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07050836 LEI Lei07014953 LEUNG Hoi Tin
POLS 3620Contemporary Europe and AsiaPresentation
Introduction
Leung Hoi Tin & Lei Lei
1900-1919Edwardian vs. late Qing
Leung Hoi Tin
Leung Hoi Tin
Leung Hoi Tin
Western European women vs. Chinese Women
Leung Hoi Tin
Leung Hoi Tin
1919-1929After WWI
Western Europe
Weakening the gender features
loose, comfortable
Unique ： moving with shift in fashions
China
•Similar wear for both genders•Loose, comfortable •Simplicity: moving with western fashions
Lei Lei
Western European man and woman
Chinese man and woman
Lei Lei
Lei Lei
Lei Lei
1930-1939the Great Depression vs. National Government
Western Europe
•Stronger gender differences•More fitted•( the wealthy )Moving with movies
•(the public) conservative
China
•Highlighted gender features•Fitting style•(certain classes)Moving with movies and western style•(the public) practicality
Lei Lei
European bold and sexy style
Chinese women’s sexuality
Lei Lei
Lei Lei
1939-1945During WWII vs. Anti-Japanese War
Less changeable
(Simple, less unique) Less gender features Utility and long-
wearing
Less changeable (Simple）
Weaken gender differences
Utility and satisfy primary demand
Western Europe China
Lei Lei
European women wore military uniform
Female communists wore Mao suits
Lei Lei
Lei Lei
1945-1979Cold war vs. early people’s republic
Leung Hoi Tin
Western European fashion
1950s1960s
1970s
Leung Hoi Tin
Before the Cultural Revolution
During the Cultural Revolution
Leung Hoi Tin
And more!!
Leung Hoi Tin
Leung Hoi Tin
The Cultural Revolution
Leung Hoi Tin
Leung Hoi Tin
Leung Hoi Tin
After 1980sChina meets Europe meets China
Conclusion
•Similar cloths for men and women•Loose
•A little difference between genders•Loose to fitting
•Monotonous and no obvious fashion trend•Usefulness
Started to pursue fashion, trends and brands
Different Less different
Different again Similar
1900-1919 1920-1945 1945-1979 1980-current
Leung Hoi Tin & Lei Lei
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