PORTFOLIO

ASHWIN BILN

INDEX

4. CURRICULUM VITAE

5. SOUTH PARK RESIDENCE

7. NEW SUTRO BATHHOUSE

9. POINT LOBOS CONSERVANCY

11. THE HUB, N.Y.

13. STACKHOUSE

15. RIPARIAN COLLECTIVE

19. SENSORY DISPARIUM

21. THE MATERIAL APPERATUS

23. FLORA

25. LUCEFERIN REDUX

27. UPPER ROCKRIIDGE RESIDENCE

CURRICULUM VITAE

ASHWIN BILN

EXPERIENCE

EDUCATION

SKILLS

EXHIBITION

OBJECTIVE

MBH ARCHITECTS (MAY 2014 - )DESIGNER

CALIFORNIA COLLEGE OF THE ARTS (2010-2014)

ADOBE CREATIVE SUITE

ADOBE LIGHT ROOM

AUTODESK AUTOCAD (PC & MAC)

2012 - LOOSE-FIT STUDIO EXHIBITION - ART POEM DISCOURSE PERFORMANCE - OAKLAND2013 - WORK SELECTED FOR THE SOUTH AMERICA PROJECT (SAP) SYMOSIUM, BIENEL DE BUENOS AIRES - BUENOS AIRES2015 - WORK SELECTED FOR THE NATIONAL SCIENCE FOUNDATION & THE ASSOCIATION OF INDEPENDENT COLLEGES OF ART AND DESIGN (NSF/AICAD) SCIENCE AND DESIGN SYMPOSIUM EXHIBITION - SAN FRANCISCO

ENGINEERED SOFTWARE POWERCADD

HAND DRAWING

LASER CUTTING & CNC ROUTING

MCNEEL RHINOCEROS

MICROSOFT OFFICE SUITE

MODEL MAKING

VRAY RENDERING WITH C4D

MODESTO HIGH SCHOOL

MODESTO JUNIOR COLLEGE (2006-2010)

KIDMOB(JULY 2013)VOLUNTEER/CO FACILITATOR

AAA ARCHITECTURE(DEC EMBER 2012 - JULY 2013)(JANUARY 2011)INTERN/MODEL MAKING ASSISTANT

DEVELOPED A VARIETY OF RETAIL SPACES RANGING FROM

CLOTHING STORES TO ELECTRIC VEHICLE SERVICE CENTERS AND

SHOWROOMS FROM CONCEPT TO COMPLETION, WORKING WITH

CLIENTS TO REACH THEIR AESTHETIC NEEDS THROUGH THE

CHALLENGES OF COST, CODE, AND TIGHT DEADLINES.

BACHELOR OF ARCHITECTURE

VISUAL/DIGITAL MEDIA BOOK AWARD (2011)

HIGH SCHOOL DIPLOMA (2006)

ASSISTED IN ORGANIZING A SERIES OF WORKSHOPS WITH THE

INTENT TO INTRODUCE A DESIGN-THINKING BASED EDUCATION

TO MIDDLE SCHOOL AGED CHILDREN. LED A WORKSHOP ON

DEVELOPING DRAWING STANDARDS. THROUGH INTENSIVE DRAWING

AND MODEL MAKING WORKSHOPS , MINIATURE EXHIBITS WERE

DEVELOPED FOR THE EXPLORATORIUM.

INITIALLY BROUGHT ON TO ASSIST IN THE CONSTRUCTION OF

A SCALED MODEL FOR A PROJECT TO BE EXHIBITED FOR THE

SOUPERGREEN SHOW AT THE A+D MUSEUM IN LOS ANGELES. I

WAS AGAIN BROUGHT ON FOR THE DESIGN AND PRODUCTION OF

DRAWINGS FOR A SINGLE FAMILY RESIDENCE IN OAKLAND THAT

WAS LATER TO BE FEATURED AS A PART OF THE 2015 AIA EST BAY

HOME TOURS.

