Sayres Hanging Gardens

Sayres Hanging Garden

for myparents

and toM-E & M & A & A

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The following pages contain a cross-sectional chronicle of the thousands of JPEGs, TIFFs, DWGs, PDFs, drawings & sketches that together take up 30 gigabytes of space on my office hard-drives, under the folder BERTY. The sampling is abbreviated but not random. On the whole we chose to select images that, when seen in sequence, form a textural tapestry of a process.¶ Rather than opting for descriptive images of the final building, we preferred those that allude to a particular moment in time; a moment when an idea or thought was first drawn or seen in construction. Even the few formal drawings included represent a crystallization, a point of pause, in the process of generating construction documents.¶ By the end of the three years of working on the Berty house, we had all learned to speak its language using its particular vocabulary: non-orthogonal in plan, spatial rather than formal with a tendency away from plain geometry and an inclination for interrupted movement. These forms yielded pocket of space that, once realized and furnished, offered a surprising sense of calm and reverence. Within them, one wants to be still.¶ Against the backdrop of a rigorously geometric existing house, our addition hops and leaps, dancing around it. Its narrative isn’t linear, nor does it end with a crisp conclusion.¶ In the same manner, this presentation jumps across phases, time and ideas. In fact, in the process of pulling these images together, I noticed that this project may have started long ago in Ithaca, New York. While resisting the impulse to couch the fluidity of it into a discursive framework and force a connection, I have simply attached some of the sketches from that period as an addendum, with a few words, in the back.¶ Undoubtedly what you see is the result of a collaboration between many individuals both within and outside of my office. Marie-Eve and Michel Berty’s steadfast love of art and architecture kept us inspired and enabled me to do that which I love. Maziar Behrooz

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

The following pages contain a cross-sectional chronicle of the thousands of JPEGs, TIFFs, DWGs, PDFs, drawings & sketches that together take up 30 gigabytes of space on my office hard-drives, under the folder BERTY. The sampling is abbreviated but not random. On the whole we chose to select images that, when seen in sequence, form a textural tapestry of a process.¶ Rather than opting for descriptive images of the final building, we preferred those that allude to a particular moment in time; a moment when an idea or thought was first drawn or seen in construction. Even the few formal drawings included represent a crystallization, a point of pause, in the process of generating construction documents.¶ By the end of the three years of working on the Berty house, we had all learned to speak its language using its particular vocabulary: non-orthogonal in plan, spatial rather than formal with a tendency away from plain geometry and an inclination for interrupted movement. These forms yielded pocket of space that, once realized and furnished, offered a surprising sense of calm and reverence. Within them, one wants to be still.¶ Against the backdrop of a rigorously geometric existing house, our addition hops and leaps, dancing around it. Its narrative isn’t linear, nor does it end with a crisp conclusion.¶ In the same manner, this presentation jumps across phases, time and ideas. In fact, in the process of pulling these images together, I noticed that this project may have started long ago in Ithaca, New York. While resisting the impulse to couch the fluidity of it into a discursive framework and force a connection, I have simply attached some of the sketches from that period as an addendum, with a few words, in the back.¶ Undoubtedly what you see is the result of a collaboration between many individuals both within and outside of my office. Marie-Eve and Michel Berty’s steadfast love of art and architecture kept us inspired and enabled me to do that which I love. Maziar Behrooz

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

shape-shifts

226 SF

Roof (1)

239 SF

Roof (1)

288 SF

Roof (2)

Area Legend

Roof (1)

Roof (2)

1827 SF

REDCOMMONAREA 1ST

Building Area Legend

1ST FLOOR EAST PATIO

BEIGE COLOR BEDROOM #2

GREY CARETAKER

RED COMMON AREA 1STFLOOR

WHITE 1ST FLOOR WESTPATIO

YELLOW BEDROOM #1

EXTG. HOUSESUNKEN COURTYARD

GRASS TERRACE

GRADE STEPS W/. MOSS

GRASS TERRACE

LIVING ROOM

BEDROOM #3

BEDROOM #4

W.I.CW.I.C ?

CLOSET

ENTRY HALL

COAT CL.

BATH #3SHWR.

OUTDOOR SHOWER

BATH #1

BEDROOM #1

BATH #2

333 SF

YELLOWBEDROOM

2519 SF

WHITE 1STFLOOR

WEST PATIO

683 SF

GREYCARETAKER

BEDROOM #2

340 SF

BEIGECOLOR

BEDROOM#2

1ST FLOOREAST PATIO

1459 SF

Roof (3)

475 SF

Roof (4)

Roof (4) 2454 SF

Roof (5)&(6)

1868 SF

GARAGEFLOOR

Area Legend

GARAGE FLOOR

GREY CELLAR FLOOR

1465 SF

GREYCELLARFLOOR

GARAGE

MECHANICALROOM

LAUNDRY ROOM

CELLAR GALLERY

LOUNGE

WINE STORAGESTORAGE

WINE BAR

CELLAR GALLERY

586 SF

SMOOTHWHITE 2ND

367 SF

SMOOTHWHITE 2ND

FLOORTERRACE

644 SF

REDSECONDFLOOR

RED SECOND FLOOR

SMOOTH WHITE 2ND FLOOR

SMOOTH WHITE 2ND FLOORTERRACE

BEDROOM #5

BATHROOM #5

ELEVATOR

W.I.C (HIS)

MASTERBATHROOM #6

SHWR #6

HALLWAY

W.I.C (HERS)

STORAGE

TOILET#4

MB Architecture

CONSTRUCTION SET

Drawn by

Checked by

PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY

PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA

7A Newtown LaneEast Hampton, NY 11937

T: 631-329-2983F: 631-329-4878E: regenerate@mbarchitecture.comW: mbarchitecture.com

SHEET TITLE:

CONSULTANTS:

40 Sayres pathWainscott, NY11975

Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>

REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION

As indicated

A.105.

