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1 5 / 1 6 S E A S O N | 1
2015/16
SEASONJOANA CARNEIRO MUSIC DIRECTOR
1 5 / 1 6 S E A S O N | 32 | B E R K E L E Y S Y M P H O N Y
DEAR FRIENDS,
Welcome to our 15/16 season!
One of the things I am most excited about sharing with you next season is the incredible talent of our four young soloists. Though you may not recognize their names now, you will be hearing about these artists for many years to come! Simone Porter, who will perform the Tchaikovsky Violin Concerto with us on the final concert, just won a coveted Avery Fisher Career Grant in March and she’s only 18 years old! At 21, Conrad Tao is not only a fantastic pianist, but an equally noted violinist and composer. He joins us in February for Beethoven’s “Emperor” Concerto. And we open our new season with the Canadian soprano Simone Osborne singing Berlioz’ lovely Les nuits d’été. She was one of the youngest-ever winners of the Metropolitan Opera Auditions when she won in 2008 at age 21! Our fourth soloist, Geir Draugsvoll is a stand-out star of his unusual instrument—the bayan, or classical accordion—and it was for him that the great Sofia Gubaidulina wrote the concerto that we are so lucky to be able to perform for you. With Gubaidulina, Kaija Saariaho and Mark Grey, we continue our relationship with great living composers of different generations. We are delighted to be able to co-commission Mark’s Frankenstein Symphony with the wonderful Atlanta Symphony.
Finally, we celebrate once again, the talented musicians of Berkeley Symphony, who will infuse a new exuberance into pieces like Mussorgsky's Pictures at an Exhibition, Lutosławski's Concerto for Orchestra, Beethoven’s Overture to The Creatures of Prometheus and Ravel's La Valse. Each concert will be an event, I am certain, filled with imagination, talent and great music. I am so thankful for your support and can't wait to share all of these beautiful scores with you!
Warmest regards,
JOANA CARNEIRO MUSIC DIRECTOR
Berkeley Symphony is grateful to its generous supporters and partners in the community
2 0 1 5 / 1 6 S E A S O N S P O N S O R S
Kathleen G. Henschel & John W. Dewes
Brian James & Shariq Yosufzai
Ed Osborn & Marcia Muggli
Tricia Swift
We would like to thank the following organizations for their generous support:
Ann and Gordon Getty Foundation
A.V. Thomas Produce
Berkeley Public Schools Fund
Berkeley Unified School District
Bernard E. and Alba Witkin Charitable Foundation
The Bernard Osher Foundation
California Arts Council
Chevron
City of Berkeley
East Bay Community Foundation
National Endowment for the Arts
U.S. Bank
Wallis Foundation
The William and Flora Hewlett Foundation
O F F I C I A L W I N E S P O N S O R
M E D I A P A R T N E R S
O F F I C I A L F L O R I S T S P O N S O R
1 5 / 1 6 S E A S O N | 54 | B E R K E L E Y S Y M P H O N Y
Relive summer nights filled with love, passion and longing by way of Berlioz.
Celebrate the magic of cinema in Saariaho’s tribute to the moving image.
Be swept away by Ravel's climactic frenzy.
Celebrate at the post-concert Opening Night Dinner and make this an
evening to remember! Call 510.841.2800 for details.B E I N V O LV E D !
A B O U T T H E S O L O I S T A B O U T T H E C O M P O S E RSoprano Simone Osborne was one of the youngest-ever
winners of the Metropolitan Opera National Council Auditions
when she won in 2008 at age 21. Born in British Columbia, she
sings with the Canadian Opera Company and has also appeared
with ensembles from around the world, including the New York
City Opera, the Vancouver Symphony, and the Los Angeles
Philharmonic. Marilyn Horne, who Osborne cites as a mentor,
said Osborne is "half athlete and half artist...She understands
that voices need to be brilliant, dark and bright, all at once."
“ …a lyric soprano with outstanding ability and impressive charm.” —OPERA NEWS
Kaija Saariaho is a prominent member of a group of Finnish
composers and performers who are now, in mid-career,
making a worldwide impact. She studied composition in
Helsinki, Freiburg and Paris, where she has lived since 1982.
