Humanities Sayre ch14 PowerPoint

Robert Delaunay. L’Equipe de Cardiff (The Cardiff Team).1913. Oil on canvas. 10' 8-3/8" x 6' 10".

Collection Van Abbemuseum © L & M Service B.V. The Hague 20100903. [Fig. 14.1]

Georges Seurat. A Sunday on La Grande Jatte.1884-86. Oil on canvas. 81-3/4" x 121-1/4".

Helen Birch Bartlett Memorial Collection, 1926.224. Combination of quadrant captures F1, F2, G1, G2. Photograph © 2006, The Art Institute of Chicago.

All rights reserved. [Fig. 14.2]

Vincent van Gogh. Portrait of Patience Escalier. 1889.Oil on canvas. 27 1/8" x 22".

Private Collection/Photo @ Lefevre Fine Art, Ltd. London/The Beidgeman Art Library.

[Fig. 14.3]

Vincent van Gogh. The Starry Night.1889. Oil on canvas. 28-3/4" x 36-1/4".

Acquired through the Lillie P. Bliss Bequest. (472.1941). Digital Image © The Museum of Modern Art/Licensed by Scala/Art Resource, New York. [Fig.

14.4]

Paul Cézanne. Still Life with Plaster Cast.ca. 1894. Oil on paper on board. 26-1/2" x 32-1/2".

The Samuel Courtauld Trust, Courtauld Institute of Art Gallery, London. [Fig. 14.5]

Paul Cézanne. Mont Sainte-Victoire.1902-04. Oil on canvas. 28-3/4" x 36-3/16".

Photo: Graydon Wood. Philadelphia Museum of Art: The George W. Elkins Collection, 1936. E1936-1-1. [Fig. 14.6]

Paul Gauguin. Mahana no atua (Day of the God).1894. Oil on canvas. 27-3/8" x 35-5/8".

The Art Institute of Chicago. Helen Birch Bartlett Memorial Collection (1926.198). Photograph © 2007 The Art Institute of Chicago. All Rights

Reserved. [Fig. 14.7]

Pablo Picasso. Gertrude Stein.1906. Oil on canvas. 39-3/8" x 32".

Bequest of Gertrude Stein, 1946 (47.106). The Metropolitan Museum of Art, New York. Image © The Metropolitan Museum of Art/Art Resource, New York. ©

Art Rights Society (ARS), New York. [Fig. 14.8]

Pablo Picasso. Les Demoiselles d'Avignon.1907. Oil on canvas. 8' x 7' 8".

Acquired through the Lillie P. Bliss Bequest. The Museum of Modern Art/Licensed by SCALA/Art Resource, New York. © 2008 Artists Rights Society

(ARS), New York. [Fig. 14.9]

Georges Braque. Houses at L'Estaque.1908. Oil on canvas. 28-3/4" x 23-3/4".

Peter Lauri/Kunstmuseum Bern. Estate of George Braque © 2008 Artists Rights Society (ARS), New York/ADAGP, Paris. Hermann and Margit Rupf Foundation.

[Fig. 14.10]

Pablo Picasso. Houses on the Hill, Orta de Ebro.1906. Oil on canvas. 25-5/8" x 31-7/8".

Jens Ziehe/Nationalgalerie, Museum Berggruen, Staatliche Museen zu Berlin, Berlin, Germany. Bildarchiv Preussischer Kulturbesitz/Art Resource, New

York. © Artists Rights Society (ARS), New York. [Fig. 14.11]

Georges Braque. Violin and Palette.1909. Oil on canvas. 36-1/2" x 16-1/4". Solomon Guggenheim Museum. 54.1412.

©2011 Artists Rights Society (ARS), New York / ADAGP, Paris.[Fig. 14.12]

Pablo Picasso. Violin.1912. Charcoal and papiers-collés on canvas. 24-3/8" x 18-1/2".

Musée National d’Art Moderne. Centre National d’Art et de Culture. Georges Pompidou Paris, France. CNAC/MNAM/Réunion des Musées Nationaux/Art

Resource, New York. © 2008 Artists Rights ociety (ARS), New York. [Fig. 14.13]

Umberto Boccioni. Unique Forms of Continuity in Space.1913. Bronze. 43-7/8" x 34-7/8" x 15-3/4".

