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A project of Maziar Behrooz Architecture
Citation preview
Sayres Hanging Garden
for myparents
and toM-E & M & A & A
Published by BlurbTo purchase copies, go to www.blurb.com
© 2012All rights reserved
No part of this book may be used or reproduced in any manner without permission from the author, except in the context of reviews.
The following pages contain a cross-sectional chronicle of the thousands of JPEGs, TIFFs, DWGs, PDFs, drawings & sketches that together take up 30 gigabytes of space on my office hard-drives, under the folder BERTY. The sampling is abbreviated but not random. On the whole we chose to select images that, when seen in sequence, form a textural tapestry of a process.¶ Rather than opting for descriptive images of the final building, we preferred those that allude to a particular moment in time; a moment when an idea or thought was first drawn or seen in construction. Even the few formal drawings included represent a crystallization, a point of pause, in the process of generating construction documents.¶ By the end of the three years of working on the Berty house, we had all learned to speak its language using its particular vocabulary: non-orthogonal in plan, spatial rather than formal with a tendency away from plain geometry and an inclination for interrupted movement. These forms yielded pocket of space that, once realized and furnished, offered a surprising sense of calm and reverence. Within them, one wants to be still.¶ Against the backdrop of a rigorously geometric existing house, our addition hops and leaps, dancing around it. Its narrative isn’t linear, nor does it end with a crisp conclusion.¶ In the same manner, this presentation jumps across phases, time and ideas. In fact, in the process of pulling these images together, I noticed that this project may have started long ago in Ithaca, New York. While resisting the impulse to couch the fluidity of it into a discursive framework and force a connection, I have simply attached some of the sketches from that period as an addendum, with a few words, in the back.¶ Undoubtedly what you see is the result of a collaboration between many individuals both within and outside of my office. Marie-Eve and Michel Berty’s steadfast love of art and architecture kept us inspired and enabled me to do that which I love. Maziar Behrooz
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
The following pages contain a cross-sectional chronicle of the thousands of JPEGs, TIFFs, DWGs, PDFs, drawings & sketches that together take up 30 gigabytes of space on my office hard-drives, under the folder BERTY. The sampling is abbreviated but not random. On the whole we chose to select images that, when seen in sequence, form a textural tapestry of a process.¶ Rather than opting for descriptive images of the final building, we preferred those that allude to a particular moment in time; a moment when an idea or thought was first drawn or seen in construction. Even the few formal drawings included represent a crystallization, a point of pause, in the process of generating construction documents.¶ By the end of the three years of working on the Berty house, we had all learned to speak its language using its particular vocabulary: non-orthogonal in plan, spatial rather than formal with a tendency away from plain geometry and an inclination for interrupted movement. These forms yielded pocket of space that, once realized and furnished, offered a surprising sense of calm and reverence. Within them, one wants to be still.¶ Against the backdrop of a rigorously geometric existing house, our addition hops and leaps, dancing around it. Its narrative isn’t linear, nor does it end with a crisp conclusion.¶ In the same manner, this presentation jumps across phases, time and ideas. In fact, in the process of pulling these images together, I noticed that this project may have started long ago in Ithaca, New York. While resisting the impulse to couch the fluidity of it into a discursive framework and force a connection, I have simply attached some of the sketches from that period as an addendum, with a few words, in the back.¶ Undoubtedly what you see is the result of a collaboration between many individuals both within and outside of my office. Marie-Eve and Michel Berty’s steadfast love of art and architecture kept us inspired and enabled me to do that which I love. Maziar Behrooz
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
shape-shifts
226 SF
Roof (1)
239 SF
Roof (1)
288 SF
Roof (2)
Area Legend
Roof (1)
Roof (2)
1827 SF
REDCOMMONAREA 1ST
FLOOR
Building Area Legend
1ST FLOOR EAST PATIO
BEIGE COLOR BEDROOM #2
GREY CARETAKER
RED COMMON AREA 1STFLOOR
WHITE 1ST FLOOR WESTPATIO
YELLOW BEDROOM #1
EXTG. HOUSESUNKEN COURTYARD
GRASS TERRACE
GRASS TERRACE
GRASS TERRACE
GRADE STEPS W/. MOSS
GRASS TERRACE
LIVING ROOM
BEDROOM #3
BEDROOM #4
W.I.CW.I.C ?
CLOSET
ENTRY HALL
COAT CL.