Area Calculation

09.30.08

1/16" = 1'-0"1

1st PL (1)

1" = 20'-0"2

1st FL Resin Area Calculation

1/16" = 1'-0"3

Roof Area Calculation @ 1st PL(2) 1/16" = 1'-0"4

Roof Area Calculation @ 1st PL(3)

1/16" = 1'-0"5

Roof Area Calculation @ 2nd Fl. Plate 2

1/16" = 1'-0"6

Cellar Resin Area Calculation 1" = 20'-0"

72nd Floor Finish Area Plan

Revision Schedule

RevisionNumber

RevisionDate Issued to Issued by

RevisionDescription

19 04.29.09 PCH FD/MB A.105

46 10.19.09 PCH FD/MB Revision 46

226 SF

Roof (1)

239 SF

Roof (1)

288 SF

Roof (2)

Area Legend

Roof (1)

Roof (2)

1827 SF

REDCOMMONAREA 1ST

GREY CARETAKER

YELLOW BEDROOM #1

GRASS TERRACE

LIVING ROOM

BEDROOM #3

BEDROOM #4

W.I.CW.I.C ?

CLOSET

ENTRY HALL

COAT CL.

BATH #3SHWR.

OUTDOOR SHOWER

BATH #1

BEDROOM #1

BATH #2

333 SF

YELLOWBEDROOM

2519 SF

WHITE 1STFLOOR

WEST PATIO

683 SF

GREYCARETAKER

BEDROOM #2

340 SF

BEIGECOLOR

BEDROOM#2

1ST FLOOREAST PATIO

1459 SF

Roof (3)

475 SF

Roof (4)

Roof (4) 2454 SF

Roof (5)&(6)

1868 SF

GARAGEFLOOR

Area Legend

GARAGE FLOOR

GREY CELLAR FLOOR

1465 SF

GREYCELLARFLOOR

GARAGE

MECHANICALROOM

LAUNDRY ROOM

CELLAR GALLERY

LOUNGE

WINE STORAGESTORAGE

WINE BAR

CELLAR GALLERY

586 SF

SMOOTHWHITE 2ND

367 SF

SMOOTHWHITE 2ND

FLOORTERRACE

644 SF

REDSECONDFLOOR

RED SECOND FLOOR

BEDROOM #5

BATHROOM #5

ELEVATOR

W.I.C (HIS)

MASTERBATHROOM #6

SHWR #6

HALLWAY

W.I.C (HERS)

STORAGE

TOILET#4

MB Architecture

CONSTRUCTION SET

Drawn by

Checked by

PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA

SHEET TITLE:

CONSULTANTS:

As indicated

A.105.

Area Calculation

09.30.08

1/16" = 1'-0"1

1st PL (1)

1" = 20'-0"2

1/16" = 1'-0"3

1/16" = 1'-0"5

1/16" = 1'-0"6

Revision Schedule

RevisionNumber

RevisionDescription

19 04.29.09 PCH FD/MB A.105

226 SF

Roof (1)

239 SF

Roof (1)

288 SF

Roof (2)

Area Legend

Roof (1)

Roof (2)

1827 SF

REDCOMMONAREA 1ST

GREY CARETAKER

YELLOW BEDROOM #1

GRASS TERRACE

LIVING ROOM

BEDROOM #3

BEDROOM #4

W.I.CW.I.C ?

CLOSET

ENTRY HALL

COAT CL.

BATH #3SHWR.

OUTDOOR SHOWER

BATH #1

BEDROOM #1

BATH #2

333 SF

YELLOWBEDROOM

2519 SF

WHITE 1STFLOOR

WEST PATIO

683 SF

GREYCARETAKER

BEDROOM #2

340 SF

BEIGECOLOR

BEDROOM#2

1ST FLOOREAST PATIO

1459 SF

Roof (3)

475 SF

Roof (4)

Roof (4) 2454 SF

Roof (5)&(6)

1868 SF

GARAGEFLOOR

Area Legend

GARAGE FLOOR

GREY CELLAR FLOOR

1465 SF

GREYCELLARFLOOR

GARAGE

MECHANICALROOM

LAUNDRY ROOM

CELLAR GALLERY

LOUNGE

WINE STORAGESTORAGE

WINE BAR

CELLAR GALLERY

586 SF

SMOOTHWHITE 2ND

367 SF

SMOOTHWHITE 2ND

FLOORTERRACE

644 SF

REDSECONDFLOOR

RED SECOND FLOOR

BEDROOM #5

BATHROOM #5

ELEVATOR

W.I.C (HIS)

MASTERBATHROOM #6

SHWR #6

HALLWAY

W.I.C (HERS)

STORAGE

TOILET#4

MB Architecture

CONSTRUCTION SET

Drawn by

Checked by

PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA

SHEET TITLE:

CONSULTANTS:

As indicated

A.105.