Her characteristically luxuriant and mysterious textures are often
created by combining live music and electronics. She was
named Musician of the Year 2008 by Musical America for being
"among the few contemporary composers to achieve public
acclaim as well as universal critical respect.”
“ ...quite simply, one of the most original compositional voices of our time.” —THE DENVER POST
PROGRAM I
M A G I C A LJOANA CARNEIRO MUSIC DIRECTOR
W E D N E S DAY • O C TO B E R 1 4 , 2 0 1 5 • 7 P M *
7pm Performance | 9pm Opening Night Dinner
Zellerbach Hall, UC Berkeley* Please note early start time due to Opening Night Dinner.
B E R L I O ZLES NUITS D’ÉTÉ
Simone Osborne, soprano
S A A R I A H OLATERNA MAGICA
(West Coast Premiere)
R AV E LBOLERO
1 5 / 1 6 S E A S O N | 76 | B E R K E L E Y S Y M P H O N Y
Sofia Gubaidulina is famous for unusually orchestrated
compositions encompassing themes of mystical spiritualism,
electronic music and heavy percussion. She was born in
Chistopol in the Tatar Republic of the Soviet Union in 1931.
After instruction in piano and composition at the Kazan
Conservatory, she studied composition with Nikolai Peiko at
the Moscow Conservatory, pursuing graduate studies there
under Vissarion Shebalin. Until 1992, she lived in Moscow.
Since then, she has made her primary residence in Germany,
outside Hamburg.
A B O U T T H E S O L O I S TGeir Draugsvoll is considered to be one of the most important
musicians on his instrument, the bayan, or classical accordion.
The last decade, he has caused headlines like “Breaking
Borders”, “Breathtaking”, “Masterful” and “Musical Sensation”.
With a repertoire ranging from Bach, Mozart, Grieg and
Stravinsky to contemporary classics like Gubaidulina, Hosokawa,
Berio, Nørgaard and Piazzolla, he has performed all over
Europe, and also toured China and Japan. Born in 1967,
Mr. Draugsvoll is Norwegian, but now lives in Copenhagen
where he is a professor at the Royal Academy of Music.
“ …it was really the soloist Geir Draugsvoll with his extraordinary instrument who stole the show!” —WWW.SEENAND HEARD-INTERNATIONAL.COM
A recipient of the Golden Lion for Lifetime Achievement in Musicat the Biennale di Venezia
BE INFORMED! Enhance your listening experience by learning about the music you are about
to hear during free Pre-Concert Talks, 7 pm in Zellerbach.
G A B R I E L ICanzon septimi et
octavi toni
Sonata pian e forte
G U BA I D U L I N AFachwerk
Geir Draugsvoll, bayan (U.S. Premiere)
M U S S O R G S K YPictures at an
Exhibition
A B O U T T H E C O M P O S E R
Travel back to the 16th century with Gabrieli’s magnificent works for brass.
Experience Gubaidulina’s staggering array of sounds and textures.
Imagine the paintings transformed through Mussorgsky's sumptuous score.
PROGRAM I I
M Y S T I C A LJOANA CARNEIRO MUSIC DIRECTOR
T H U R S DAY • D E C E M B E R 3 , 2 0 1 5 • 8 P M
1 5 / 1 6 S E A S O N | 98 | B E R K E L E Y S Y M P H O N Y
Observe the creative process as emerging composers share their work at the
Under Construction/EarShot residency on February 6-7, 2016 at Osher Studio. B E A M A Z E D !
A B O U T T H E S O L O I S T A B O U T T H E C O M P O S E RConrad Tao has appeared worldwide as a pianist and composer,
and has been dubbed a musician of “probing intellect and
open-hearted vision” by The New York Times. In 2011, the White
House Commission on Presidential Scholars and the Department
of Education named him a Presidential Scholar in the Arts, and
the National Foundation for Advancement in the Arts awarded
him a YoungArts gold medal in music. That same year, Conrad
was named a Gilmore Young Artist and in 2012, he was awarded
the prestigious Avery Fisher Career Grant.
