1
MUSIC B.B. KING with Millie Jackson & Bobby'Blue'Bland The Celebrity Theater, April 2 by Pat Kramer Y n what was his strongest, I mostanimatedshowina'long I- time, "King of the Blues" B,B. King played to a sold-out crowd at Anaheim's CelebritY Theatr€, in the first of two L.A. areashows. King was preceded bY singers Bobby "Blue" Bland and Millie Jacksott, for shows that combioed tbe best of each performer's styles, resulting in a cohesive night of music that built in intensity. The dapper Bobby "Blue" BIand staned the night's entenainment with a rvonderfully, flirtatious set with a cool, begging style ofsing- ing the blues. In his sweet, clear voice the crooner directed the lyr- ics of his songs at women in the front rows, often with hilarious results: in one song, beseeching a woman aa to why she had done him wrong, in another asking a woman ifshe were singleandwhat her problem was. Bland's band, led by trumPet player Joeeph llardin, provided dramatic overdriveto the 63-year- old singers' selections, keeping the show moving during the z{)- minute set. As cool as Bland was, Millie Jackson was all sizzle, with a very sexy, powerdriven bravado that was heavy on audience dialogue and equally strong on talent. Millie's show challenged the men in the audience, directing herlove- scomed blues lyrics at them, often with racy dialogue to boot! A captivating performer, Jack- son is also very versatile. Her show featured an exceptional Tina Turner impesonation, a "funked- out" version of Merle Eaggard's "Go Your Separale Way" arld an eogaging duet with keyboardist Douglas Knight called "Yor.tg Man, OUer \Vonan." Knight's gospel-tinged vocals added depth to the song, as the two acted out a very conviocing display of lovC and devotion that ended Jackson's show in an arresting and most stimulating fashion. As smooth as Bobby was, and as provocative as Millie was, B.B. was just as dynamic. From the moment he took the stage, to a standing ovation from the house, B.B. King wasreadytoplay, jump ing in for a full kilter version of *l*t the Good Times Roll." The show featured a laid-back selec- tion of many of his best unes, including his GrammY Award winning "?ia Thrill is Gone," "PaJing the Costto be the Boss," "Guess I've Got to Move Out oJ My Neighborhood," "Havc You Evcr Had the Blucs," and selec- tions from his new albumThere is Alwavs One More Time, King's band added additional flair, especially 15-year band vet- eran James Bolden, whose color- ful trumpet playing and energized dancing got the audience to their feet to shimmy and shake. At one point, Kirig stood up and shim- mied back at an anractive woman doing a sultry dance in the front row. Other high moments of the show included lke Turner's ap pearance on stage, after B.B. an- nounced Ike and Larry Davis were in the audience. About halfway through the show, King got serious for a mo- ment, as he dedicated a song to friends he made during his 42- year career who have now passed on. The list included Muddy Waters, Howlh' Wolf, Stevie Ray Vaughn. Miles Davis, Albert King and Doc Pomus. Now age 67, B.B. King shows no signs of slowilg down, with another tour coming up this sum- mer and his new album, Zgg-lb Alw a! s On e More Time. a record- ing which King refers to as "the best album I've recorded in my career." His career has covered four decades, during which time King has rolled with music indus- try changes and managed to suc- ceed at playing a style of music, not traditionallyeommercial in na- ture. With his own star on the Hollywood Walk of Fame, a Life- time Achievement Award, four Grammy's, four Honorary Doc- torates and numerous endorse- ments by popular, contemporary artists, King is perhaps the mosl commercially successful black artist in blues history. As a guitarist- King adds a flair to the simplest songs, dressing each up with a flurry ofnotes and scales. As a singer, he can be fiery or soulful, putting on a show for Anaheim fans that was hard-driv- ing, intimate, and imaginative. I .h Muslc NorEs continued from page 26 Designed with kids in mind, Epic Records has announced a new collection of nursery rhymes set to slammin' hip-hop beats. Rap Rl.rzles brings the hip sound of the street to classic nursery rhymes hke "One, Tvo' Buckle My Shoe," "Mary, Mary Quite Contrary," and "The House That tack Built," by offering versions of tradi- tional childrcn's songs by Tone Loc, Mellowman Ace, Kid Frost, and others. The project is the brainchild of veteran talent agent and artist manager Mike Gardner' who also served as the project's executivc producer. Says Gardner, "No one talks about the socially positive side of rap. I thing this record will get across the fact that not all hip- hop is about violence and pro- fanily." No, some of it can be about learning your ABCs hip- hop style. I IfYoulsNdI What HsppyWlthtj - -'iouBW NeitherAre We! SAfISFACfllON GUARANIEED! The Wherehoule hol loken oll lhe rilk oul o[ buying musit' movix' blonk looe. o<teslories ond everylhing ehe we sell in our dores' ll s iimph' We ouoiontee vou'll be totollv sotislied wilh everylhing you buy 0l lne Wfieiehouse. lf. lor onvreoson. thol'srighl'ony reolon, you re nol hoppy with your purthose, iusli elur n ilwithin len doys wilh lhe r eteipl ond 0ngrnol produtl potkoging ond we'll exthonge il-'n0 quethon5 05ke0' At lhc Wherehousc, we'te nol tonrplelely s0litlied unlil you're (0m' pletely sotisfied...We Sell Solislottion! @iiiffisli" PAGE2TENTERTAINMIMIOOAY AI'RII 9, 1993 -

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Page 1:  · Created Date: 9/15/2015 8:28:00 PM

MUSIC

B.B. KING with Millie Jackson & Bobby'Blue'BlandThe Celebrity Theater, April 2 by Pat Kramer

Y n what was his strongest,

I mostanimatedshowina'longI- time, "King of the Blues"B,B. King played to a sold-outcrowd at Anaheim's CelebritYTheatr€, in the first of two L.A.areashows. King was preceded bY

singers Bobby "Blue" Bland andMillie Jacksott, for shows thatcombioed tbe best of eachperformer's styles, resulting in acohesive night of music that builtin intensity.