Area Calculation

09.30.08

1/16" = 1'-0"1

1st PL (1)

1" = 20'-0"2

1/16" = 1'-0"3

1/16" = 1'-0"5

1/16" = 1'-0"6

Revision Schedule

RevisionNumber

RevisionDescription

19 04.29.09 PCH FD/MB A.105

DH 6 DH 6

VS 104.14

DH 6 DH 6

25' - 2"

4' - 1"

CEILING SOFFIT LINEFLUSH W/. RAILING

ROOF LINE ABOVETO

5' - 5 5/8"

14' - 8 5/8"

11' - 7 1/2"

7' - 2 3/8"

5' - 0" 4' - 4 1/4"

6' - 5 3/8" 9' - 3 1/4" 10' - 0 1/4"

10' - 5 1/8"

COR-TEN METALPLANTER

ALIGN W/. BEAM BELOW

1' - 11 3/8"

7' - 2"

7' - 0 3/4"

7' - 1 3/4"

7' - 1 1/4"

7' - 2 1/2"

DOUBLE SLIDERSEE SECTION #1

ON A.355

CT. TO CT. W/.INTERIOREXTG. COLUMN

V.I.F LOCATIONOF EXTG.COLUMN.

13' - 8 1/2"

5' - 6"

7' - 9 1/2"

3' - 8 3/4"

2' - 3 1/4"

CEILING.LINE

3' - 9"

7' - 11 3/4"

0' - 0"

28' - 1 1/4"

3' - 7 1/2"

11' - 0 3/4"

5' - 8 3/4"

8' - 4"

4' - 8"

4' - 1 1/2"4' - 4 1/4"

0' - 10" 2' - 3

/8"2' -

1' - 1 1/2"

7' - 8 1/2"

3' - 9 3/4"

1' - 11 3/4"

1' - 6 1/2"

7' - 1 1/4"8' - 6 1/2"

2' - 1"

9' - 1 1/2"

3' - 1"

2' - 7 1/2"

7' - 4 3/4"

3' - 0

REMOVE EXISTINGWINDOWS ANDREPLACE WITHOPENING

FLUSH FINISHFLOOR

4' - 8 3/4"4' - 10 1/2"

9' - 0 1/2"

FIREPLACE TBD.

EDGE OF PATIO

LINE OF SECONDFLOOR WALL EXT.

FINISH

OPEN TOBELOW

LINE OF CLG.SOFFIT

STEEL BRACING

STEELBRACING

LINE OFCLG.SOFFIT

LINE OF SOFFIT

LINE OF HIP

MILLWORK

STEEL BRACING

TO CT. STL.

0' - 10 7/8"6' - 10 1/4"

6' - 10 1/2"1' - 5"

17' - 7 5/8"

36"HIGH TEMPERED GLASS RAILING

11' - 4

3' - 6 1/4"

6' - 3 1/4"

3' - 1

/4" CL

3' - 4

8' - 0 3/4"

8' - 4 3/8"

EXT. ALUM. CLADDING MATCH WDW.

REMOVABLE CORNER TOREPLACE SASH

LINE OFSOFFIT

13' - 5 5/16" STUCCO TO STUCCO

NOTES:-ALL DIMENSIONS ARE FROM FRAMING UNLESS INDICATED FROM STEEL(NOT FROM SHEATHING-NOT FROM CONCRETE EXCEPT INDICATED-NOTFROM GYSUM BOARD)

90°4' -

6' - 6 3/4"1' - 9" 2' - 10 1/2"

7' - 5 5/8"

COORDINNATEWALL/DOORPLACEMENT

W/. ELEVATOR

2' - 0

7' - 9 7/8"

2' - 9 3/4"

3' - 1 3/4"

0' - 11 3/8"

2' - 10 5/8"

NICHE (SEEFLOOR PLAN)

LINE OFSOFFIT

WALLS ALIGNEDW/. CELLAR WALLS

DIM. WALL ON R.F.5' - 3 7/8"

3' - 0

3' - 1

CT. TO STL.

1' - 0 5/8"

SOUND INSUL.

6' - 2 1/4"

28' - 9"

4 1/4"

25' - 6 1/4"

LOW WALL

SOUND INSUL.IN POCKET

SOUND INSUL. INPOCKET DOOR

BUILD PITCHFLOOR

BUILDPITCHFLOOR

CT. STL. B

LW TO FRAME

3 1/2"

CT. STL. TO FRAME5 1/4"

CT. STL. T

O FRAME

3 1/2"

CT. STL. TO FRAME

CONC. FND. T

O FRAME

5' - 0 5/8"

3 1/4" CONC. FROM EDGEFLINGE TO CONC. STEP

BELOW FRAMING WALL-SEE#3 ON A.276 & #8 ON A.355

BELOW FRAMING WALL-SEEA.276

LINE OF SOFFIT

1' - 5

DIM. WALL ON R.F.9' - 2 3/4"

0' - 10 3/8"

6' - 1

2' - 4 1/2"

7' - 4

90°CL

FRAME TO FRAME

13' - 5 3/4"

4' - 4 3/8"

SKYLIGHT

2' - 11 3/4" VIF W/. W

TRIANGULATEDCUSTONWINDOW

MB Architecture

CONSTRUCTION SET

Drawn by

Checked by

PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA

SHEET TITLE:

CONSULTANTS:

1/4" = 1'-0"

A.102D

1st Floor Framing Plan

09.30.08

1/4" = 1'-0"1

First Floor Plan A

Revision Schedule

RevisionNumber Revision Date Issued to Issued by

RevisionDescription

3 09.12.08 PCH MB/FD Bid Set

4 09.30.08 Town Of EH MB/FD Permit Set

5 10.14.08 PCH MB/FD Window AndDoor Schedule

45 10.06.09 PCH/ELECCONSULT.

