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Running head: EFFECTS OF MUSIC
The Influence of Music Between Introverts and Extraverts
Northern Arizona University
Kayla Rine
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EFFECTS OF MUSIC
Abstract
The cornerstone of this study explored the influence of music on reading comprehension
with regards to personality type. Two conditions were administered to manipulate the presence
of music and the ability to retain information. The first condition required participants to read a
short story without listening to music and take a reading comprehension assessment on the
information in the story. The second condition consisted of participants reading a separate short
story with music playing and take another reading comprehension assessment. The sample
included 31 participants with ages ranging from 18-44. About 64.5% of this sample was
Caucasian. It was hypothesized that extraverts study better in a loud environment and that
reading comprehension is hindered in both introverts and extraverts depending on the
environment. To test these hypotheses, a two-way ANOVA was used, but significant results
were not obtained. We did, however, notice a pattern that showed extraverts performing better
than introverts in the music condition. With a larger sample size, a more in depth personality
assessment, and primarily matching groups based on similar GPAs, future research can go in the
right direction. Our results have contributed to research in this area and may be beneficial to
students wanting to find the best way to study and retain information.
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Memory is an important mechanism to use whether it is multi-tasking at work,
remembering a lecture at a university, or studying material for an upcoming test. Memory
includes the basic mechanisms of encoding, retrieving, and maintaining material so that one can
accomplish a task that requires concentration (Miyake & Shah, 1999). The two main types of
memory are short-term memory and long-term memory, as explained below by Friedenberg &
Silverman (2012). Short- term memory is also referred to as working memory because it
involves manipulating small amounts of information to remember for a short amount of time. It
is also explained that long-term memory requires encoding information in a way that it could be
remembered for a long amount of time. Encoding material therefore requires making material
meaningful so that it can be transferred from working memory to long-term memory. Retrieving
information involves successfully transferring short-term memory into long-term memory so that
an individual can recall and maintain information. Maintaining material is the process through
which an individual works towards memorizing information through rehearsal and other
techniques that enable the ability to retrieve information later on (Friedenberg & Silverman,
2012). These basic mechanisms are often the core of research in cognitive psychology and
provide insight on the basic functions of memory.
General theories and research that support the basic mechanisms of memory clarify the
ways memory works in processing information. Atkinson and Shiffrin (1968) proposed that
information stored in short-term memory lasts for fifteen to thirty seconds, as compared to
information stored in long-term memory that can last for years. The idea that short-term memory
needs to be manipulated through rehearsal and other memory techniques is reflected in Klatzky’s
(1975) workbench analogy. The concept behind the workbench analogy is that small amounts of
information are stored in short-term memory on “shelves”, but can be taken off the shelves to be
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“worked” on in order to encode information into long-term memory (Klatzky, 1975). This
analogy is useful in explaining the importance of concentration on a task to improve memory and
highlights another key theory of the central executive. The central executive is explained by a
theory of how the mind works and portrays the central executive as controlling and regulating
the ability to process information.
The central executive is a model developed by Baddeley & Hitch (1974) that illustrates
the ability for an individual to selectively direct attention to a specific task. The central
executive, however, has a limited capacity in multi-tasking because attention is prioritized to
certain activities while other tasks conflict with focused attention (Baddeley & Hitch, 1974). In
other words, the central executive controls selective attention, but is limited to preventing
divided attention when working on multiple tasks simultaneously. For example, the central
executive is responsible for the memory process of language in the phonological loop, as
described by Baddeley & Hitch (1974), and can be interfered with if attention drifts to
background noise containing speech (Crawford & Strapp, 1994). Furthermore, the findings of
Craik, et al. (1996) show that divided attention hinders the process of encoding information in
short-term memory, but not retrieval Therefore, multi-tasking while encoding information may
be more harmful than helpful during a task that requires concentration.
Another way of improving short-term memory is by encoding information on a deeper, or
more analytical, level of processing so that material is remembered in meaningful ways, as
opposed to irrelevance (Rose, 2013). A deeper level of processing requires the ability for an
individual to interpret material in a manner that is relatable to previous knowledge so that it can
be remembered (Friedenberg & Silverman, 2012). Clearly, this task requires an increased level
of attention to analyze information in working memory so that it can be processed into long-term
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memory. In the study done by Rose (2013), results showed that deeper levels of processing led to
an improvement in reading comprehension and recall because it required analyzing the material
being read.