“ Ferociously talented...” —THE NEW YORK TIMES Under a pseudonym, he wrote pop tunes that were hits in Poland in the late 1950s and early 1960s!
Witold Lutosławski, who died in 1994 at age 81, was one of
the major European composers of the 20th century, and one of
the preeminent Polish musicians during his last three decades.
His early works were influenced by Polish folk music and his
style demonstrates a wide range of rich atmospheric textures.
He often incorporated his own methods of building harmonies
from small groups of musical intervals and used aleatoric
processes, in which the rhythmic coordination of parts is
subject to an element of chance.
LUTOSŁAWSKIConcerto for Orchestra
BEETHOVENPiano Concerto No. 5
in E-flat major, “Emperor”
Conrad Tao, piano
PROGRAM I I I
M A J E S T I CJOANA CARNEIRO MUSIC DIRECTOR
T H U R S DAY • F E B R UA RY 4 , 2 0 1 6 • 8 P M
Witness the crowning achievement of Lutosławski’s folkloristic period.
Marvel at the imperial scope of Beethoven’s masterful “Emperor” Concerto.
1 5 / 1 6 S E A S O N | 1110 | B E R K E L E Y S Y M P H O N Y
A B O U T T H E S O L O I S TViolinist Simone Porter has been recognized as an emerging
artist of impassioned energy, musical integrity, and vibrant
sound. Her performances have been described as "bold"
(Seattle Times), and "virtuosic" (London Times). Only 18 years
old, she has already appeared with the New York Philharmonic,
the Philadelphia Orchestra, and the Los Angeles Philharmonic,
and with many renowned conductors, including Yannick
Nezet-Seguin, Nicolas McGegan, Ludovic Morlot, and Donald
Runnicles. In March 2015, Simone Porter was named a recipient
of an Avery Fisher Career grant.
“ …blazing technical skills…profound interpretations, matched with tremendous poise and stage presence.” —TIMEOUT-ASPEN
“ …what he is up to has far-reaching implications for the direction that classical music will take this century.” —LOS ANGELES TIMES
Subscribe to all four of these extraordinary programs and save up to 35% off
the cost of single tickets. First-time renewals save 25%.B E C O M M I T T E D !
Revel in this ode to Greek mythology with Beethoven’s nod to Prometheus.
Be the first to experience Mark Grey’s symphony inspired by Mary Shelley’s novel.
Prepare to be dazzled by Tchaikovsky’s “monster” of all violin concertos.
B E E T H OV E NOverture to
The Creatures of Prometheus
M A R K G R E YFrankenstein Symphony
(West Coast premiere)Co-commission with the
Atlanta Symphony
T C H A I KOV S K YViolin Concerto
in D major, Op. 35
Simone Porter, violin
A B O U T T H E C O M P O S E RA sound engineer, originally from San Francisco, Mark Grey
made his Carnegie Hall debut as a composer with the Kronos
Quartet in 2003. His solo, ensemble and orchestral music has
been performed in many venues such as the Sydney Opera
House Concert Hall, Théâtre de la Ville in Paris, Barbican Centre
in London, Het Muziektheater in Amsterdam, Philharmonie Hall
in Warsaw, and UNESCO Palacio de Bellas Artes in Mexico City,
as well as at the Ravinia, Cabrillo, OtherMinds, Perth International,
and Spoleto festivals.
PROGRAM IV
M O N S T R O U SJOANA CARNEIRO MUSIC DIRECTOR
T H U R S DAY • M AY 5 , 2 0 1 6 • 8 P M
1 5 / 1 6 S E A S O N | 1312 | B E R K E L E Y S Y M P H O N Y
B E R K E L E Y S Y M P H O N Y & F R I E N D S CHAMBER MUSIC SERIES
U N D E R C O N S T R U C T I O N NEW MUSIC PROGRAM
in partnership with
Berkeley Symphony’s 2016 Under Construction New Music Program will present new
symphonic works by emerging composers from across the country. Selected for the program
following a highly competitive national search, the composers each create a symphonic work
to be developed, polished and recorded during a two-day residency at Osher Studio in Berkeley,
while receiving on-going guidance from Music Director Joana Carneiro, mentor composers,
and members of the Orchestra. The public is invited to view the creative process during two
informal readings on February 6 and 7 at 3pm.