FD/MB Revision 45

48 12.07.09 PCH FD/MB LibraryWall+Chimney

69 04.30.10 PCH/Shine/Berty FD Elec plans

73 06.07.10 PCH FD/MZ Int doorschedule, fl plan,framing

81 08.22.10 PCH FD/MZ W/D 1st Floor,Bridge GallerySoffit

DH 6 DH 6

VS 104.14

DH 6 DH 6

25' - 2"

4' - 1"

CEILING SOFFIT LINEFLUSH W/. RAILING

ROOF LINE ABOVE

5' - 5 5/8"

14' - 8 5/8"

11' - 7 1/2"

7' - 2 3/8"

5' - 0" 4' - 4 1/4"

6' - 5 3/8" 9' - 3 1/4" 10' - 0 1/4"

10' - 5 1/8"

COR-TEN METALPLANTER

1' - 11 3/8"

7' - 2"

7' - 0 3/4"

7' - 1 3/4"

7' - 1 1/4"

7' - 2 1/2"

DOUBLE SLIDERSEE SECTION #1

ON A.355

CT. TO CT. W/.INTERIOREXTG. COLUMN

V.I.F LOCATIONOF EXTG.COLUMN.

13' - 8 1/2"

5' - 6"

7' - 9 1/2"

3' - 8 3/4"

2' - 3 1/4"

CEILING.LINE

3' - 9"

7' - 11 3/4"

0' - 0"

28' - 1 1/4"

3' - 7 1/2"

11' - 0 3/4"

5' - 8 3/4"

8' - 4"

4' - 8"

4' - 1 1/2"4' - 4 1/4"

0' - 10" 2' - 3

/8"2' -

1' - 1 1/2"

7' - 8 1/2"

3' - 9 3/4"

1' - 11 3/4"

1' - 6 1/2"

7' - 1 1/4"8' - 6 1/2"

2' - 1"

9' - 1 1/2"

3' - 1"

2' - 7 1/2"

7' - 4 3/4"

3' - 0

REMOVE EXISTINGWINDOWS ANDREPLACE WITHOPENING

FLUSH FINISHFLOOR

4' - 8 3/4"4' - 10 1/2"

9' - 0 1/2"

FIREPLACE TBD.

EDGE OF PATIO

LINE OF SECONDFLOOR WALL EXT.

FINISH

OPEN TOBELOW

LINE OF CLG.SOFFIT

STEEL BRACING

STEELBRACING

LINE OFCLG.SOFFIT

LINE OF SOFFIT

LINE OF HIP

MILLWORK

STEEL BRACING

TO CT. STL.

0' - 10 7/8"6' - 10 1/4"

6' - 10 1/2"1' - 5"

17' - 7 5/8"

36"HIGH TEMPERED GLASS RAILING

11' - 4

3' - 6 1/4"

6' - 3 1/4"

3' - 1

/4" CL

3' - 4

8' - 0 3/4"

8' - 4 3/8"

EXT. ALUM. CLADDING MATCH WDW.

REMOVABLE CORNER TOREPLACE SASH

LINE OFSOFFIT

13' - 5 5/16" STUCCO TO STUCCO

NOTES:-ALL DIMENSIONS ARE FROM FRAMING UNLESS INDICATED FROM STEEL(NOT FROM SHEATHING-NOT FROM CONCRETE EXCEPT INDICATED-NOTFROM GYSUM BOARD)

90°4' -

6' - 6 3/4"1' - 9" 2' - 10 1/2"

7' - 5 5/8"

W/. ELEVATOR

2' - 0

7' - 9 7/8"

2' - 9 3/4"

3' - 1 3/4"

0' - 11 3/8"

2' - 10 5/8"

LINE OFSOFFIT

WALLS ALIGNEDW/. CELLAR WALLS

DIM. WALL ON R.F.5' - 3 7/8"

3' - 0

3' - 1

CT. TO STL.

1' - 0 5/8"

SOUND INSUL.

6' - 2 1/4"

28' - 9"

4 1/4"

25' - 6 1/4"

LOW WALL

SOUND INSUL.IN POCKET

SOUND INSUL. INPOCKET DOOR

BUILD PITCHFLOOR

BUILDPITCHFLOOR

CT. STL. B

LW TO FRAME

3 1/2"

CT. STL. TO FRAME5 1/4"

CT. STL. T

O FRAME

3 1/2"

CT. STL. TO FRAME

CONC. FND. T

O FRAME

5' - 0 5/8"

BELOW FRAMING WALL-SEE#3 ON A.276 & #8 ON A.355

LINE OF SOFFIT

1' - 5

DIM. WALL ON R.F.9' - 2 3/4"

0' - 10 3/8"

6' - 1

2' - 4 1/2"

7' - 4

90°CL

FRAME TO FRAME

13' - 5 3/4"

4' - 4 3/8"

SKYLIGHT

2' - 11 3/4" VIF W/. W

TRIANGULATEDCUSTONWINDOW

MB Architecture

CONSTRUCTION SET

Drawn by

Checked by

PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA

SHEET TITLE:

CONSULTANTS:

1/4" = 1'-0"9

A.102D

1st Floor Framing Plan

09.30.08

1/4" = 1'-0"1

First Floor Plan A

Revision Schedule

RevisionDescription

45 10.06.09 PCH/ELECCONSULT.

