2012 Summer - Fall Distance Learning Program for Denver Botanic Gardens' Botanical Art and Illustration Program

7/31/2019 2012 Summer - Fall Distance Learning Program for Denver Botanic Gardens' Botanical Art and Illustration Program

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SUMMER/FALL 2012DISTANCE LEARNING PROGRAM

Certificate in Botanical Art & Illustration


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SUMMER/FALL 2012 DISTANCE LEARNING PROGRAMCERTIFICATE IN BOTANICAL ART & ILLUSTRATION

ON-SITEThe ollowing 15-hour required courses are held on-site over

three days (Friday through Sunday). Work or these classes is

completed entirely in the classroom.

Botanical Illustration in Pencil I

Botany for Botanical Illustrator

Composition for Botanical Illustration

Perfecting Perspective

Color Layering for Colored Pencil

ONLINE WITH ON-SITE COMPONENTThe ollowing 15-hour required courses are oered through

a combination o on-site intensive classroom experience and

online instruction:

Botanical Illustration in Pencil II

Botanical Illustration in Colored Pencil I

Botanical Illustration in Colored Pencil II

Color Mixing for Artists

Botanical Illustration in Pen and Ink I

Botanical Illustration in Pen and Ink II

Botanical Illustration in Watercolor I

Botanical Illustration in Watercolor II

CLASSROOM INSTRUCTION

The classroom instruction portion o courses oered with anonline component cover material in 10 hours spread over two

consecutive days. During this classroom session the student

will learn new technique(s) and receive one-on-one tutoring.

THE OFF-SITE LEARNING APPROACHFollowing the two-day concentrated classroom instruction,

three weekly Internet sessions cover the remaining elements of

the course. The successul completion o a fnal artwork (pla

within one month (30 days) ater the conclusion o the on-s

session is the culmination o each o the distance learning cours

The student must use a scanner or digital camera to reco

weekly achievement and email the high resolution image to t

instructor and program manager. All student questions as w

as the instructor answers, recommendations and suggestio

are all handled by email. The student must send a scan o t

inal plate to the instructor and the program manager in ord

to receive a credit rom the course.

ELECTIVE COURSESIn order to become eligible to apply for the portfolio revie

students must complete a minimum o 100 elective hours

addition to the 13 required 15-hour courses. Elective cours

are designed to increase the students knowledge, ability a

experience in botanical ar t. Typically an elective course me

weekly or three hours over a ive week time period (15 hr), b

shorter condensed courses are also organized. A selection

electives ollowing the in-class/o-site model will be oered

Marjorie Leggitt

Denver Botanic Gardens Certificate in Botanical Art and Illustration program is designed to offer a comprehensive series

classes in botanical illustration, providing participants the drawing and painting skills required to render accurate and use

depictions of the plant world with a focus on detail. In addition to our traditional on-site Botanical Illustration curriculum we of

an in-class/off-site program which combines classroom participation with remote on-line learning opportunities. The studen

accepted into this distance learning program must reside more than 100 miles away from Denver Botanic Gardens.


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GUEST WORKSHOPS ON-SITE

Fri. Sun., Aug. 3 5, 9 a.m. 2:30 p.m.

Instructor: Alice Tangerini, National Museum of Nation

History, Smithsonian, Washington, D.C.

No reunds or registration cancellations ater July 2 unless yo

seat can be flled.

Alice R. Tangerini began her illustration career as a reelan

contract illustrator in the Department of Botany in the Nation

Museum of Natural History, Smithsonian Institution. Wh

still a student she was hired as the departments irst st

illustrator in 1972. In this capacity she has illustrated

least 1,500 species o plants. Her preerred medium is p

and brush with ink, and more recently she has been usi

the computer or digital drawing. Her illustrations ha

appeared in almost 50 scientiic periodicals, a dozen

more loras, and several books. She is also managing a

curating an extensive collection o botanical illustratioAlice has conducted classes in botanical and natural scien

drawing techniques or several botanical gardens as well

local colleges and universities, and has given lectures a

demonstrations on illustration techniques to many botanic

and art societies. In addition, she has exhibited her wo

nationally and internationally.

