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2/5/2016 https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate https://afcoop.wildapricot.org/Sys/EmailTemplate/EditPreviewTemplate 1/27 1. AFCOOP NEWS 2. WORKSHOPS 3. SCREENINGS AND EVENTS 4. AWARDS, GRANTS, RESIDENCIES & CONTESTS 5. FILM FESTIVAL DEADLINES 6. COMMUNITY NEWS 1. AFCOOP NEWS AFCOOP Spring General Meeting 2014 April 24th, 6:30pm AFCOOP Office Come meet AFCOOP members and the film community and find out what AFCOOP has been up to and what we have planned for the next season. The meeting is open to all AFCOOP members as well members of the public. If you are looking to become a Full Member of AFCOOP at this Meeting please contact AFCOOP in advance to confirm your eligibility. If you have any inquiries or suggestions regarding the meeting or need to send regrets, please call (902) 4054474 or email [email protected] AFCOOP Volunteer Orientation May 7th, 1pm 2pm AFCOOP Office Want to get involved with AFCOOP? Looking to become a Full Member? Want to get those volunteer hours in? Come and join our lovely volunteer coordinator, Sahar Yousefi, for the volunteer orientation on March 5th. To register email: [email protected] You must be 16 or older to volunteer. AFCOOP's Writers' Perspective The Writers’ Perspective incorporates elements of discussion of screenwriting structure and conventions, feedback on individual projects and, hopefully, the occasional visit from other writing professionals from outside of the world of screenwriting to shed light on storytelling. This group is open to AFCOOP members

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1. AFCOOP NEWS 2. WORKSHOPS 3. SCREENINGS AND EVENTS 4. AWARDS, GRANTS, RESIDENCIES & CONTESTS 5. FILM FESTIVAL DEADLINES 6. COMMUNITY NEWS

1. AFCOOP NEWS

AFCOOP Spring General Meeting 2014 April 24th, 6:30pm

AFCOOP Office

Come meet AFCOOP members and the film community and find out what AFCOOP

has been up to and what we have planned for the next season. The meeting is open

to all AFCOOP members as well members of the public.

If you are looking to become a Full Member of AFCOOP at this Meeting please

contact AFCOOP in advance to confirm your eligibility.

If you have any inquiries or suggestions regarding the meeting or need to send

regrets, please call (902) 405-­4474 or email [email protected]

AFCOOP Volunteer Orientation

May 7th, 1pm -­ 2pm

AFCOOP Office

Want to get involved with AFCOOP? Looking to become a Full Member? Want to get

those volunteer hours in? Come and join our lovely volunteer coordinator, Sahar

Yousefi, for the volunteer orientation on March 5th.

To register email: [email protected]

You must be 16 or older to volunteer.

AFCOOP's Writers' Perspective

The Writers’ Perspective incorporates elements of discussion of screenwriting

structure and conventions, feedback on individual projects and, hopefully, the

occasional visit from other writing professionals from outside of the world of

screenwriting to shed light on storytelling. This group is open to AFCOOP members

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and non-­members alike and the meetings take place the second Wednesday ofevery month. Best of all it's FREE!

The schedule for the next two meetings is: April 9th, 6pm -­ 9pm May 14th, 6pm -­ 9pm

AFF Script Development Info Session April 15th, 6pm AFCOOP Office AFCOOP is pleased to host an info session about the Atlantic Film Festival’s ScriptDevelopment Program on April 15th at 6pm in the AFCOOP office. Presented byTelefilm Canada & The Harold Greenberg Fund, this program offers a uniqueopportunity for Atlantic Canadian writers to develop their feature film ideas from anoutline into a treatment and finally into a rough first draft.

Every great feature film begins with a well-­written and dynamic screenplay. Asoriginal ideas and highly developed scripts are key elements to the success of thescreen industry, the Atlantic Film Festival is looking for the best and most talentedwriters from the Atlantic region to participate in our annual Script DevelopmentProgram. Presented by Telefilm Canada & The Harold Greenberg Fund, this programoffers a unique opportunity for Atlantic Canadian writers to develop their featurefilm ideas from an outline into a treatment and finally into a rough first draft.

The first draft scripts will then be presented to a jury and writers will pitch theirprojects to a room of film producers at the 34th Atlantic Film Festival. It is duringthis Script Pitch Event that the writers will vie for a $10,000 development prize,made available through The Harold Greenberg Fund. After the pitch session, writersand producers will get a chance to discuss their projects further at a networkingreception, sponsored by Telefilm Canada, with the hope of creating a workingconnection. Once writers have found a producer to work with, they will also beeligible to work with Telefilm Canada and the Harold Greenberg Fund to bring theirproject into further development.

THE PROCESS: The jury will select FOUR feature film outlines that will be developedinto rough first drafts through three intensive weekend sessions under the guidanceof Noel Baker, one of Canada’s top story editors. The writers will also attend apitch workshop with Noel to hone their pitching technique. All writers will also takepart in the Script Pitch Event, during the 34th Atlantic Film Festival, where thewriters will pitch their feature film idea to a room of industry professionals with theaim of attaching a producer and/or director to the projects and to compete for the$10,000 development prize. Writers will be evaluated upon: the quality of thescript;; the demonstrated abilities of the writer within the entire curriculum of theprogram;; and, the ability of the writer to articulate the attractiveness of the story inverbal form.

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Please Note: Successful applicants MUST be available for ALL 3 WEEKEND

workshops and any other related events during the opening weekend of the 34th

Atlantic Film Festival, September 11-­14, 2014.

AFCOOP's Tech Corner

Independent Filmmakers Package -­ Breathtaking Value!

AFCOOP is proud to unveil the new Independent Filmmakers Package, a complete

and production ready package including camera, lenses, sound equipment and

lights with an incredible value!

http://afcoop.ca/wp-­content/uploads/2013/05/Independent-­Filmmakers-­

Package.pdf

The Independent Filmmakers Package offers complete Canon C300 rental package

(includes C300, matte box, follow focus, tripods, 17” monitor) paired with our new

Zeiss CP.2 prime lenses, KinoFlo Celeb and ARRI LoCastor LED lights as well as a

full Sound Recording package (Sound Devices 633 Mixer/Recorder, choice of

shotgun, lav mic).

The entire package costs only $300 for Full Members and $1200 Commercially.

Celluloid Filmmaking Explained and Celebrated on AFCOOP Website

A brand new page dedicated to promoting the practice of celluloid filmmaking is

now available on the AFCOOP website. Ever wonder what was involved in making a

Super8 film, or editing hand-­processed 16mm film by hand on a Steenbeck? If

these sound like approaches you may be interested in experimenting with in your

art practice check out the new ‘Film As A Medium’ page today!

http://afcoop.ca/equipment-­facilities/film-­as-­a-­medium/

New 35mm Prime Lenses!