FD/MB Revision 45

48 12.07.09 PCH FD/MB LibraryWall+Chimney

69 04.30.10 PCH/Shine/Berty FD Elec plans

73 06.07.10 PCH FD/MZ Int doorschedule, fl plan,framing

81 08.22.10 PCH FD/MZ W/D 1st Floor,Bridge GallerySoffit

TO FRAME4' - 0 1/2"

14' - 7"

TO FRAME10' - 1 1/2"

6" STEELCOLUMN

EXPOSED

2' - 3 1/2"

3' - 11 3/4"

FLOORGRILL

FLOOR GRILL TBD.

SLOPE AT 1/8" PER FT.

ROOF LINE

RESIN FLOOR W/.RUBBER ON 3/4"

PITCHED PLYWOOD

FLOOR GRILL

TO FRAME1' - 9 1/8"

FRAME TO FRAME11' -

FRAME TO FRAME1' -

5 3/4"

7' - 5 5/8"

MED.CAB.

LOC. TBD

3' - 3 1/2" 3' - 3 5/8"

/8" //

0' - 8

CT. TO STL.

0' - 7 1/2"

CT. STL. T

O FRAME1' -

9 7/8"

7' - 10 3/4"

1' - 0 3/8"

CABINETRY AROUNDCOLUMN

8' - 6

LINE OFSOFFIT

4' - 9 7/8"

14' - 0 1/4"CL

ALIGN/CT. WALL W/. W8X13 ON 1ST FL.

ROOF LINE.

ROOF LINE

PULL SIDE SHADE

ELEC. CONCEALEDROLL DOWN SHADE

ELEC.CONCEALED ROLL

DOWN SHADE

1' - 6 7/8"

1' - 1

5' - 10 1/2"

5' - 8 3/4"

13' - 4 5/8"

3' - 10 3/4" 2' -

8 1/8"

RAILING @ 36" ABV. FINISHFLOOR TERRACE TBD.

REMOVABLECORNER TO

REPLACE SASH

49 3/4"

14' - 5 1/16"

SOUND INSUL.

OPEN TO BELOW

TL. TO

1' - 6 3/4"

PITCH STUCCO 1/4"/FT

16' - 11"

18' - 8 3/8"

3' - 5 1/8"

8' - 0 1/8"

SHOWER GLASS BETWWENWDW MULLION

4' - 2

2' - 4 7/8"

5' - 10 1/2"

1' - 11 5/8"

W/. ELEVATOR

SOUND INSUL.

WALLS ALIGNED W/.1ST FLOOR WALLS

7' - 8 3/8"

6' - 11 3/8"

3' - 3 5/8"

5' - 6 7/8"

1' - 0"

6' - 8

2' - 8 3/4"

7' - 3 1/8"

2' - 3 1/8"

6' - 1

2' - 3"

11' - 8"

2' - 3

CT. TO STL.

7 1/8"

OPEN TOGALLERY BELOW

9' - 2 1/4"

LOW WALL

LOWWALL

SOUNDINSUL. INPOCKETDOOR

SOUND INSUL.

SOUNDINSUL.

SOUNDINSUL. INPOCKET

OPEN TOBEDROOM #1

FRAME TO EXT. FINISH

0' - 9"

3' - 4"

2' - 0

5' - 6

' - 4 3

5' - 9"

NOTE:-ATTACHED TO STUD WALL FORCISTERN @ ALL WALL MOUNTED TOILET-ALL DIMENSIONS ARE FROM FRAMING

1' - 0 5/8"

5' - 1 7/8"

1' - 2 1/8" TO FRAME11' - 7 1/4"

CONFIRMDIM. W/.CLIENT

1' - 6 3/4"

SAFE TO BEMOUNTED ON

CONCRETE FLOORVERIFY LOCATION

WITH ARCH.

/8" 90°

EDGE OFBEAM BELOW

CONCRETEFLOOR

3/4" PLYWOODWALL

CHIMNEY FLUE W/.2" SPACE AROUND-

LOCATION TBD

3' - 0 1/8"

MB Architecture

CONSTRUCTION SET

Drawn by

Checked by

PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA

SHEET TITLE:

CONSULTANTS:

1/4" = 1'-0"

A.103B

2nd Floor Framing Plan

09.30.08

1/4" = 1'-0"1

Revision Schedule

RevisionDescription

51 01.14.10 PCH FD/MB 2nd Fl. FramingPlan

52 01.19.10 PCH FD/MB 2nd Fl.FramingPlan

55 02.01.10 PCH/Tracey FD Framing Plan2nd FL.

TO FRAME4' - 0 1/2"

14' - 7"

TO FRAME10' - 1 1/2"

6" STEELCOLUMN

EXPOSED

2' - 3 1/2"

3' - 11 3/4"

FLOORGRILL

FLOOR GRILL TBD.

ROOF LINE

PITCHED PLYWOOD

FLOOR GRILL

TO FRAME1' - 9 1/8"

FRAME TO FRAME11' -

FRAME TO FRAME1' -

5 3/4"

7' - 5 5/8"

MED.CAB.

LOC. TBD

3' - 3 1/2" 3' - 3 5/8"

/8" //

0' - 8

CT. TO STL.

0' - 7 1/2"

CT. STL. T

O FRAME1' -

9 7/8"

7' - 10 3/4"

1' - 0 3/8"

8' - 6

LINE OFSOFFIT

4' - 9 7/8"

14' - 0 1/4"CL

ROOF LINE.

ROOF LINE

PULL SIDE SHADE

ELEC.CONCEALED ROLL

DOWN SHADE

1' - 6 7/8"

1' - 1

5' - 10 1/2"

5' - 8 3/4"

13' - 4 5/8"

3' - 10 3/4" 2' -

8 1/8"

REMOVABLECORNER TO

REPLACE SASH

49 3/4"

14' - 5 1/16"

SOUND INSUL.

