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16 Chronicle, Thursday, November 16, 2017 ECS-EO1-S2 Chronicle, Thursday, November 16, 2017 17 ECS-EO1-S2 MARK Hanson has been a fan of JA Baker for years and believes that the writer should be more widely known and acknowledged in his home town. Mark 61, who lives in Boreham, has his own archive of Baker books, documents and clippings as well as an enduring interest in wildlife and the Essex countryside. He owns various editions of The Peregrine and regularly traces Baker’s favourite haunts along the Chelmer and Blackwater Navigation, looking out for bird life himself. “It became an obsession for him,” said Mr Hanson. “And this was his local stomping ground. Like the birds he was tracking, he used the Chelmer and Blackwater Navigation as a conduit for visiting Danbury, Little Baddow, Ulting and Heybridge. It was his fly-way, his channel for getting him to the places he wanted to go.” Mark, a biologist by training and former president of the Essex Field Club, wrote a piece on JA Baker for the Chelmer Canal Trust’s newsletter in July 2010 in which he revealed biographical details about him as well looking at sites along the canal which Baker regularly visited. Worthy Mark said the main section for the peregrine observations was the Chelmer Valley between Chelmsford and Maldon, “in particular the middle section between Little Baddow and Ulting.” On the 50th anniversary of the publication of The Peregrine and with Baker now being recognised as an important literary figure, Mark thinks it’s time to let locals know more about him. “I think what he did is worthy of commemorating. He was a natural wordsmith and channelled it through his love of nature and birds. He made us look differently at the world around us.” Mark believes there should be a blue plaque somewhere in Chelmsford, at one of the properties Baker lived at, or along the navigation to mark the writer’s achievements and influence. He also thinks there should be an exhibition dedicated to Baker too, ideally at Chelmsford Museum which is just around the corner from the writer’s childhood home in Finchley Avenue. “He made a great contribution to nature writing and the county, and that should be acknowledged.” JA Baker, born and bred in Chelmsford, is recognised as one of our greatest writers on the natural world but he’s remained an enigmatic and largely unknown figure until now. On the 50th anniversary of the publication of his acclaimed book, The Peregrine, and with a new biography about him just released, Darryl Webber discovered more about him On the trail of the NATURE AUTHOR: Enigmatic figure who wrote an acclaimed book about the wilderness just miles from his home in Chelmsford T O the untrained eye, JA Baker might have seemed like an unremarkable individual. He lived all his life in Chelmsford and spent most of his working life in his home town too. He didn’t stray beyond the boundaries of Essex too often and never went abroad. A former pupil of King Edward VI Grammar School, he led a quiet suburban life with his wife Doreen in their homes in the Old Moulsham area of Chelmsford. He may have seemed like an ordinary Chelmsfordian but there was another side to Baker. He was obsessed with the landscape and wildlife around Chelmsford, particularly east of the (then) market town, along the course of the Chelmer and Blackwater Navigation to the estuary at Maldon and beyond onto the bleak but beautiful saltmarshes and mudflats of the Dengie Peninsula. It was here where he really came alive. Whenever he could, after work and at weekends, he would get on his bike (he didn’t drive despite working for the Automobile Association in New London Road) and head east to see what he could find. And not just to observe it, but to write about it in his unique, rapturous style. Writing was Baker’s other obsession. He was inspired by literature as a school child and aspired to be a great writer himself. After 10 years of observations in the wild, he successfully married his two obsessions. The power of Baker’s descriptions of the natural world he encountered were recognised when he published his first book in 1967, The Peregrine, an account of his hunt for birds of prey in Essex which was distilled from the diaries, records and journals he kept of his wild adventures over a decade. It was published to critical acclaim for its vivid, unsentimental and almost hallucinatory evocations of the Essex landscape and its wildlife. One reviewer, Kenneth Allsop, wrote: “It is a masterpiece and instantly takes its place amongst the great triumphal affirmations of man’s search for his lost place in the universe.” It was recognised as a landmark in natural history writing and awarded the prestigious Duff Cooper Prize for non-fiction writing in 1968, though the judges made clear the award was under the category for ‘poetry’ rather than ‘natural history’. That’s what set it apart from other wildlife tomes. It was alive with striking images and brilliant, inventive prose. But despite the acclaim and attention, Baker himself remained as elusive and enigmatic as the falcons he tracked down. The Times offered up the only snippet of biographical information on Baker after the release of The Peregrine: “John Baker is 40 and lives in a council flat in Essex. He doesn’t want it known which town. He doesn’t want his neighbours to know what he does. He hasn’t got a phone or a TV. He never goes anywhere socially and the last time he went out to be entertained was 12 years ago when he went to the pictures to see Shane…” The mystery of JA Baker, the birdman of Essex, has started to unravel now, 50 years after the publication of his seminal work. Thanks to the release of documents, maps and notebooks after the death of his wife Doreen in 2006, and with the help of her brother Bernard Coe, an archive has been assembled at the Albert Sloman Library at the University of Essex. Cambridge