ASHWINBILN@GMAIL.COM

TO USE ARCHITETURE AS MEDIUM OF CULTURAL EXPLORATION

5938 GENOA STREETOAKLAND, CA 94608209.345.0628

SOUTH PARK RESIDENCE (2010)

INSTRUCTION: RANDOLPH RUIZ/KRISTEN SIDELL

A COMBINED HOME AND GALLERY SPACE ASSERTS A DICHOTOMY OF PROGRAM BY ALLOWING THE

STREET TO CARVE THROUGH THE PROJECT’S MASSING. THROUGH A COMMON ENTRY AT THE REAR OF

THE PROJECT, TWO DIFFERENT EXPERIENCES ARE PRESENTED TO THE USER. THE EXPERIENCE OF THE

HOMEOWNER IS ORGANIZED PRAGMATICALLY AROUND TIME. THE DIURNAL FUNCTIONS OF A LIVING SPACE

ARE LOCATED TOWARDS THE STREET, AND ONE PROGRESSES BACK TO BED. THE VISITOR ENTERS AT THE

GALLERY’S CENTER, REJECTING ANY HIERARCHY OF PROGRAM. A CENTRAL PATH GUIDES ONE BACK TO

THE STREET, WITH EXHIBITIONS LOOSELY STEPPING OFF OF THIS. THE VALUE OF THE SECTION IS ALSO

INTERROGATED: IN THE HOME CEILING HEIGHT IS RELATIVE TO THE FUNCTION OF USE,. IN THE GALLERY,

ART IS DISPLAYED IN DIFFERENT SIZED ROOMS JUST AS BUYERS DO NOT HAVE IDENTICAL HOMES.

NEW SUTRO BATH HOUSE (2011)

INSTRUCTION: JASON ANDERSON/ERIK BLOOM

ADOLPH SUTRO’S ORIGINAL BATHHOUSE HAD STOOD IN RUINS FOR OVER HALF A CENTURY, WITH

THE POOL’S SLAB AND FOUNDATION FOR THE PUMP HOUSE BEING THE MOST PHYSICALLY LASTING

ELEMENTS OF THE ORIGINAL COMPLEX. THE REST OF THE SITE CONSISTS OF LOOSE SANDY-SOIL AND

HOSTS A GREAT VARIETY OF FLORA AND FAUNA, THUS THEREUSE OF THE EXISTING RUINS PRESENTED

AN OPPORTUNITY TO REDUCE THE IMPACT ON THE FRAGILE ECOLOGY, AND ALSO A STABLE FOUNDATION

UPON WHICH TO BUILD. THE SIZE OF THE PROGRAM DOESN’T ALLOW FOR THE PROJECT TO REST SOLELY

ON THE EXISTING RUINS ALONE SO FOOTING STRATEGIES HAD TO BE DETERMINED FOR MULTIPLE

GROUND CONDITIONS. FORMALLY, THE FACETED MONOLITHIC STRUCTURE EMERGES FROM THE LAND

TO OPEN UP TO VAST UNINHIBITED VIEWS OF THE OCEAN.

POINT LOBOS CONSERVANCY (2011)

INSTRUCTION: JASON ANDERSON/ERIK BLOOM

SITUATED AT THE UPPER SLOPE OF POINT LOBOS, THE CONSERVANCY FUNCTIONS AS A MUSEUM,

LIBRARY, AND RESEARCH LABORATORY FOR THE POINT LOBOS NATURAL RESERVE. THE PROJECT

SEEKS TO MINIMIZE ITS FOOTPRINT, AND DOES SO THROUGH A MASSING STRATEGY THAT LOADS

STRUCTURE TOWARDS THE BACK, ALLOWING FOR THE MAJORITY OF THE FACILITY TO CANTILEVER OVER

THE SLOPE. SECTIONALLY OBLIQUE FLOOR PLATES INCREASE FLOOR SPACE WITHIN A COMPACT AREA.

WHEN JUXTAPOSED AGAINST A FORM THAT SLOPES IN THE OPPOSITE WAY, UTILITY SPACES CAN BE

EMBEDDED WITHIN THE POCHE.