OPEN TO BELOW

TL. TO

1' - 6 3/4"

16' - 11"

18' - 8 3/8"

3' - 5 1/8"

8' - 0 1/8"

4' - 2

2' - 4 7/8"

5' - 10 1/2"

1' - 11 5/8"

W/. ELEVATOR

SOUND INSUL.

7' - 8 3/8"

6' - 11 3/8"

3' - 3 5/8"

5' - 6 7/8"

1' - 0"

6' - 8

2' - 8 3/4"

7' - 3 1/8"

2' - 3 1/8"

6' - 1

2' - 3"

11' - 8"

2' - 3

CT. TO STL.

7 1/8"

9' - 2 1/4"

LOW WALL

LOWWALL

SOUND INSUL.

SOUNDINSUL.

OPEN TOBEDROOM #1

0' - 9"

3' - 4"

2' - 0

5' - 6

' - 4 3

5' - 9"

1' - 0 5/8"

5' - 1 7/8"

1' - 2 1/8" TO FRAME11' - 7 1/4"

1' - 6 3/4"

WITH ARCH.

/8" 90°

EDGE OFBEAM BELOW

CONCRETEFLOOR

3/4" PLYWOODWALL

LOCATION TBD

3' - 0 1/8"

MB Architecture

CONSTRUCTION SET

Drawn by

Checked by

PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA

SHEET TITLE:

CONSULTANTS:

1/4" = 1'-0"

A.103B

09.30.08

1/4" = 1'-0"1

Revision Schedule

RevisionDescription

TO FRAME4' - 0 1/2"

14' - 7"

TO FRAME10' - 1 1/2"

6" STEELCOLUMN

EXPOSED

2' - 3 1/2"

3' - 11 3/4"

FLOORGRILL

FLOOR GRILL TBD.

ROOF LINE

PITCHED PLYWOOD

FLOOR GRILL

TO FRAME1' - 9 1/8"

FRAME TO FRAME11' -

FRAME TO FRAME1' -

5 3/4"

7' - 5 5/8"

MED.CAB.

LOC. TBD

3' - 3 1/2" 3' - 3 5/8"

/8" //

0' - 8

CT. TO STL.

0' - 7 1/2"

CT. STL. T

O FRAME1' -

9 7/8"

7' - 10 3/4"

1' - 0 3/8"

8' - 6

LINE OFSOFFIT

4' - 9 7/8"

14' - 0 1/4"CL

ROOF LINE.

ROOF LINE

PULL SIDE SHADE

ELEC.CONCEALED ROLL

DOWN SHADE

1' - 6 7/8"

1' - 1

5' - 10 1/2"

5' - 8 3/4"

13' - 4 5/8"

3' - 10 3/4" 2' -

8 1/8"

REMOVABLECORNER TO

REPLACE SASH

49 3/4"

14' - 5 1/16"

SOUND INSUL.

OPEN TO BELOW

TL. TO

1' - 6 3/4"

16' - 11"

18' - 8 3/8"

3' - 5 1/8"

8' - 0 1/8"

4' - 2

2' - 4 7/8"

5' - 10 1/2"

1' - 11 5/8"

W/. ELEVATOR

SOUND INSUL.

7' - 8 3/8"

6' - 11 3/8"

3' - 3 5/8"

5' - 6 7/8"

1' - 0"

6' - 8

2' - 8 3/4"

7' - 3 1/8"

2' - 3 1/8"

6' - 1

2' - 3"

11' - 8"

2' - 3

CT. TO STL.

7 1/8"

9' - 2 1/4"

LOW WALL

LOWWALL

SOUND INSUL.

SOUNDINSUL.

OPEN TOBEDROOM #1

0' - 9"

3' - 4"

2' - 0

5' - 6

' - 4 3

5' - 9"

1' - 0 5/8"

5' - 1 7/8"

1' - 2 1/8" TO FRAME11' - 7 1/4"

1' - 6 3/4"

WITH ARCH.

/8" 90°

EDGE OFBEAM BELOW

CONCRETEFLOOR

3/4" PLYWOODWALL

LOCATION TBD

3' - 0 1/8"

MB Architecture

CONSTRUCTION SET

Drawn by

Checked by

PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA

SHEET TITLE:

CONSULTANTS:

1/4" = 1'-0"

A.103B

09.30.08

1/4" = 1'-0"1

Revision Schedule

RevisionDescription

ROOF LINE

FLOOR GRILL

TOSTL.

PITCH STUCCO 1/4"/FTPITCH STUCCO 1/4"/FT

FRAME TO EX0' -9"

TO FRAME4' - 0 1/2"

14' - 7"

TO FRAME10' - 1 1/2"

6" STEELCOLUMN

EXPOSED

2' - 3 1/2"

3' - 11 3/4"

FLOORGRILL

FLOOR GRILL TBD.

ROOF LINE

PITCHED PLYWOOD

FLOOR GRILL

TO FRAME1' - 9 1/8"

FRAME TO FRAME11' -

FRAME TO FRAME1' -

5 3/4"

7' - 5 5/8"

MED.CAB.

LOC. TBD

3' - 3 1/2" 3' - 3 5/8"

/8" //

0' - 8

CT. TO STL.

0' - 7 1/2"

CT. STL. T

O FRAME1' -

9 7/8"

7' - 10 3/4"

1' - 0 3/8"

8' - 6

LINE OFSOFFIT

4' - 9 7/8"

14' - 0 1/4"CL

ROOF LINE.