Specifically the task of reading and analyzing material plays a crucial role in the study
habits of students. Processing information on an analytical level with focused attention appears
to be the most sensible method of studying material so that it can be retained. However, students
exhibit many different forms of studying and attempting to remember material. The two most
common study habits include studying with background noise or silence. It has been shown that
loud music played at a fast tempo is more disruptive to reading comprehension compared to
slow, classical music (Thompson et al., 2011). This may be due to the fact that the central
executive exceeds its capacity when too much of a stimulus is interfering with a current task.
In addition to this finding, background music has been shown to hinder reading
comprehension compared to silence. Cauchard et al. (2012) illustrated that when background
music is playing, participants spend more time reading material, fixating on material while trying
to cognitively process the information, and their saccadic eye movements revert back to the
beginning of the sentence. Specifically vocal music, compared to instrumental music, interferes
with the phonological loop, which processes verbal and auditory information, and burdens the
central executive with simultaneous tasks (Crawford & Strapp, 1994). When studying whether
students were aware that music hinders concentration on a task (Kotsopoulou & Hallam, 2010),
researchers found that students turned music off as soon as a task became too difficult and
required undivided attention. It was reported that students listened to music while working on a
task depending on the mood they were in, music served as a motivation to concentrate on a task,
and students listened to music if they were bored (Kotsopoulou & Hallam, 2010). Different
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EFFECTS OF MUSIC
preferences for study habits may be due to personality differences that determine the impact
music has on reading comprehension.
A personality factor that may determine the preference to study with or without music is
the level of extraversion, as explained by Eysenck & Eysenck (1975). Being that introversion is
the opposite of extraversion, the main difference between introversion and extraversion is the
amount of a stimulus needed to meet a threshold. Extraverts need more stimuli to meet their
threshold of arousal, whereas, introverts do not need a lot of stimuli to meet their threshold.
When studying the effects of music on reading comprehension, it is important to keep this
concept in mind.
Studies that have explored the effects of music on reading comprehension between
introverts and extraverts have found significant differences. It has been reported that extraverts
perform better while listening to music, compared to introverts that are hindered through music
playing while reading (Daoussis & McKelvie, 1986; Furnham & Bradley, 1997). Overall,
however, the performance of both introverts and extraverts is hindered through background
music and the majority of research does not support the use of background music when studying
or reading (Furnham & Bradley, 1997). Therefore, it is more likely that music interferes with
reading comprehension, specifically through burdening the central executive with too much
stimulation.
Majority of research done on the topic of listening to music and its effects on reading
comprehension does not clearly state whether studying should be done with or without any kind
of distractions or background noise. Furthermore, majority of research focuses on either rock or
classical music instead of a genre that is in between. An example of a genre that is in between is
coffee shop music. The current study seeks to fulfill these literature gaps by focusing on the
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effects of listening to a music genre that is neither too fast pace nor too slow pace and to answer
the question of whether listening to music is beneficial in successfully retaining material.
The current study proposes the question of whether music improves or hinders
reading comprehension. It is hypothesized that music will hinder reading comprehension in both
introverts and extraverts and that extraverts will perform slightly better than introverts while
music is playing. To influence reading comprehension between introverts and extraverts, the two
conditions include one without any music playing while participants read a short story and take a
short reading comprehension assessment and one with a coffee shop song playing while
participants read a short story and take a reading comprehension assessment.
MethodProcedure
The study took place in two medium-sized classrooms on campus with the permission of
the professors. Participants were given a packet including a demographic questionnaire, first
short story, first reading comprehension assessment, personality assessment, second short story,
and a second reading comprehension assessment.
To begin the experiment, research assistants informed participants that they would give
instructions for when to continue on to the next page of the packet. Within the packet, the short
stories consisted of the history of inventing the paperclip and the history of inventing ice cream.