Alice Tangerin i

Traditional Techniques:Plastic Pencils on FilmFocus on the techniques o

creating a three-dimensional

haltone image o a plant subject

using pencils designed to work

on drating ilm suraces. Theuse o haltone or continuous

tone media or botanical

illustration is oten seen as

preliminary pencil sketches or

or illustrating subjects as ruit

or seeds. The class will begin

with choosing a plant, making

a photocopy or scan to work rom, and tracing a preliminary

drawing using regular graphite pencils on tracing vellum or

matte acetate. Additional details of the flower or fruit may

be added. Composition will be discussed in order to achievebalance and make the best use o space on the plate with

regard to reproduction or publications. Final drawing will be

done on drating ilm using the drating ilm pencils working

with the soter (dark) leads or pencils through the hardest

leads. Dierent eects will be explored along with the use

o other media in addition to the pencils. The inal drawing

should be publication ready. Fee: $270 member, $325 non-

member. Prerequisites: Pencil I, Pencil II

Hidden Treasures: Fore-edge Painting for EveryoneWhy do we rarely see a book with a ore-edge painting?

Because it is tucked away in a private collection or library.

Inspired by the most glorious period of book decoration, each

student in this exciting class will be taught all the techniques

necessary to create his or her own ore-edge masterpiece.

Included in the class are new techniques developed by the

instructor. Students will transorm a simple book block into the

hidden magic o a ore-edge painting and learn the history and

many other aspects of this practice. At the end of the class,

students will take with them this treasure and the knowledge o

how to continue an almost orgotten art. Hidden Treasure

the History and Technique of Fore-edge Painting, written

the instructor, Jeanne Bennett will be available for purcha

with a student discount. Fee: $270 member, $325 no

member. Prerequisites: No prerequisites.

Sat. Sun., Aug. 18 - 19, 9 a.m. 4 p.m. (12 hr)

Instructor: Jeanne Bennett, Austin, TX

No reunds or registration cancellations ater July 20 unleyour seat can be il led.

For more than a decade,Jeanne Bennetthas taught worksho

in creative bookbinding and ore-edge painting. She h

traveled throughout the United States to study in private, pub

and university libraries. In addition, she studied under Mar

Frost, the worlds oremost contemporary ore-edge painter

England, as well as researched and photographed ore-ed

paintings at Oxord University libraries.


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Silk shaded iris worked by Sarah Homfray.

Painting with theNeedle: Silk ShadingLearn the beautiful art of

silk shading embroidery.

Your class will be taught

by Sarah Homray,

graduate o the RoyalSchool of Needlework at

Hampton Court Palace

England, ull time tutor

o hand embroidery, and author o the recently published

Essential Stitch Guide to Silk Shading. Homfray will provide

a simple botanical design to teach you the undamentals o this

historic technique, including working long and short stitch and

blending colors to build up a simple, but stunning botanical

image. This class is not suitable or those with no experience

o hand embroidery, but i you have done needlepoint,

dressmaking, cross stitch or similar you will ind this class theperect introduction to painting with the needle. Fee: $270

member, $325 non-member. Prerequisites: No prerequisites.

Wed. Fri., Sept. 26 28, 9 a.m. 4 p.m.

Instructor: Sarah Homfray, Royal School of Needlework,

Hampton Court, U.K.

No reunds or registration cancellations ater July 20 unle

your seat can be il led.

