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Good Morning Wednesday June 29 th 2011 Assignment 1 Due (Tate Modern Object Analysis) Extreme Visual Journal Check Today: The British Art Scene: The Makers Reading: Julian

2-Cont Art London YBAs

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Page 1: 2-Cont Art London YBAs

Good Morning Wednesday June 29th 2011

Assignment 1 Due (Tate Modern Object Analysis)

Extreme Visual Journal Check

Today: The British Art Scene: The Makers

Reading: Julian Stallabrass, “Famous for being Famous”

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What have we learned so far?

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1970s Pluralism

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The Dematerialization of Art

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Formalism

Formalism is associated with

Modern Art

Art for Art’s Sake

Mark Rothko, 1950s

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Post Modernism

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Expanded Art

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The British Art Scene:The Makers

The YBAs (Young British Artists)

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YBAs (Young British Artists)

Damien Hirst Gary Hume Tracey Emin Gavin Turk

Young British Artists or YBA (also referred to as Brit artists and Britart) is the name given to a loose group of visual artists who first began to exhibit

together in London, in 1988

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The Saatchi Gallery

The Saatchi Gallery was opened to the public in February 1985, to exhibit the art Saatchi had collected

(Field Trip Tuesday July 5th )

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Julian Stallabrass Senior Lecturer in Art

History at the Courtauld Institute of Art in London.

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"As the art market revived [in the early- to mid- 1990s] and success beckoned, the new art became more evidently two-faced, looking still to the mass media and a broad audience but also to the particular concerns of the narrow world of art-buyers and dealers. To please both was not an easy task. Could the artists face both ways at once, and take both sets of viewers seriously? That split in attention, I shall argue, led to a wide public being successfully courted but not seriously addressed. It has left a large audience for high art lite intrigued but unsatisfied, puzzled at the work's meaning and wanting explanations that are never vouchsafed: the aim of this book is to suggest the direction some of those answers might take and to do so in a style that is as accessible as the art it examines.”

Julian Stallabrass, High Art Lite

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Damien Hirst b. 1965

born in Bristol (Southwest England)

studied at Goldsmiths College

Freeze, 1989

awarded the Turner Prize in 1995

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In and Out of Love (detail)

1991installation

Damien Hirst b. 1965

first solo show

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Damien Hirst b. 1965In and Out of Love (detail)

1991installation

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In and Out of Love (detail), 1991, installation

Damien Hirst b. 1965

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Mother and Child, Divided, 1995 Tur

Damien Hirst b. 1965

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Damien Hirst b. 1965

Mother and Child,

Divided,1995

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‘I am aware of mental contradictions in everything, like: I am going to die and I want to live for ever. I can’t escape the fact and I can’t let go of the desire’.

Damien Hirst b. 1965

Mother and Child, Divided,1995

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It is considered the iconic work of British art in the 1990s and has become a

symbol of Britart

worldwide

The Physical Impossibility of Death in the Mind of Someone Living 1992, Tiger shark, glass, steel, 5%

formaldehyde solution, 213 cm × 518 cm (84 in × 204 in), Metropolitan Museum of Art, New York City

Damien Hirst b. 1965

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"Mr. Hirst often aims to fry the mind (and misses more than he hits), but he does so by setting up direct, often visceral experiences, of which the shark remains the most outstanding. In keeping with the piece’s title, the shark is simultaneously life and death incarnate in a way you don’t quite grasp until you see it, suspended and silent, in its tank. It gives the innately demonic urge to live a demonic, deathlike form.

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Damien Hirst: Away from the Flock, 1994

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Damien Hirst, Some Comfort Gained from the Acceptance of the Inherent Lies in Everything , glass, steel, formaldehyde, 2 cows (78 x 35 x 12

in) x 12 tanks

"I want to make

people feel like

burgers,”

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I Want You Because I Can’t Have You, 1992

Damien Hirst b. 1965

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Damien Hirst b. 1965

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His Pharmacy

auction sold 168

lots through

Sotheby's, raising

$20,063,528 in 2004 Pharmacy (1992)

Damien Hirst b. 1965

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Flumequine (2007)

Damien Hirst b. 1965

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Beautiful Helios Hysteria Intense Painting (with

Extra Inner Beauty), 2008Household gloss on

canvas. 45.7cm round

Damien Hirst b. 1965

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The Last Supper (1999)

Damien Hirst b. 1965

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Damien Hirst b. 1965

A Thousand Years, 1990

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A Thousand Years by Damien Hirst, 1990, at the Saatchi Gallery.