ROOF LINE

PULL SIDE SHADE

ELEC.CONCEALED ROLL

DOWN SHADE

1' - 6 7/8"

1' - 1

5' - 10 1/2"

5' - 8 3/4"

13' - 4 5/8"

3' - 10 3/4" 2' -

8 1/8"

REMOVABLECORNER TO

REPLACE SASH

49 3/4"

14' - 5 1/16"

SOUND INSUL.

OPEN TO BELOW

TL. TO

1' - 6 3/4"

16' - 11"

18' - 8 3/8"

3' - 5 1/8"

8' - 0 1/8"

4' - 2

2' - 4 7/8"

5' - 10 1/2"

1' - 11 5/8"

W/. ELEVATOR

SOUND INSUL.

7' - 8 3/8"

6' - 11 3/8"

3' - 3 5/8"

5' - 6 7/8"

1' - 0"

6' - 8

2' - 8 3/4"

7' - 3 1/8"

2' - 3 1/8"

6' - 1

2' - 3"

11' - 8"

2' - 3

CT. TO STL.

7 1/8"

9' - 2 1/4"

LOW WALL

LOWWALL

SOUND INSUL.

SOUNDINSUL.

OPEN TOBEDROOM #1

0' - 9"

3' - 4"

2' - 0

5' - 6

' - 4 3

5' - 9"

1' - 0 5/8"

5' - 1 7/8"

1' - 2 1/8" TO FRAME11' - 7 1/4"

1' - 6 3/4"

WITH ARCH.

/8" 90°

EDGE OFBEAM BELOW

CONCRETEFLOOR

3/4" PLYWOODWALL

LOCATION TBD

3' - 0 1/8"

MB Architecture

CONSTRUCTION SET

Drawn by

Checked by

PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA

SHEET TITLE:

CONSULTANTS:

1/4" = 1'-0"

A.103B

09.30.08

1/4" = 1'-0"1

Revision Schedule

RevisionDescription

2' 3 1/

3' - 11 3/4"""

FLOOR GRILL TBD.

1/8" PR FT.

RESIN FLOOR W/.RESIN FLOOR W/.RESIN FLOOR W/.RESIN FLOOR W/.

TO FAMMME1' --

9 1/888""

O FRAME11' -

1° 1°0

13333/////8888

TO FFRAME9 7/8"

CCCCCCCCCCCLLCLCCLCCLCCLC

99990°°

CCLLCLCCLC

PULL SIDE SHADE

1' -6 7/8"

13' -4 5/8

3333333''' -1110 333///////4444""" 2' -

8 1/8"

RAILING @ 36" ABV. FINISHRAILING @ 36" ABV. FINISHFLOOR TERRACE TBD.FLOOR TERRACE TBD.

REMOVABLECORNER TO

REPLACE SASH

14' -5 1/1

SOUND INSUL.

90°°

E111'-

CCLCLCCLC

PITCH STUCCO 1/4"/FTPITCH STUCCO 1/4"/FT

16' -11"

1''- 5

3//8888""

8' -8 3/8"

3' -5 1/8

8' -0 1/8""

SHOWER GLASS BETWWENSHOWER GLASS BETWWENWDW MULLIONWDW MULLION

4''---

" 90°

WALL/DOORPLACEMENTPLACEMENT7PLACEMENT7'PLACEMENT' -PLACEMENT- 5PLACEMENT5 5PLACEMENT5

W/. ELEVATORW/. ELEVATOR

1ST FLOOR WALLS

7-83/8"

CLLCLC

6' - 1919191919190103°3°/8"

3' - 3 5/8 '8 '

" 1" 1

5' -- 6 96 9

7777777///////88888888888888888888888""""

1' - 0"

90 00 0° 0° 0

999990000°

222''-'--'- -6-6 89890

33 33 3'3''3'-3

3 33 3'3''3'33///3/34444

7' - 3 1/8"

11111111111111111111111111111111111111111111--5555

8 "8 "8

CLLCLCCLC

//////////

////////4/44/4 ///4 /4//////4/4 /4/4

//////

/////////////////

SOUNDINSUL. ININSUL. INPOCKETPOCKETPOCKETPOCKETPOCKETPOCKETDOORDOOR

NICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEENICHE (SEEFLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)FLOOR PLAN)

XT. FINNNIISSSHHH

WITH ARCH.

SAFESAFESAFE

99999999900000°°°°

" 999990000°°

EDGE OFBEAM BELOW

CONCRETEFLOOR

5/83/4" PLYWOOD

900°°

LOCATION TBD

3' - 0 1///8"

RESIN FLOOR W/.RESIN FLOOR W/. PITCH STUCCO 1/4"/FTPITCH STUCCO 1/4"/FTPITCH STUCCO 1/4"/FTRESIN FLOOR W/.