Sarah Homray completed the Royal School of Needlewo

(RSN) Apprenticeship (Hampton Cour t, London, U.K.) in 20

and went on to teach the RSN apprentices and other stude

in addition to reelance teaching and commissions. Sarah htravelled extensively and has recently returned rom a year

Cyprus where she gained a diploma in fine art. Inspirati

rom her travels oten appears in her work and she believ

strongly in observation and attention to detail, embroide

design being a particular area o interest. Sarah holds

Certificate in Education from the University of Greenwi

and has taught in the USA and in Cyprus. She was a part

the team that created the wedding dress, veil and shoes

Kate Middleton, the Duchess of Cambridge last year. She h

published in magazines and her book, RSN Essential Stit

Guide: Silk Shading, was released by Search Press in 201

Scott Rawlins

Drawing onTradition:SilverpointBefore the advent of

the graphite pencil,

styluses containing

various kinds o metal

were used as drawing

tools. One o the most

enduring of these was silver. Silverpoint, as this medium

came to be called, has been employed by artists rom the

Renaissance to the present. Silverpoint drawings are created

by stroking the surface of a specially prepared ground with

sterling silver wire. Time and patience are required to build up

value, but the result is a sensitive rendering that possesses a

timeless quality. Participants in this workshop will experiment

with silverpoint on a variety o suraces (including one they

will prepare themselves) and will learn how to highlight

and tint elements o their drawings to emphasize relevant

eatures. Fee: $270 member, $325 non-member. Prerequisites:

Pencil I, Pen and Ink I

Fri. Sun., Oct. 5 7, 9 a.m. 2:30 p.m.

Instructor: Scott Rawlins, Philadelphia, PA

No reunds or registration cancellations ater September

unless your seat can be illed.

Scott Rawlins graduated from Earlham College with a degree

biology, and holds graduate degrees in museum education a

medical & biological illustration rom the George Washingt

University and the University of Michigan, respectively. Sc

is a professor in the Department of Art and Design at Arcad

University, where he teaches scientiic illustration, drawi

and design. He regularly exhibits his artwork at vario

natural science venues around the country and has served

the boards of the American Society of Botanical Artists a

the Guild of Natural Science Illustrators. His illustrations ha

appeared in Harvards Bulletin of the Museum of Comparat

Zoology, Invertebrate Biology, Records of the Australi

Museum and most recently, the Swedish publication Ac

Zoologica. Scotts freelance clients have included the Nation

Museum of Natural History, the American Museum of Natu

History, and the Academy of Natural Sciences in Philadelph


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Ann Swan

Seedpods in ColoredPencilAnn Swans award-winning

botanicals are admired

around the world. She brings

her charming nature and

remarkable skills to showyou techniques or por traying plants in her signature style.

Working with graphite and colored pencil, this class will

explore the diverse structures, shapes and textures o native

seeds and seedpods. Ann will demonstrate a variety of

techniques and divulge some useul hints, tips and exercises to

help you improve your colored pencil handling and accuracy

of observation. Through demonstrations Ann will show you

how you can achieve more interesting, balanced and exciting

compositions, and how to get your portrait to pop. Youll have

time to practice with plenty o individual attention. Fee: $270

member, $325 non-member. Prerequisites: Pencil I, ColorLayering for Colored Pencil, Colored Pencil I

Mon. Wed., Oct. 22 - 24, 9 a.m. 2:30 p.m.

Instructor: Ann Swan, U.K.

No reunds or registration cancellations ater September 17

unless your seat can be illed.

Ann Swan

Leaves and AllThings LeafyThis course will give you a

resh look at lea techniques

in colored pencil. Its a course

youll love to hate but probably

desperately need. Over three

days we will immerse ourselves

in leaves, looking at lea types,

their structure and identiication and ways o improving

accuracy of drawing, shading and foreshortening. Ann will

demonstrate the various techniques she uses or depicting

veins, highlights and diering textures plus ways to mix color

for realistic fronts and backs of leaves. See how Ann interprets

elements o arrangement to push the boundaries in her work.

Bring it all together to compose a botanical piece that will

showcase all youve learned. Fee: $270 member, $325 non-

member. Prerequisites: Pencil I, Color Layering for Colored

Pencil, Colored Pencil I

Fri. Sun., Oct. 26 28, 9 a.m. 2:30 p.m.