Damien Hirst b. 1965

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In 2006 he exhibited

alongside the work of Francis

Bacon (Triptychs) at the Gagosian

Gallery, Britannia

Street, London

Damien Hirst b. 1965

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Francis Bacon 1909-1992

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Three Studies for Figures at the Base of a Crucifixion, 1944. Oil and pastel on Sundeala board. Tate Britain, London

Francis Bacon 1909-92

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Francis Bacon 1909-1992

Head VI, 1949. Oil on canvas, 932 x 765 mm. Arts Council Collection,

Southbank Centre, London

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"Head Surrounded by Sides of Beef”,

1954

Francis Bacon

1909-1992

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Francis Bacon 1909-92

Three Studies for a Portrait of George Dyer 1963oil on canvas

355 x 305 mm

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The Tranquility of Solitude (For George Dyer), 2006

Damien Hirst b. 1965

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Damien Hirst b. 1965

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For the Love of God (2007)

Damien Hirst b. 1965

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encrusted with 8,601 diamonds, 1,106.18

carats

Worth $100 million

For the Love of God (2007)

Damien Hirst b. 1965

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Vanitas also called Momento Mori =

a reminder of death

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Vanitas = vanitydesigned to invoke a higher order of thought

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Day of the Dead

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Audrey Flack,

Invocation, 1982,

o/c, 24” x 36”

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For the Love of God (2007)

Damien Hirst b. 1965

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Gary Hume b.1962

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Gary Hume b.1962

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Stop 1991 Oil on panel 218.4 x 536 cm

Gary Hume b.1962

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Michael, 2001, Courtesy White Cube, London

Gary Hume b.1962

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Love Loves Unlovable 1994 Oil on panel 216 x 366 cm

Gary Hume b.1962

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Vicious 1994 Gloss paint on panel 218 x 181 cm

86 x 71"

Gary Hume b.1962

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Tony Blackburn 1994 gloss paint on panel 194 x 137 cm

Gary Hume b.1962

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Jealousy and Passion 1993 Gloss paint, pencil, cardboard on panel

201 x 133 cm 79 x 52"

Gary Hume b.1962

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Tracey Emin b. 1963

Born in Croydon (South London)

studied fashion

In 1984 she studied printing

Won the Turner Prize in 1999

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Tracey Emin b. 1963

My Major Retrospective, 1963-1993

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Hotel International (1993)

Tracey Emin b. 1963

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Tracey Emin b. 1963

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Tracey Emin b. 1963

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Everyone I Have Ever

Slept With 1963-1995

(1995) since

destroyed

Tracey Emin b. 1963

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Everyone I Have Ever Slept With 1963–1995, (1995)

Tracey Emin b. 1963

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My Bed , 1999

Tracey Emin b. 1963

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Tracey Emin b. 1963

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Tracey Emin b. 1963

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Tracey Emin b.

1963

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Tracey Emin b. 1963

Love is What You Want

Retrospective

over 200 works represented

Field Trip Tuesday July 12th

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Gavin Turk b. 1967

born in Guilford, Surrey (Southeast England)

Attended the Royal College of Art

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God Save Che Guevara, 2005. Silkscreen on canvas

Orange Fright Wig

Sid Vicious, 2000C-print, mounted on aluminium.. (72 x 30 in.)

Gavin Turk b. 1967

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Sid Vicious, 2000C-print, mounted on aluminium.

182.9 x 76.2 cm. (72 x 30 in.) Signed, dated and numbered on

reverse of the mount. This work is from an edition of 10.

Gavin Turk b. 1967

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God Save Che Guevara,

2005. Silkscreen on

canvas

Gavin Turk b. 1967

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Gavin Turk b. 1967

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Gavin Turk b. 1967

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Gavin Turk b. 1967

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Robert Indiana

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Gavin Turk b. 1967

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For Monday: The Movers and

Shakers

Friday July 1, Southbank CentreGilbert and George

• Visual Journal Check

• Reading: Richard Shone, “From Freeze to House”