EMC JOUR 3000 Fall 2011 Lecture 4 Movement and Light

EMC / JOUR 3000 INTRO TO MOTION

PICTURES

Edward Bowen

Lecture Four Inside the Shot Part 2Movement and Light

Technology of Motion PicturesCamera Movement• Pan - Camera swivels horizontally from a fixed axis.

Technology of Motion PicturesCamera Movement• Pan - Camera swivels horizontally from a fixed axis.

“Barry Lyndon” (1975) Stanley Kubrick

http://youtu.be/qHCc4eMgIqQ

Technology of Motion PicturesIntrashot Communication - Camera Movement• Pan - Camera swivels horizontally from a fixed axis.• Tilt - Camera swivels vertically from a fixed axis.

Technology of Motion PicturesIntrashot Communication - Camera Movement• Pan - Camera swivels horizontally from a fixed axis.• Tilt - Camera swivels vertically from a fixed axis.

http://youtu.be/66TuSJo4dZM

Technology of Motion PicturesIntrashot Communication - Camera Movement• Zoom – Magnification or reduction of an image optically, without

moving the camera. Adjusting from wide to telephoto or visa versa.

http://www.youtube.com/watch?v=9cyfnkyRavI

Technology of Motion PicturesIntrashot Communication - Camera Movement• Zoom – Magnification or reduction of an image optically, without

moving the camera. Adjusting from wide to telephoto or visa versa. “As The World Turns” (2010)

http://www.youtube.com/watch?v=Hn2IiRyD70Q

Technology of Motion PicturesIntrashot Communication - Camera Movement• Zoom – Magnification or reduction of an image optically, without

moving the camera. Adjusting from wide to telephoto or visa versa. “Barry Lyndon” (1975) Stanley Kubrick

http://youtu.be/aHCwzsFEJyw

Technology of Motion PicturesIntrashot Communication - Camera Movement• Zoom – Magnification or reduction of an image optically, without

moving the camera. Adjusting from wide to telephoto or visa versa. “Barry Lyndon” (1975) Stanley Kubrick

http://youtu.be/0QtmFGv67kw

Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot. Camera moves forward or

backwards or to the side. Usually on wheels; often on track.

Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot. “Jules and Jim” (1962)

Francois Truffaut

http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=245567

Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot. “Jules and Jim” (1962)

Francois Truffaut

http://youtu.be/lj0mHadxpVU

Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot. “Stagecoach” (1939) John

Ford

http://youtu.be/7Pu9V85Njg8

Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot. “Endorphin”

(2009) Michael J. Sirois

http://www.youtube.com/watch?v=uRGdFU-DS7U

Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot.• Dolly/Zoom: Dollying and Zooming the lens at the same time.• “La Haine” (1995) Mathieu Kassovitz

http://www.youtube.com/watch?v=iv41W6iyyGs

Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot.• Dolly/Zoom (Vertigo Shot): Dollying and Zooming the lens at the

same time. “Jaws” (1975) Steven Spielberg

http://www.youtube.com/watch?v=svEPWBxpYjo

Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot.• Dolly/Zoom (Vertigo shot): Dollying and Zooming the lens at the

same time.

http://www.youtube.com/watch?v=FPBYOIetRdw

Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot.• Dolly/Zoom (Vertigo Shot): Dollying and Zooming the lens at the

same time.

http://www.youtube.com/watch?v=-Vm54QL8iZc

Technology of Motion PicturesIntrashot Communication - Camera Movement.• Crane Shot: Shot taken from a mobile device that can move

forward and backward and up and down. “The Formorian” (2007) Aideen McCarthy

http://www.youtube.com/watch?v=ZK2U-LXXQ6k

Technology of Motion PicturesIntrashot Communication - Camera Movement.• Crane Shot: Shot taken from a mobile device that can move

forward and backward and up and down. “Gone With The Wind” (1939) Victor Fleming

http://www.youtube.com/watch?v=MWShydqVGfI

Technology of Motion PicturesIntrashot Communication - Camera Movement• Crane Shot: Shot taken from a mobile device that can move

forward and backward and up and down.

“Notorious” (1946) Alfred Hitchcock

Technology of Motion PicturesIntrashot Communication - Camera Movement• Crane Shot: Shot taken from a mobile device that can move

forward and backward and up and down. “Touch of Evil” (1958) Orson Welles

http://www.youtube.com/watch?v=Yg8MqjoFvy4

Technology of Motion PicturesIntrashot Communication - Camera Movement• Crane Shot: Shot taken from a mobile device that can move

forward and backward and up and down.