These short stories were taken off of a website that included information on the topics of the
stories. These stories were then modified for the study to have the same amount of content and
length by shortening the stories to about three hundred words. After the completion of the first
condition, participants were instructed to take a personality assessment. Participants were asked
to read through the other short story with a song playing at a medium level volume for 1:30
minutes. Participants took a seven-question reading comprehension assessment on the content of
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the story. When 1:30 minutes passed, participants were given a short questionnaire asking
whether they felt that studying with music or without music is easier and whether studying
should be done with music or no music.
Participants
Participants were students in a psychology research methods class that voluntarily
contributed to our research without any form of compensation. Participants’ ages ranged from
18-44 years old (M=21, SD=3.28). A total of 17 females and 14 males participated in the study
and the main ethnicities of students were Caucasian and Native American.
Measures
Demographic Information. Participants were given a demographic questionnaire to
collect background information after signing an informed consent form. The questionnaire
consisted of five items that asked for sex, age, ethnicity, cumulative grade point average, and
whether the participant listens to music while studying or not. An example question that asked
the participant’s age is “What is your age?” The rest of the questions were presented with given
answers and participants were asked to circle the best answer. These questions included “What is
your sex?” with 1 being male and 2 being female and “What is your ethnicity?” with the options
of “White”, “Asian or Pacific Islander” “Native American or American Indian” , “Black or
African American”, “Hispanic or Latino”, or “Other”.
Reading Comprehension. Participants were asked to read through a short story on the
invention of the paperclip for 1:30 minutes without music playing and asked to take a reading
comprehension assessment for 1:30 minutes with seven questions. Example questions for the
first short story were “How long have people been fastening paper together?” and “Which of the
following was one of the four most successful paperclip designs?” The answers were presented
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in a multiple-choice format with four possible answers to choose from. The same was done for
the second story on the invention of ice cream, which was also about three hundred words.
Example questions from this story included “Who created new recipes for ice cream?” and
“What year did the first ice cream parlor open?” These stories were then modified for the study
to have the same amount of content and length by shortening the stories to about three hundred
words.
Personality Assessment. The Eysenck Personality Questionnaire (Eysenck & Eysenck,
1975) was modified to include personality characteristics that were extraverted. The
questionnaire consisted of five statements that were typical of an extravert ranging from 1 (little
agreement) to 6 (strong agreement). An example of one of the statements is “I take the initiative
to meet new friends”. The highest score for each of the five questions was 6 so the highest score
of extraversion on the assessment was out of 30. All values were added up, giving the participant
a score that was categorized as either extravert or introvert. A score of one through fifteen were
categorized as introverted and all values including sixteen through thirty were categorized as
extraverted.
Design
The design for this study was a within groups design with the alpha level set to .05. The
number of correct answers a participant received on the reading comprehension assessment
measured the independent variable, reading comprehension. The dependent variable was whether
or not music was played. The overall methods, procedures, and design lead to results that
reflected the effects music has on reading comprehension between introverts and extraverts.
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Results
Hypothesis one predicted that music would hinder reading comprehension between
introverts and extraverts. A two-way between-groups analysis of variance was conducted to
determine the affect music had on reading comprehension between introverts and extraverts, as
measured by the Eysenck Personality Questionnaire (1975). Based off of this assessment,
participants were compared between two different groups according to their personality type
(introvert or extravert), as illustrated in table one. The results were analyzed with the alpha level
set to .05 and preliminary analyses ensured the assumptions were not violated regarding
normality, linearity, and variances. As shown in figure 1, the results are inconsistent with
hypothesis one because only introverts were slightly hindered by music (M=58.03, SD= 19.84).
Results also demonstrate that the reading comprehension assessments scores are
consistent with hypothesis two, which predicted that extraverts would perform better than
introverts in the music condition, as shown in figure one. Extraverts exhibited better reading
comprehension assessment scores in the music condition (M= 66.03, SD= 24.73) compared to
introverts (M= 58.03, SD= 19.84). From these results, no main effect for personality F(1,
58)=.74, p=.39 and no interaction between personality and music F(1, 58)= .32, p=.57. Despite
not obtaining significance, these results are reflective of the affect music has on reading
comprehension between introverts and extraverts, as shown in the pattern in Figure 1.
Discussion
This study focused on testing the presence of music on reading comprehension between
introverts and extraverts. Although statistical significance was not found, a general pattern
seemed to reflect the increasing performance for extraverts and a decreasing performance for
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introverts in the music condition. The results were not consistent with previous research and did
not support our hypotheses.
