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Presented in the University of Lapland, October 2013. Seminar on exhibition design.
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Open & Participatory
Museums
Prototyping interaction design in exhibitions
Dr. Mariana SalgadoPostdoctoral researcherArki Research GroupAalto University2013
Interaction Design
ParticipatoryDesign
New Media Studies
Museology
X
How to create interactive design that encourages people to participate in
exhibitions?
Sound Trace
Äänijalki (2005)
Ateneum Art Museum
Sound Trace
Mariana Salgado- Media Lab- November 2005
Mariana Salgado- Media Lab- November 2005
Conversational Map
Keskustelukartta (2005)
Kunsthalle (Taidehalli)
Mariana Salgado- Media Lab- November 2005
Mariana Salgado- Media Lab- November 2005
Mariana Salgado- Media Lab- November 2005
Mariana Salgado- Media Lab- November 2005
The Secret Life of Objects
Esineiden Salatut Elämät (2008)
Design Museum Helsinki
Mariana Salgado- Media Lab TAIK- April 2008The Secret Life of Objects
Design Research
Prototyping interaction design in exhibitions
Water collectionWe always had some for water and gas collecting at the summerhouse, starting in my childhood. No well and three kilometres to the mainland.
Mariana Salgado- Media Lab TAIK- April 2008The Secret Life of Objects
Why participative practices?
Yrjö Kukkapuro (1933-)Rocking chair “Experiment”birch laminate, tubular steel, wood, leather1982Avarte OyYrjö Kukkapuro graduated in interior architecture from the Institute for Industrial Arts in Helsinki in 1958. The basis for his design is in ergonomics. Kukkapuro has made an impressive amount of furniture for public spaces in his career. International postmodernist currents gave rise to the “Experiment” collection of furniture by Kukkapuro, first exhibited at the Milan furniture fair of 1982. The success of “Experiment” was evident in the fact of it being featured in 32 different newspapers and trade magazines.Yrjö Kukkapuro (this was a link to the designer’s company: http://www.avarte.fi/english/designers/yrjo-kukkapuro/)
Arcs and colours
Excellent chairs, cute, humorous. I fantasised about these chairs for a long time and at some point a suitable pair came. The chair is like a pet. It smiles and gestures to me like a funny rascal, in
its own way, each day. No other lounge chair does the same, but the morning starts
well when I read the newspaper in its arms and drink my morning tea in it
“
HUMOR
Spaceless space
I recently heard a lecture by a Spanish artist called Roc Pares. He has worked with the idea of a virtual void. I see a certain similarity between Kåhre’s and
Pares’ works, except that Pares works with the means of virtual reality and Kåhre’s piece is purely based on the
physical. Both works also remind me of an article “Psychology and Nothing” written by Eliot Hearst (1991, American Scientist, 7, 432-443). Hearst writes about how hard it is for us humans to think about something that “is not” and that we are programmed to deal with things that “are” and “exist.” Thinking about Kåhre’s piece, it might be that we are programmed also to perceive “what
is” and not “what is not”.
Galleria virtual: The website of Roc Pares’ work Galería Virtual.
Comment left in Conversational Map.
“
AFTER-BEFORE
Finnish design inspires me whenever I buy objects. Their high quality makes me think twice before choosing an object. They are practical, sit well with furniture, and their use of materials is good. Hard to say how much I appreciate your designs.
“ Minimal
All this Finnish design makes me want to listen to minimal techno music.
“
Grandmother
There is a Savoy vase in every Finnish home. The
size and colour just varies. It’s suitable for
everything: flowers, fruit and stones. It is a true Finnish classic. Original
in English.
“
Aalto vase
Definitely one of the most well-known pieces of Finnish glass design in the world. I live in the U.S and have this
vase at my home in many sizes and colours, and it makes me appreciate the artistic talent we
have in Finland
“FOREIGN VIEW
This thing is very good, says an open-sea fisherman. It’s amazing how the designer has got the idea of letting water
pass through the head of the fish, thus making it wobble in a nice way that the big fish can’t resist.
Comment left at The Secret Life of Objects.
“
EXPERIENCES
Anti-Ode to a Lamp (Ode to Objects)
A man invents a lampthat is not a lampHe hides the lampinside ice.I don’t understand I am already coldI want warm light, yellow and graceful
A woman invents a new lampshe places it insidethe sun.Every morning it smilesat herthrough the gap in the curtains.
Nana
.
“
Poem made for The Secret Life of Objects.
EMOTIONS
Visitor’s comment
I have heard a story about these scissors, where the colour of their
plastic part is a result of the prototype process in which they used some
leftover pieces of plastic that happened to be orange, the orange that
afterwards was used… is that story true?
Comment left at The Secret Life of Objects.
“Answer from museum’s staff
The story is true. Fiskars had made a juice extractor before that. The juice extractor used orange plastic that accidentally ended up on the scissors handles when the first syringe was chosen. Workers were involved in the decision, and the colour orange was chosen for the handles.
Comment left at The Secret Life of Objects.
“
DIALOGUE
Eeronauts
The furniture by Eero Aarnio has prompted a particular fan club: the “eeronauts.” All around the world, they have
incorporated his work not only into everyday life, but also into pop culture, from sci-fi to Playboy. These signs cover
magazines, videos, movies, etc.
Comment left at The Secret Life of Objects.
“
EXPERTISE
Mariana Salgado- Media Lab TAIK- April 2008The Secret Life of Objects, an Interactive Map of Finnish Design
CREATIVITY
How to create interactive design that encourages people to participate in
exhibitions?
Think in a participatory exhibition you have visit
In which way it was participatory? Who was invited to take part? How?
Tell to the others in the groupChoose one casePresent it
GROUP WORK
10 MIN
EXAMPLES
Työväenmuseo Werstas: http://www.werstas.fi/?q=node/803
http://www.flickr.com/groups/vangoghmuseum/
http://openexhibits.org/
Participatory practices
Open Content and Data
Create and reuse
GLAM = Galleries, Libraries, Archives and Museums
Open GLAM on kansainvälinen verkosto, joka koostuu avoimien sisältöjen ja tiedon kanssa työskentelevistä toimijoista.
http://openglam.org/ #openglam
GLAM = Galleries, Libraries, Archives and Museums
Open GLAM on kansainvälinen verkosto, joka koostuu avoimien sisältöjen ja tiedon kanssa työskentelevistä toimijoista.
http://openglam.org/ #openglamhttp://avoinglam.fi/
http://fi.okfn.org/
Support the construction of a network
Stimulate the discussion on Openness
Promote open content and legal creative
use/re-use of cultural heritage
A series of workshops and events in different regions of Finland
Promote the development of best practices
http://fi.wikipedia.org/wiki/Kiasma
http://www.kiasma.fi/ohjelmisto/tapahtumat-ja-luennot/wikimaraton
Retrieved from http://blog.kiasma.fi/blog/?p=1095
https://www.finna.fi/
Participative practices Open approaches
Push towards openness needs researchers + students + GLAM
Design- research on cultural organizations as a form of activism