Instructor: Ann Swan, U.K.

No reunds or registration cancellations ater July 20 unle


Ann Swan works primarily in graphite and colored pencil a

is well known or her ine detail, vibrant colors and stro

contemporary style. She champions the underdog in the pla

world, drawing our attention to Brussels sprouts or beetrooeeling they are just as beautiul as the iris or the tulip. She

passionate about colored pencils, believing that they are ea

to master, orgiving and accessible so that even a comple

beginner can very quickly produce work o quality. She

exhibited in 1990 and now shows her work worldwid

Exhibitions have included The Royal Botanic Gardens at Ke

in 1994 and the Hunt Institutes 8th International Exhibition

Pittsburgh, USA. Recently retired from many years exhibiti

at the RHS Chelsea Flower Show, Ann is now a judge

the RHS Picture Committee and still regularly exhibits with t

Society of Botanical Artists. Her work is represented in tprestigious Shirley Sherwood Collection and features in ma

private collections around the world.

From Dancing Ink to Pictures of Ownership: CreatiBook Plates with Symbolic Chinese Botanical Motif

Sally Yu Leung

More than merely decorativ

Chinese plant and oral mo

oer hidden meanings a

symbolize good wishes in li

Based on their own interpretatio the unusual combination

Chinese botanical mot

students in this class will learn

let the brush dance over rice paper create book plates. Stude

will explore a number of Chinese characters to devise interesti

sayings or inclusion in the plates. Fee: $270 member, $3

non-member. Prerequisites: No prerequisites.

Fri. Sun., Nov. 30 Dec. 2, 9 a.m. 2:30 p.m.

Instructor: Sally Yu Leung, San Francisco, CA

No reunds or registration cancellations ater Oct. 30 unle


Sally Yu Leung is an author, independent curator of Chine

decorative arts, and also the cultural ambassador of the Asi

Art Museum in San Francisco. She has been a teacher

Chinese calligraphy and brush painting at Pixar Animati

Studios or many years.


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ON-SITEREQUIRED COURSES

ON-SITE INTRODUCTORY COURSE

Karla Beatty

Botanical Illustration inPencil ILearn to draw! Begin with a

brie history and an overview

o the speciic elements

o botanical illustration.

Learn the skills of careful

observation and realistic

drawing in graphite pencil,

including line drawing,

shading and perspective. Step-by-step, added techniques help

you render accurate perspect ive, texture and detail . This is the

entry course or every program student and a prerequisite or

all required courses to ollow. Youll emerge rom this class

with the tools you need to draw anything. Fee: $200 member,

$255 non-member. Prerequisites: No prerequisites.

Weekend Workshop

Fri. Sun., Aug. 10 12, 9 a.m. 2:30 p.m.

Instructor: Renee Jorgensen

Tue., Aug. 28, Sept. 4, 11, 18, 25, 9 a.m. noon

Instructor: Karla Beatty

Weekend Workshop

Fri. Sun., Sep. 14 16, 9 a.m. 2:30 p.m.

Instructor: Constance Sayas

Weekend Workshop

Fri. Sun., Nov. 9 11, 9 a.m. 2:30 p.m.


Perfecting Perspective

Do you shy away rom complicated plants? Even experiencillustrators sometimes struggle with oreshortening and simp

their subjects to eliminate difcult elements. Work with botanic

subjects that demonstrate each aspect o perspective and lea

techniques for seeing and depicting it accurately. Complete a

piece that shows your new understanding o perspective principl

The class will work entirely in graphite pencil, but the princip

apply to all art media. Gain confdence in your drating skills a

improve all o your drawings rom this class orward. Fee: $2

member, $255 non-member. Prerequisite: Pencil I

Weekend Workshop Fri. Sun., Sept. 28 30, 9 a.m. 2:30 p.m.