AFCOOP now carries the modern Zeiss Compact Prime lenses in a range of focal

lengths for beautiful prime lens cinematography. The set includes 21mm, 35mm,

50mm and 85mm at a speed of T2.1. All lenses in the set feature consistent front

diameters for use with a lightweight clip-­on mattebox and provide beautiful bokeh

with their 14 blade apertures.

Zeiss CP.2 4 Lens Set $100/day Full Member, $400/day Commercially

http://afcoop.ca/wp-­content/uploads/2013/05/Lenses-­Tripods-­Camera-­Support-­

Accessories1.pdf

Call AFCOOP’s Technical Coordinator today for information on bookings, rentals and

facilities access or send an email: 902-­405-­4474 ext.1 [email protected]

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2. WORKSHOPS

AFCOOP’s Winter Workshop Series AFCOOP’s Winter Workshop Series presents classes in all aspects of filmmakingfrom screenwriting to editing and lots in between. Workshops are open to thepublic, some pre-­requisites apply. All workshop instructors are professional andpracticing filmmakers.

Life’s a Pitch -­ the basics of pitching your idea to a TV broadcaster April 10, 2014, 6pm -­ 9pm Cost: $35 (AFCOOP Member) $45 (non-­member) It doesn’t matter what TV program we’re talking about…Breaking Bad, Big Brother,Trailer Park Boys or Cops… all of them started with a PITCH. A Pitch is short, but itcan take years to master. This 3-­hour workshop is a good place to start.From thekey elements of a great pitch, to actually giving it a shot;; Sonya Jampolsky will alsoshare bits from her years of pitching experience, the good, the bad and the justplain embarrassing. Be prepared to jump right in and pitch your concept for aTV program.

Instructor-­ Sonya Jampolsky Sonya Jampolsky has spent hours talking to herself and anyone else that will listento her TV show pitches. With 15 years in the business as a director, writer, storyeditor and producer, she is also VP Development at Ocean Entertainment and cansay she’s pitched just about every broadcaster in the Canadian and Americanmarketplace. It’s those pitches that have turned into TV series and documentarieslike To Catch A Killer, Family Renovation, Trapped and Spice Goddess. Registration

DSLR Magic Lantern Hack April 23, 6pm -­ 9pm Cost: $35 (AFCOOP Member) $45 (non-­member) Discover the power of Magic Lantern! A Canon DSLR third party firmware, whichunlocks the camera full potential with a free, easy to install firmware has beenexpanded to work with the Canon t1i, t2i, t3i, 50D, 60D, and of course the 5D MkII.Videographers all around the world have tapped into this firmware in order toproduce more beautiful work, helping them stand out in the crowd! Magic Lantern provides: 14-­bit RAW, manual audio control on cameras which donot natively support it, histograms while recording, focus peaking, zebra’s,waveform monitors and HDR. On camera’s like the T2i and T3i it even allows you tounlock the sensor’s native ISO’s resulting in a cleaner image! This class will teachyou everything you need to know to get started with Magic lantern and make yournext shoot a lot easier. RAW post-­production workflows will not be explored to their full potential in thiscourse but will be touched on!

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Instructor David Fulde David J. Fulde is a filmmaker from Halifax, Nova Scotia and graduate from theCentre for Arts and Technology. For two years David has been creating somethingnew almost every week as part of his ‘Project Monday’ endeavour. Through this hehas learned how to work quickly, and find the tools to allow him to do so, leadinghim to constantly be on top of the newest technologies accessible on a tightbudget. AD)

Acting for Directors April 26, 10am -­ 5pm Cost: $80 (AFCOOP Member) $110 (non-­member) Directors, stop on by AFCOOP this April and learn the ins and outs of the on setrelationship between director and actors. Find out how directors and actors canwork together to build trust, improve on set performance, and working in achallenging creative environment.

Instructor – Angela Vernier

Visual Arts Nova Scotia's Spring 2014 Workshop Series Register for workshops online at www.visualarts.ns.ca. Save when you sign up fortwo or more workshops with our member's bundle!

SOCIAL MEDIA AND COPYRIGHT ONLINE Visual Arts Nova Scotia, 1113 Marginal Road, Monday April 28, 6:30 – 9pm. Registration Deadline: April 22. Suggested donation of $10 towards the Artist's Legal Information Society

The Internet: your best friend and worst enemy. Artists have had images of theirwork copied from the web and sold on handbags and mugs. Several social mediawebsites help promote your work, but also claim ownership over what users post.Join the Artist’s Legal Information Society in a session about copyright online andthe risks of featuring your artwork on websites and social media. Confirm yourregistration by e-­mailing [email protected].

Register online at www.visualarts.ns.ca. For more information, please contact: Becky Welter-­Nolan Programming Coordinator Visual Arts Nova Scotia 1113 Marginal Road Halifax, NS B3H 4P7 t: 902-­423-­4694, 1-­866-­225-­8267 f: 902-­422-­0881

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[email protected]

3. SCREENINGS AND EVENTS

“Reel Justice” Screening during MayWorks FestivalApril 29th, 7:30pm AFCOOP Office

During Mayworks Festival this year AFCOOP is pleased to host a screening of shortfilms that deal with social justice issues presented with Dalhousie University &Ujamaa. Our movie screens are colonized by Hollywood and its big businessinterests. Reel Justice responds with a collection of films you won’t see at themultiplex. Local filmmakers celebrate our many and varied heroes and wrangle withthe issues of social justice that affect our community. This year, we begin with atribute to Rocky Jones, and all donations collected at this screening will be given tothe Burnley “Rocky” Jones Education Fund.

Reel Justice April 29th 7:30pm Atlantic Filmmakers Cooperative 5663 Cornwallis St.Suite #101 Admission: By Donation to The Burnley “Rocky” Jones Education FundTotal program: 90 minutes.

Evening program:

Encounter at Kwacha House (18 mins) – Rex Tasker, 1967 This short filmpresents a lively discussion between black and white youths at the interracial clubin Halifax, touching on racial discrimination in employment, housing, education andinterpersonal relations.

Making It (11 mins) – Sobaz Benjamin, 2006 This short documentary is a portraitof Black people who have overcome systemic and overt racism in the workplace tobe successful in their careers. Made as part of the Work For All project 2006, anNFB and HRSDC-­Labour initiative to combat racism in the workplace.

What Happened to Esther? (10 mins) – Jenna Marks, 2013 This animated shorttells the story of an African Nova Scotian midwife and what happened to her on theday of the Halifax Explosion. Produced as a NSCAD thesis film.

Waters of the Diaspora: The Passage (1 min) – Sylvia D. Hamilton, 2013 This isa short poetic meditation on the lingering legacy of the transatlantic trade in Africanpeople. Water was central to that trade. A montage of moving images of water andwaves is projected over the text of the poem that Hamilton voiced.

Reeny (5 mins) – Fateh Ahmed, 2013 This biographical documentary follows ayoung woman from North Preston aiming to restore peace and love in hercommunity.