THE HUB, NY (2011)

INSTRUCTION: ANDREW KUDLESS

THE HUB HOTEL IS LOCATED IN THE CHELSEA DISTRICT, DIRECTLY OFF OF THE HIGH LINE. AN INITIAL

ANALYSIS OF THE BURROUGH REVEALED IT TO BE AN ECONOMICALLY DIVERSE PLACE. WHILST

REPRESENTATIVE OF A RICH SOCIAL FABRIC, THERE IS ALSO A SENSE OF ISOLATION ON A NEIGHBORHOOD

BY NEIGHBORHHOD BASIS ON THE ISLAND. THE HUB RESPONDS TO THIS BY OPENING UP TO THE

HIGHLINE ITSELF, USING THE PARK AS GRAND ENTRANCE. A PUBLIC PLAZA IS CREATED, SERVING AS AN

AMORPHEUS INTERSTITIAL SPACE BETWEEN THE PARK AND THE HOTEL. WITHIN THE HOTEL, SHARED

RESOURCES FOR GUESTS - KITCHENETTES, GYMS, AND LOUNGES - PUT INTERACTION AT THE FORE

OF THE HOTEL’S MISSION, CREATING AN EXPERIENCE OF THE CITY THAT SEEKS TO GO BEYOND THE

PHYICALITY OF ITS ARCHITECTURE.

TO TAL AREA: 45 000 sqft

program genealogy

program ecologies

key

rooms

gallery

storage

admin

workout

lockersadmin

cafe

prepadmin

circulation

bar

lobby

equipment

guest habitat

guest habitatdiurnal nocturnalinsomnious

environmentalconstant

public habitat

public habitat

Manhattan

high line

street access

sta� habitat

sta� habitat

adminstorage

hostelsroom exclusive

travelling exhibition

main galleries

public displays

dispaly prep

main storage

public programs

rooftop cafemain dininghighline cafe

leisure spaces

guest gym

pool

lower a�ordable

mid a�ordable

upper a�ordable

master suites

penthouse

transitional space

highline bar

main interior barexclusve bar

central spaceseatingwaitingfront deskconcierge

public space

seatingcafe cart

HOTEL: 25 000 sqft

circulation

museum:9000 sqft

cafe:1250 sqft

gym:3750 sqft

program ethology program vantageprogram density

TO TAL AREA: 45 000 sqft

program genealogy

program ecologies

key

rooms

gallery

storage

admin

workout

lockersadmin

cafe

prepadmin

circulation

bar

lobby

equipment

guest habitat

guest habitatdiurnal nocturnalinsomnious

environmentalconstant

public habitat

public habitat

Manhattan

high line

street access

sta� habitat

sta� habitat

adminstorage

hostelsroom exclusive

travelling exhibition

main galleries

public displays

dispaly prep

main storage

public programs

rooftop cafemain dininghighline cafe

leisure spaces

guest gym

pool

lower a�ordable

mid a�ordable

upper a�ordable

master suites

penthouse

transitional space

highline bar

main interior barexclusve bar

central spaceseatingwaitingfront deskconcierge

public space

seatingcafe cart

HOTEL: 25 000 sqft

circulation

museum:9000 sqft

cafe:1250 sqft

gym:3750 sqft

program ethology program vantageprogram density

STACKHOUSE (2012)

