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EMC / JOUR 3000 INTRO TO MOTION
PICTURES
Edward Bowen
Lecture Four Inside the Shot Part 2Movement and Light
Technology of Motion PicturesCamera Movement• Pan - Camera swivels horizontally from a fixed axis.
Technology of Motion PicturesCamera Movement• Pan - Camera swivels horizontally from a fixed axis.
“Barry Lyndon” (1975) Stanley Kubrick
http://youtu.be/qHCc4eMgIqQ
Technology of Motion PicturesIntrashot Communication - Camera Movement• Pan - Camera swivels horizontally from a fixed axis.• Tilt - Camera swivels vertically from a fixed axis.
Technology of Motion PicturesIntrashot Communication - Camera Movement• Pan - Camera swivels horizontally from a fixed axis.• Tilt - Camera swivels vertically from a fixed axis.
http://youtu.be/66TuSJo4dZM
Technology of Motion PicturesIntrashot Communication - Camera Movement• Zoom – Magnification or reduction of an image optically, without
moving the camera. Adjusting from wide to telephoto or visa versa.
http://www.youtube.com/watch?v=9cyfnkyRavI
Technology of Motion PicturesIntrashot Communication - Camera Movement• Zoom – Magnification or reduction of an image optically, without
moving the camera. Adjusting from wide to telephoto or visa versa. “As The World Turns” (2010)
http://www.youtube.com/watch?v=Hn2IiRyD70Q
Technology of Motion PicturesIntrashot Communication - Camera Movement• Zoom – Magnification or reduction of an image optically, without
moving the camera. Adjusting from wide to telephoto or visa versa. “Barry Lyndon” (1975) Stanley Kubrick
http://youtu.be/aHCwzsFEJyw
Technology of Motion PicturesIntrashot Communication - Camera Movement• Zoom – Magnification or reduction of an image optically, without
moving the camera. Adjusting from wide to telephoto or visa versa. “Barry Lyndon” (1975) Stanley Kubrick
http://youtu.be/0QtmFGv67kw
Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot. Camera moves forward or
backwards or to the side. Usually on wheels; often on track.
Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot. “Jules and Jim” (1962)
Francois Truffaut
http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=245567
Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot. “Jules and Jim” (1962)
Francois Truffaut
http://youtu.be/lj0mHadxpVU
Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot. “Stagecoach” (1939) John
Ford
http://youtu.be/7Pu9V85Njg8
Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot. “Endorphin”
(2009) Michael J. Sirois
http://www.youtube.com/watch?v=uRGdFU-DS7U
Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot.• Dolly/Zoom: Dollying and Zooming the lens at the same time.• “La Haine” (1995) Mathieu Kassovitz
http://www.youtube.com/watch?v=iv41W6iyyGs
Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot.• Dolly/Zoom (Vertigo Shot): Dollying and Zooming the lens at the
same time. “Jaws” (1975) Steven Spielberg
http://www.youtube.com/watch?v=svEPWBxpYjo
Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot.• Dolly/Zoom (Vertigo shot): Dollying and Zooming the lens at the
same time.
http://www.youtube.com/watch?v=FPBYOIetRdw
Technology of Motion PicturesIntrashot Communication - Camera Movement• Dolly (Traveling of Tracking) shot.• Dolly/Zoom (Vertigo Shot): Dollying and Zooming the lens at the
same time.
http://www.youtube.com/watch?v=-Vm54QL8iZc
Technology of Motion PicturesIntrashot Communication - Camera Movement.• Crane Shot: Shot taken from a mobile device that can move
forward and backward and up and down. “The Formorian” (2007) Aideen McCarthy
http://www.youtube.com/watch?v=ZK2U-LXXQ6k
Technology of Motion PicturesIntrashot Communication - Camera Movement.• Crane Shot: Shot taken from a mobile device that can move
forward and backward and up and down. “Gone With The Wind” (1939) Victor Fleming
http://www.youtube.com/watch?v=MWShydqVGfI
Technology of Motion PicturesIntrashot Communication - Camera Movement• Crane Shot: Shot taken from a mobile device that can move
forward and backward and up and down.
“Notorious” (1946) Alfred Hitchcock
Technology of Motion PicturesIntrashot Communication - Camera Movement• Crane Shot: Shot taken from a mobile device that can move
forward and backward and up and down. “Touch of Evil” (1958) Orson Welles
http://www.youtube.com/watch?v=Yg8MqjoFvy4
Technology of Motion PicturesIntrashot Communication - Camera Movement• Crane Shot: Shot taken from a mobile device that can move
forward and backward and up and down.