BATH #3SHWR.
LN.
W.I.C
OUTDOOR SHOWER
BATH #1
BEDROOM #1
BATH #2
333 SF
YELLOWBEDROOM
#1
2519 SF
WHITE 1STFLOOR
WEST PATIO
683 SF
GREYCARETAKER
BEDROOM #2
340 SF
BEIGECOLOR
BEDROOM#2
44 SF
1ST FLOOREAST PATIO
1459 SF
Roof (3)
Building Area Legend
Roof (3)
475 SF
Roof (4)
Building Area Legend
Roof (4) 2454 SF
Roof (5)&(6)
Building Area Legend
Roof (5)&(6)
1868 SF
GARAGEFLOOR
Area Legend
GARAGE FLOOR
GREY CELLAR FLOOR
1465 SF
GREYCELLARFLOOR
GARAGE
MECHANICALROOM
LAUNDRY ROOM
CELLAR GALLERY
LOUNGE
WINE STORAGESTORAGE
WINE BAR
CELLAR GALLERY
586 SF
SMOOTHWHITE 2ND
FLOOR
367 SF
SMOOTHWHITE 2ND
FLOORTERRACE
644 SF
REDSECONDFLOOR
Building Area Legend
RED SECOND FLOOR
SMOOTH WHITE 2ND FLOOR
SMOOTH WHITE 2ND FLOORTERRACE
BEDROOM #5
BATHROOM #5
ELEVATOR
W.I.C (HIS)
MASTERBATHROOM #6
SHWR #6
HALLWAY
W.I.C (HERS)
STORAGE
TOILET#4
MB Architecture
CONSTRUCTION SET
Scale
Date
Drawn by
Checked by
PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY
PROJECT:
OWNER ADDRESS:
ARCHITECT:
maziar behrooz,AIA
7A Newtown LaneEast Hampton, NY 11937
T: 631-329-2983F: 631-329-4878E: [email protected]: mbarchitecture.com
SHEET TITLE:
CONSULTANTS:
40 Sayres pathWainscott, NY11975
Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>
REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION
As indicated
11
/3/2
00
9 4
:16
:26
PM
A.105.
Area Calculation
09.30.08
Fred
1/16" = 1'-0"1
1st PL (1)
1" = 20'-0"2
1st FL Resin Area Calculation
1/16" = 1'-0"3
Roof Area Calculation @ 1st PL(2) 1/16" = 1'-0"4
Roof Area Calculation @ 1st PL(3)
1/16" = 1'-0"5
Roof Area Calculation @ 2nd Fl. Plate 2
1/16" = 1'-0"6
Cellar Resin Area Calculation 1" = 20'-0"
72nd Floor Finish Area Plan
Revision Schedule
RevisionNumber
RevisionDate Issued to Issued by
RevisionDescription
19 04.29.09 PCH FD/MB A.105
46 10.19.09 PCH FD/MB Revision 46
46
226 SF
Roof (1)
239 SF
Roof (1)
288 SF
Roof (2)
Area Legend
Roof (1)
Roof (2)
1827 SF
REDCOMMONAREA 1ST
FLOOR
Building Area Legend
1ST FLOOR EAST PATIO
BEIGE COLOR BEDROOM #2
GREY CARETAKER
RED COMMON AREA 1STFLOOR
WHITE 1ST FLOOR WESTPATIO
YELLOW BEDROOM #1
EXTG. HOUSESUNKEN COURTYARD
GRASS TERRACE
GRASS TERRACE
GRASS TERRACE
GRADE STEPS W/. MOSS
GRASS TERRACE
LIVING ROOM
BEDROOM #3
BEDROOM #4
W.I.CW.I.C ?
CLOSET
ENTRY HALL
COAT CL.
BATH #3SHWR.
LN.