2016 marks the third year of a new partnership between Berkeley Symphony and EarShot:
the National Orchestral Composition Discovery Network, and its partner organizations—
the American Composers Forum, League of American Orchestras, New Music USA and the
American Composers Orchestra. The collaboration enables Berkeley Symphony to expand its role
as a West Coast artistic incubator for emerging orchestra composers and to broaden its reach.
Established in 1993, the Under Construction New Music Program seeks to engage audiences in
contemporary music and its creation. An open dialogue between the composers, the conductor,
the musicians and audience members is encouraged. That interchange of ideas affords the
audience a greater understanding of the creative process, the composers and their work.
Tickets: $10
Funding for EarShot is made possible with the support of the Andrew W. Mellon Foundation, The Aaron
Copland Fund for Music and with public funds from the National Endowment for the Arts. Additional funding
provided by the Virginia B. Toulmin Foundation.
Inaugurated in 2013 and curated by Executive Director and violinist René Mandel, Berkeley
Symphony & Friends is a series of chamber music concerts performed at the Piedmont Center
for the Arts. Each program features musicians from Berkeley Symphony joined by special guest
artists. The intimate space allows audiences to experience the music up close and personal,
the way that chamber music is meant to be heard.
Four concerts will be presented this season on four Sundays at 5pm.
Sunday, September 20, 2015 Sunday, February 21, 2016
Sunday, November 15, 2015 Sunday, April 10, 2016
Artists to perform during the 2015/16 season include:
Gianna Abondolo, cello
Peter Asimov, piano
Stuart Canin, violin
Eric Gaenslen, cello
Miles Graber, piano
Markus Pawlik, piano
Janet Guggenheim, piano
Jiwon Evelyn Kwark, violin
René Mandel, violin
Ilana Matfis, viola
Emanuela Nikiforova, violin
Karsten Windt, violin
Peter Wyrick, cello
Tickets: $25
Berkeley Symphony & Friends is a co-production of Berkeley Symphony and the
Piedmont Center for the Arts.All dates and artists subject to change.
1 5 / 1 6 S E A S O N | 1514 | B E R K E L E Y S Y M P H O N Y
M U S I C I N T H E S C H O O L SMING LUKE, EDUCATION DIRECTOR & CONDUCTOR
More than 4,600 schoolchildren benefit each
year from Berkeley Symphony’s Music in the
Schools program:
• Over 200 In-class Sessions led by Berkeley
Symphony musicians are provided free of
charge and include curriculum booklets with
age-appropriate lessons addressing state
standards for music education.
• Over 100 Ensemble Coaching Sessions
in area middle schools.
• Eleven Meet the Symphony concerts are
performed free of charge in elementary
schools each fall.
• Six I’m a Performer concerts, also free of
charge, provide young musicians with an
opportunity to rehearse and perform with
Berkeley Symphony.
• Four free Family Concerts provide an
opportunity for the whole family to
experience a Berkeley Symphony
concert together.
• All Music in the Schools programming is
provided 100% free of charge for children
and their families.
FAMILY CONCERTS
Saturday, November 14, 10am & 11:30am
Saturday, April 23, 10am & 11:30am
“Meet the Symphony” on November 14,
introduces children of all ages to the various
families of instruments in an orchestra.
Presented in an entertaining and interactive
manner, these concerts engage even the
youngest audience members.
“I’m a Performer” on April 23, invites audience
members young and old to bring their own
instruments and join the Orchestra on stage.
Seated beside and among the Berkeley
Symphony musicians, children have the
opportunity to be part of an orchestra.
Ticket sales cover only a portion of concert expenses. And our Music in the Schools program—
offered free of charge to thousands of children each year—is entirely Membership driven!
Your Membership makes Berkeley Symphony thrive, and provides many opportunities to make the
most of your concert-going experience. Consider adding a Membership to your subscription—
or increase your level of Membership in support of the 2015/16 season.
FRIENDS CIRCLE OF MEMBERS
Supporting Members: $100+
• Advance e-newsletter notice of discounts
and special events.