http://www.tcm.com/mediaroom/video/247745/High-Noon-Movie-Clip-Frank-Miller.html
“High Noon” (1952) Fred Zinnemann
Technology of Motion PicturesIntrashot Communication - Camera Movement• Aerial Shot: Shot taken from a helicopter, airplane, or other
flying device. “The Shawshank Redemption” (1994) Frank Darabont
http://www.youtube.com/watch?v=wyDifF2_Csk
Technology of Motion PicturesIntrashot Communication - Camera Movement• Steadicam
http://www.youtube.com/watch?v=kXQP3mlPA_s
Technology of Motion PicturesIntrashot Communication - Camera Movement• Steadicam
http://vimeo.com/9035023
Technology of Motion PicturesIntrashot Communication - Camera Movement• Steadicam “Snake Eyes’ (1998) Brian DePalma
http://vimeo.com/3235512
Technology of Motion PicturesIntrashot Communication - Camera Movement• Hand-held – “Faces” (1968) John Cassavetes
http://www.youtube.com/watch?v=9595kcSEc4A
Technology of Motion PicturesIntrashot Communication - Camera Movement• Hand-held – “Green Zone” (2009) Paul Greenglass
http://www.youtube.com/watch?v=bkTpAYrLcOo
Technology of Motion PicturesIntrashot Communication - Camera Movement• Hand-held – “Cloverfield” (2008) Matt Reeves
http://www.youtube.com/watch?v=ufYF0f-zMgY
Technology of Motion PicturesIntrashot Communication – Lighting• Motivated Lighting – Lighting style in which the light sources
imitate existing sources, such as lamps or windows. “The Walking Dead” (2010) Frank Darabont
http://www.youtube.com/watch?v=6MJYyp47DuQ
Technology of Motion PicturesIntrashot Communication – Lighting• Motivated Lighting – Lighting style in which the light sources
imitate existing sources, such as lamps or windows. “The Uninvited” (1944) Lewis Allen
http://www.tcm.com/mediaroom/video/293233/Uninvited-The-Movie-Clip-Don-t-Get-Rattled.html
Technology of Motion PicturesIntrashot Communication – Lighting• Motivated Lighting – Lighting style in which the light sources
imitate existing sources, such as lamps or windows. “Day for Night” (1973) Francois Truffaut
http://www.youtube.com/watch?v=N0vlqK_BS8k
Technology of Motion PicturesIntrashot Communication – Lighting• Motivated Lighting – Lighting style in which the light sources
imitate existing sources, such as lamps or windows. “Barry Lyndon” (1975) Stanley Kubrick
http://www.youtube.com/watch?v=KkJZOxqB-qk
Technology of Motion PicturesIntrashot Communication – Lighting• Motivated Lighting – Lighting style in which the light sources
imitate existing sources, such as lamps or windows. “Buried” (2010) Rodrigo Cortez
http://www.youtube.com/watch?v=j1Yyhxq56Xg
Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources
upon reflection do not seem to exist in the reality of the film
Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources
upon reflection do not seem to exist in the reality of the film
Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources
upon reflection do not seem to exist in the reality of the film Gargoyles (1972)
http://www.youtube.com/watch?v=59Kz6G8174w
Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources
upon reflection do not seem to exist in the reality of the film Zen - Vendetta (2011)
http://youtu.be/qo-vZxQl9-U
Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources
upon reflection do not seem to exist in the reality of the film
Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources
upon reflection do not seem to exist in the reality of the film “Twilight Zone - The Movie” (1983) John Landis
http://www.youtube.com/watch?v=nH5Mjhey4lQ
Technology of Motion PicturesIntrashot Communication – Lighting• Unmotivated Lighting – Lighting style in which the light sources
upon reflection do not seem to exist in the reality of the film “Dracula’s Widow” (1983) Christopher Coppola
http://www.youtube.com/watch?v=f5CPqpQ_i7Y
Technology of Motion PicturesIntrashot Communication – Lighting• High Key – Lighting style in which the image is more uniformly
lit, with little variation between the brightest and darkest areas. “Office Space” (1999) Mike Judge
http://vimeo.com/5944863
Technology of Motion PicturesIntrashot Communication – Lighting• High Key – Lighting style in which the image is more uniformly
lit, with little variation between the brightest and darkest areas. “When Harry Met Sally” (1989) Rob Reiner
http://www.youtube.com/watch?v=F-bsf2x-aeE
Technology of Motion PicturesIntrashot Communication – Lighting• Low Key – More dramatic lighting style in which there is great
variation between the brightest and darkest areas. “Se7en” (1995) David Fincher
http://www.youtube.com/watch?v=J4YV2_TcCoE
Technology of Motion PicturesIntrashot Communication – Lighting• Expressionism– “The Black Cat” (1934) Edgar Ulmer
http://www.youtube.com/watch?v=iMWi2Rxmsfs
Technology of Motion PicturesIntrashot Communication – Lighting• Film Noir – “He Walked By Night” (1948) Cinematography by
John Alton
http://www.tcm.com/mediaroom/video/221050/He-Walked-by-Night-Movie-Clip-Officer-Rawlins.html
Technology of Motion PicturesIntrashot Communication – Lighting• “The Godfather” (1972) Cinematography by Gordon Willis
http://www.youtube.com/watch?v=AbchmWS5jIU