Instructor: Marjorie Leggitt

Susan Rubin

Color Layering forColored PencilColored pencil presents

special challenge: mixi

color directly on your drawin

Learn to use a simple co

mixing method adapted the application o color

pencils. Two-, three- and o

color mixing will get you to t

gorgeous greens and luscious lilacs youve been missing. Lea

to determine shadow colors for vibrant results. Practice co

matching with a variety o plant material as you create yo

own, extensive color workbook to speed color selection a

application or all uture colored pencil drawings. Fee: $2

member, $255 non-member. Prerequisites: No prerequisite

Weekend Workshop Fri. Sun., Aug. 24 - 26, 9 a.m. 2:30 p.m.

Instructor: Susan Rubin

Weekend Workshop

Fri. Sun., Sept. 21 - 23, 9 a.m. 2:30 p.m.


Weekend Workshop

Fri. Sun., Nov. 2 4, 9 a.m. 2:30 p.m.


Introduction to Botanical IllustrationAre you new to drawing? If you can write with a pencil, you

can draw with one. Step-by-step, acquire the techniques you

need to draw what you see. Simple exercises train you to

observe objec tively and draw accurately. A relaxed pace and

straightorward instruction will open your mind to your own

creative abilities. Build drawing skills to enter the BotanicalIllustration Program with confidence. Fee: $200 member, $255

non-member. Prerequisites: No prerequisites. Note: If you have

had some drawing experience, please go directly to Pencil I.

Weekend Workshop

Fri. Sun., Sept. 7 - 9, 9 a.m. 2:30 p.m.



7/10

ONLINE REQUIRED COURSES WITH ON-SITE COMPONENT

Handwriting Basics

Even in todays computer drivsociety handwriting can make the f

impression. Learn how to devel

and improve your handwriting sk

while exploring simple methods

improve your signature. This three-ho

workshop gives you some basic tips to sign and label your ne

botanical illustration without the help o a word processor. Fe

$45 member, $57 non-member. Prerequisites: No prerequisit

Fri., Aug. 3, 9 a.m. - noon


Annie Reise r

BotangleBased on the worldwide doodli

craze called Zentangle (start

by Rick Roberts and Maria Thoma

we will learn and practice repetit

strokes that orm intricate decorat

botanical patterns. Learn to relax a

ocus as you express your style

creating intricate, decorative drawinthat are simple to draw but lo

amazing and complicated. We w

practice strokes consciously and deliberately, observe botanic

and mock their natural designs to make our own botangles

repetitive strokes based on plants. Using keen observation a

contour drawing techniques combined with ability to translate pla

orms and textures into patterns, you will create your own spec

botangle plate ready to decorate note cards or precious wrappi

papers. Fee: $200 member, $255 non-member. Prerequisit

No prerequisites.

Fri. Sun., Oct. 5 7, 9 a.m. 2:30 p.m.

Instructor: Annie Reiser

ON-SITE ELECTIVE COURSE

Marjorie Leggitt

Botanical Illustration in Penand Ink IPen and ink is at the heart of

botanical illustration. Expand

your drawing repertoire as

you learn techniques to create

line, orm and texture in blackand white. Expressive line

and stipple become part of

your artistic vocabular y as you

practice this traditional medium

with modern and versatile

technical pens. Step-by-step

instruction, demonstration and practice will give you the

oundation you need to draw any botanical subject accurately

and skillully. Fee: $350 member, $400 non-member.

Prerequisite: Pencil I

In-class session: Fri. Sat. Oct. 26 27, 9 a.m. 3 p.m.

Final plate must be completed no later than Nov. 30, 2012


Susan Rubin

Botanical Illustration inColored Pencil IITake your colored pencil skills

to the next level and become

proicient in this un, versatile

medium. Work through a step-

by-step process to create a

preparatory layered drawing.