W.I.C
OUTDOOR SHOWER
BATH #1
BEDROOM #1
BATH #2
333 SF
YELLOWBEDROOM
#1
2519 SF
WHITE 1STFLOOR
WEST PATIO
683 SF
GREYCARETAKER
BEDROOM #2
340 SF
BEIGECOLOR
BEDROOM#2
44 SF
1ST FLOOREAST PATIO
1459 SF
Roof (3)
Building Area Legend
Roof (3)
475 SF
Roof (4)
Building Area Legend
Roof (4) 2454 SF
Roof (5)&(6)
Building Area Legend
Roof (5)&(6)
1868 SF
GARAGEFLOOR
Area Legend
GARAGE FLOOR
GREY CELLAR FLOOR
1465 SF
GREYCELLARFLOOR
GARAGE
MECHANICALROOM
LAUNDRY ROOM
CELLAR GALLERY
LOUNGE
WINE STORAGESTORAGE
WINE BAR
CELLAR GALLERY
586 SF
SMOOTHWHITE 2ND
FLOOR
367 SF
SMOOTHWHITE 2ND
FLOORTERRACE
644 SF
REDSECONDFLOOR
Building Area Legend
RED SECOND FLOOR
SMOOTH WHITE 2ND FLOOR
SMOOTH WHITE 2ND FLOORTERRACE
BEDROOM #5
BATHROOM #5
ELEVATOR
W.I.C (HIS)
MASTERBATHROOM #6
SHWR #6
HALLWAY
W.I.C (HERS)
STORAGE
TOILET#4
MB Architecture
CONSTRUCTION SET
Scale
Date
Drawn by
Checked by
PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY
PROJECT:
OWNER ADDRESS:
ARCHITECT:
maziar behrooz,AIA
7A Newtown LaneEast Hampton, NY 11937
T: 631-329-2983F: 631-329-4878E: [email protected]: mbarchitecture.com
SHEET TITLE:
CONSULTANTS:
40 Sayres pathWainscott, NY11975
Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>
REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION
As indicated
11
/3/2
00
9 4
:16
:26
PM
A.105.
Area Calculation
09.30.08
Fred
1/16" = 1'-0"1
1st PL (1)
1" = 20'-0"2
1st FL Resin Area Calculation
1/16" = 1'-0"3
Roof Area Calculation @ 1st PL(2) 1/16" = 1'-0"4
Roof Area Calculation @ 1st PL(3)
1/16" = 1'-0"5
Roof Area Calculation @ 2nd Fl. Plate 2
1/16" = 1'-0"6
Cellar Resin Area Calculation 1" = 20'-0"
72nd Floor Finish Area Plan
Revision Schedule
RevisionNumber
RevisionDate Issued to Issued by
RevisionDescription
19 04.29.09 PCH FD/MB A.105
46 10.19.09 PCH FD/MB Revision 46
46
226 SF
Roof (1)
239 SF
Roof (1)
288 SF
Roof (2)
Area Legend
Roof (1)
Roof (2)
1827 SF
REDCOMMONAREA 1ST
FLOOR
Building Area Legend
1ST FLOOR EAST PATIO
BEIGE COLOR BEDROOM #2
GREY CARETAKER
RED COMMON AREA 1STFLOOR
WHITE 1ST FLOOR WESTPATIO
YELLOW BEDROOM #1
EXTG. HOUSESUNKEN COURTYARD
GRASS TERRACE
GRASS TERRACE
GRASS TERRACE
GRADE STEPS W/. MOSS
GRASS TERRACE
LIVING ROOM
BEDROOM #3
BEDROOM #4
W.I.CW.I.C ?
CLOSET
ENTRY HALL
COAT CL.
BATH #3SHWR.
LN.
W.I.C
OUTDOOR SHOWER
BATH #1
BEDROOM #1
BATH #2
333 SF
YELLOWBEDROOM
#1
2519 SF
WHITE 1STFLOOR
WEST PATIO
683 SF
GREYCARETAKER
BEDROOM #2
340 SF
BEIGECOLOR
BEDROOM#2
44 SF
1ST FLOOREAST PATIO
1459 SF
Roof (3)
Building Area Legend
Roof (3)
475 SF
Roof (4)
Building Area Legend
Roof (4) 2454 SF
Roof (5)&(6)
Building Area Legend
Roof (5)&(6)
1868 SF
GARAGEFLOOR
Area Legend
GARAGE FLOOR
GREY CELLAR FLOOR
1465 SF
GREYCELLARFLOOR
GARAGE
MECHANICALROOM
LAUNDRY ROOM
CELLAR GALLERY
LOUNGE
WINE STORAGESTORAGE
WINE BAR
CELLAR GALLERY
586 SF
SMOOTHWHITE 2ND
FLOOR
367 SF
SMOOTHWHITE 2ND
FLOORTERRACE
644 SF
REDSECONDFLOOR
Building Area Legend
RED SECOND FLOOR
SMOOTH WHITE 2ND FLOOR
SMOOTH WHITE 2ND FLOORTERRACE
BEDROOM #5
BATHROOM #5
ELEVATOR
W.I.C (HIS)
MASTERBATHROOM #6
SHWR #6
HALLWAY
W.I.C (HERS)
STORAGE
TOILET#4
MB Architecture
CONSTRUCTION SET
Scale
Date
Drawn by
Checked by
PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY
PROJECT:
OWNER ADDRESS:
ARCHITECT:
maziar behrooz,AIA
7A Newtown LaneEast Hampton, NY 11937
T: 631-329-2983F: 631-329-4878E: [email protected]: mbarchitecture.com
SHEET TITLE:
CONSULTANTS:
40 Sayres pathWainscott, NY11975
Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>
REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION
As indicated
11
/3/2
00
9 4
:16
:26
PM
A.105.