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Scarlines (20 mins) – Stephanie Young, 2013 This film tells the story of Jack, apost-­op transman who returns to his small hometown for the first time since histransition. Produced as a NSCAD thesis film.

Ask First (4.5 mins) – Brendan Anckaert, J. Mary Burnet & Kaleigh Trace, 2013 Aparody written in response to Robin Thicke’s “Blurred Lines” to promoteenthusiastic consent and sex positivity in a shitty, heteronormative, patriarchalculture that objectifies women, normalizes rape, and blames survivors for theirassault because they had “blurred lines.”

Spot the Immigrant (6.5 mins) – Pink Dog Productions, 2010 This game showparody turns stereotypes about new Canadians upside down. Developed incollaboration with new Canadians thanks to a project grant from Citizenship andImmigration Canada.

Wild West (3 mins) – Pink Dog Productions, 2010 A stranger arrives in town… Thisparody Western explores the challenges faced by those in the process of settlinginto their new country. Developed in collaboration with new Canadians through aproject grant from Citizenship and Immigration Canada.

Don’t Dictate! NEGOTIATE! (4 mins) – Liz MacDougall, 2012 Frustrated with thelack of in-­depth journalism during the six-­week 2012 Halifax Transit strike,independent video makers went to the picket line on a frigid January day to get thestory from the bus drivers themselves. The resulting video revealed the drivers’deep concern over increasing erosion of our legislated rights to collectivebargaining. This statement was then released to the public using YouTube, emailand Facebook.

No Free Ride (3.5 mins) – Bruce MacDonald, 2013 The Award-­winning Canadiandirector Bruce McDonald is sending a message to Ontario PC leader Tim Hudakabout that party’s plans for the province’s unions. Produced in collaboration withthe Ontario Public Service Employees Union.

Please note: Admission by donation to the Burnley “Rocky” Jones Education Fund.

Tidal Force – National Media Arts Summit This June, AFCOOP in partnership with the Independent Media Arts Alliance ofCanada (IMAA), the Halifax Independent Filmmakers Festival (HIFF), the Centre forArt Tapes (CFAT), and the National Indigenous Media Arts Alliance of Canada(NIMAC) will host a conference in Halifax on current topics in Media Arts. Thesummit will focus on the artistic, political, and social elements that arerepresentative of current media arts practice inclusive of film, video, audio and newmedia. It will consist of artistic programming, panels, and workshops, and will bethe launching pad for the first National Media Arts Prize, a biennial award to be

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presented during a media arts gala during the conference.

Check out the full conference web-­site for more information and to register!www.tidalforce.ca

Carbon Arc Cinema The Carbon Arc Cinema Co-­op is an independent, art house cinema in downtownHalifax. 1747 Summer St, Halifax, NS B3H 3A6, Canada

Spring & Arnaud Katherine Knight & Marcia Connolly |Can| 2013 | 67min Cinematically gorgeous and beautifully crafted doc! A breathtakingly tender andintelligent love story about acclaimed Canadian artists Spring Hurlbut & ArnaudMaggs. Fri, April 11th | 7pm

Filmmaker Booking -­ SIN Theory Richie Mitchell | Can | 2012 | 70mins S.I.N. Theory is a 2012 Canadian science fiction drama film about a mathematicsprofessor creating an algorithm capable of predicting an individual’s future. The filmwas written and directed by Richie Mitchell, and stars Jeremy Larter and AllisonDawn Doiron. S.I.N. Theory was produced on a shoestring budget and makesnotable use of existing mathematical theories to affirm the concept’s plausibility. Fri, April 11th | 9pm

Voices in Longitude and Latitude Video installation by Marnina & Noam Gonick Organized by MSVU Art Gallery Ingrid Jenkner, Curator 22 March through 11 May 2014

Voices in Longitude and Latitude is a video installation about the aspirations ofteen-­aged girls in four communitiesundefined Inuit in Kugluktuk, Nunavut;; trans-­gender in Halifax;; Jewish in Toronto;; and Congolese, Rwandan, Ethiopian andSudanese immigrants in Winnipeg. The girls, aged 13 to 23, appear in a 17-­minute,four-­screen projection. Shot on location, the video and audio componentsmasterfully combine landscape and urban imagery with cinema vérit é-­style footageand studio interviews with the girls.

This exhibition represents the first collaboration between siblings Noam Gonick, therenowned Winnipeg filmmaker, and Dr. Marnina Gonick, Canada Research Chair inGender at Mount Saint Vincent University. Their joint work provides insight into thequestion of how audio-­visual media can open new possibilities, questions and waysof knowing in social research.

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For more information visit our website www.msvuart.ca or contact Susan Wolf,program coordinator, [email protected]

Welcome to the 2014 ViewFinders: Atlantic Film Festival for Youth!

Great films introduce audiences to new ideas, places and ways of life. And becauseof this, films are inherently educational. They teach us about different cultures anddifferent people, but also inform the way we see our community and ourselves. Notonly a nod to the optical lens of a camera, our festival is called ViewFinders becausewe truly believe cinema can teach young people how to find themselves and theiridentity. Welcome to the 13th ViewFinders: Atlantic Film Festival for Youth. This festivalwould not be possible without the support of our government partners, sponsorsand private donors. A special thank you also goes out to our friends within theeducation sector and especially our Teachers Advisory Committee (TAC). This bodyof educators watches every film that plays at ViewFinders, creating lesson plansthat ensure the experience doesn’t end when students leave the theatre, butcontinues into the classroom. In addition to a great daytime program of films from around the world, ViewFindersalso celebrates the young Atlantic Canadians that have entered our filmmakingcompetitions. Congratulations on your achievement, directors. I truly hope this isjust your first step in a long career with film. These youth-­made films screen onApril 11th and 12th, and I would encourage everyone to come and see this amazingdisplay of talent. ViewFinders is a proud member of the Atlantic Film Festival family. It is a dailyinspiration to work alongside such passionate colleagues and collaborators. Withoutthis team of people, ViewFinders would not be possible;; we work year round toshare film with the people of Atlantic Canada. If you enjoy your experience atViewFinders, please look for our other events for young people, families and filmlovers. See you at ViewFinders!

See more at: http://atlanticfilm.com/festivals/viewfinders/2014-­viewfinders-­festival#sthash.Tja5YWsw.dpuf

4. AWARDS, GRANTS, RESIDENCIES & CONTESTS

Call For Nominations: The Governor General's Award in Visual andMedia Arts

The Governor General's Awards in Visual and Media Arts are Canada's foremost

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distinctions for excellence in visual and media arts. http://canadacouncil.ca/en/council/prizes/major-­prizes/governor-­generals-­awards-­in-­visual-­and-­media-­arts

Help us to honour remarkable Canadians in these fields. Nominate someone whoyou feel is deserving of one of these prestigious awards.