INSTRUCTION: RANDOLPH RUIZ/CATHERINE VEIKOS

AFTER THE DESTRUCTION OF A FREEWAY OVERPASS IN HAYES VALLEY, THE NEIGHBORHOOD SAW A NEW

DEMAND FOR DENSE URBAN HOUSING AS MORE PEOPLE FLOCKED FOR A NEW QUIETER HOUSING. THIS

EXTRACTION CREATED A LARGE SCAR IN THE CITYSCAPE, AND ALSO OPPORTUNITIES TO ADDRESS THE CITY’S

HOUSING ISSUE. THROUGH THE DENSIFICATION OF SAN FRANCISCO, STACKHOUSE STRATEGIZES THE SHIFTING

OF UNITS TO OPEN UP GARDEN SPACES FOR RESIDENTS. PER REGULATION, THE LOWEST LEVEL ON THE LOT

FACING HAYES STREET IS DEDICATED FOR COMMERCIAL SPACES, THUS ALLOWING A FURTHER PRIVATIZATION

OF THESE BACK YARDS. BETWEEN THE HIGHLY PUBLIC COMMERCIAL SPACES AND THE MORE PRIVATE

GARDEN SPACES IS A FURTHER LAYER OF SHARED SPACES ON THE NORTHERN LOT WHERE COMMUNAL

SPACES OPEN UP INTO A THEATRE SPACE THAT ANTICIPATES EVENTS ORGANIZED FOR AND BY RESIDENTS.

RIPARIAN COLLECTIVE (2013)

INSTRUCTION: CHRIS ROACH/SANDRO VICANKO/LEONARDO ZYLDERBERG COLLABORATION: JASON AN

parking

stables

�tness/activity

produce plots

livestock

water line

riparian corridor

residential

open research

study/class rooms

SPURRED BY THE ECONOMIC OPPORTUNITIES OF RECENTLY FOUND ENERGY AND MINERAL DEPOSITS,

BRAZIL EXPECTS FOR POPULATION GROWTH TRENDS TO PUSH ITS PEOPLE DEEPER INTO THE LAND.

ESPECIALLY AT RISK IS THE PANTANAL - A WETLAND THAT SITS ATOP THE GUARANI AQUIFER, THE

LARGEST SOURCE OF FRESH WATER IN THE WORLD. A UNION OF SOUTH AMERICAN NATIONS - IIRSA -

PLANS TO DAM AND DRAIN PARTS OF THE PANTANAL TO FACILITATE ECONOMIC GROWTH. THE RIPARIAN

COLLECTIVE IS AN URBAN DEVELOPMENT THAT PROMOTES AWARENESS AND CONSERVATION WITHIN

THE PANTANAL BY CREATING COMMUNITIES THAT ARE TIED TO IT. AT ITS FOCUS STANDS A SATELLITE

RESEARCH CENTER TIED TO NUMEROUS ACADEMIC ESTABLISHMENTS THAT STUDIES THE LOCAL

ECOLOGY, AND PROVIDES AN ECOTOURISM DESTINATION THAT SERVES TO SUSTAIN THE DEVELOPMENT.

RainwaterCollection

WastewaterCollection

PlantFiltration

Lamella Surface Captures Rainwater

ConstructedWetland(1st pass)

ConstructedWetland

(2nd pass)

LOCATED AT OUTER MIRANDA, THE ANCHOR CAMPUS AT THE RIPARIAN COLLECTIVE SITUATES ITSELF

AT THE MOUTH OF THE PANTANAL. IT USES ITS RELATIVELY HIGH FLAT LAND TO ITS BENEFIT WHEN

UTILIZING NATURAL RESOURSES. RAINWATER AND WASTEWATER ARE COLLECETED RESPECTIVELY,

AND PASSED THROUGH A SERIES OF CONSTRUCTED WETLANDS TO FILTER OUT DIRT AND PATHOGENS,

WHILE OPENINGS IN THE CANOPY ALLOW FOR UV EXPOSURE TO FURTHER COMBAT BACTERIA.

CLASSROOMS AND LABS ARE CLUSTERED, AND ANCHORED TO TREES THROUGH AN AMORPHEUS

LAMELLA STRUCTURE SOURCED FROM LOCALLY SOURCED WOOD. STRUCTURALLY, THIS FORM TAKES

ITS POINT OF REFERNCE FROM EXISTING ELEVATED TOURIST TRAILS IN THE REGION.

1’ = 1/8”Architectural Prototype Scale

Up

SENSORY DISPARIUM (2013)

INSTRUCTION: BRIAN PRICECOLLABORATION: ANTHONY BITUIN

SENSORY DISPARIUM IS A PERFORMING ARTS CENTER AT CALIFORNIA STATE UNIVERSITY, SAN FRANCISCO.