Area Calculation
09.30.08
Fred
1/16" = 1'-0"1
1st PL (1)
1" = 20'-0"2
1st FL Resin Area Calculation
1/16" = 1'-0"3
Roof Area Calculation @ 1st PL(2) 1/16" = 1'-0"4
Roof Area Calculation @ 1st PL(3)
1/16" = 1'-0"5
Roof Area Calculation @ 2nd Fl. Plate 2
1/16" = 1'-0"6
Cellar Resin Area Calculation 1" = 20'-0"
72nd Floor Finish Area Plan
Revision Schedule
RevisionNumber
RevisionDate Issued to Issued by
RevisionDescription
19 04.29.09 PCH FD/MB A.105
46 10.19.09 PCH FD/MB Revision 46
46
DH 6 DH 6
VS 104.14
DH 6 DH 6
DH 6
DH 6 DH 6
DH 6
25' - 2"
90°
2' -
9 3
/4"
2' -
1 5
/8"
5' -
1 1
/2"
2' -
6 1
/2"
90°
90°
6' -
6 1
/2"
6' -
10 1
/8"
3' -
0 3
/8"
4' - 1"
3' -
4 3
/4"
2' -
11
1/2
"5
' - 3
1/2
"3
' - 1
1/2
"
4' -
5 1
/4"
90°
90°
CEILING SOFFIT LINEFLUSH W/. RAILING
ROOF LINE ABOVETO
FR
AM
E7' -
9 3
/4"
5' - 5 5/8"
14' - 8 5/8"
11' - 7 1/2"
7' - 2 3/8"
5' - 0" 4' - 4 1/4"
6' - 5 3/8" 9' - 3 1/4" 10' - 0 1/4"
10' - 5 1/8"
COR-TEN METALPLANTER
90°
ALIGN W/. BEAM BELOW
90°
90°
1' - 11 3/8"
7' - 2"
7' - 0 3/4"
7' - 1 3/4"
7' - 1 1/4"
7' - 2 1/2"
DOUBLE SLIDERSEE SECTION #1
ON A.355
TA
KE
N IN
FIE
LD
7' -
7 1
/4"
1 1
/2"
SID
ING
CL
CT. TO CT. W/.INTERIOREXTG. COLUMN
AL
IGN
V.I.F LOCATIONOF EXTG.COLUMN.
6' -
0 3
/8"
4' -
3"
12' -
9 3
/4"
5' -
7"
10' -
1 1
/4"
2' -
5 1
/2"
9' -
11 3
/8"
90°
90°
90°
13' - 8 1/2"
16' -
5 1
/4"
11' -
5 1
/2"
5' - 6"
7' - 9 1/2"
3' - 8 3/4"
2' - 3 1/4"
ALIG
N
CEILING.LINE
90°
4' -
10 3
/8"
2' -
7 5
/8"
6' -
3 1
/8"
4' -
4 7
/8"
3' - 9"
7' - 11 3/4"
0' - 0"
EQ
.
EQ
.