• Listing in season concert programs.
Associate Members: $300+
(All of the above plus…)
• Invitation for two to an exclusive reception
and open rehearsal of the orchestra.
Principal Members: $750+
(All of the above plus…)
• Invitation to select special events including post-concert receptions with Music Director
Joana Carneiro, musicians, soloists, and/or
visiting composers.
SYMPHONY CIRCLE OF MEMBERS
Concertmaster: $1,500+
(All of the above plus…)
• Invitations to two exclusive Symphony Circle
Salon Receptions hosted by Music Director
Joana Carneiro.
• Two free concert guest passes.
Conductor: $2,500+
(All of the above plus…)
• Invitations to all exclusive Symphony Circle
Salon Receptions hosted by Joana Carneiro.
• Invitation to an exclusive Musicians’ Dinner
and “closed” rehearsal for you and guests.
SPONSORSHIP CIRCLE OF MEMBERS
Founding Sponsors: $5,000 +
(All of the above plus…)
• VIP access to Berkeley Symphony intermission
Sponsors’ Lounge at Zellerbach Hall.
• A total of four or more concert guest passes.
• Recognition as Sponsor of a season concert,
guest soloist, or commissioned composer;
orchestra section chair; or the Under
Construction or Music in the Schools programs.
• Special “Sponsorship Dinner” opportunities
with Music Director Joana Carneiro.
B E C O M E A “ M E M B E R ” O F B E R K E L E Y S Y M P H O N Y
1 5 / 1 6 S E A S O N | 1716 | B E R K E L E Y S Y M P H O N Y
Please use this form to order a new subscription, renew your current subscription, or to order
‘add-on’ tickets. Subscribers are entitled to ‘add-on’ tickets at 10% off the single ticket price. Be sure
to indicate the quantity (Qty) of subscriptions and tickets that you are purchasing. Thank you.
PATRON INFORMATIONNA ME
ADDRESS
CIT Y S TATE ZIP
PHONE EM AIL
SUBSCRIPTIONS
I am a first-time subscriber purchasing an Introductory Subscription at 30% off.
I am renewing my subscription for the first time at 20% off.
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4-CONCERT SUBSCRIPTIONSSUBSCRIPTION
PRICESA QTY B QTY C QTY D QTY E QTY TOTAL
FIRST-TIME SUBSCRIPTION $207 $190 $134 $78 $42
FIRST-TIME RENEWAL $237 $218 $154 $90 $48
REGULAR RENEWAL $266 $245 $173 $101 $54
SUBSCRIBER ‘ADD-ON’ TICKETS
PROGRAM I $67 $61 $43 $25 $14
PROGRAM II $67 $61 $43 $25 $14
PROGRAM III $67 $61 $43 $25 $14
PROGRAM IV $67 $61 $43 $25 $14
ADDITIONAL PACKAGES QTY TOTAL
Buy all 4 Berkeley Symphony & Friends concerts ($100 per person)
Buy tickets for both Under Construction readings ($20 per person)
ORDER FEES AND DONATIONS
Add a MEMBERSHIP! (See page 15. All donations are tax-deductible)
Handling fee $10
TOTAL DUE
AS A FIRST-TIME SUBSCRIBER, YOU CAN SAVE 30%!
Did you know that by subscribing to all
four concerts, you can save 30% off the
price of your tickets? Plus, as a subscriber,
you receive:
• A 10% discount off additional ‘add-on’ tickets
to performances of your choice
• Quarterly e-newsletters
• Free and flexible ticket exchanges
• Free lost ticket replacements
• The opportunity to enroll in our flexible
payment plan
Not sure you can make all four dates? Concert
tickets make wonderful gifts for friends and
colleagues or you can always donate your
unused tickets for someone else to enjoy.
FIRST TIME RENEWALS SAVE 20%
ALL OTHER SUBSCRIBERS SAVE 10% WHEN YOU RENEW YOUR SUBSCRIPTION.
Current subscribers have until July 1 to renew
and ensure that you will have the same seat(s)
as last season or request a seating upgrade.
Single tickets go on sale July 1, 2015.