Deadline: June 1, 2014

Up to 8 awards of $25,000 are available: -­ up to 6 awards for distinguished artistic career achievement in visual and/ormedia arts -­ 1 award for the Saidye Bronfman Award for excellence in the fine crafts -­ 1 award for Outstanding Contribution (to recognize an individual or group foroutstanding contribution to contemporary visual and/or media arts)

An independent peer jury of experienced visual and media arts professionals selectsthe winners.

Nova Scotia Talent Trust http://www.nstalenttrust.ns.ca/default.asp?mn=1.2

The Nova Scotia Talent Trust (NSTT) is a not-­for-­profit registered charity thatprovides scholarships to Nova Scotians who demonstrate exceptional potential andcommitment to become established artists in their chosen fields. Applicants of anyage may apply but support is given to those who are not yet established in theirfields and who are undertaking programs of study which will advance their artisticdevelopment and who are pursuing career paths that can lead them to becomeestablished artists. The recipients have used these funds to enrich their artisticexperience studying at universities, arts training programs, festivals, and in privateinstruction at recognized institutions such as the National Ballet School, the ArtInstitute of Chicago, and the Royal Academy of Dramatic Arts.March 1 for Summerstudy May -­ August (The online application submission is open until 11:59 p.m.Atlantic Standard Time on March 1st.)

May 1 for Fall/Winter study September -­ December AND/OR January-­ April (Theonline application opens on March 2nd and closes on May 1st at 11:59 p.m. AtlanticStandard Time)

Disclaimer: You can only apply for one application deadline at a time. Once thedeadline date for Spring/Summer study has closed as of 11:59 p.m. AtlanticStandard Time (AST), March 1, the submission system for Fall/Winter 2014applications will open on March 2.

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To start your application please go here and follow the blue NEXT buttonshttp://nstalenttrust.ns.ca/default.asp?mn=1.23

CALL FOR PROPOSALS | SUPER CHANNEL DEVELOPMENT FUND Super Channel is committed to helping launch Canada?"s next generation offilmmaking talent and to enabling established filmmakers reach audiences inCanada and around the world. Through the Super Channel Development Fund weoffer crucial financing to Canadian feature films, feature-­length documentaries andseries.

Deadline : February 14, 2014 & May 16, 2014 Info : http://www.superchannel.ca/producers/development-­fund/

REQUEST FOR PROPOSALS | CANADA COUNCIL FOR THE ARTSOFFICES AT 150 ELGIN ST | OTTAWA The Canada Council for the Arts has announced a public request for proposals foran interactive media artwork at its new offices located at 150 Elgin Street inOttawa. This request for proposal (RFP) invites individual artists, collectives or organizationswith demonstrated history and ability to produce an interactive media artwork tosubmit proposals to the Canada Council for the Arts (Council). Candidates maycollaborate on the project providing there is one lead collaborator managing theproject and responsible for the contract. Having received a grant from the CanadaCouncil for the Arts is not a prerequisite to submit a proposal. Deadline: April 30th, 2014 Info: http://canadacouncil.ca/council/news-­room/news/2014/rfp-­video-­wall

Call for Submissions White Rabbit Arts Residency & Festival

White Rabbit is a week-­long artist residency in which emerging and establishedartists set up camp at beautiful Red Clay Studios to practice, create andcollaborate. The residency culminates in a public festival for the performance andexhibition of individual and collaborative works that have emerged over the courseof the week.

White Rabbit Open Air Arts Project is an immersive outdoor experience. Weencourage artists from a broad range of disciplines (textiles, dance, theatre,ceramics, paint, poetry, philosophy, words, audio, documentary, film, performance,music, you-­name-­it!) to push the boundaries of their practice, and work together tocreate the environment that is formed collaboratively and individually in responseto the unique landscape.

The cost for participants is $285 and covers 8 days including workshops and

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presentations by senior artists, field trips, use of site facilities, all meals, andaccommodation (camping or lofts). White Rabbit seeks to achieve culinaryexcellence: food is locally-­sourced and prepared by qualified chefs.

Interested artists should submit the following by April 20th, 2014: 1. A brief description (max 1 page) of your proposed project while at White Rabbit– please include ideas/concepts you will be exploring, materials and any tools thatyou will need. We encourage projects that are harmonious with the environment,therefore please specify and justify the proposed use of any unnatural materials.

2. A brief artist statement/bio including your current place of residence, previouswork and media (1 page max).

Submissions should be sent by email or post:

email: [email protected]

Postmarked before or on April 20th: PO Box 35, Bass River, NS. B0M 1S0

Short Film FaceOff

CBC Television is pleased to announce another season of Short Film Face Off,Canada’s only television magazine program that features short films from acrossthe country. Now in its seventh season, the critically acclaimed show has helpedbring a mainstream audience for short films in Canada and increased the profile ofits featured filmmakers. The CBC is looking for the best short films from everyregion to take part in this program.

In Short Film Face Off, films are screened for a panel of industry professionals whoprovide commentary and discuss the creative and technical aspects of the filmswith the filmmakers.

The series has a competitive component. The studio panel will choose three finalistsand the television viewing audience will ultimately vote for the top film. The CBCand sponsors offer a prize made up of cash and production services to be used bythe winning filmmaker towards his or her next short film. That film will be licensedfor broadcast by the CBC.

Films must be under 12 minutes in length, must have been completed in the pasttwo years, and must not have been broadcast on network television. We arelooking for comedies and dramas. Music videos and documentaries are not suitablefor this program. Directors must be available for tapings at CBC Halifax from June17 to June 20. The program producers will pay all travel and accommodation costs.

If you are interested in entering your film in Short Film Face Off, please send thesubmission form (available at cbc.ca/shortfilmfaceoff) and a link (preferred) or a

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DVD or USB Flash Drive copy of your film to:

Stewart YoungExecutive Producer: Scripted Programming and Production Services. 5600 sackville street, Halifax, NS B3J 1L2 [email protected]

Participants must own or control all the rights to the content in the film and be ableto authorize those rights for broadcast.

Visit cbc.ca/shortfilmfaceoff or contact the person above for more information. Thedeadline for entries is April 4, 2014.

Get updates from Short Film Face Off on Twitter! Follow @cbcshortfilm.

Short Film Face Off is looking for innovative films that are compelling to watch. Weare interested in fresh story ideas with memorable and engaging characters. Hereare the criteria: -­ Up to 12 minutes in length (excluding credits). -­ Comedies and dramas are the preferred genres. Both live action and animationare eligible. Music videos and documentaries will not be considered for theprogram. Experimental films will be considered on an individual basis. -­ We will accept films that have been screened at Film Festivals or other publicvenues but must not have been broadcast on national television. -­ The films must have been produced/ released after May 1, 2012. -­ Content must be suitable for a broad audience in the 7:00 pm timeslot at thediscretion of CBC. -­ Films must be primarily in English. Minimal subtitling is acceptable, but films thatare predominantly in a foreign language are not eligible. -­ The director of the film must be available to travel and appear on the programduring the week of June 16, 2014. Travel and accommodation costs will be paid forby Short Film Face Off. -­ Applicants must be residents of Canada and at least 19 years of age. -­ The producer or director must own or hold all rights to the film including music.The rights must be released to Short Film Face Off for broadcast on CBC Televisionand CBC websites. Short Film Faceoff will not pay for the release of any rightsassociated with the production and the producer will be expected to sign a waivergranting broadcast rights to CBC. -­ The winning film will win a prize consisting of cash and production services fromCBC and/or the program’s prize sponsors. The prize is intended to be put towardproduction of the director’s next short film. That film will be licensed for broadcastby the CBC.-­ Submissions must be delivered to the CBC by April 4, 2014, at 5:00pm local time.