In 1990 while enrolled at the Cornell School of Architecture, I set out to extract the subtle ingredients, buried in the sheer mass of Architecture, that constitute our perceptions of home. My goal wasn’t pedantic even though it was conducted under the auspices of a Master’s thesis project. The formality of it was a ruse. More practically, I sought to capture and hold the very essence of a home, only to be able to recreate it at will wherever I chose to live. ¶ Very quickly, and undoubtedly, the journey became personal as it crossed out of Architecture and into the myriad dimensions that make for each of us the sense and non-sense of a house. ¶ The exegesis required an alchemist’s approach. I had to distill matter and memory to their nearly pure state - anymore and they would vanish into thin abstraction. ¶ In the end, they did. And I was left with a residue that has settled in my coat pocket all these years. ¶ Had I succeeded in capturing that essential ingredient, that potion, that like fairy dust would magically transform any place into some place, I would be free to be anywhere. The obviousness of anywhere being nowhere eluded me at the time; and I convinced myself that the way out of the labyrinth was to claim the self-evident truth that home is where the heart is. ¶ As a spatial expression, I described a smaller and smaller, eventually a portable habitat. It would be worn and carried like the tools of a medieval travelling cobbler or an astronaut’s suit - close to the skin. ¶ This was my Architecture of an instant home: projections of images within dark space, urban or rural; and their cross projections, creating intersecting horizontal pyramids of domestic imagery and a refuge for memory. ¶ In the intervening years, I have built many houses. But this last one, shown in the preceding and final pages, found its way back to the labyrinth -casting a Borgesian doubt over whether I had ever left it. Made from nested projections and intersecting triangulated spaces, it unfolds, paper-like, as you cross its interstices and thresholds. It is made of steel and glass and earth and eventually claims that Architecture, built, has the power to extinguish time.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

In 1990 while enrolled at the Cornell School of Architecture, I set out to extract the subtle ingredients, buried in the sheer mass of Architecture, that constitute our perceptions of home. My goal wasn’t pedantic even though it was conducted under the auspices of a Master’s thesis project. The formality of it was a ruse. More practically, I sought to capture and hold the very essence of a home, only to be able to recreate it at will wherever I chose to live. ¶ Very quickly, and undoubtedly, the journey became personal as it crossed out of Architecture and into the myriad dimensions that make for each of us the sense and non-sense of a house. ¶ The exegesis required an alchemist’s approach. I had to distill matter and memory to their nearly pure state - anymore and they would vanish into thin abstraction. ¶ In the end, they did. And I was left with a residue that has settled in my coat pocket all these years. ¶ Had I succeeded in capturing that essential ingredient, that potion, that like fairy dust would magically transform any place into some place, I would be free to be anywhere. The obviousness of anywhere being nowhere eluded me at the time; and I convinced myself that the way out of the labyrinth was to claim the self-evident truth that home is where the heart is. ¶ As a spatial expression, I described a smaller and smaller, eventually a portable habitat. It would be worn and carried like the tools of a medieval travelling cobbler or an astronaut’s suit - close to the skin. ¶ This was my Architecture of an instant home: projections of images within dark space, urban or rural; and their cross projections, creating intersecting horizontal pyramids of domestic imagery and a refuge for memory. ¶ In the intervening years, I have built many houses. But this last one, shown in the preceding and final pages, found its way back to the labyrinth -casting a Borgesian doubt over whether I had ever left it. Made from nested projections and intersecting triangulated spaces, it unfolds, paper-like, as you cross its interstices and thresholds. It is made of steel and glass and earth and eventually claims that Architecture, built, has the power to extinguish time.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Project Credits

Architect:Maziar Behrooz ArchitectureEast Hamtpon and New York, NY

Architect’s Team: Maziar Behrooz, AIA, principal architectFrederic Debackere, drawing & designMichael Cafiero, book designMarybeth Finegan, administrative

Client: Mrs. Marie-Eve & Mr. Michel Berty

Project Location: Wainscott, NY

Project Type: Addition to existing house

Project Size: 9500 sf

Mechanical Engineer: Chaleff & Rogers

Structural Engineer:Gilsanz, Murray, Steficek,

Contractor: Joel Bass

Interior Design: Tracey Garrett, library & officeMarie-Eve Berty, colors & finishes

Lighting Design:Caitlin Faron, Shine

Photography:Matthew Carbone

Craftspeople: Cy Ross, library shelves & fireplaceMichael Hastalis, bar

Floors:Fusion Floors

Pool:Pristine Pools

Garden:Steve Torch

HVAC:Temp-ArtFlanders

Windows:Panoramic

Stair:Kitty Hawk Stair

Tiles:Alan Court AssociatesUrban Archeology

Steel:Tebbens Steel

Green Roof:Green Living Roofs

Maziar Behrooz Architecture is a studio of architecture and planning founded in 1990 in New York City, and since 1996, with an office in East Hampton, New York.

Our geographic location has given us a critical opportunity and challenge to carefully observe the interdependent relationship of human settlement with nature and the long-term impact of buildings on the environment.

We start our process by redefining outmoded terminologies that perpetuate non-existent relationships. We don’t design buildings but create integrated environments. In fact the built (or the building) in our work, in particular in our recent design projects, is a mere component, albeit a vital one, of a total environment. This fundamental shift in attitude, a reversal of the conventional relationship between buildings and nature whereby buildings are a component of much larger Architecture of the Environment, characterizes our approach to design.

As architects our specific role is to demonstrate alternative methods of planning and construction that promote this philosophy while helping preserve, sustain and regenerate the environment.

As practitioners, our challenge is to apply this attitude to every project, large or small, affordable or luxurious. While the physical results vary, we consistently aim for the maximization, wherever possible, of contiguous natural habitats. By clustering buildings and increasing managed landscapes, we leave nature to perform its self-healing, self-cleaning processes. We like to explore site layouts that reduce or otherwise draw attention to the impact of buildings on the environment.

The use of passive systems which take advantage of solar orientation, wind direction, and landscaping are fundamental to our decision making process while the examination of efficient and alternative materials and building technologies is a fulfillment of that promise.

Sayres Hanging Gardens

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