post-graduate student Hetty Saunders became taken with Baker’s writing after studying it for her MPhil in English Literature and visited the archive at the University of Essex. When the course finished, she was still interested in JA Baker. She offered to catalogue the archive and when doing so realised much of Baker’s life, methods and habits were revealed there. A biography of Baker seemed the next natural step and with the encouragement of her supervisor, Robert Macfarlane, the acclaimed writer on landscape and nature, she set about putting together a book about him. “There was just so much of it and the more I found the more and more interesting it was,” she said. “He had seemed so mysterious before but this opened up his world. There hadn’t been a lot written about him beforehand because there wasn’t a lot of information. “I think he wasn’t exactly shy, but was very private. He wanted to be a great writer but he didn’t want to be a celebrity. He was on TV and radio [when The Peregrine came out], so he did put himself out there. “E veryone seems to think he was a strange hermit but he wasn’t really. He was wary though [of criticism]. He was very strong in his convictions that all he’d written in The Peregrine was true and that all he had done was embellish what he’d seen a bit. But when it came out there had been some snobbery and some naysaying about his observations. He was only considered very mysterious because no one had any personal information about him.” John Alec Baker was born in Chelmsford in 1926, the only child of Wilfred and Pansy Baker who had married the year before. Wilfred, who worked as a draughtsman at local manufacturer Crompton Parkinson, was a town councillor for many years and served as Chelmsford mayor in 1964. Baker went to Trinity Road Primary School then attended King Edward VI Grammar (KEGS). He was a bright child but got bored easily and was prone to day-dreaming. He struggled in subjects that didn’t interest him leading some teachers to think he was lazy but what he really wanted was to break free of the confines and routines of school life. Already a sensitive child, he became increasingly introverted as an adolescent and craved the freedom that nature represented for him. This yearning for the outdoors, allied with his talent for writing, would come to fruition in The Peregrine but only after many years of frustration and disappointment. After school, he went through various jobs but found it difficult to settle and often rubbed up against his fellow workers. Even his wife Doreen had to admit he was a bit of a loner. “He wasn’t hateful about people but he wasn’t at his happiest around them,” said Hetty. “His escape from everyday life was through hunting peregrines.” And those hunts, those physical and psychological journeys into the wild, eventually produced a remarkable book. “He had an amazing ability to see all the nature around him in a very different way to contemporary writers,” Hetty said. “He didn’t fit into any category very easily. He didn’t have much truck with the birding fraternity and they didn’t have much with him. He had a very independent vision of the world. It was revolutionary at the time.” “The fixed image of the countryside of that time was influenced by books like Tarka The Otter and Wind In The Willows. It was very cosy. Baker broke down the boundaries about the way we think about the wild.” “In terms of writing about nature, there’s no doubt he’s been very influential. You find his style of writing everywhere now, he’s inspired a lot of people. His lyricism is very striking. Not everyone likes it, it’s a difficult book. There’s no happy ending but it sticks with you in a way that other writing doesn’t it. He’s really having a renaissance now.” Hetty’s tutor, Robert Macfarlane, is one of those who’s championed Baker for some time, hailing both his observations and his writing style as well as pointing out his contribution to awareness about the environmental threats to the peregrine. “I n the half century since its publication, this fierce little book has only tightened its grip on us,” wrote Macfarlane about The Peregrine in The Guardian earlier this year. Macfarlane marvels at Baker’s “ecstatic, violent, enraptured prose” and how this “myopic office worker” produced such a profound and vivid account of the wilderness just a few miles from his home in Chelmsford: “His Essex is landscape on acid: super-saturations of colour, wheeling phantasmagoria, dimensions blown out and falling away, nature as hypernature.” Baker suffered ill health and psychological problems for much of his life which made his wild trips and writing more and more difficult. When he died of cancer in 1987, it seemed like he might slip into obscurity as many writers do after their death, his moment in the spotlight gone. But the resurgence of interest in him in recent years, through the efforts of people like Hetty Saunders and Robert Macfarlane reminds us what a remarkable talent this seemingly unremarkable Chelmsford man was. My House Of Sky: The Life And Work Of JA Baker by Hetty Saunders is out now, published by Little Toller Books. A special 50th anniversary edition of The Peregrine is also out now. “Everyone seems to think he was a strange hermit but he wasn’t really...He was only considered very mysterious because no one had any personal information about him.” Biographer Hetty Saunders ‘There should be a blue plaque for Baker’ JA Baker. “His escape from everyday life was through hunting perigrines” Baker’s stomping ground. Paper Mill Lock, above, and the Chelmer and Blackwater Navigation Photos: DARRYL WEBBER Ulting Church. The main area for Baker’s peregrine sightings was between Little Baddow and Ulting Photo: DARRYL WEBBER The power of Baker’s descriptions of the natural world were recognised when he published his first book, The Peregrine Biographer Hetty Saunders mysterious birdman of Essex