Interdisciplinary Arts Residency

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http://www.banffcentre.ca/

Application deadline: June 2, 2014

Residency dates: Projects will be adjudicated for Fall 2014 and Winter 2015

The Interdisciplinary Arts Residency at The Banff Centre is designed to support

artists, artistic collectives, and companies in the creation, investigation, and

production of new work that crosses disciplines and genres. Utilizing the various

artistic facilities on campus to combine art forms, artists will be able to explore

projects blending music, theatre, dance, opera, literature, digital film, audio, media,

or visual arts.

This latest offering from The Banff Centre is a fit for artists generating work that

blurs boundaries: composers, choreographers, visual artists, writers, performance

artists, photographers, filmmakers, dancers, playwrights, musicians, directors, and

those involved in other new and emerging art practices. Artists at various stages of

artistic practice are encouraged to apply, whether they are at the conceptual stage,

ready for development and production, or preparing for presentation. Adjudication

is based on artistic merit and the ability of The Banff Centre to help realize the

project.

The Banff Centre offers work spaces and facilities suitable to the participants'

needs. Artists can create in our dance, writing, or music studios;; sound

recording/design and editing facilities;; production and post-­production spaces;;

animation design, theatre production, and design shops (set, costumes, lighting,

sound, and projection), and various visual arts facilities (printmaking, papermaking,

ceramics, sculpture, and photography). From these intimate spaces to the

spectacular, The Banff Centre houses a variety of performance venues including

two theatres, a concert hall, and cabaret-­style club. Our Library and Archives

houses a collection of materials with a focus on the visual and performing arts.

With over 8,000 artists, leaders, and researchers on campus each year, participants

have the option to interact with a diverse community of thinkers. Participants live

and eat on campus in our facilities and gain inspiration from our location as well as

the people and activities around them.

Apply now for NSI Totally Television

The National Screen Institute is seeking applications from writer/producer teams for

its prestigious NSI Totally Television course.

Up to six teams will have the opportunity to develop their television projects with

the best showrunners/story editors in the country.

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Past story editors have included Tassie Cameron (Rookie Blue), Vera Santa Maria(producer on Parks and Recreation), David Barlow (King, The Border) and AaronMartin (Being Erica, Saving Hope). Teams will also meet with decision makers frommajor Canadian networks and executive producers from companies likeShaftesbury, Temple Street, Breakthrough and Omni.

This 10-­month course includes extensive training, individual sessions with storyeditors and production execs, and private pitch meetings with broadcasters. Teamsadvancing to phase two of the course attend the Banff World Media Festival andreceive up to $5,000.

“We’re so happy to bring this in-­demand course back to NSI’s regular roster ofprogramming,” said Melissa Kajpust, director of programming at NSI. “It’s anexciting time for Canadian television and we’re grateful to Bell Media for extendingtheir support of NSI Totally Television.”

Apply for the course by May 6, 2014 at 4:30 p.m. CST.

Recent shows developed through NSI Totally Television include Less ThanKind (Citytv, HBO Canada), Todd and the Book of Pure Evil (SPACE), ‘da Kink in myHair (Global) and Wapos Bay (APTN). The program has produced 12 series that have gone into development, five thathave gone to air, one that has been piloted, and another produced as a feature filmthat had its world premiere at the Toronto International Film Festival.

NSI Totally Television is made possible by Presenting Sponsor Bell Media;; ProgramPartner Telefilm Canada;; Supporting Sponsor Entertainment One and IndustryPartner Academy of Canadian Cinema & Television. All media enquiries

Laura Friesen, Communications Coordinator tel: 204.957.2999 oremail: laura.friesen@nsi-­canada.ca

5. FILM FESTIVAL DEADLINESLunenburg County Film Series is looking for short films for our annual series offilms at the Bridgewater theatre. Short films need to be on Blu-­Ray, be about 4 to 6minutes long and be suitable for an older audience (ie, they don't love graphicviolence). Contact Christopher Ball, [email protected] We pay! $50.

PARMA

INTERNATIONAL MUSIC FILM FESTIVAL The international competition will reward the best soundtrack, then the best film

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music composer who will receive the Grand Prix “VIOLETTA D’ORO” (Golden Violette), aflower that is the symbol of Parma, but also represents the name of the most famousfemale heroin created by Giuseppe Verdi, much loved by the public.

In addition to the first prize, the Violetta d'Oro, will be assigned the “Violettad'Argento” to the best movie, and Honorable Mentions to best director, best photography bestactor, best script and best short film.

The purpose of this initiative is not only pointing out to the audience recent andimportant features, but also underlining the value of a musical score as an essential elementfor the poetry and the success of a movie itself.

Besides, the contest will be a chance for film makers and producers to show theirown works to a various audience and to a high-­qualified international jury.

Film makers and producers who will participate in our festival also have theopportunity to sell their productions to European Tv or Italian Tv, or other networks, and ParmaOperArt will take care of the negotiation for the distribution by means of its Tv distributor.

In addition of the section about feature films, it has been included also a section concerning short films, that will participate in the contest for a dedicated award.

Award Ceremony will take place at Salone San Paolo on September 20th 2014 at8.30pm with Dinner Gala, at which all producers or directors who have their film innomination will be invited.

The deadline for the subscription is June 30th 2014, and the attendance is open to feature films and videos of any nationality, subject and length. Info: Parma OperArt: http://www.parmamusicfilmfestival.com [email protected], +39 0521 1641083

CALL FOR ENTRIES | AESTHETICA SHORT FILM FESTIVAL 2014 |UNITED KINGDOM

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The Aesthetica Short Film Festival 2014 is now open for entries, offering both

emerging and established filmmakers the opportunity to engage with new,

international audiences and interact with some of the biggest personalities in the

film industry today.

In addition to screenings throughout the ASFF weekend, prizes include £500 for the

Festival Winner, £250 for the People's Choice Winner, screenings at a number of

other UK festivals and editorial on the Aesthetica and ASFF blogs. The time limit is

30 minutes and categories for entry are: Drama, Comedy, Thriller, Animation,

Documentary, Artists' Film, Music Video and Experimental.