Our results are inconsistent with other findings that have an interaction for whether music
is played or not in a reading comprehension task. The findings of Daossis & McKelvie (1986)
demonstrated that the performance of introverts declined during the music condition, but the
improvement of extraverts in the music condition was not confirmed. It was noted in this study
that the experience of listening to music while working on a cognitive task might play a key
factor in whether an individual is used to this kind of stimulus. Based off of Eysenck’s vast
research on personality, extraverts typically respond listening to music more or having a stimulus
to help them focus on a cognitive task. Although this is true, majority of participants reported
listening to music altogether and stated that studying should not be done with music after the
experiment. Participants also conveyed that it was more difficult to read the story while music
was playing. Whether the music allowed the task to be more arduous or allowed extraverts to
concentrate better, our results showed an enormous increase in the performance of extraverts on
the reading comprehension task.
In addition to other studies, Furnham & Bradley (1999) obtained significant results for
the interaction between background music and personality type. Introverts declined in the music
conditions while extraverts performance was enhanced with “complex background music” and
slightly improved with “simple background music” (Furnham & Allass, 1999). The
manipulation of background music on reading comprehension is similar to a considerable
amount of other findings. For this reason, our study filled in a literature gap by choosing a song
with a moderate tempo that was neither too boisterous nor too tranquil. Although Furnham &
Allas (1999) did not attain main effects for extraversion and background music, it was noted that
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results were going in the expected direction. This study is similar to the findings of Furham
&Bradley (1997), which found that there was no main effect for whether music was on or off
during a reading comprehension task, but an interaction between the two was acquired. The
results on the reading comprehension task from Furham & Bradley (1997) show that introverts
were impaired when music was playing, but extraverts were bettered with the music in the
background. This supports the notion that extraverts may perform their best with background
music and that introverts should avoid background music when working on a cognitive task.
Strengths & Limitations
A within groups design allowed the researchers to have power to detect differences
between the conditions and attribute the effects to temporal precedence. The effects of the
separate conditions ensured that the difference was due to the independent variable, reading
comprehension, instead of individual differences. By establishing temporal precedence, the
researchers were able to compare the groups and determine the effects of music. Another
strength of this study is that the researchers needed few participants to determine if the
dependent variable had any affects on the participants. Additionally, the current study almost
achieved sampling validity with a similar amount of males and females and introverts and
extraverts. This may have been due to chance because this was not premeditated before
conducting the experiment.
One of the limitations in the current study includes the classroom environment in which
participants were asked to read through the stories and take the reading comprehension
assessments. A classroom environment may not have been an environment that students typically
feel comfortable studying in. Although we had 31 participants, it would have been beneficial to
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have more participants so that our sample would be more representative of the student population
and have better chances of achieving significant results.
To improve the study, groups could have been matched based on similar GPAs,
administered a more in depth personality assessment, and included longer stories and reading
comprehension assessments. To measure the degree of extraversion, a more in depth personality
assessment could have included a variety of personality characteristics. An example personality
characteristic is “I prefer to have time set aside to be alone” or “I would rather have three close
friends than thirty acquaintances.” With more time, participants could have read a longer story
and taken a longer reading comprehension assessment. A longer reading comprehension
assessment would have been more useful in determining the participant’s ability to retain more
information and recall more details, as opposed to a shorter story with fewer details.
Implications & Future Directions
The overall importance of our study contributes to the notion that personality type plays a
role in performance on cognitive tasks including studying or doing paperwork in an office. This
applies to students wishing to improve their grades and study habits, as well as, allowing
individuals in the work place to achieve their top level of performance. Working more efficiently
and being able to focus more with music may improve performance for extraverts. The influence
of music may therefore be critical in determining one’s ability to work diligently on a cognitive
task.
