, the whole truth and nothing but the truth”:
Dirks: The great country songwriter Harlan Howard once said country music is three chords and the truth.
Zac: And here are five women who all told the truth
beautifully.
Another geo-contribution came during the performance of a song entitled
‘Forget You’. Producers and the multi-talented entertainer who introduced
it, Jamie Foxx, made fun of the title for the audience but were profoundly
serious in its relevance to the coalition vs. Chinada conflict. His scripted
intro sought to say in words and song what the Powell Maneuver says with
a gesture:
I got no problem here. See here the network begged me not to use an inappropriate word when I’m introducing the next performer. But you know, I said F-ah get that. [audience laughter] This is America right? Is this America? Make some noise! [audience cheers] As far as I’m concerned they can F-ah get themselves. America, I f-ah gettin’ right, or what? All right, here to perform ‘Forget You’ and some colourful F-ah gettin’ puppets is Cee-Lo Green.
When the performance begins the East-West audience observes that
producers have arranged for one of the Muppets to be immediately to the
left of the artist, choosing a canine to articulate the ‘Dogville’ theme and its
lethal military force option.
When Marc Anthony and Jennifer Lopez took the stage to present an award
JLo turned one of her husband’s scripted lines into another instance of
servicing the Canadian lawyer’s international persona; employing a
lexiconic gesture to “Some of the most [CBS M.] celebrated classics of
music have been part of this category”.
Rolling Stones lead Mick Jagger took the stage for the first time and made
geo-history when doing so, choosing the color of quantum and the pattern of
prison certainty (chain link fence) to demonstrate he and his band continue
to be coalition partners.
As has been the case every time an award show aired, the red carpet was
turned into a geo-stage. This time there was one remarkable outfit that
was so lexiconically loud it out-shined everything else. Rihanna arrived
intending to be the coalition spokesperson for the certainty of prison for
Canadians who thought they were invincible, insulated and immune in
perpetuity:
The Academy Of Country Music Awards 2011: Another Event
Turned into a Geo-Platform to Hold the Chinada High Command to Full Account
For country music aficionados it was three hours of pure bliss. For lovers of democracy, rule of law, human rights and free market
principles it was another remarkable indicator to what lengths the partnership will go to ensure the 21st century carries on with a process that’s been centuries in the making.
The April 3, 2011 broadcast of the ACMs was as was expected – full of great
music, appearances by the superstars of the industry and chalk full of
diplomatic communiqués designed to keep the pressure on those who think
the rule of law and moral codes apply to everyone but them. After the
opening comedy sketch Brad Paisley performs...
... which is followed by the first geo-moment of the evening. Onto the stage
walks Canada’s Celine Dion, who was employed at the February 27th
Academy Awards to turn the ‘In Memoriam’ segment into coercive
diplomacy. As she delivers her scripted text the East-West audience saw for
the first time how producers designed the stage – choosing what’s been a
regular constituent for years: prison certainty. Putting Celine in front of this
lexiconic pattern was another reminder where the Chinada High Command
and many of its operatives are going to end up.
Next comes the graphic of those nominated for the coveted ‘Entertainer of
the Year’ award. Two-time Partner of the Year Taylor Swift is a quantum
ratifying fifth. And the texting number to vote contains a coalition
identifying China identifier. 'Brad' and Taylor are side-by-side given their
coalition significance:
When co-host Blake Shelton performs producers saturate the stage with the
colors of China prison certainty.
Pop superstar Rihanna teams up with Jennifer Nettles for a duo performance
and wardrobe is scripted to generate a Canada -- justice combination.
Taylor’s performance of her new hit song ‘Mean’ is geo-politicized. Using the
power of body language she puts it to ‘em over being psycho-pubescent
perverts who continue to enjoy causing pain, suffering, injury, loss and
death. Her first ‘if looks could kill’ moment comes when singing the lyric
“pickin’ on the weaker man”, referring to the Canadian lawyer who’s got no
assets or no major organization to effect reform, no ability to build a defense
against hourly assaults to his person and privacy through the deployment of
stealth cognition technologies and other military grade assets; nor has
access to institutional accountability agencies that can help against this
unlawfulness and non-stop death threats and “climate of fear” generated
street stalking.
Her next stare is to “flaws, as if you don’t already see them” – referring to
Chinada’s known characteristics which galvanized a large section of the
international community into a committed coalition.
View video
Before the show she:
(i) arranges with partners to pose for a photo of her pointing to a
performance list – color quantum – to underscore she’s positioned
number eight:
(ii) and conducts two interviews – one in which she offer her informed
belief that the idea of making a movie about the Canadian lawyer’s
journey is floating around within the Hollywood constituent of the
coalition. She effects an embellished lexiconic gesture to red flag her
public remarks as referring to this:
Interviewer: And now of course you're going to be doing this new Dr. Seuss project.