Deadline: May 31st, 2014

Info: http://www.asff.co.uk/

CALL FOR ENTRIES | 67TH LOCARNO FILM FESTIVAL |SWITZERLAND Telefilm Canada is currently accepting entries on behalf of the Locarno Film Festival

for the Montréal Selection Screenings to be held April 14-­16, 2014 (films in English

or French with English subtitles) and for a consolidated shipment to Locarno (films

in French without English subtitles).

Entry fees are waived for Canadian feature-­length films submitted for the selection

screenings via Telefilm Canada.

The Locarno Film Festival is renowned for its varied program focused on the

discovery, new trends and passion for auteur cinema. A "F.I.A.P.F." leading

competitive festival, Locarno Festival is recognized as one of the major showcase in

Europe and a convivial networking event for distributors, buyers, producers'

filmmakers and journalists. In 2012, over 161,000 viewers, 3,000 accredited

professionals and 900 journalists attended the festival.

Deadline: April 4, 2014

Info: http://www.telefilm.ca/en/festivals-­and-­markets/festivals/67th-­locarno-­film-­

festival

CALL FOR SUBMISSIONS | 2014 ASINABKA FESTIVAL | OTTAWA The 3rd annual Asinabka Festival will be taking place in Ottawa, Ontario, July 23-­

27, 2014. The Festival is currently seeking works from independent filmmakers,

any film or video that tells First Nations, Métis, or Inuit stories, or focuses on

international Indigenous issues, is eligible. Submissions can be in any genre

(documentary, drama, animation, experimental etc.) or any length, and must be

finished works. Preference will be given to new works produced within the last two

years.

Deadline: May 12, 2014

Info: http://www.asinabkafestival.org/Submit.html

CLiFF 2014 Call for Submissions Films due 30 June, 2014

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The Selection Committee of the Canadian Labour International Film Festival (CLiFF)

invites you to submit your film or video for possible screening during our Festival to

be held this November in Toronto, Ontario and in 50 communities across the

country (and counting).

About the Film Festival

CLiFF features film and video made by, for, and about the world of work and those

who do it, in Canada and internationally. The films we showcase are about

unionised workers, as well as those not represented by unions. We encourage

projects regarding any and every aspect of work, as well as issues affecting work or

workers.

The festival draws trade unionists, community members, youth, activists, students,

educators, artists, and allies from across North America and one day, we hope, the

world.

Eligibility

We are looking for films on a wide spectrum of issues. We seek films about

privatization, youth, First Nations people, people of colour, immigrants, refugees,

detainees, health and safety, resistance, art, poetry, women, lesbian, gay, bisexual,

transgendered people, taxi drivers, truck drivers, rickshaw drivers – anyone who

does anything considered work.

We also encourage the widest possible variety of films: from documentaries to

drama to poetry/poetic treatments to comedy and animation.

1 The Festival is open to all film and video makers.

2 The Festival is open to all lengths but there is a strong preference for shorter

works.

3 Films and videos must be in English or have English sub-­titles. French subtitles

are also accepted (and encouraged).

4 Entries should be produced between 2010 and 2014.

5 Works in progress are ineligible (except by recommendation of the Selection

Committee).

Deadline

Submissions must be received no later than 30 June, 2014. Early submissions are

encouraged and appreciated. TWO COPIES of each submission are required. We

keep submissions as part of our Labour Film Library, which we will use for on-­going

educational work. You may submit the entry form electronically, by mail or fax prior

to shipping media and other materials.

Notification

CLiFF will notify entrants of acceptance via email, by 31 August, 2014.

Special Calls

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In addition to our open-­call where we look at anything and everything, the Festivalis especially looking for: Flash features, micro documentaries, archival oddities andcell phone video submissions under 5 minutes in length. Accepted formats includeDVD, VHS, Quicktime, .AVI, Flash. If you wish to be considered by the CLiFFSelection Committee, mark the appropriate place on the submission form. Open toall.

Technical Guidelines 1 Two copies of each entry in DVD (VHS -­ NTSC or PAL with prior notice only). 2 DVD’s must be region-­1 or “region-­free”. 3 Do not send masters unless asked to do so. 4 Multiple entries are accepted but each entry must be accompanied by a separateform and submission disc. 5 All discs must contain only the movie being submitted, cued to the front of thedisc. In other words, do not submit discs containing more than one entry or withmaterial other than the movie being submitted. 6 All discs must be labelled with title, running time and contact information. Poorlylabelled material makes it difficult for us to work with. 7 The entrant is responsible for all shipping fees. 8 Entries from outside of Canada must be clearly labelled: “Festival submission, forcultural purposes only. No commercial value”. The Festival will refuse anysubmission with customs duties owing. Note: Preview VHS and DVD’s will not bereturned although applicants are invited to pick up all preview materials in personafter the festival.

Publicity Materials If you submit a movie please send, TRAILERS, STILL PHOTOS and BIOGRAPHIES ona separate disk. The sooner you send us photos the better the chances they will beused in publicity materials. All other documents (in Microsoft Word, RTF or plainASCII text format) or photos (in JPEG or TIFF format) may be submitted via email(if overall file size is less than 5 MB). For larger file sizes submit via CD mailed tothe address below.

Shipping To avoid damage to any materials shipped, please use bubble wrap mailers orboxes when mailing submissions. Please label all media with the title and date ofthe work. Note: Shipping costs are the sole responsibility of the owner/distributor.Our staff will take every precaution in handling all films and videos. However, CLiFFcannot accept or assume responsibility for damage to, or loss of, materialssubmitted. CLiFF will consider paying for the cost of shipping materials forinternational or youth entries. Please contact us via email to make your request.

Final Delivery If your film or video is selected, you will be asked to deliver an MPEG 2 file at aspecific bit rate for our duplication service. Please note that your film may not bescreening in Toronto, but might at one or more of our other numerous locations

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across Canada.

Submission Fee and Screening Fees

There are no submission fees. CLiFF screenings are free, so we do not charge for

entrance as we believe these films should be seen by as many people as possible.

We therefore do not pay screening fees.

Submission Address

Submissions should be addressed to:

Canadian Labour International Film Festival

15 Gervais Drive, Suite 707,

North York, Ontario

Canada M3C 1Y8

Call for short films: win up to $5K through the NSI Online Short

Film Festival

Canadian short filmmakers have the chance to win up to $5,000 in cash awards

through the National Screen Institute’s Online Short Film Festival. Short films are

being accepted from now until Friday, April 25, 2014 at 4:30 p.m. CST.

Available prize money has increased from $4,000 to $5,000 with the introduction of

the new Brian Linehan Actors Award for best performance by an actor or actress in

a short film.

Submit your film here.

The NSI Online Short Film Festival is a year-­round Canadian short film showcase

with new films added every week.

Films that meet award criteria are eligible for the $2,000 Shaw Media Fearless

Female Director Award, $1,250 A&E Short Filmmakers Award, $750 Bite Comedy

Award and the $1,000 Brian Linehan Actors Award. These awards are presented

four times a year. Read more about the awards.