Acquired through the Lillie P. Bliss Bequest. (231.1948). Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, New York. [Fig.

14.14]

Henri Matisse. The Dance.1910. Oil on canvas. 8'5-5/8" x 12'9-1/2".

The State Hermitage Museum, St. Petersburg, Russia. © 2008 Succession H. Matisse/Artists Rights Society (ARS), New York. [Fig. 14.15]

Franz Marc. The Large Blue Horses.1911. Oil on canvas. 3'5-3/8" x 5'11-1/4".

Walker Art Center, Minneapolis. Gift of T. B. Walker Collection, Gilbert M. Walter Fund, 1942. [Fig. 14.16]

Wassily Kandinsky. Composition VII.1913. Oil on canvas. 6'6-3/4" x 9'11-1/8".Tretyakov Gallery, Moscow. [Fig. 14.17]

Hans (Jean) Arp. Fleur Manteau (Flower Hammer).1916. Paint on paper. 24-3/8" x 19-5/8".

Fondation Arp. Clamart, France. © 2008 Artists Rights Society (ARS), New York.

[Fig. 14.18]

Marcel Duchamp. Nude Descending a Staircase, No. 2.1912. Oil on canvas. 57-7/8" x 35-1/8".

Philadelphia Museum of Art, Louise and Walter Arenberg Collection. Photo: Graydon Wood, 1994. © 2008 Artists Rights Society (ARS), New York. [Fig.

14.19]

Marcel Duchamp. Fountain. Replica of 1917 original made in 1964.1917; 1964. Porcelain. Height: 14".

Philadelphia Museum of Art. Louis and Walter Arensberg Collection. Lynn Rosenthal, 1988 © 2007 Artists Rights Society (ARS), New York. [Fig. 14.20]

Aaron Douglas. “The Prodigal Son,” illustration in James Weldon Johnson, God’s Trombones: Seven Sermons in Verse.

1927. Book illustration.University of North Carolina Library. [Fig. 14.21]

Jacob Lawrence. In the North the Negro had better educational facilities, from

The Migration of the Negro (panel 58).1940-41. Casein tempera on hardboad. 12" x 18".

Gift of Mrs. David M. Levy. The Museum of Modern Art/Licensed by SCALA/Art Resource, New York. © 2007 Artists Rights Society (ARS), New York. [Fig.

14.22]

Kazimir Malevich. Painterly Realism:Boy with Knapsack - Color Masses in the Fourth Dimension.

1915. Oil on canvas. 28" x 17-1/2".Museum of Modern Art, New York. 1935 Acquisition confirmed in 1999 by

agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange). 816.1935. [Fig.

14.23]

Kazimir Malevich. View of Malevich's works hanging in “0,10: The Last Futurist Exhibition of Painting,” Petrograd, 1915.

1915. Photograph.© 2006, State Russian Museum, St Petersburg. [Fig. 14.24]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.1]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.2]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.3]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.4]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.5]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.6]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.7]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.8]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.9]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.10]

Sergei Eisenstein. The Battleship Potemkin, "Odessa Steps Sequence.”1925. Film still.

Goskino. Courtesy of the Kobal Collection. [Fig. 14-CL.11]

Pablo Picasso. Girl before a Mirror.1932. Oil on canvas. 64" x 51-1/4".

Gift of Mrs. Simon Guggenheim. (2.1938). Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, New York. © Artists Rights

Society (ARS), New York. [Fig. 14.25]

Salvador Dalí. The Persistence of Memory.1931. Oil on canvas. 9-1/2" x 13".

The Museum of Modern Art/Licensed by SCALA/Art Resource, New York. © 1999 Demart Pro Arte (R), Geneva/Artists Rights Society (ARS), New York. Given

anonymously. [Fig. 14.26]

Pablo Picasso. Guernica.1937. Oil on canvas. 11' 5-1/2" x 25' 5-1/4".

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. John Bigelow Taylor/Art Resource, New York. © 2007 Estate of Pablo Picasso/Artists

Rights Society (ARS), New York. [Fig. 14.27]