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Hyperbolized Modes of Latinidad: A Video Screening and Artist Lecture by Xandra Ibarra/La Chica Boom
* Photo by C. Godoy
FRIDAY 6-8 PM
FREE & OPEN TO THE PUBLIC Public Health Auditorium, Rm G23
For more information, contact Armando García ([email protected]).
Xandra Ibarra is an Oakland-based performance artist from the El Paso/Juarez border who often performs and works under the alias of La Chica Boom. Ibarra uses hyperbolized modes of racialization and sexualization to test the boundaries between her own body and coloniality, compulsory whiteness, and Mexicanidad. Her practice integrates performance, sex acts, and burlesque with video, photography, and objects. Throughout her multiple works, she teeters between abjection and joy and problematizes the borders between proper and improper racial, gender, and queer subject.
Ibarra’s work has been featured at El Museo de Arte Contemporañeo (Bogotá, Colombia), Broad Museum (LA, USA), Popa Gallery (Buenos Aires, Argentina), Joe’s Pub (NYC), Maccarone Gallery (NYC), and Yerba Buena Center for the Arts (SF) to name a few. Recent residencies include Fort Mason Center for Arts and Culture, National Performance Network, the Atlantic Center for the Arts, and CounterPulse. She has been awarded the Yerba Buena Center for the Arts Away Award, ReGen Artist Fund, Theater Bay Area Grant, NALAC Fund for the Arts and the Franklin Furnace Performance and Variable Media Award.
As a community organizer, Ibarra’s work is located within immigrant, anti-rape and prison abolitionist movements. Since 2003, she has actively participated in organizing with INCITE!, a national feminist of color organization dedicated to creating interventions at the intersection of state and interpersonal violence.