All NSI Online Short Film Festival winners from January 1, 2014 onwards will

receive a complimentary Friend membership for the Academy of Canadian Cinema

& Television.

Entries must not exceed 30 minutes in length and in many cases the shorter the

film, the better (really!). Drama, comedy, animation, documentary, sci-­fi, horror,

music video and experimental are all eligible and must be made by a Canadian

writer, director or producer. There is no submission fee. Films must be available

online (YouTube, Vimeo, or other platform) for viewing by the selection committee.

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The NSI Online Short Film Festival is made possible through the support of

Presenting Sponsor Shaw Media, Festival Partner Telefilm Canada, Comedy Award

Sponsor Blue Ant Media, Fearless Female Director Award Sponsor Shaw Media,

Overall Best Film Award Sponsor A&E Television Networks, Actors Award Sponsor

The Brian Linehan Charitable Foundation, Supporting Sponsor Netflix and Industry

Partner Academy of Canadian Cinema & Television.

All media enquiries

Laura Friesen, Communications Coordinator tel: 204.957.2999 or email:

laura.friesen@nsi-­canada.ca

INTERNATIONAL FILM COMPETITION | SCOTTISH MENTAL HEALTHARTS AND FILM FESTIVAL Now in its eighth year, the competition provides its award-­winners the opportunity

to showcase their films to Festival audiences. Winning films will be screened during

the Festival, which takes place during October 2014, and honoured at the

International Film Awards ceremony.

Previous winning films have examined issues including ageing, childhood, equality,

friendship, grief, music and sport, as well as specific mental health conditions. 2013

attracted entries from Scotland, other parts of the UK, Continental Europe, Turkey,

Israel, India, Bangladesh, Australia, Canada and the USA.

Deadline: April 11, 2014

Info: http://mhfestival.com/film-­awards

CALL FOR SUBMISSIONS | LES INSTANTS VIDÉOS FESTIVAL |MARSEILLE The festival Les Instants Vidéo is an event dedicated to media arts (video and

digital). Every year, we present an international selection of video arts, one

channel, installations, performances, experimental documentaries, artists' CD-­

ROM... and also spaces of time for different forms of encounters.

The title for this year festival (not definitive) is For a free circulation of bodies and

desires.

1) More and more walls are built between those who have (nearly) everything and

those who have (nearly) nothing.

2) Misogyny and homophobia (even hidden behind with a good conscience) are

walls erected between bodies and desires...

Deadline: June 13th, 2014

Info: http://www.instantsvideo.com/blog/en/archives/1204

CALL FOR SUBMISSIONS | 2014 ASINABKA FESTIVAL | OTTAWA The 3rd annual Asinabka Festival will be taking place in Ottawa, Ontario, July 23-­

27, 2014. The Festival is currently seeking works from independent filmmakers,

any film or video that tells First Nations, Métis, or Inuit stories, or focuses on

international Indigenous issues, is eligible. Submissions can be in any genre

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(documentary, drama, animation, experimental etc.) or any length, and must befinished works. Preference will be given to new works produced within the last twoyears. Deadline: May 12, 2014 Info: http://www.asinabkafestival.org/Submit.html

CALL FOR SUBMISSIONS | ART WASTE FESTIVAL 2014 |VANCOUVER The theme of June's submission group show will be public/private. We want toaddress this dichotomy in artistic practice and in the greater context of thecollapsing divide between these two realms in modern society. The theme is simplya suggestion for the submissions and may serve as a catalyst for artists to sharetheir private world with the public world. Last year, Art Waste featured 50 Vancouver artists in over 15 venues across thecity, bringing out hundreds of people in support of local artists. Deadline: April 30, 2014 Info: http://www.musicwaste.ca/art-­waste-­submissions/

CALL FOR SUBMISSIONS | REEL ASIAN INTERNATIONAL FILMFESTIVAL | TORONTO Reel Asian is Canada's largest and longest-­running showcase dedicated tocontemporary Asian cinema and media arts from Asia, North America and all overthe world. Annually, the festival attracts thousands of attendees to screenings,industry events and galas. We invite you to submit new independent films andvideos of all genres by and/or about East, South and Southeast Asians. We welcome new film and video submissions by and/or about East, South, andSoutheast Asians from around the world, including North America. Deadline: June 30th, 2014 Info: http://reelasian.com/index.php/festival/call-­for-­submissions

CALL FOR SUBMISSIONS | WNDX FESTIVAL OF MOVING IMAGE |WINNIPEG WNDX seeks new Canadian and international films and videos for our next edition,to be held Sept 24 to 28, 2014. WNDX pays special attention to the mostinnovative and ground-­breaking works created by moving image artists. In thepast, WNDX has featured spotlights on Guy Maddin, Joyce Wieland, George Kuchar,Steve Reinke, Barbara Sternberg, Phil Hoffman, John Price and Michael Snow, awell as the work of the Loop Collective. We do not program conventional featurenarrative films, conventional documentaries, or any type of commercial cinema.Our focus is on the experimental, the unconventional, and the otherwise unique. Deadline: May 31st, 2014 Info: http://www.wndx.org/submit-­film-­2014/

CALL FOR SUBMISSIONS | TAIS 10TH ANNUAL ANIMATIONSHOWCASE | TORONTO Founded in 1984, TAIS is an artist-­run Charitable organization. TAIS supports

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independent animators as artist and encourages research and creation by

facilitating affordable access to space and equipment.

We are seeking animated shorts, 10 minutes in length or less, completed within the

past 3 years for our 10th Annual Animation Showcase.

Deadline: May 30th, 2014

Info: http://tais.ca/2014_showcase.html

CALL FOR PROPOSALS | LUMIÈRE ART-­AT-­NIGHT | CAPE BRETON Lumière is an art-­at-­night festival held each September that takes place in Sydney,

Cape Breton. This year's festival will take place over three days on September 25,

26, & 27, 2014. Workshops and community events will take place on September

25th and 26th. Stay tuned for more details. The art-­at-­night event will take place

on September 27th, 2014 from 6:57 pm -­ 11:57 pm.

Each year we seek out fresh contemporary projects in any artistic medium that will

provide a new aesthetic experience to our audience.

This year's festival will be the most exciting yet as we present projects from

talented Cape Breton artists, and host a selection of projects by artists from across

the country.

Deadline: April 18th, 2014

Info: http://www.lumierecapebreton.ca/#!artists/c1thg

CALL FOR SUBMISSIONS | CABBAGETOWN SHORT FILM ANDVIDEO FESTIVAL | TORONTO The Cabbagetown Short Film & Video Festival is a juried showcase for some of the

world's best short films, receiving submissions from across Canada and United

States, as well as Europe, South America, Australia, Hong Kong and Japan.