Taylor: Yea!!
Interviewer: Now do you have a special voice or a special character you're going to play.
Taylor: Yea I'm playing a character named Audrey and it's a really well [Cl.M.] written movie and I'm really stoked about being involved with it.
View video
The other interview was on the ACM red carpet, executing a Clooney M.
when responding to the question “What have you discovered overseas?”,
publicly referring to her Asia-Europe tour and geo-politically to everything
coalition:
View video
For her attendance at the ACMs she chose the lexiconic color of Presidential
quantum and white and knowing it would combine with the red carpet to
create the color of Chinada:
Taylor won the most coveted and prestigious 'Entertainer of the Year' award,
and goe-ed her acceptance speech by executing a Diaz-Powell M.:
There is one joke delivered by co-hosts Reba McIntyre and Blake Shelton
that has an MK-Ultra Gate motive.
Reba: This is the week Vegas goes country. In fact, yesterday
Blake here hosted the first ACM Celebrity Shoot. Blake: Ha, ha. It went great. I shot three celebrities. Reba: That’s why I stick to poker.
2011 CMT Music Awards: The Country Music Industry’s
Recommendation on How to Solve the Chinada Problem and High Profiling a Form of Arrogant Belligerence
There was no doubt the genre of modern music that is distinctly American and which reflects strong patriotic and take no guff values would geo-politicize the award show. The only question was how.
Turning the live broadcast into geo-platform on June 8th began right from
the start just like the year previous, combining the supra-celebrity of two
time Partner of the Year Taylor Swift with Canada’s claim to country music
fame, Shania Twain. Doing so was another instance of mobilizing made-in-
the-USA superstars to draw attention to what the leaders of America’s
northern neighbor have become – pariahs. We saw this approach on
February 27th with Celine Dion at the Oscars, on March 5th with Justin Beiber
on ‘Saturday Night Live’ and on June 5th Jim Carrey at the MTV Music
Awards.
The intro was a spoof of the famous movie ‘Thelma & Louise’ – two gun
tottin’, cop avoidin’ ladies. The first geo-ed scene is at the beginning of the
segment when the two are driving down the highway. A close up of the
coalition’s most adored partner reveals she's wearing prison certainty
earrings.
The next scene involves the two firing pistols at some tin cans for target
practice. A sign’s been added “No Trespassing, Keep Out”, a demand that
China has no business joint governing Canada and must vacate the premises
or face the consequences. Taylor’s attired in yellow and the coalition
identifying three cans are red; the communiqué in the coercive diplomacy
category of warnings.
Behind them up walks a red neck who cracks a chauvinist joke. He’s attired
in a T-shirt with a dog on his chest. The color combination is Chinada.
Forthwith he’s lookin’ down the barrel of two guns – the exact same image
Nicole Kidman et al. delivered in early 2004 in ‘Dogville’ and wasn’t heeded.
After departing the area they stop into a gas station and are confronted by
an attendant. The interaction has a romantic attraction element, which
becomes another entry in the isolation-deprivation category when producers
insert a compensation ratifier that has both a lexiconic number constituent
(7 - 2 = 5) and the first letter of the word ‘damages’.
When the show commences some of the performances are observed to be
on a stage that was designed with the lexicon and coalition interests and
objectives in mind. Toby Keith sang in front of a stack of lights that had
segments that had a quantum ratifying five rows and a total of 50 lights.
There was also a prison certainty pattern to them.
Big & Rich appeared in the color combination of Chinada and played in front
of a prison certainty patterned backdrop, as did another group.
The final award of the night was the most coveted ‘Video of the Year’.
Throughout the broadcast the segment identifying the nominees was aired
several times – with Taylor being in the fifth position to place her in the
same class of significance as the Canadian lawyer. She couldn’t attend the
event because of concert tour obligations. But producers, knowing the
results in advance, arranged for a live feed from where she was performing.
Upon it being announced she was the winner she and the crowd of some
15,000 celebrated. After waving hello to the watching coalition partnership
with a Diaz M. the director cued what had been planned. They observed how
many times Taylor’s music videos on the Canadian’s television were targeted
for TV signal disruption – an expression of the Chinada High Command’s
pubescent thought processes and arrogant belligerence towards the coalition
and its most celebrated partner; so they decided to high profile that
profound stupidity.
They added the exact same kind of TV signal distortion documented in the
diplomacy archive.
The pre-show red carpet was, like in the past, turned into a geo-carpet.
Attending with her country music superstar husband was 'Dogville' star
Nicole Kidman, who chose her outfit with the coalition-Chinada conflict in
mind. In front of a Chinada colored backdrop she stood for cameras and
the history books in quantum, prison certainty and justice – juxtaposing the
Custodian’s entitlements for what he’d been turned into and had to
experience and what his enslavers, experimenters and torturers get.
Proceed to the next addendum