The dapper Bobby "Blue" BIandstaned the night's entenainmentwith a rvonderfully, flirtatious set

with a cool, begging style ofsing-ing the blues. In his sweet, clearvoice the crooner directed the lyr-ics of his songs at women in thefront rows, often with hilariousresults: in one song, beseeching awoman aa to why she had donehim wrong, in another asking awoman ifshe were singleandwhather problem was.

Bland's band, led by trumPetplayer Joeeph llardin, provideddramatic overdriveto the 63-year-old singers' selections, keepingthe show moving during the z{)-

minute set.As cool as Bland was, Millie

Jackson was all sizzle, with a verysexy, powerdriven bravado thatwas heavy on audience dialogueand equally strong on talent.Millie's show challenged the men

in the audience, directing herlove-scomed blues lyrics at them, oftenwith racy dialogue to boot!

A captivating performer, Jack-son is also very versatile. Her showfeatured an exceptional Tina

Turner impesonation, a "funked-out" version of Merle Eaggard's"Go Your Separale Way" arld aneogaging duet with keyboardistDouglas Knight called "Yor.tgMan, OUer \Vonan." Knight'sgospel-tinged vocals added depthto the song, as the two acted out avery conviocing display of lovCand devotion that ended Jackson'sshow in an arresting and moststimulating fashion.

As smooth as Bobby was, and as

provocative as Millie was, B.B.was just as dynamic. From themoment he took the stage, to a

standing ovation from the house,B.B. King wasreadytoplay, jumping in for a full kilter version of*l*t the Good Times Roll." Theshow featured a laid-back selec-tion of many of his best unes,including his GrammY Awardwinning "?ia Thrill is Gone,""PaJing the Costto be the Boss,"

"Guess I've Got to Move Out oJMy Neighborhood," "Havc YouEvcr Had the Blucs," and selec-

tions from his new albumThere isAlwavs One More Time,

King's band added additionalflair, especially 15-year band vet-eran James Bolden, whose color-ful trumpet playing and energizeddancing got the audience to theirfeet to shimmy and shake. At onepoint, Kirig stood up and shim-mied back at an anractive womandoing a sultry dance in the frontrow. Other high moments of theshow included lke Turner's appearance on stage, after B.B. an-

nounced Ike and Larry Davis werein the audience.

About halfway through theshow, King got serious for a mo-ment, as he dedicated a song tofriends he made during his 42-year career who have now passedon. The list included MuddyWaters, Howlh' Wolf, StevieRay Vaughn. Miles Davis,Albert King and Doc Pomus.

Now age 67, B.B. King showsno signs of slowilg down, withanother tour coming up this sum-mer and his new album, Zgg-lbAlw a! s On e More Time. a record-ing which King refers to as "thebest album I've recorded in mycareer." His career has coveredfour decades, during which timeKing has rolled with music indus-try changes and managed to suc-ceed at playing a style of music,not traditionallyeommercial in na-

ture. With his own star on theHollywood Walk of Fame, a Life-time Achievement Award, fourGrammy's, four Honorary Doc-torates and numerous endorse-ments by popular, contemporaryartists, King is perhaps the moslcommercially successful blackartist in blues history.

As a guitarist- King adds a flairto the simplest songs, dressing eachup with a flurry ofnotes and scales.As a singer, he can be fiery orsoulful, putting on a show forAnaheim fans that was hard-driv-ing, intimate, and imaginative. I

.h Muslc NorEscontinued from page 26

Designed with kids in mind,Epic Records has announced anew collection of nurseryrhymes set to slammin' hip-hopbeats. Rap Rl.rzles brings thehip sound of the street to classicnursery rhymes hke "One, Tvo'Buckle My Shoe," "Mary,Mary Quite Contrary," and"The House That tack Built,"by offering versions of tradi-tional childrcn's songs by ToneLoc, Mellowman Ace, KidFrost, and others.

The project is the brainchildof veteran talent agent and artistmanager Mike Gardner' whoalso served as the project'sexecutivc producer. SaysGardner, "No one talks aboutthe socially positive side of rap.I thing this record will getacross the fact that not all hip-hop is about violence and pro-fanily." No, some of it can be

about learning your ABCs hip-hop style. I

IfYoulsNdIWhatHsppyWlthtj- -'iouBW

NeitherAre We!SAfISFACfllONGUARANIEED!

The Wherehoule hol loken oll lhe rilk oul o[ buying musit' movix'

blonk looe. o<teslories ond everylhing ehe we sell in our dores' ll s iimph'

We ouoiontee vou'll be totollv sotislied wilh everylhing you buy 0l lne

Wfieiehouse. lf. lor onvreoson. thol'srighl'ony reolon, you re nol hoppy

with your purthose, iusli elur n ilwithin len doys wilh lhe r eteipl ond 0ngrnol

produtl potkoging ond we'll exthonge il-'n0 quethon5 05ke0'

At lhc Wherehousc, we'te nol tonrplelely s0litlied unlil you're (0m'

pletely sotisfied...We Sell Solislottion!

@iiiffisli"PAGE2TENTERTAINMIMIOOAY AI'RII 9, 1993

-