CL
28' - 1 1/4"
3' - 7 1/2"
3' -
5 5
/8"
90°
90°
90°
90°
16
' - 5
1/8
"
90°
90°
11' - 0 3/4"
5' - 8 3/4"
8' - 4"
4' - 8"
4' - 1 1/2"4' - 4 1/4"
90°
0' - 10" 2' - 3
1/2"
4' -
7"
7' -
1 1
/4"
3' -
3 1
/2"
2' -
3 1
/8"2' -
3 1
/2"
1' - 1 1/2"
7' - 8 1/2"
3' - 9 3/4"
1' - 11 3/4"
1' - 6 1/2"
0' -
4 1
/8"
2' -
9 5
/8"
CL
15
' - 2
3/4
"
7' - 1 1/4"8' - 6 1/2"
2' - 1"
9' - 1 1/2"
EQ
EQ
ALIG
N
3' - 1"
2' - 7 1/2"
7' - 4 3/4"
CL
CL
CL
CL
CL
3' - 0
3/4
"
3' -
0 3
/4"
13
' - 1
0 1
/4"
REMOVE EXISTINGWINDOWS ANDREPLACE WITHOPENING
FLUSH FINISHFLOOR
CL
CL
CL
CL
CL
CL
90°
4' - 8 3/4"4' - 10 1/2"
9' - 0 1/2"
ALIGN
EQ
EQ
ALIGN
ALIG
N
14' -
11 3
/4"
FIREPLACE TBD.
//
EDGE OF PATIO
//
LINE OF SECONDFLOOR WALL EXT.
FINISH
4' -
4 7
/8"
ALIG
N
OPEN TOBELOW
//
ALIG
N
2' -
6 3
/4"
LINE OF CLG.SOFFIT
STEEL BRACING
STEELBRACING
LINE OFCLG.SOFFIT
90°
CL
AL
IGN
CO
LU
MN
S
LINE OF SOFFIT
LINE OF HIP
AL
IGN
ALIG
N
MILLWORK
90°
STEEL BRACING
TO CT. STL.
0' - 10 7/8"6' - 10 1/4"
6' - 10 1/2"1' - 5"
17' - 7 5/8"
CLCL
36"HIGH TEMPERED GLASS RAILING
11' - 4
3/8
"
CL
CL
CL
CL
CL
3' - 6 1/4"
CL
4' -
1 3
/4"
2' -
3 5
/8"
6' - 3 1/4"
3' - 1
0 3
/4" CL
CL
2' -
11 3
/8"CL
EQ
EQ
CL
3' - 4
5/8
"
CL
CL
8' - 0 3/4"
8' - 4 3/8"
CL
CL
CL
CL
CL
EXT. ALUM. CLADDING MATCH WDW.
REMOVABLE CORNER TOREPLACE SASH
LINE OFSOFFIT
13' - 5 5/16" STUCCO TO STUCCO
90°
NOTES:-ALL DIMENSIONS ARE FROM FRAMING UNLESS INDICATED FROM STEEL(NOT FROM SHEATHING-NOT FROM CONCRETE EXCEPT INDICATED-NOTFROM GYSUM BOARD)
90°
//
//
//
//
//
ALIGN W/. BEAM BELOW
//
EQCL
CL
EQ
EQ
EQ
EQ
90°4' -
0 5
/8"
CL //
// //
6' - 6 3/4"1' - 9" 2' - 10 1/2"
7' - 5 5/8"
COORDINNATEWALL/DOORPLACEMENT
W/. ELEVATOR
2' - 0
1/4
"
7' - 9 7/8"
2' - 9 3/4"
//
90°
3' -
9 3
/4"
3' - 1 3/4"
0' -
10
3/8
"2
' - 6
"
CL
CL
CL
4' -
3 3
/8"
CL
//
//
0' - 11 3/8"
2' - 10 5/8"
90°
90°
90°
NICHE (SEEFLOOR PLAN)
2' -
5 7
/8"
//
//
90°
90°
//
LINE OFSOFFIT
WALLS ALIGNEDW/. CELLAR WALLS
DIM. WALL ON R.F.5' - 3 7/8"
3' - 0
"
3' - 1
1/8
"
10 7
/8"
CL
CT. TO STL.
1' - 0 5/8"
91°
SOUND INSUL.