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Page 1: 16 On the trail of the mysterious birdman of Essex · birdman of Essex, has started to unravel now, 50 years after the publication of his seminal work. Thanks to the release of documents,

16 Chronicle, Thursday, November 16, 2017 ECS-EO1-S2 Chronicle, Thursday, November 16, 2017 17ECS-EO1-S2

MARK Hanson has been a fan of JABaker for years and believes thatthe writer should be more widelyknown and acknowledged in hishome town.

Mark 61, who lives in Boreham,has his own archive of Baker books,documents and clippings as well asan enduring interest in wildlife andthe Essex countryside.

He owns various editions of ThePeregrine and regularly tracesBaker’s favourite haunts along theChelmer and BlackwaterNavigation, looking out for bird lifehimself.

“It became an obsession for him,”said Mr Hanson. “And this was hislocal stomping ground. Like thebirds he was tracking, he used theChelmer and BlackwaterNavigation as a conduit for visitingDanbury, Little Baddow, Ulting andHeybridge. It was his fly-way, hischannel for getting him to theplaces he wanted to go.”

Mark, a biologist by training andformer president of the Essex FieldClub, wrote a piece on JA Baker forthe Chelmer Canal Trust’snewsletter in July 2010 in which herevealed biographical details abouthim as well looking at sites alongthe canal which Baker regularlyvisited.

WorthyMark said the main section for

the peregrine observations was theChelmer Valley betweenChelmsford and Maldon, “inparticular the middle sectionbetween Little Baddow and Ulting.”

On the 50th anniversary of thepublication of The Peregrine andwith Baker now being recognised asan important literary figure, Markthinks it’s time to let locals knowmore about him.

“I think what he did is worthy ofcommemorating. He was a naturalwordsmith and channelled itthrough his love of nature andbirds. He made us look differentlyat the world around us.”

Mark believes there should be ablue plaque somewhere inChelmsford, at one of the propertiesBaker lived at, or along thenavigation to mark the writer’sachievements and influence.

He also thinks there should be anexhibition dedicated to Baker too,ideally at Chelmsford Museumwhich is just around the cornerfrom the writer’s childhood homein Finchley Avenue.

“He made a great contribution tonature writing and the county, andthat should be acknowledged.”

JA Baker, born and bred inChelmsford, is recognised as one ofour greatest writers on the natural worldbut he’s remained an enigmatic and largelyunknown figure until now. On the 50thanniversary of the publication of his acclaimedbook, The Peregrine, and with a newbiography about him just released, DarrylWebber discovered more about him

On the trail of theNATURE AUTHOR: Enigmatic figure who wrote an acclaimed book about the wilderness just miles from his home in Chelmsford

T O the untrained eye, JABaker might haveseemed like anunremarkable

individual. He lived all his life inChelmsford and spent most ofhis working life in his hometown too. He didn’t stray beyondthe boundaries of Essex too oftenand never went abroad.