http://www.tcm.com/mediaroom/video/247745/High-Noon-Movie-Clip-Frank-Miller.html

“High Noon” (1952) Fred Zinnemann

Technology of Motion PicturesIntrashot Communication - Camera Movement• Aerial Shot: Shot taken from a helicopter, airplane, or other

flying device. “The Shawshank Redemption” (1994) Frank Darabont

http://www.youtube.com/watch?v=wyDifF2_Csk

Technology of Motion PicturesIntrashot Communication - Camera Movement• Steadicam

http://www.youtube.com/watch?v=kXQP3mlPA_s

Technology of Motion PicturesIntrashot Communication - Camera Movement• Steadicam

http://vimeo.com/9035023

Technology of Motion PicturesIntrashot Communication - Camera Movement• Steadicam “Snake Eyes’ (1998) Brian DePalma

http://vimeo.com/3235512

Technology of Motion PicturesIntrashot Communication - Camera Movement• Hand-held – “Faces” (1968) John Cassavetes

http://www.youtube.com/watch?v=9595kcSEc4A

Technology of Motion PicturesIntrashot Communication - Camera Movement• Hand-held – “Green Zone” (2009) Paul Greenglass

http://www.youtube.com/watch?v=bkTpAYrLcOo

Technology of Motion PicturesIntrashot Communication - Camera Movement• Hand-held – “Cloverfield” (2008) Matt Reeves

http://www.youtube.com/watch?v=ufYF0f-zMgY

Technology of Motion PicturesIntrashot Communication – Lighting• Motivated Lighting – Lighting style in which the light sources

imitate existing sources, such as lamps or windows. “The Walking Dead” (2010) Frank Darabont

http://www.youtube.com/watch?v=6MJYyp47DuQ

Technology of Motion PicturesIntrashot Communication – Lighting• Motivated Lighting – Lighting style in which the light sources

imitate existing sources, such as lamps or windows. “The Uninvited” (1944) Lewis Allen

http://www.tcm.com/mediaroom/video/293233/Uninvited-The-Movie-Clip-Don-t-Get-Rattled.html

Technology of Motion PicturesIntrashot Communication – Lighting• Motivated Lighting – Lighting style in which the light sources

imitate existing sources, such as lamps or windows. “Day for Night” (1973) Francois Truffaut

http://www.youtube.com/watch?v=N0vlqK_BS8k

Technology of Motion PicturesIntrashot Communication – Lighting• Motivated Lighting – Lighting style in which the light sources

imitate existing sources, such as lamps or windows. “Barry Lyndon” (1975) Stanley Kubrick

http://www.youtube.com/watch?v=KkJZOxqB-qk

Technology of Motion PicturesIntrashot Communication – Lighting• Motivated Lighting – Lighting style in which the light sources

imitate existing sources, such as lamps or windows. “Buried” (2010) Rodrigo Cortez

http://www.youtube.com/watch?v=j1Yyhxq56Xg

Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources

upon reflection do not seem to exist in the reality of the film

Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources

upon reflection do not seem to exist in the reality of the film

Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources

upon reflection do not seem to exist in the reality of the film Gargoyles (1972)

http://www.youtube.com/watch?v=59Kz6G8174w

Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources

upon reflection do not seem to exist in the reality of the film Zen - Vendetta (2011)

http://youtu.be/qo-vZxQl9-U

Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources

upon reflection do not seem to exist in the reality of the film

Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources

upon reflection do not seem to exist in the reality of the film “Twilight Zone - The Movie” (1983) John Landis

http://www.youtube.com/watch?v=nH5Mjhey4lQ

Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources

upon reflection do not seem to exist in the reality of the film “Dracula’s Widow” (1983) Christopher Coppola

http://www.youtube.com/watch?v=f5CPqpQ_i7Y

Technology of Motion PicturesIntrashot Communication – Lighting• High Key – Lighting style in which the image is more uniformly

lit, with little variation between the brightest and darkest areas. “Office Space” (1999) Mike Judge

http://vimeo.com/5944863

Technology of Motion PicturesIntrashot Communication – Lighting• High Key – Lighting style in which the image is more uniformly

lit, with little variation between the brightest and darkest areas. “When Harry Met Sally” (1989) Rob Reiner

http://www.youtube.com/watch?v=F-bsf2x-aeE

Technology of Motion PicturesIntrashot Communication – Lighting• Low Key – More dramatic lighting style in which there is great

variation between the brightest and darkest areas. “Se7en” (1995) David Fincher

http://www.youtube.com/watch?v=J4YV2_TcCoE

Technology of Motion PicturesIntrashot Communication – Lighting• Expressionism– “The Black Cat” (1934) Edgar Ulmer

http://www.youtube.com/watch?v=iMWi2Rxmsfs

Technology of Motion PicturesIntrashot Communication – Lighting• Film Noir – “He Walked By Night” (1948) Cinematography by

John Alton

http://www.tcm.com/mediaroom/video/221050/He-Walked-by-Night-Movie-Clip-Officer-Rawlins.html

Technology of Motion PicturesIntrashot Communication – Lighting• “The Godfather” (1972) Cinematography by Gordon Willis

http://www.youtube.com/watch?v=AbchmWS5jIU