Future researchers should match groups based on similar GPAs, included a more in depth
personality assessment, manipulated more variables by including songs with different tempos,
and made the stories longer and more laden with content and the reading comprehension
assessments longer with more detailed questions. By matching groups based on similar GPAs
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researchers would be able to rule out differences in test taking and reading comprehension
abilities. One question that can be addressed in future research is what if a specific degree of
extraversion determines the level of impact music has on reading comprehension? Thus, a more
in depth personality assessment can provide more accuracy in dividing the groups into introverts
and extraverts by measuring the degree of extraversion. What if certain volumes of music and
different tempos play a role in either enhancing concentration or facilitating distraction? By
having more songs with varying tempos, researchers may determine what kinds of music benefit
studying depending on the personality type of the individual. Lastly, the stories could be longer
with more content and details to remember so that the reading comprehension assessments could
more accurately determine the influence on music on reading comprehension. With future
research, it is hopeful that evidence will surface for the influence of music on certain personality
types.
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References
Atkinson, R.C & Shiffrin, R.M. (1971). The control processes of short-term memory
Scientific American, 225 (1971), pp. 82–90.
Baddeley, A.D., & Hitch, G. (1974). Working memory. In G.H. Bower (Ed.), The psychology of
learning and motivation: Advances in research and theory (Vol. 8, pp. 47–89).
New York: Academic Press.
Cauchard, F., Cane, J. E., & Weger, U. W. (2012). Influence of background speech and music
in interrupted reading: An eye-tracking study. Applied Cognitive Psychology, 26(3),
381-390. doi:10.1002/acp.1837
Craik, F. I. M., Govoni, R., Naveh-Benjamin, M., & Anderson, N. D. (1996). The effects of
divided attention on encoding and retrieval processes in human memory. Journal of
Experimental Psychology: General, 125(2), 159-180. doi:10.1037/0096
3445.125.2.159
Crawford, H. J., & Strapp, C. M. (1994). Effects of vocal and instrumental music on
visuospatial and verbal performance as moderated by studying preference and
personality. Personality and Individual Differences, 16(2), 237-245.
doi:10.1016/0191-8869(94)90162-7
Daoussis, L., & McKelvie, S. J. (1986). Musical preferences and effects of music on a reading
comprehension test for extraverts and introverts. Perceptual and Motor Skills, 62(1),
283-289. doi:10.2466/pms.1986.62.1.283
Eysenck, H. J. & Eysenck, S. B. G. (1975). Manual of the Eysenck Personality Questionnaire
(adult andjunior). London: Hodder & Stoughton.
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Friedenberg, J. & Silverman, G. (2012). Cognitive science: an introduction to the study ofmind.
Thousand Oaks, CA: Sage publications, inc.
Furnham, A., & Bradley, A. (1997). Music while you work: The differential distraction of
background music on the cognitive test performance of introverts and extraverts.
Applied Cognitive Psychology, 11(5), 445-455.
Klatzky, R. (1975). Human Memory: Structure and Processes.
W. H. Freeman & Co., San Francisco.
Kotsopoulou, A., & Hallam, S. (2010). The perceived impact of playing music while studying:
Age and cultural differences. Educational Studies, 36(4), 431-440. doi:
10.1080/03055690903424774
Miyake, A. & Shah, P. (1999). Models of working memory: mechanisms of activemaintenance
and executive control. New York, NY: Cambridge University Press.
Rose, N. S. (2013). Individual differences in working memory, secondary memory, and fluid
intelligence: Evidence from the levels-of-processing span task. Canadian Journal of
Experimental Psychology/Revue Canadienne De Psychologie Expérimentale, 67(4),
260-270. doi:10.1037/a0034351
Thompson, W., Schellenberg, E., & Letnic, K. (2011). Fast and loud background music
disrupts reading comprehension. Psychology of Music, doi: 10.1177/0305735611400173.
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Table 1
Demographic Information of Participants
Variables n %Sex Girls 17 54.8Boys 14 45.2EthnicityBlack/African American 1 3.2White 14 64.5Hispanic/Latino 3 9.7Native American 4 12.9Asian/Pacific Islander 3 9.7Other 1 3.2Personality TypeGroup 1: Introvert 16 51.6Group 2: Extravert 15 48.4__________________________________________________________________________
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With Music Without Music54
56
58
60
62
64
66
68
Introvert
Extravert
Conditions
Rea
ding
Com
preh
ensi
on S
core
s (%
)
Figure 1. Average Reading Comprehension Assessment Performance Between Introverts and Extraverts
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