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Arresting Motion Practical Observational Drawing Curriculum for 6th to 12 th grade Brighton Smith Studio Art Teacher, Great Hearts Academies

Arresting Motion: General to Specific

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Page 1: Arresting Motion: General to Specific

Arresting Motion

Practical Observational Drawing Curriculum for 6th to 12th grade

Brighton Smith Studio Art Teacher, Great Hearts Academies

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“The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life” -William Faulkner

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Line and

Shape

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Shape into form

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Contour Line Drawing

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Form and ValueDirect Light- Where is it coming from?Core Shadow- What is the darkest area on

the object?Reflective Light- What happens as the form turns away from us? Cast Shadow- How is it created? Do we need it? What would it look like without the cast shadow?

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Multiple Solids

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Complex solids / “REAL” objects

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Hand Drawing

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Folded Paper

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Transition to Fabric

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7th Grade Fabric Drawing 3 hours24x18 in

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12th Grade Student 8th Grade Student

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Transition from Objects to Figures

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Have the students draw from the human skeleton as it is a still life object. Place a light on the skeleton and have students do a variety of different views of the skeleton.

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THRUST and DIRECTION also called FORCE

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GESTURE and FORCE

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Building Anatomy

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Anatomy for Drawing

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Portraiture

Once students understand the “General to Specific” standard they can look at any object, any figure, any person’s face and depict a likeness with a faithful rendering of light and shadow.

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