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THE RANI OF JHANSI Gender, History, and Fable in India Harleen Singh Harleen Singh is Associate Professor of Literature, South Asian Studies, and Women’s Studies at Brandeis University. Price ` 645.00 only Size : 150mm x 230mm Pages : xii+190pp Year : 2014 Binding : Hardback ISBN : 9781107042803 NEW NEW NEW NEW

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The Rani of Jhansi: Gender, History, and Fable in India

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Page 1: 9781107042803

THE RANI OF JHANSIGender, History, and Fable in India

Harleen SinghHarleen Singh is Associate Professor of Literature, South Asian Studies, and Women’s Studiesat Brandeis University.

Price ` 645.00 only

Size : 150mm x 230mm

Pages : xii+190pp

Year : 2014

Binding : Hardback

ISBN : 9781107042803

NEWNEWNEWNEW

Page 2: 9781107042803

Rani Lakshmi Bai is an iconic figure of thenationalist movement in India. Her fight against theimperialist power has a significant place in thecultural and feminist history of South Asia. She isconsidered not only a heroine, and a great warrior,but also a protector of her people in Jhansi. Herpictures on horseback, with her son tied to her backand a sword in one hand, represent her as anembodiment of feminine power or Shakti. This bookuses fictional, cinematic and popularrepresentations of the Rani to analyze theconvergence of colonial and postcolonial literary,historical, sexual and cultural imperatives in thefigure of this legendary woman.

This book also extends the discussion to whatconstitutes the gendered subaltern historicalarchive. By analyzing a range of literary andcinematic texts produced between 1857 and 2007,it tries to understand the various agendas that areat stake in the use of the Rani as a figure of

THE RANI OF JHANSIGender, History, and Fable in India

Harleen Singh

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nationalist Indian history and imperial Britishnarrative. There is also an attempt to comparerepresentations of the Rani in both these contexts.

Table of Contents

List of figures

Acknowledgements

1. Introduction

2. Enslaving masculinity: Rape scripts and theerotics of power

3. India’s Aryan queen: Colonial ambivalenceand race in the mutiny

4. Coherent pasts in Hindi literature and film

5. Unmaking the nationalist archive:Mahasweta Devi and dalit historiography

Afterword

Bibliography

Index