10' -
1 1
/4"
2' -
5 1
/2"
8' -
4"
6' - 2 1/4"
28' - 9"
4 1/4"
4 1/4"
25' - 6 1/4"
LOW WALL
SOUND INSUL.IN POCKET
DOOR
SOUND INSUL. INPOCKET DOOR
NICHE
EQEQ
BUILD PITCHFLOOR
BUILDPITCHFLOOR
CT
. ST
L. B
LW
TO
FR
AM
E5"
CT. STL. B
LW TO FRAME
3 1/2"
CT
. ST
L. T
O F
RA
ME
4 1
/4"
CL
CT. STL. TO FRAME5 1/4"
CT. STL. T
O FRAME
3 1/2"
CT. STL. TO FRAME
11"
CONC. FND. T
O FRAME
5' - 0 5/8"
3 1/4" CONC. FROM EDGEFLINGE TO CONC. STEP
BELOW FRAMING WALL-SEE#3 ON A.276 & #8 ON A.355
1 1/2" CONC. FROM EDGEFLINGE TO CONC. STEP
BELOW FRAMING WALL-SEEA.276
1 1/2" CONC. FROM EDGEFLINGE TO CONC. STEP
BELOW FRAMING WALL-SEEA.276
LINE OF SOFFIT
7 7/8" CONC. FROM EDGEFLINGE TO CONC. STEP
BELOW FRAMING WALL-SEEA.276
1' - 5
1/4
"
DIM. WALL ON R.F.9' - 2 3/4"
EQEQ
EQEQ
AL
IGN
CL
G.
SO
FF
IT W
/.D
OO
RO
PE
NIN
G
0' - 10 3/8"
WD
WC
LA
DD
ING
AN
DS
IDIN
G F
LU
SH
6' - 1
7/8
"
2' - 4 1/2"
7' - 4
3/8
"
90°
90°CL
FRAME TO FRAME
13' - 5 3/4"
ALIGN
4' - 4 3/8"
ALIG
N
2' -
3 1
/4"
SKYLIGHT
1"
A.357
10
A.357
11
2' - 11 3/4" VIF W/. W
/D
CL
TRIANGULATEDCUSTONWINDOW
MB Architecture
CONSTRUCTION SET
Scale
Date
Drawn by
Checked by
PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY
PROJECT:
OWNER ADDRESS:
ARCHITECT:
maziar behrooz,AIA
7A Newtown LaneEast Hampton, NY 11937
T: 631-329-2983F: 631-329-4878E: [email protected]: mbarchitecture.com
SHEET TITLE:
CONSULTANTS:
40 Sayres pathWainscott, NY11975
Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>
REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION
1/4" = 1'-0"
9/1
/20
10
5:2
0:2
2 P
M
A.102D
1st Floor Framing Plan
09.30.08
FRED
MZ
1/4" = 1'-0"1
First Floor Plan A
Revision Schedule
RevisionNumber Revision Date Issued to Issued by
RevisionDescription
3 09.12.08 PCH MB/FD Bid Set
4 09.30.08 Town Of EH MB/FD Permit Set
5 10.14.08 PCH MB/FD Window AndDoor Schedule
44 10.04.09 PCH FD/MB Revision 44
45 10.06.09 PCH/ELECCONSULT.
FD/MB Revision 45
46 10.19.09 PCH FD/MB Revision 46
48 12.07.09 PCH FD/MB LibraryWall+Chimney
69 04.30.10 PCH/Shine/Berty FD Elec plans
73 06.07.10 PCH FD/MZ Int doorschedule, fl plan,framing
81 08.22.10 PCH FD/MZ W/D 1st Floor,Bridge GallerySoffit
DH 6 DH 6
VS 104.14
DH 6 DH 6
DH 6
DH 6 DH 6
DH 6
25' - 2"
90°
2' -
9 3
/4"
2' -
1 5
/8"
5' -
1 1
/2"
2' -
6 1
/2"
90°
90°
6' -
6 1
/2"
6' -
10 1
/8"
3' -
0 3
/8"
4' - 1"
3' -
4 3
/4"
2' -
11
1/2
"5
' - 3
1/2
"3
' - 1
1/2
"
4' -
5 1
/4"
90°
90°
CEILING SOFFIT LINEFLUSH W/. RAILING
ROOF LINE ABOVE
TO
FR
AM
E7' -
9 3
/4"
5' - 5 5/8"
14' - 8 5/8"
11' - 7 1/2"
7' - 2 3/8"
5' - 0" 4' - 4 1/4"
6' - 5 3/8" 9' - 3 1/4" 10' - 0 1/4"
10' - 5 1/8"
COR-TEN METALPLANTER
90°
ALIGN W/. BEAM BELOW
90°
90°
1' - 11 3/8"
7' - 2"
7' - 0 3/4"
7' - 1 3/4"
7' - 1 1/4"
7' - 2 1/2"
DOUBLE SLIDERSEE SECTION #1
ON A.355
TA
KE
N IN
FIE
LD
7' -
7 1
/4"
1 1
/2"
SID
ING
CL
CT. TO CT. W/.INTERIOREXTG. COLUMN
AL
IGN
V.I.F LOCATIONOF EXTG.COLUMN.
