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The images below are photographic evidence of me testing my equipment checklist for the Drama Studio and correcting the issues. This is me using my own equipment checklist to see whether the CCT Fresnels were installed on the bar in the rig correctly. If I found a problem, I had to follow my guide to see if it would help me to fix it efficiently and see if Here, I have located a CCT Fresnel from the back of the hall on the lighting rack. I had to do this because when I walked into the Drama Studio, I noticed that there were only 9 lights in the rig instead of 10, so I followed After picking up the light I noticed that it didn’t have a g-clamp attached to it, so again I followed what my notes told me to do which was to “find spare g-clamps in the back of the hall” and I found where they were very easily. To attach it to the light, I put the bolt through the hole in the arm of the light and screwed the nut on tightly to make sure it was secure. Then I had to rig the light after

Photographic evidence

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Page 1: Photographic evidence

The images below are photographic evidence of me testing my equipment checklist for the Drama Studio and

correcting the issues.

This is me using my own equipment checklist to see whether the CCT Fresnels were installed on the bar in the rig correctly. If I found a problem, I had to follow my guide to see if it would

help me to fix it efficiently and see if the information was correct.

Here, I have located a CCT Fresnel from the back of the hall on the lighting rack. I had to do this because when I walked

into the Drama Studio, I noticed that there were only 9 lights in the rig instead of 10, so I followed my notes on my checklist

and was able to find a spare to complete the numbers.

After picking up the light I noticed that it didn’t have a g-clamp attached to it, so again I followed what my notes told me to do which was to “find spare g-clamps in the back of the hall” and I

found where they were very easily. To attach it to the light, I put the bolt through the hole in the arm of the light and

screwed the nut on tightly to make sure it was secure. Then I had to rig the light after making sure it had a gel frame and a

safety chain, which it did. I made sure to tick things off my checklist when I had completed them.

Page 2: Photographic evidence

Although the lights didn’t need barn doors on them unless they were required, I checked to see if they were located in the

place that my checklist stated which was in the back of the hall above the lighting rack, on a hook on the wall. This turned out

to be correct as this is where I found them.

Another thing I came across when checking the lights in the rig was that one was without a safety chain. My instructions on

the checklist told me that spares are located in the back of the hall above the lighting rack, on the wall. It’s essential for all

lights to have a safety chain when being hung from the bar in the rig or on a boom (which is a tall stand to attach lights to) to

prevent them from falling and causing injury. I attached the safety chain to the light by looping it around the adjustable

arm, and then rigged the light back onto the bar and wrapped it around the bar.

The last thing I found was that one of the lights didn’t have a gel frame. The spare frames are situated in the back of the hall just like the checklist said, so I was able to find them easily. I also

found gels to insert into the frames in the drawer next to them. This is also where my checklist said they would be. I didn’t insert the gel because it wasn’t necessary at that moment, but I inserted the

frame. To do this, I looked for the ridges inside the slot at the front of the light and slid the frame down in between them, making sure it was secure so it wouldn’t fall out when the light was in the rig.