Learn techniques to create

texture, detail and depth to

enhance your subject. Experiment with dierent suraces

and solvents for blending and shading. Add depth with

atmospheric perspective and learn inishing techniques that

will make your drawings pop. Individual attention will guide

you to create a inished botanical plate. Fee: $350 member,

$400 non-member. Prerequisites: Pencil I, Color Layering for

Colored Pencil and Colored Pencil I

In-class session: Fri. Sat. Nov. 16 17, 9 a.m. 3 p.m.

Final plate must be completed no later than Dec. 17, 2012



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JOURNALING, FIELD DOCUMENTING

Marjorie Leggitt

Into the Wild: ColoradoMontane - Native Plants atCaribou RanchField sketching and watercolor

studies of indigenous Coloradolora. Selected illustrations rom

this workshop may be included in a

Boulder County Open Space field

guide on Caribou Ranch. Subject

matter includes herbaceous wild

lowers and woody plants at the

historic Delonde Homestead and surrounding Caribou Ranch

Open Space.

This ield class exposes students to the energy and challenge

of working in the field. An introduction and guided tour willamiliarize students with the loral richness and diversity ound

in the montane plant zone at 8,500 feet. Included is instruc tion

and demonstration o plant identiication by using wildlower

ield guides and dichotomous keys, how to set up or outdoor

sketching and painting, and how to work with a portable

limited palette. Finally, you learn to develop a comprehensive

yet expressive plate that includes all the detailed elements

or each specimen, such as general habit, plant silhouette,

morphologic details, etc as needed or plant identiication.

Fee: $200 member, $255 non-member. Prerequisites: Pencil I,

Color layering for Colored Pencils, Colored Pencil I or Color

Mixing for Artists, Watercolor I

Fri. Sun., July 27 - 29, 10 a.m. 4 p.m


The Art of the Nature Journal at Caribou RanchOpen SpaceExplore the artistic, scientiic and relective pursuit o keeping

a nature journal in the ield. Delight in the environment as you

observe and record its details. Observing deeply, sketching

and noting the eatures o plants, lowers, birds, animals, sky

and land ormations will reveal to you insights that you might

never discover in the rush of daily life or studio practice. Learn

basic techniques in graphite and colored pencil pen and ink

wash and watercolor. Enjoy instruction in attuned observatio

writing in reverie, ield sketching, color, and creati

encounter maps. Whether you are new to the nature journ

or an advanced naturalist/artist, you will deepen in yo

skills and develop an artul daily practice or your lie throu

all o the seasons. Fee: $200 member, $255 non-memb

Prerequisites: Pencil I, Color Mixing for Artists, Watercolor

Fri. Sun., Sept. 7 9, 10 a.m. 4 p.m

Instructor: Maria Hodkins

BOOKBINDING and THE CARE OF BOOKCOLLECTIONS

Mervi Hjelmroos-Koski

Renaissance Leather Journa

For centuries books have bebound in leather and som

techniques have been devised

do the binding quickly and le

expensively. During this one-d

workshop we create a leath

journal (5 x 7) with decorat

bindings and tie closure. You

learn dierent stitching patte

depending on which o the class

you have par ticipated in. T

paper in this journal is Arches hot press paper which has stothe test o time and the scrutiny o amous artists and is w

suited or writing with a ine ountain pen, or journaling a

illustrating with watercolor washes or pencil drawings. Fee: $

member, $130 non-member. Prerequisites: No prerequisites

Fri., Aug. 17, 9 a.m. 4 p.m.

Instructor: Mervi Hjelmroos-Koski

Tue., Oct. 2, 9 a.m. 4 p.m.