6' -
0 3
/8"
4' -
3"
12' -
9 3
/4"
5' -
7"
10' -
1 1
/4"
2' -
5 1
/2"
9' -
11 3
/8"
90°
90°
90°
13' - 8 1/2"
16' -
5 1
/4"
11' -
5 1
/2"
5' - 6"
7' - 9 1/2"
3' - 8 3/4"
2' - 3 1/4"
ALIG
N
CEILING.LINE
90°
4' -
10 3
/8"
2' -
7 5
/8"
6' -
3 1
/8"
4' -
4 7
/8"
3' - 9"
7' - 11 3/4"
0' - 0"
EQ
.
EQ
.
CL
28' - 1 1/4"
3' - 7 1/2"
3' -
5 5
/8"
90°
90°
90°
90°
16
' - 5
1/8
"
90°
90°
11' - 0 3/4"
5' - 8 3/4"
8' - 4"
4' - 8"
4' - 1 1/2"4' - 4 1/4"
90°
0' - 10" 2' - 3
1/2"
4' -
7"
7' -
1 1
/4"
3' -
3 1
/2"
2' -
3 1
/8"2' -
3 1
/2"
1' - 1 1/2"
7' - 8 1/2"
3' - 9 3/4"
1' - 11 3/4"
1' - 6 1/2"
0' -
4 1
/8"
2' -
9 5
/8"
CL
15
' - 2
3/4
"
7' - 1 1/4"8' - 6 1/2"
2' - 1"
9' - 1 1/2"
EQ
EQ
ALIG
N
3' - 1"
2' - 7 1/2"
7' - 4 3/4"
CL
CL
CL
CL
CL
3' - 0
3/4
"
3' -
0 3
/4"
13
' - 1
0 1
/4"
REMOVE EXISTINGWINDOWS ANDREPLACE WITHOPENING
FLUSH FINISHFLOOR
CL
CL
CL
CL
CL
CL
90°
4' - 8 3/4"4' - 10 1/2"
9' - 0 1/2"
ALIGN
EQ
EQ
ALIGN
ALIG
N
14' -
11 3
/4"
FIREPLACE TBD.
//
EDGE OF PATIO
//
LINE OF SECONDFLOOR WALL EXT.
FINISH
4' -
4 7
/8"
ALIG
N
OPEN TOBELOW
//
ALIG
N
2' -
6 3
/4"
LINE OF CLG.SOFFIT
STEEL BRACING
STEELBRACING
LINE OFCLG.SOFFIT
90°
CL
AL
IGN
CO
LU
MN
S
LINE OF SOFFIT
LINE OF HIP
AL
IGN
ALIG
N
MILLWORK
90°
STEEL BRACING
TO CT. STL.
0' - 10 7/8"6' - 10 1/4"
6' - 10 1/2"1' - 5"
17' - 7 5/8"
CLCL
36"HIGH TEMPERED GLASS RAILING
11' - 4
3/8
"
CL
CL
CL
CL
CL
3' - 6 1/4"
CL
4' -
1 3
/4"
2' -
3 5
/8"
6' - 3 1/4"
3' - 1
0 3
/4" CL
CL
2' -
11 3
/8"CL
EQ
EQ
CL
3' - 4
5/8
"
CL
CL
8' - 0 3/4"
8' - 4 3/8"
CL
CL
CL
CL
CL
EXT. ALUM. CLADDING MATCH WDW.
REMOVABLE CORNER TOREPLACE SASH
LINE OFSOFFIT
13' - 5 5/16" STUCCO TO STUCCO
90°
NOTES:-ALL DIMENSIONS ARE FROM FRAMING UNLESS INDICATED FROM STEEL(NOT FROM SHEATHING-NOT FROM CONCRETE EXCEPT INDICATED-NOTFROM GYSUM BOARD)
90°
//
//
//
//
//
ALIGN W/. BEAM BELOW
//
EQCL
CL
EQ
EQ
EQ
EQ
90°4' -
0 5
/8"
CL //
// //
6' - 6 3/4"1' - 9" 2' - 10 1/2"
7' - 5 5/8"
COORDINNATEWALL/DOORPLACEMENT
W/. ELEVATOR
2' - 0
1/4
"
7' - 9 7/8"
2' - 9 3/4"
//
90°
3' -
9 3
/4"
3' - 1 3/4"
0' -
10
3/8
"2
' - 6
"
CL
CL
CL
4' -
3 3
/8"
CL
//
//
0' - 11 3/8"
2' - 10 5/8"
90°
90°
90°
NICHE (SEEFLOOR PLAN)
2' -
5 7
/8"
//
//
90°
90°
//
LINE OFSOFFIT
WALLS ALIGNEDW/. CELLAR WALLS
DIM. WALL ON R.F.5' - 3 7/8"
3' - 0
"
3' - 1
1/8
"
10 7
/8"
CL
CT. TO STL.
