2
20. Plate 558, 1–2 Accession Number 86.AE.202 PROVENANCE SHAPE AND ORNAMENT SUBJECT ATTRIBUTION AND DATE DIMENSIONS AND CONDITION TECHNICAL FEATURES BIBLIOGRAPHY By 1983, Walter and Molly Bareiss (Bareiss number 39); 1983–86, the Mary S. Bareiss 1983 Trust; 1986, sold to the J. Paul Getty Museum. Single neck fragment. Interior black. Ilioupersis? In the foreground, part of a fallen figure lying on the ground. A nude leg or an arm is draped limply over the head. Behind it, the lower body and legs of a draped woman (chiton and himation) walking to left. At right, a draped youth sits on the ground, facing right. Between the latter and the draped woman is preserved the leg of a tripod. Attributed to the Kleophrades Painter by the author. Circa 490–480 B.C. Maximum preserved dimensions: height 4.9 cm; width 3.3 cm; thickness 1.1 cm. Surface scratched; chips missing on exterior and interior. Preliminary sketch. Relief contour. “Acquisitions/1986,” GettyMusJ 15 (1987): 160–61, no. 7; Gaunt, “Attic Volute Krater,” p. 530, cat. no. 52. COMPARANDA The proportions of the figures and the size of the fragment indicate that it comes from a krater as large as entry no. 19 (77.AE.11). The execution of the design is very carefully done, similar to entry no. 19. Cf. the drapery with that on fragment 86.AE.587 of entry no. 19; the facial features recall those of the Amazons on fragment 97.AE.58.2 of the same krater. The preserved elements of the lost figural scene indicate that the subject depicted is the Ilioupersis. Cf. the Onesimos cup in Rome, Villa Giulia (once in Malibu, J. Paul Getty Museum 83.AE.362, 84.AE.80, 86.AE.385; see D. Williams, “Onesimos and the Getty Iliupersis,” in Greek Vases in the Getty 5, pp. 41–64; Mangold, Kassandra in Athen, pp. 47, 161, no. I 28, fig. 26: tripod next to Palladion, foot of fallen figure); a kalpis by the Kleophrades Painter in Naples, Museo Archeologico Nazionale 81669 (ARV 2 189.74; Mangold, Kassandra in Athen, figs. 27, 59, 64: seated females next to Palladion); a hydria by the Group of Polygnotos in Rome, Palazzo Torlonia (Mangold, Kassandra in Athen, fig. 55: Menelaos and Helen, fallen tripod beneath Menelaos’s legs). http://www.getty.edu/publications/cva10/catalogue/20/ 1

20. Plate 558, 1–2...20. Plate 558, 1–2 Accession Number 86.AE.202 PROVENANCE SHAPE AND ORNAMENT SUBJECT ATTRIBUTION AND DATE DIMENSIONS AND CONDITION TECHNICAL FEATURES BIBLIOGRAPHY

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Page 1: 20. Plate 558, 1–2...20. Plate 558, 1–2 Accession Number 86.AE.202 PROVENANCE SHAPE AND ORNAMENT SUBJECT ATTRIBUTION AND DATE DIMENSIONS AND CONDITION TECHNICAL FEATURES BIBLIOGRAPHY

20.

Plate 558, 1–2Accession Number 86.AE.202

PROVENANCE

SHAPE AND ORNAMENT

SUBJECT

ATTRIBUTION AND DATE

DIMENSIONS AND CONDITION

TECHNICAL FEATURES

BIBLIOGRAPHY

By 1983, Walter and Molly Bareiss(Bareiss number 39); 1983–86, the Mary S. Bareiss 1983Trust; 1986, sold to the J. Paul Getty Museum.

Single neck fragment. Interiorblack.

Ilioupersis? In the foreground, part of a fallenfigure lying on the ground. A nude leg or an arm is drapedlimply over the head. Behind it, the lower body and legsof a draped woman (chiton and himation) walking to left.At right, a draped youth sits on the ground, facing right.Between the latter and the draped woman is preserved theleg of a tripod.

Attributed to the KleophradesPainter by the author. Circa 490–480 B.C.

Maximum preserveddimensions: height 4.9 cm; width 3.3 cm; thickness 1.1 cm.Surface scratched; chips missing on exterior and interior.

Preliminary sketch. Reliefcontour.

“Acquisitions/1986,” GettyMusJ 15 (1987):160–61, no. 7; Gaunt, “Attic Volute Krater,” p. 530, cat. no.52.

COMPARANDA The proportions of the figures and thesize of the fragment indicate that it comes from a krater aslarge as entry no. 19 (77.AE.11). The execution of thedesign is very carefully done, similar to entry no. 19. Cf.the drapery with that on fragment 86.AE.587 of entry no.19; the facial features recall those of the Amazons onfragment 97.AE.58.2 of the same krater.

The preserved elements of the lost figural scene indicatethat the subject depicted is the Ilioupersis. Cf. theOnesimos cup in Rome, Villa Giulia (once in Malibu, J.Paul Getty Museum 83.AE.362, 84.AE.80, 86.AE.385; seeD. Williams, “Onesimos and the Getty Iliupersis,” in GreekVases in the Getty 5, pp. 41–64; Mangold, Kassandra inAthen, pp. 47, 161, no. I 28, fig. 26: tripod next to Palladion,foot of fallen figure); a kalpis by the Kleophrades Painterin Naples, Museo Archeologico Nazionale 81669 (ARV2

189.74; Mangold, Kassandra in Athen, figs. 27, 59, 64: seatedfemales next to Palladion); a hydria by the Group ofPolygnotos in Rome, Palazzo Torlonia (Mangold,Kassandra in Athen, fig. 55: Menelaos and Helen, fallentripod beneath Menelaos’s legs).

http://www.getty.edu/publications/cva10/catalogue/20/

1

Page 2: 20. Plate 558, 1–2...20. Plate 558, 1–2 Accession Number 86.AE.202 PROVENANCE SHAPE AND ORNAMENT SUBJECT ATTRIBUTION AND DATE DIMENSIONS AND CONDITION TECHNICAL FEATURES BIBLIOGRAPHY

1 286.AE.202

3 4

86.AE.203

5 676.AE.131.10

Plate 558 THE J . PAUL GETTY MUSEUM (10)

U.S .A. 2109