Instructor: Mervi Hjelmroos-Koski

Gold Leaf Gilding Techniques for IlluminationThe methods o gilding used today are rooted in ancient Egy

and were later refined during the Renaissance. It is document

that gilding with gold leaf was carried out around 3,000 BC

to 2,000 BCE using procedures little different fro

ON-SITE ELECTIVE COURSES


9/10

Five Easy Ways to Enroll

1. By Telephone: 720-865-3580

2. By Fax: 720-865-3685 (24 HOURS)

3. In Person: Visit the Education Oice at the Gardens,1007 York Street

9 a.m. 4 p.m., Monday Friday

4. By Mail: Attention: Registration Coordinator,

909 York Street, Denver, CO 80206

5. Online: www.botanicgardens.org

Visit Botanical Illustrations blog at

www.botanicalillustration.blogspot.com

Refund and Cancellation Policy:

Cancellations more than one week prior to a class are subje

to a 15% cancellation fee. Cancellations with less than o

week notice are non-reundable. Selected courses haadditional cancellation and reund requirements printed w

the course description. Denver Botanic Gardens regrets tha

cannot make exceptions.

Certificate Credit Requirementsfor Individual Courses:

In order to receive credit, 80% of a course must be attend

(at least 12 hours of a 15-hour on-site course).

REGISTRATION INFORMATION

ON-SITE ELECTIVE COURSES

David Ashley

those used today. In this two-

day class, we will explore a

variety o the traditional and

contemporary gilding methods.

Our main ocus will be on

acrylic mediums, including

acrylic gesso, gloss and mattemediums. These non-toxic

materials produce reliable

results, and are probably the easiest gilding sizes available.

We will also explore other options, including Jerry Tressor

gold size, gum ammoniac, and even a ew non-traditional

methods. Each student will leave the class with a number o

dierent samples, instructional handouts, small quantities o

various gilding mediums, and some patent gold lea or urther

projects or experiments. Fee: $200 member, $255 non-

member. Prerequisite: No prerequisites.

Sat. Sun., Oct. 20 21, 9 a.m. 2:30 p.m.

Instructor: David Ashley

David Ashley has been a calligrapher, bookbinder and

letterpress printer in Denver since 1980. He has had the

good ortune to produce works or such notable people as His

Holiness Pope John Paul II, The Dalai Lama of Tibet, Desmond

Tutu, Lech Walesa and Elie Wiesel.

Libby Kyer

Christmas Wreaths andSwags Motifs for YourHoliday GreetingSome traditions speak to o

hearts o comort and celebratio

In the darkest days of the ye

holiday wreaths and swagather live and dried materials

dress our homes. Create imag

o plants, wreathed or gather

in swags, and dressed up with an eye toward the comi

holidays. Youll learn to make a pen and ink base that c

be let uncolored, colored in an artistic limited ashion w

strategic points of color, or colored in completely. Compo

your specimens in a wreath or swag, use some winter- loweri

pansies, hellebores, poinsettias and shrubby berries, su

as bittersweet, rose hips, snowberries, juniper berries, a

include some cones. Discover methods o reproduction thare simple and eective and you have created your ow

design or holiday gits, tags or wrapping materials. Fe

$200 member, $255 non-member. Prerequisites: Pencil I, P

and Ink I, Color Mixing

Fri. Sun., Oct. 12 14, 9 a.m. 2:30 p.m.

Instructor: Libby Kyer


10/10

DISTANCE LEARNING PROGRAM REGISTRATION

Name

Address

City State Zip

Evening Phone Work PhoneEmail

Please mail with check or credit card information to

Registrar, Denver Botanic Gardens909 York Street

Denver, CO 80206

Please see waiver and release form and completeclass inormation (including our cancellation policy)

on your class acknowledgement orm

COURSE TITLE DATE COURSE # FEE QTY TOTAL

TOTAL AMOUNT DUE $

Denver Botanic Gardens Member ID #

Payment Method Cash Check MasterCard American Express Visa

Card # Exp Date

Signature

PLEASE NOTE: Walk-in registrants will be charged a $10 late registration ee.

10th & York Street www botanicgardens org

Documents

2012 Summer - Fall Distance Learning Program for Denver Botanic Gardens' Botanical Art and Illustration Program