A former pupil of KingEdward VI Grammar School, heled a quiet suburban life with hiswife Doreen in their homes inthe Old Moulsham area ofChelmsford.

He may have seemed like anordinary Chelmsfordian butthere was another side to Baker.He was obsessed with thelandscape and wildlife aroundChelmsford, particularly east ofthe (then) market town, alongthe course of the Chelmer andBlackwater Navigation to theestuary at Maldon and beyondonto the bleak but beautifulsaltmarshes and mudflats of theDengie Peninsula. It was herewhere he really came alive.

Whenever he could, after workand at weekends, he would geton his bike (he didn’t drivedespite working for theAutomobile Association in NewLondon Road) and head east tosee what he could find. And notjust to observe it, but to writeabout it in his unique, rapturousstyle. Writing was Baker’s otherobsession. He was inspired byliterature as a school child and

aspired to be a great writerhimself. After 10 years ofobservations in the wild, hesuccessfully married his twoobsessions.

The power of Baker’sdescriptions of the natural worldhe encountered were recognisedwhen he published his first bookin 1967, The Peregrine, anaccount of his hunt for birds ofprey in Essex which wasdistilled from the diaries,records and journals he kept ofhis wild adventures over adecade.

It was published to criticalacclaim for its vivid,unsentimental and almosthallucinatory evocations of theEssex landscape and its wildlife.One reviewer, Kenneth Allsop,wrote: “It is a masterpiece andinstantly takes its place amongstthe great triumphal affirmationsof man’s search for his lost placein the universe.” It wasrecognised as a landmark innatural history writing andawarded the prestigious DuffCooper Prize for non-fictionwriting in 1968, though thejudges made clear the award wasunder the category for ‘poetry’rather than ‘natural history’.That’s what set it apart fromother wildlife tomes. It was alivewith striking images andbrilliant, inventive prose.

But despite the acclaim andattention, Baker himselfremained as elusive andenigmatic as the falcons hetracked down. The Times offeredup the only snippet ofbiographical information onBaker after the release of ThePeregrine:

“John Baker is 40 and lives ina council flat in Essex. Hedoesn’t want it known whichtown. He doesn’t want hisneighbours to know what hedoes. He hasn’t got a phone or aTV. He never goes anywhere

socially and the last time hewent out to be entertained was12 years ago when he went to thepictures to see Shane…”

The mystery of JA Baker, thebirdman of Essex, has started tounravel now, 50 years after thepublication of his seminal work.Thanks to the release ofdocuments, maps and notebooksafter the death of his wifeDoreen in 2006, and with the helpof her brother Bernard Coe, anarchive has been assembled atthe Albert Sloman Library at theUniversity of Essex.

Cambridge post-graduatestudent Hetty Saunders becametaken with Baker’s writing afterstudying it for her MPhil inEnglish Literature and visitedthe archive at the University ofEssex. When the course finished,she was still interested in JABaker. She offered to cataloguethe archive and when doing sorealised much of Baker’s life,methods and habits wererevealed there. A biography ofBaker seemed the next naturalstep and with theencouragement of hersupervisor, Robert Macfarlane,the acclaimed writer onlandscape and nature, she setabout putting together a bookabout him.

“There was just so much of itand the more I found the moreand more interesting it was,” shesaid. “He had seemed somysterious before but thisopened up his world. Therehadn’t been a lot written abouthim beforehand because therewasn’t a lot of information.

“I think he wasn’t exactly shy,but was very private. He wantedto be a great writer but he didn’twant to be a celebrity. He was onTV and radio [when ThePeregrine came out], so he didput himself out there.

“E veryone seems tothink he was astrange hermitbut he wasn’t

really. He was wary though [ofcriticism]. He was very strong inhis convictions that all he’dwritten in The Peregrine wastrue and that all he had donewas embellish what he’d seen abit. But when it came out therehad been some snobbery andsome naysaying about hisobservations. He was onlyconsidered very mysteriousbecause no one had any personalinformation about him.”

