ROLES

LIV BACKI will be taking on the roles of:

1) Script writer- script writers write the script for films. They create the personality of characters, craft dialogue and write an engaging plot,

2) Technical director- The technical director is responsible for the technical production crew. The technical production crew operate the cameras, coordinate the lighting and find the correct music/sound. As I am in charge of the sound I will be using technical equipment to record sound, amplify voices and edit recordings. The practical and technical skills of sound technicians are absolutely essential for providing the audience with a satisfying multi-sensory experience. In our production we will be using the recording studio at our school to record the little dialogue we are having (its more like a voiceover as the person who is speaking is off screen.) To record the ambient sound we will be using a h4n (digital recording device), a boom pole and a shot gun mic. As I have the job of looking for and using appropriate sound within our production I had to find our non diegetic sound. This is a score or soundtrack. It was vital that this was copyright free. After much research we decided to use this orchestral score, as we believe that the crescendo (gradual increase in volume) connotes the increasing control the protagonists illness has over her. It Is a powerful piece of music which connotes the intense strength of the threat and the power of the voices which disturb and torture our protagonists mind.

https://www.youtube.com/watch?v=gHF8w7Jpugc

HANNAH GRINHAMHannah will be taking on the roles of:

1) Editor- Film editors use state-of-the-art video editing software. Hannah will be using Final cut pro. Editors typically work alongside the director in an editing suite or studio. They gather together all of the recorded material (including sound files), organise it, store it digitally and then arrange it, cutting parts and restructuring scenes until a ‘rough cut’ can be put together. Once the right shots have been sequenced and the sound effects and dialogue have been overdubbed properly, an editor’s job involves putting the finishing touches to everything. This process might involve enriching/enhancing colours or adding in special effects.

2) Director- Film directors have ultimate control over the creative side of a film production. They are responsible for making a film as powerful, entertaining and effective as possible.

IBZIE DUCKETTIBZIE WILL BE TAKING ON THE ROLES OF:1) CINEMATOGRAPHER- A CINEMATOGRAPHER IS INVOLVED WITH THE SELECTION AND MANIPULATION OF TECHNICAL EQUIPMENT TO CREATE EYE-CATCHING IMAGES ON SCREEN. IT IS WHAT GIVES A FILM OR TV SHOW ITS UNIQUE AESTHETIC STYLE.2) PRODUCER- PRODUCERS ARE THE PROJECT MANAGERS OF THE FILM. WORKING ON THE FILM THROUGHOUT THE ENTIRE PROJECT LIFECYCLE. THEY USE THEIR TEAM LEADING AND ORGANISATIONAL SKILLS TO MAKE SURE PROJECTS ARE COMPLETED ON TIME AND IN BUDGET. PRODUCERS MAY OCCASIONALLY PROVIDE CREATIVE INPUT INTO THE CONTENT AND STYLE OF FILMS, BUT, PREDOMINANTLY, THEY ARE RESPONSIBLE FOR THE COMMERCIAL AND PRACTICAL ASPECTS OF THE FILM. THEY ARE RESPONSIBLE FOR SECURING FUNDING FROM A RANGE OF SPONSORS, MANAGING BUDGETS, ASSIGNING RESOURCES, CREATING PRODUCTION PLANS, AND HIRING SCREENWRITERS, DIRECTORS, CASTING DIRECTORS, CINEMATOGRAPHERS AND OTHER VITAL MEMBERS OF STAFF. NOT ALL OF THESE RESPONSIBILITIES ARE RELEVANT TO OUR PRODUCTION, SO IBZIE WILL BE FOCUSING ON ASSIGNING RESOURCES AND CREATING PRODUCTION PLANS.

ALEX OFFERAlex will be taking on the roles of:

1) Costume designer- Costume designers, design the characters costumes so that the connotations presented are accurate. They also make sure that all costumes fit and are suitable for the characters roles.

2) Cast director- A cast director is someone who selects the cast. They are responsible for holding auditions and selecting the right person for the character.

3) Lighting- Although Liv is technical director, Alex is going to be in charge of the lighting on set. They create and manage all aspects of lighting for a production. Lighting directors work with the artistic and production staff to support the director's plans for the production. Lighting directors begin by designing a lighting plan for the production. They use storyboards, photos, computer software and scripts to create lighting cues and devise a layout. Throughout the rehearsal and design process, the lighting director must edit and develop this plan.