Deadline: July 31st, 2014

Info: http://www.cabbagetownshortfilmandvideofestival.com/

CALL FOR SUBMISSIONS | REGENT PARK FILM FESTIVAL | TORONTO

Regent Park Film Festival is Toronto's only free-­of-­charge, multi-­cultural, film

festival dedicated to bringing the best local and international film and video works

to the communities living in and around the neighbourhood of Regent Park in

Toronto, Canada.

Regent Park is the oldest and largest public housing project in Canada. It is home

to a diverse group of communities, prominently new immigrants and Indigenous

peoples. Regent Park is currently undergoing a long-­term revitalization, where

mixed income housing is being introduced into the community.

The stories celebrated resonate with the inner city, community-­driven, trans-­

national, transient context of Regent Park, as well as with other communities in

Toronto, across Canada and all over the world. We encourage local, national and

international participation.

Deadline: June 13th, 2014

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Info: http://regentparkfilmfestival.com/festival/2014-­submit-­your-­film/

6. COMMUNITY NEWS

AFCOOP Open Grant Films in the Festival Circuit! Danny Boos' film "Palimpsest" was accepted into the Short Film Corner at Cannes!Palimpsest was created (in part) through AFCOOP's Open Grant program!

"Negative Nature," by Dawn George another film made through AFCOOP's OpenGrant program was nominated for a Golden Sheaf at Yorkton this year!

Congratulations to the 2014 Wave Award Winners The 2014 WAVE Awards were announced yesterday, capping the fourth annualWomen Making Waves, a three-­day conference marked by compelling speakers,dynamic panels and informative workshops. Honouring outstanding contributions by women in film, television and digital mediain the Atlantic Region, the one-­of-­a-­kind awards went to Newfoundland andLabrador’s Noreen Golfman and Barbara Doran, and Nova Scotia’s Linda Wood. “Each of these winners is unique and wonderful, and all of them loved the fact thatthe WAVE Awards have no categories – they simply honour women who deserve tobe celebrated,” said Jan Miller, Chair of host organization Women in Film &Television-­Atlantic (WIFT-­AT). “That fact allows the selection committee to make choices that truly celebratewomen making a difference in the screen industry – in a multitude of fabulousways.” About the winners: -­ Noreen Golfman has been described as a “powerhouse of poise, confidence andwitty charm.” The Dean of graduate studies at Memorial University, Golfman hasplayed an integral role in building a cultural community in Newfoundland andLabrador. She was involved in the founding of the St. John’s International Women’sFilm Festival 25 years ago, is Vice-­Chair of the Newfoundland and Labrador FilmDevelopment Corporation, and founded the MUN Cinema Series, among othercontributions to the industry -­ Linda Wood, the Director of Business & Legal Affairs at Film & Creative IndustriesNova Scotia, has worked with virtually every producer in this province. A championof Nova Scotia’s film, television and new media industry, Wood spent 11 years as ajuror for the CBC/Film Nova Scotia Bridge Award and played an active role in thecreation of the First Feature Project. While her name may not appear in theproduction credits, it’s a fixture in the “special thanks” sections of local film and

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television productions -­ Barbara Doran has been producing and directing films for more than 30 years.With incredible energy, she has devoted herself to the history, culture and future ofNewfoundland, while exploring stories around the globe. Her documentaries havecovered the sweatshops of Guatemala, women prisoners in Pakistan, AIDS workersin Africa, and romance writers in the U.S. Her Gemini Award-­winning miniseries,Random Passage, played to record audiences on CBC Television, and her newestfeature, The Grand Seduction, was nominated as best feature at the CanadianScreen Awards

Volunteers Sought for the Creative Nova Scotia LeadershipCouncil Are you interested in helping to shape the future of the province’s investment incultural development? We are currently seeking volunteers to join the CreativeNova Scotia Leadership Council (CNSLC). This council provides leadership to the Nova Scotia government for thedevelopment of policy which strengthens the culture sector. The volunteer council,in partnership with government, advises and makes recommendations to theMinister of Communities, Culture and Heritage on all matters that help to growNova Scotia’s creative spirit and enhance cultural activity through investment,investigation, promotion and preservation. A major focus of their work will be tosupport and advise on a long term strategy for culture. The activities of Council areguided under the authority of the Creative Nova Scotia Leadership Council Act. The Council’s selection committee and two other sector members will recommendvolunteers for the 15-­member council. The committee is seeking a range ofexperience among council members and will work to strike a balance between thearts and the cultural industries, not-­for-­profit arts organizations and individualswith an interest in helping shape a vibrant culture community. The committee willtake into consideration ethnic, cultural and regional diversity and welcomesapplicants from all cultural interests.

The Council meets monthly from September to June and reimburses its volunteermembers for out-­of-­pocket travel expenses. Deadline for applications: 4 April 2014 Please complete an application form and fax, email or mail it together with yourrésumé and covering letter to: Creative Nova Scotia Leadership Council Attention: Nominating Committee PO Box 456 Halifax, NS B3J 2R5 telephone: (902) 424-­4378 fax: (902) 424-­0710

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email: [email protected] website: http://creative.novascotia.ca/ Application forms can be found attached in PDF and Word Are you interested in helping to shape the future of the province’s investment incultural development? We are currently seeking volunteers to join the CreativeNova Scotia Leadership Council (CNSLC). This council provides leadership to the Nova Scotia government for thedevelopment of policy which strengthens the culture sector. The volunteer council,in partnership with government, advises and makes recommendations to theMinister of Communities, Culture and Heritage on all matters that help to growNova Scotia’s creative spirit and enhance cultural activity through investment,investigation, promotion and preservation. A major focus of their work will be tosupport and advise on a long term strategy for culture. The activities of Council areguided under the authority of the Creative Nova Scotia Leadership Council Act. The Council’s selection committee and two other sector members will recommendvolunteers for the 15-­member council. The committee is seeking a range ofexperience among council members and will work to strike a balance between thearts and the cultural industries, not-­for-­profit arts organizations and individualswith an interest in helping shape a vibrant culture community. The committee willtake into consideration ethnic, cultural and regional diversity and welcomesapplicants from all cultural interests. The Council meets monthly from September to June and reimburses its volunteermembers for out-­of-­pocket travel expenses. Deadline for applications: 4 April 2014 Please complete an application form and fax, email or mail it together with yourrésumé and covering letter to: Creative Nova Scotia Leadership Council Attention: Nominating Committee PO Box 456 Halifax, NS B3J 2R5 telephone: (902) 424-­4378 fax: (902) 424-­0710 email: [email protected] website: http://creative.novascotia.ca/ Application forms can be found attached in PDF and Word

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Make the BIG email your own!

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Looking to volunteer on a film shoot? Want to let people know about your film related venture?

Email a short paragraph to [email protected]

AFCOOP operates with generous support from the Canada Council for the Arts, theNova Scotia Department of Communities, Culture and Heritage and the loyal

volunteerism of our membership and the filmmaking community.

www.afcoop.ca

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