PROGRAMMATICALLY, IT LIFTS AND DELAMINATES THE HIGHLY CONTROLLED ELEMENTS OF A THEATER

EXPERIENCE, AND THEN LOOSELY OVERLAYS THEM TO PROVIDE A HEIGHTENED EXPERIENCE THROUGH

JUXTAPOSITION. THE ELEMENTS OF SCENT, SOUND, AND LIGHT ARE AXIALLY ARRANGED TO PROVIDE

SPATIAL PROCESSIONS OF THESE EXPERIENCES. THEY ARE ALLOWED TO COLLIDE TO CREATE FURTHER

LAYERS OF COMPLEXITY TO THE EXPERIENCE. A CONTROLLED PATH OF SCENT WILL INTERJECTS AT

POINTS WITH THAT OF LIGHT AND SOUND. THESE POINTS OF COLLISION CREATE LANDMARKS WITHIN

THE SPACE THAT FURTHER SERVE TO CREATE INDIVIDUAL EXPERIENCES OF THE BUILDING OUTSIDE OF

THE PERFORMING ARTS THEATERS THEMSELVES.

GR

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FRESH GROUND PROSE (2014)

INSTRUCTION: CHRIS HAAS/NEIL SCHWARTZ

FRESH GROUND PROSE IS A MOBILE PUPPET THEATER, WHICH THROUGH SIMPLE CONTROLLED

ACTIONS, A SERIES OF RANDOMIZED AND UNPREDICTABLE OUTCOMES RESULT. AN AMORPHOUS

FIGURE TRAVERSES BETWEEN TWO TRANSPARENCIES OF RECOGNIZABLE LANDMARKS. AS THESE

TRANSPARENCIES OVERLAP, SURREAL SCENES ARE CREATED THROUGH THIS AMALGAMATION. THROUGH

THE REALM OF SURREALISM, THE IMRPOVISATIONAL ABILITIES OF THE PUPPET MASTER COME TO THE

FORE - WHETHER TO BRING RATIONALE TO THE MADNESS, OR TO TAKE THE JUXTAPOSITION OF THE

CHARACTER AND HIS SCENERY AS A POINT OF DEPARTURE TO RUN WILD WITH. PLACING ITSELF WITHIN

THE TRADITION OF THE MONKEY GRINDER, FRESH GROUND PROSE FITS TO THE BODY, MINIMIZING THE

PHYSICAL TOLL OF THE PUPPETEER CARRYING HIS THEATER ON HIS PERSON AT ALL TIMES.

MYSTERIOUS APPARATUS (2014)

INSTRUCTION: CHRIS HAAS/NEIL SCHWARTZCOLLABORATION: SCOTT LORD/NHAT VO

THE MYSTRERIOUS APPARATUS IS A POP-UP MAKER SPACE DESIGNED IN CONJUNCTION WITH THE NEEDS OF

THE CHILDREN’S CREATIVITY MUSEUM OF SAN FRANCISCO. PARTICIPANTS PULL LEVERS AND OPEN DOORS

IN RESPONSE TO A SERIES OF QUESTIONS, FROM WHICH THEY ARE GIVEN MATERIALS AND A DIRECTIVE.

TOOLS IN HAND, THE CHILDREN MAKE CREATURES OR PERSONAL AVATARS THAT SERVE TO PROVIDE A

TACTILE REPRESENTATION OF THEIR IMAGINATIONS. THESE AVATARS ARE THEN PLACED BACK ON TO THE

MYSTERIOUS APPARATUS, EVENTUALLY PROVIDING A SURFACE THAT CONCEALS THE EXPOSED STRUCTURE.

THE MYSTERIOUS APPARATUS FUNCTIONS A THREE LAYERED OBJECT OF PERFORMANCE UNTO ITSELF:

THAT OF THE PULLING AND TWISTING OF LEVERS AND OPENING DOORS; THAT OF THE PERFORMANCE OF

MAKING; AND THAT OF THE GRADUAL CONCEALING OF THE MACHINE WITH THE OBJECTS PRODUCED.