John Alec Baker was born inChelmsford in 1926, the onlychild of Wilfred and Pansy Bakerwho had married the yearbefore. Wilfred, who worked as a

draughtsman at localmanufacturer CromptonParkinson, was a towncouncillor for many years andserved as Chelmsford mayor in1964.

Baker went to Trinity RoadPrimary School then attendedKing Edward VI Grammar(KEGS). He was a bright childbut got bored easily and wasprone to day-dreaming. Hestruggled in subjects that didn’tinterest him leading someteachers to think he was lazy butwhat he really wanted was tobreak free of the confines androutines of school life.

Already a sensitive child, hebecame increasingly introvertedas an adolescent and craved thefreedom that nature representedfor him.

This yearning for theoutdoors, allied with his talentfor writing, would come tofruition in The Peregrine butonly after many years offrustration and disappointment.After school, he went throughvarious jobs but found it difficultto settle and often rubbed upagainst his fellow workers. Evenhis wife Doreen had to admit hewas a bit of a loner.

“He wasn’t hateful aboutpeople but he wasn’t at hishappiest around them,” saidHetty. “His escape from everyday

life was through huntingperegrines.”

And those hunts, thosephysical and psychologicaljourneys into the wild,eventually produced aremarkable book.

“He had an amazing ability tosee all the nature around him ina very different way tocontemporary writers,” Hettysaid. “He didn’t fit into anycategory very easily. He didn’thave much truck with thebirding fraternity and theydidn’t have much with him. Hehad a very independent vision ofthe world. It was revolutionaryat the time.”

“The fixed image of thecountryside of that time wasinfluenced by books like TarkaThe Otter and Wind In TheWillows. It was very cosy. Bakerbroke down the boundariesabout the way we think about thewild.”

“In terms of writing aboutnature, there’s no doubt he’sbeen very influential. You find

his style of writing everywherenow, he’s inspired a lot of people.His lyricism is very striking. Noteveryone likes it, it’s a difficultbook. There’s no happy endingbut it sticks with you in a waythat other writing doesn’t it. He’sreally having a renaissancenow.”

Hetty’s tutor, RobertMacfarlane, is one of those who’schampioned Baker for sometime, hailing both hisobservations and his writingstyle as well as pointing out hiscontribution to awareness aboutthe environmental threats to theperegrine.

“I n the half centurysince its publication,this fierce little bookhas only tightened its

grip on us,” wrote Macfarlaneabout The Peregrine in TheGuardian earlier this year.Macfarlane marvels at Baker’s“ecstatic, violent, enrapturedprose” and how this “myopicoffice worker” produced such aprofound and vivid account ofthe wilderness just a few miles

from his home in Chelmsford:

“His Essex is landscape onacid: super-saturations of colour,wheeling phantasmagoria,dimensions blown out andfalling away, nature ashypernature.”

Baker suffered ill health andpsychological problems for muchof his life which made his wildtrips and writing more and moredifficult.

When he died of cancer in1987, it seemed like he might slipinto obscurity as many writersdo after their death, his momentin the spotlight gone. But theresurgence of interest in him inrecent years, through the effortsof people like Hetty Saundersand Robert Macfarlane remindsus what a remarkable talent thisseemingly unremarkableChelmsford man was.

My House Of Sky: The LifeAnd Work Of JA Baker by HettySaunders is out now, publishedby Little Toller Books. A special50th anniversary edition of ThePeregrine is also out now.

“Everyone seems to think he was a strange hermit but hewasn’t really...He was only considered very mysteriousbecause no one had any personal information about him.”

Biographer Hetty Saunders

‘Thereshould be ablue plaquefor Baker’

JA Baker. “His escape from everyday life was through hunting perigrines”

Baker’s stomping ground. Paper Mill Lock, above, and the Chelmer andBlackwater Navigation Photos: DARRYL WEBBER

Ulting Church. The main area for Baker’s peregrine sightingswas between Little Baddow and Ulting Photo: DARRYL WEBBER

The power of Baker’s descriptions of the natural world wererecognised when he published his first book, The Peregrine

Biographer Hetty Saunders

mysterious birdman of Essex

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