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INTRODUCING: PHOTOREALISM
BY: LESLIE AND FANG
History:
• Began in the late 1960s
• Term coined by Louis K. Meisel in 1969
• It is also sometimes labeled as Super-Realism,
New Realism, Sharp Focus Realism, or Hyper-
Realism.
• Evolved from Pop Art and was a counter to Abstract Expressionism and Minimalisism
• “Photorealism “came out of Pop yet had the
affectlessness of Minimalism and, at the
same time, capitalized on the public's
fondness for exact replication.”
• Reaction to the ever increasing
photographic media, which was threatening
to lessen the value of imagery in art.
• Tried to reclaim the value of an image.
• Photorealism was international, but mainly
practiced in the U.S.
• The use of a camera and photographs is an acceptance of
Modernism
• Invention of camera:
1. Caused scenic and portrait artists to quit and
move to photography because their work was claimed to be
inadequate to the real thing.
2. In the 19th and 20th century, artist used
photographs as an aid in their painting but would deny
it in fear that their work to be called imitations.
3. Offered up a lot of experimentation.
• Photography was a break in history and allowed artist to
replicate something that they witnessed. (Cave Man
Drawings)
MEISEL’S 5 POINT DEFINITION FOR ORIGINATORS
• Use of camera and photograph to gather “info”• Use of mechanical or semi-mechanical means to
transfer “info”• Artist must have technical ability to make the
piece seem photo realistic• Work must be exhibited by 1972 to be considered
a Central Photo Realist• Artist must have devoted at least 5 years towards
photorealistic work
The difference between Photorealism and Pop Art:
Photorealism • Tries to reclaim and exalt the value of an image. • sustains the fact that reproducing paintings from photograph
is not mere imitation.Pop Art:• usually for commercial usage • mainly pointing out the absurdity of much of the imagery.• Focusing on humor or leisure purposes.
STYLES AND IDEAS
• All styles revolve around the photograph• Artists try to represent a frozen moment in time • The photographs slide must be transferred to the
canvas, 2 primary methods to do so
Technical method• The use of machines or projectors to slide the
image onto the canvas
METHODS-GRID
Richard Estes (1932-1990)
• Used color photographs
• The paintings generally consist of
reflective, clean, and inanimate
city and geometric landscapes.
• Didn't included litter or snow
around the buildings, because he
thought they would draw attention
away from the buildings.
• Settings were always in the
daytime, never the nighttime
• Avoided using famous cityscapes
• strive to create a three-dimensional feel
• early 1960s are of city dwellers engaged in everyday
activities
• Beginning around 1967, he began to paint storefronts
and buildings with glass windows and their reflections.
Ansonia, 1977.
Oenophilia, 1983
tkts Line, 2005
Charles Bell (1935 – 1995)
• Subject matter was mainly
of vintage toys, gumball
machines, and dolls and
action figures.
• He created work in a scale
as much as ten times life
size, with clear and vibrant
colors.
• Brings out majesty and
wonder to the mundane.
Sugar Daddy, 1975
One to Four can Play, 1995
Marbles VIII, 1982
CHUCK CLOSE• Born in Monro, Washington 1940• Bachelor’s in art from University of Washington• Major in art from Yale• Focuses on portraits of friends and family• Master of the Grid method• 1988 spinal infection left him quadriplegic• Had to relearn how to use his hands to continue his
work• Work featured at multiple museums including National
Gallery of Art, Museum of Modern Art, Tate gallery and more.
• Paints faces because “He has a difficulty recognizing faces”
• Later works features a concept of pointillism mixed in• Later work branched into non-rectangular grids and
topographic styles of regions with similar color
The Big Self Portrait1969 acrylic on canvas
"The thing I like about a photograph is that it represents a frozen, poem like moment in time."--Chuck Close
Frank 1969
Emma 2002 (Chuck’s niece)
Lucas, 1986
Lucas 2, 1987
Ralph Goings 1928
• best known for his paintings
of hamburger stands, pick-up
trucks, and California banks
• reveal the visual beauty and
fascination of the pictorial
subject• It's a democratic triumph: all things become equal in both their power and vacuity.
• visually engaging because of
the variety of texture,
light play and reflections
Dick’s Union General, 1971
Miss Albany Diner, 1993
Double Ketchup, 2006
Donut, 2006
DUANE HANSON• Born January 17th, 1925 in Alexandria Minnesota
• Master of Fine Arts degree from Cranbrook Academy of Art after a period of teaching high school art
• 1987 honored with Duane Hanson Day, a proclamation in Broward County.
• Introduced into Florida Artists Hall of fame in 1992
• Social Observer
STYLE-HANSON
• Heavily influenced by the Pop Art sculptor George Segal
• Known for life-like sculptures made from variable materials such as polyester resin, fiberglass, bondo, and bronze
• Original pieces depicted brutally violent subjects• First pieces cast in fiberglass and vinyl• Clothed sculptors appropriately and posed them
for action shots• Used real life models and adjusted as needed• Predominately middle or lower class, blue collar
Motorcycle accident 1967
Race Riothttp://www.wineandbowties.com/art/sculptures-by-duane-hanson/
Tourists 1988 (fiberglass)
Traveller 1988
MODERN PHOTOREALISM
• Movement continues and includes some of the originators
• New photo realists build upon the foundations of the originators
• Many newer artists have strayed from original strict definition
• New tech allows artists to be able to be far more precision oriented
OVERVIEW
• Movement began in late 1960s early 1970s• Not possible without the invention of the
photograph• Photorealism is about catching a frozen moment
in time• Photorealism is not about the photo, but rather
the skill behind duplicating the image or how they adjust the image.