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The first issue of FLUiD Magazine inspired by the fashion from our different decades.
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FLUiD#1
Tableof Contents
ON THE COVERPhotographer Tobias Walka
Model Sebastian BoukachabiaMakeup & bodypaint by Emelie Pettersson
Design by Linnea Nordquist/LIQUIST
Layout- & magazine design by Rebecca Zetterlund, graphic designer.
© Copyright 2015
Tableof Contents
We are FLUiD .01
Then and when .03
Autumn blacks .0 9
Alien babes .13
Between a wall and a hard place .17
Hit the lights . 21
Funky tones . 25
Don’t call me baby . 29
It’s not about brand, it’s about style . 31
I like white clothes, he said . 35
37. Modern 80’s
41. Interview - Meet Elloit!
45. 60’s retro
47. 60’s
51. Lightroom
5 5. Coral
57. Flower power
61. Cherry Wilder
65. Silver
70. Next issue
∞
1
FLUiD MAGAZINEis an online magazine based inSwedenIceland &ENGLANDWe focus on FASHION, STYLE and all types of ART. We are for everyone. All types of people. We do not care about what you define yourself as or how you look.
∞
FLUiD was created out of anger towards our society, but also born from the love we share for fashion and self-expression.
We are f luid. And we do not have limits.
2
FLUiD MAGAZINEis an online magazine based in
ENGLANDWe focus on FASHION, STYLE and all types of ART. We are for everyone. All types of people. We do not care about what you define yourself as or how you look.
∞
FLUiD was created out of anger towards our society, but also born from the love we share for fashion and self-expression.
We are f luid. And we do not have limits.
T H E N&W H E N
PHOTOGRAPHER TOBIAS WALKA / MODEL SEBASTIAN BOUKACHABIAMAKEUP & BODYPAINT EMELIE PETTERSSON / DESIGN LINNEA NORDQUIST/LIQUIST
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PHOTOGRAPHER TOBIAS WALKA / MODEL SEBASTIAN BOUKACHABIAMAKEUP & BODYPAINT EMELIE PETTERSSON / DESIGN LINNEA NORDQUIST/LIQUIST
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AUTUMN BLACKS
Photographer Rebecka Slatter / Model Ludovic Jean-Francois
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AUTUMN BLACKS
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Photographer Alda Villiljós / Models Kolfinna Porgrímsdóttir & Bryndís HearnHair by Karín Símonardóttir / Makeup by Sandra María Ásgeirsdóttir
Stylist Gu∂rún Tara Birnudóttir / Stylist assistant Steina Natasha Daníelsdóttir
ALIENBABES
••
Top from Private wardrobeTrousers from NostalgíaJewelry by Rut Karl’s Jewelry
K O LF I NN A •
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KolfinnaVest from TopshopJumpsuit from NostalgíaJewelry by Rut Karl’s jewelryBag & earrings from private wardrobe
BryndísJacket from SpúútnikJumpsuit from NostalgíaJewelry by Rut Karl’s jewelryShoes from private wardrobe
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BryndísJacket from SpúútnikJumpsuit from NostalgíaJewelry by Rut Karl’s jewelryShoes from private wardrobe
B RY ND Í S •
Jewelry by Rut Karl’s jewelry
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Photographer Tobias Walka / Model Eugenia Rosenstam
BETWEENAWALLANDHARD
APLACE
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Hit thelights!
MODEL EUGENIA ROSENSTAM
PHOTOGRAPHER TOBIAS WALKA
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Photographer Denise Rexhall Model Josefine Östman Makeup by Marianne Josefsson
FUNKYTONES
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PHOTOGRAPHER EVELINA EKLUND HASSEL / MODELS VICKTORIA GUSTAVSSON & ELIN CARLSSON / STYLIST STASIA MICHAEL
Don’t call29
me baby.30
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Photographer Ellen Wigelius / Model Nathalie GunnarssonHair by Elin Carlsson / Stylist Stasia Michael
“It’s not about brand,it’s about style”
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Photographer & styling Stasia MichaelModels Nicolina Lindell & Rebecca Zetterlund
35
I like white clothes,
he said.
So she dressed all black
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Photographer Pierre GanderModels Johanna Sköld
& Alexandra AtypiMakeup & hair Jasmine Lundmark
MODERN
8O’s
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I N
T E
R V
I E
W
Photographer & interviewer Madeleine Martinsson
elliot!Meet
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– Do people treat you differently because of your norm-breaking function?I have experienced that it’s easier in the LG-BTQ-world to have a norm-breaking function than to be non-binary in the disabled world. No one knows what it is. There’s more focus on the practi-cal and the struggle to be human over all. I feel like there’s more understanding in the LGBTQ-world than in the disabled-world when it comes to other forms of norm-breaking people.
– Is there a lot of transphobia and notions about disabled people? Yes. I spoke to a class about my function and the teacher asked me if I had a boyfriend and if I’ve ever been in love. “Yes” was my answer to the second question and when he responded “Oh, so you have the same feelings as us!” I felt the level was very low and didn’t bother explaining about my identity or sexuality.