ENJOY THE SYMPHONY WITH FRIENDS AND FAMILY
Why not plan an evening out with friends?
Groups of 6 or more receive a 20% discount
off the single ticket price.
STUDENT RUSH TICKETS FOR ONLY $7!
Full-time students with a valid student ID can
purchase $7 Rush tickets at the Zellerbach Box
Office the night of the performance. One ticket
per student.
2015/16 PRICING Save 30% Save 20% Save 10% Full Price
LOCATION FIRST-TIME SUBSCRIPTION
FIRST-TIME RENEWAL
REGULAR RENEWAL
SINGLE TICKET
PREMIUM (A) $207 $237 $266 $74
B $190 $218 $245 $68
C $134 $154 $173 $48
D $78 $90 $101 $28
E $42 $48 $54 $15
S U B S C R I B E N O W A N D S A V E !
ORCHESTRA
STAGE
BALCONY
MEZZANINE
WHEELCHAIR SEAT
Take advantage of this early opportunity to buy tickets to Berkeley
Symphony & Friends chamber concerts and Under Construction!NEW THIS SEASON!
2 0 1 5 / 1 6 S U B S C R I P T I O N O R D E R F O R M
1 5 / 1 6 S E A S O N | 1918 | B E R K E L E Y S Y M P H O N Y
PHOTO CREDITS: Joana Carneiro (front cover & page 3)/Rodrigo de Souza; (page 11 & back cover)/Dave Weiland; Musicians’ photos, Under
Construction, Berkeley Symphony & Friends, Music in the Schools/Dave Weiland; Become a Member/Rico Mandel; Simone Osborne/Bo Huang;
Kaija Saariaho/Priska Ketterer; Sofia Gubaidulina/F. Hoffman-La Roche Ltd.; Conrad Tao/Brantly Gutierrez; Simone Porter/Jeff Fasano.
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T H E 2 0 1 5 / 1 6 C A L E N D A RP A Y M E N T O P T I O N S
All programs and dates subject to change.
SEATING PREFERENCE
Please indicate your preferred seating location
on the diagram.
COMPLETE YOUR ORDER
• B Y M A I L : Send your completed order form to: Berkeley Symphony, 1942 University Avenue,
Suite #207, Berkeley, CA 94704
• B Y FA X : Send both sides of this order form to: 510.841.5422
• I N P E R S O N : Bring this form to the Berkeley Symphony offices at 1942 University Avenue,
Suite #207 in Berkeley, Monday – Friday,
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NOTE: Subscriptions and ticket orders can
also be placed
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If ADA seating is required, please specify what
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CHAMBER MUSIC 1Berkeley Symphony & FriendsPiedmont Center for the Arts
SEPT20
S U N DAY
PROGRAM I I : MYSTICALGabrieli | Gubaidulina | MussorgskyZellerbach Hall
FAMILY CONCERT 1“Meet the Symphony”Malcolm X Elementary School
NOV14
S AT U R DAY
PROGRAM I I I : MAJESTICLutosławski | BeethovenZellerbach Hall
FEB4
T H U R S DAY
PROGRAM I : MAGICALBerlioz | Saariaho | RavelZellerbach Hall
OCT14
W E D N E S DAY
CHAMBER MUSIC 2Berkeley Symphony & FriendsPiedmont Center for the Arts
NOV15
S U N DAY
CHAMBER MUSIC 3Berkeley Symphony & FriendsPiedmont Center for the Arts
FEB21
S U N DAY
FAMILY CONCERT 2“I’m a Performer”Malcolm X Elementary School
PROGRAM IV: MONSTROUSBeethoven | Mark Grey | TchaikovskyZellerbach Hall
APR23
S AT U R DAY
MAY5
T H U R S DAY
CHAMBER MUSIC 4Berkeley Symphony & FriendsPiedmont Center for the Arts
APR10
S U N DAY
UNDER CONSTRUCTIONEarShot Residency and ReadingsOsher Studio
FEB6-7
S AT- S U N
DEC3
T H U R S DAY
ORCHESTRA
STAGE
BALCONY
MEZZANINE
WHEELCHAIR SEAT
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