FLORA (2013)

INSTRUCTION: JASON KELLY JOHNSONCOLLABORATION: MARLENE HURTADO/JEFFREY LONG

THE CALIFORNIA COLLEGE OF THE ARTS CONTAINS A SERIES OF SPACES THAT ARE DEFINED BY HARD

SURFACES. FLORA IS A DEPLOYABLE OBJECT THAT UTILIZES DIGITAL PRODUCTION TECHNIQUES THAT

CAN BE REPLICATED AND MODIEFIED TO CREATE A FIELD OF STRUCTURES UPON WHICH PLANTS CAN

BE GROWN AS TO PROVIDE COLOR AND TEXTURE TO HE CAMPUS. FLORA USES A RECYCLABLE PETG

GRADE PLASTIC AND COMMON MECHANICAL JOINTS, OWING TO ITS PART TO HAVE A LIFE THAT EXTENDS

PAST THAT OF THE OBJECT. ITS COMPONANTS ARE ALSO THERMOFORMED FROM TWELVE COMPONANTS,

ALLOWING FOR A MAXIMIZATION IN FORM FROM MINIMAL PARTS.

LUCIFERIN REDUX (2012)

INSTRUCTION: MICHAEL BOGAN

LUCIFERIN REDUX DELVES INTO EXPLORING SCIENTIFIC PRINCIPLES - NAMELY IN BIOLOGY AND FLUID

DYNAMICS - AND APPLIED THEM TO DESIGN. INITIAL EXPERIMENTS DELVED INTO CREATING GRAPHIC

GAMES THAT SOUGHT TO CREATE GRAPHIC COMPLEXITY THROUGH SIMPLE, REPETITVE STEPS. FROM

HERE, DIAGRAMMING TECHNIQUES WERE DEVELOPED THAT COULD BE UTILIZED FOR DOCUMENTATION

RATHER THAN GENERATION. THIS LED TO A SERIES OF FLUID EXPERIMENTS AND THE DOCUMENTING

AND DIAGRAMMING OF THEM. EXPERMENTATION WAS EVENTUALLY CONDUCTED AT THE FACILITIES

OF THE BIO-X LABS OF STANFORD UNIVERSITY, UTILIZING THE RESOURCES OF MEASURING LEVELS

OF BIOLUMINESANCE, AS WELL AS HAVINF ACCESS TO OTHER PRECISION APPARATUS TO AID IN THE

DEVELOPING OF ANALYTICAL GRAPHICS.

UPPER ROCKRIDGE RESIDENCE (2012-14)

AAA ARCHITECTURE

01/A301 01/A30302/A30303/A303

02/A30104/A303

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ENTRY103

DINING102

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KITCHEN104

MEDIA109

HALL110

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HALL/LIBRARY211

BEDROOM215

MASTER BEDROOM203

HALL201

MASTER BATH207

STUDY210

CLOSET206

DRESSING204

THE UPPER ROCKRIDGE RESIDENCE PRESENTED AN OPPERTUNITY TO WORK ACCORDING TO THE

PRINCIPLES OF WHAT WES JONES CALLS BOSS ARCHITECTURE. THE BOSS IS AN INTERVENTION THAT

DECLARES ITSELF AS AN UPGRADE OF SITE, OFTEN THROUGH THE LENS OF MACHINED PRECISION.

THE UPPER ROCKRIDGE RESIDENCE PUSHES THE BOSS AGAINST THE PRAGMATISM OF CAPTURING

DRAMATIC VIEWS, AND THE COMPLEXITIES OF WORKING AT A SLOPED SITE. WORKING DIRECTLY UNDER

THE ARCHITECT RANDOLPH RUIZ, I WAS TASKED PREDOMINANTLY WITH DESIGNING FOR INTERNAL

FINISHES FROM SCHEMATIC INTERIOR ELEVATIONS TO COMPILING SPECIFICATIONS; CREATING

ORTHOGONAL DRAWINGS FOR DESIGN AND CONSTRUCTION, AND TO A LESSER EXTENT, DETAILING

INTERIOR CONDITIONS.

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