– So you choose your battles then?I do. Though I don’t take every single battle, because then that would become my full-time job. It’s easi-er to just let it pass. But that doesn’t mean that my non-binary identity is more or less important. I’m always non-binary, my gender identity isn’t always the same, it’s kind of fluid. Therefore it’s also difficult to be consistent with words like pronouns etc. In some ways I’m privileged to be able to feel that I’m non-binary regardless of the words used about me. It’s definitely not easy and it doesn’t always feel good.
– What was it like when you could tell people that you’re also non-binary?I have mostly told people that I think would under-stand. Those who are familiar with it already. Sure, I’m open about it on social media and those who don’t understand just don’t comment anything. I’m open but the same time I’m not. My friends un-derstood it earlier and for them it was obvious. For other people it’s a bit hard and it usually becomes a big deal. It’s not only words I need to explain, they wonder much more than that.
– Do you feel included as a disabled and non-bi-nary person in the LGBTQ context?No, there are many things that need to become bet-ter. I always have to check the accessibility wherever I’m going. No matter what context or who it is for, I always have to check or compromise.
– Do you think people with disabilities are scared of coming out as a LGBTQ- person because of the notions?I think it may be harder because they already have much against them. In other hand, I’ve been exposed to notions since I was little, so I’ve grown accus-tomed to resist and respond. In some ways I have it easier since I’m used to having to do it, but it’s twice as much to manage so it gets hard. You’re often imprinted in who you are due to your function and it’s not always an advantage. You can’t always discover things for yourself, because people have such strong perceptions about you.
Elliot lives in Kristianstad here in Sweden and works with talking about what it’s like to live with a norm-breaking function. In the spare time, Elliot also works voluntarily for an organisation called “Lesbian Makt”
(Lesbian Power) that arranges lesbian breakfast.
INTERVIEW
∞
43
“No matter what context,I always have to compromise”
– Finally, what would a perfect society look like to you?Accessible, because I’m in an electric wheelchair so I would be able to access things in a greater extent. If I can’t go to all the places I want be-cause of it, then it’s difficult to break the norms. If I haven’t got access to the room, I have no chance to influence. I also believe the world would be a much better place if everything weren’t so gendered. Simple things to avoid would be, for example, not saying things like “Hey girls!” and talk about people as individu-als instead. Clothes don’t need to be divided by gender in stores. Things like that. It’s difficult, but there’s a lot that needs to be done! •
INTERVIEW44
Photographer Gina LjungbergModel Peggy PerssonMakeup by Linh Thorngren60’s retro
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Photographer Gina LjungbergModel Peggy PerssonMakeup by Linh Thorngren
46
“People try to put us d-downjust because we get aroundThings they do look awful c-c-coldI hope I die before I get old
This is my generationThis is my generation, baby
Why don’t you all f-fade awayand don’t try to dig what we all s-s-sayI’m not trying to cause a big s-s-sensationI’m just talkin’ bout my g-g-g-generation
This is my generationThis is my generation, baby
Why don’t you all f-fade awayand don’t try to dig what we all s-s-sayI’m not trying to cause a big s-s-sensationI’m just talkin’ bout my g-g-g-generation
This is my generationThis is my generation, baby
People try to put us d-downjust because we get aroundThings they do look awful c-c-coldI hope I die before I get old
This is my generationThis is my generation, baby”
“My generation” - The Who, 1965
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Photographer & stylist Freja BlomstrandModels Vera Sky & Natan NygårdMakeup by Marianne Josefsson
60’s
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LIGHTROOMPhotographer Sara Rosengren
Models Alexandra Atypi& Natan Nygård
Makeup by Jasmine Lundmark
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Photographer Madeleine MartinssonModel & styling Coral Remning
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Swingin’ down the lanewith Coral
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Photographer & styling Stasia MichaelModels Charles Jr Simba, Nicolina Lindell,
Henrik Lindgren & Rebecca Zetterlund
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FLOWERPOWER
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Photographer Madeleine MartinssonModel Cherry Wilder
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CherryWilder
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Photographer Freja BlomstrandModel & makeup Alexandra Atypi
“I’m gonna go out dancin’ every nightI’m gonna see all the city lightsI’ll do everything silver and goldI got to hurry up before I grow too old
I’m gonna take a trip around the worldI’m gonna kiss all the pretty girlsI’ll do everything silver and goldI got to hurry up before I grow too old
Oh, I do a lotta things, I know is wrongHope I’m forgiven before I’m goneIt’ll take a lotta prayers to save my souland got to hurry up before I grow too old
I’m gonna take a trip around the worldI’m gonna kiss all the pretty girlsI’ll do everything silver and goldI got to hurry up before I grow too old
Heh, I’m gonna go out dancin’ every nightI’m gonna see all the city lightsI’ll do everything silver and goldI got to hurry up before I grow too old”
“Silver and gold” - Joe Strummer And the Mescaleros
SILVER
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NEXT ISSUE
20/22016
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