1' - 0 5/8"
91°
SOUND INSUL.
10' -
1 1
/4"
2' -
5 1
/2"
8' -
4"
6' - 2 1/4"
28' - 9"
4 1/4"
4 1/4"
25' - 6 1/4"
LOW WALL
SOUND INSUL.IN POCKET
DOOR
SOUND INSUL. INPOCKET DOOR
NICHE
EQEQ
BUILD PITCHFLOOR
BUILDPITCHFLOOR
CT
. ST
L. B
LW
TO
FR
AM
E5"
CT. STL. B
LW TO FRAME
3 1/2"
CT
. ST
L. T
O F
RA
ME
4 1
/4"
CL
CT. STL. TO FRAME5 1/4"
CT. STL. T
O FRAME
3 1/2"
CT. STL. TO FRAME
11"
CONC. FND. T
O FRAME
5' - 0 5/8"
3 1/4" CONC. FROM EDGEFLINGE TO CONC. STEP
BELOW FRAMING WALL-SEE#3 ON A.276 & #8 ON A.355
1 1/2" CONC. FROM EDGEFLINGE TO CONC. STEP
BELOW FRAMING WALL-SEEA.276
1 1/2" CONC. FROM EDGEFLINGE TO CONC. STEP
BELOW FRAMING WALL-SEEA.276
LINE OF SOFFIT
7 7/8" CONC. FROM EDGEFLINGE TO CONC. STEP
BELOW FRAMING WALL-SEEA.276
1' - 5
1/4
"
DIM. WALL ON R.F.9' - 2 3/4"
EQEQ
EQEQ
AL
IGN
CL
G.
SO
FF
IT W
/.D
OO
RO
PE
NIN
G
0' - 10 3/8"
WD
WC
LA
DD
ING
AN
DS
IDIN
G F
LU
SH
6' - 1
7/8
"
2' - 4 1/2"
7' - 4
3/8
"
90°
90°CL
FRAME TO FRAME
13' - 5 3/4"
ALIGN
4' - 4 3/8"
ALIG
N
2' -
3 1
/4"
SKYLIGHT
1"
A.357
10
A.357
11
2' - 11 3/4" VIF W/. W
/D
CL
TRIANGULATEDCUSTONWINDOW
MB Architecture
CONSTRUCTION SET
Scale
Date
Drawn by
Checked by
PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY
PROJECT:
OWNER ADDRESS:
ARCHITECT:
maziar behrooz,AIA
7A Newtown LaneEast Hampton, NY 11937
T: 631-329-2983F: 631-329-4878E: [email protected]: mbarchitecture.com
SHEET TITLE:
CONSULTANTS:
40 Sayres pathWainscott, NY11975
Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>
REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION
1/4" = 1'-0"9
/1/2
010
5:2
0:2
2 P
M
A.102D
1st Floor Framing Plan
09.30.08
FRED
MZ
1/4" = 1'-0"1
First Floor Plan A
Revision Schedule
RevisionNumber Revision Date Issued to Issued by
RevisionDescription
3 09.12.08 PCH MB/FD Bid Set
4 09.30.08 Town Of EH MB/FD Permit Set
5 10.14.08 PCH MB/FD Window AndDoor Schedule
44 10.04.09 PCH FD/MB Revision 44
45 10.06.09 PCH/ELECCONSULT.
FD/MB Revision 45
46 10.19.09 PCH FD/MB Revision 46
48 12.07.09 PCH FD/MB LibraryWall+Chimney
69 04.30.10 PCH/Shine/Berty FD Elec plans
73 06.07.10 PCH FD/MZ Int doorschedule, fl plan,framing
81 08.22.10 PCH FD/MZ W/D 1st Floor,Bridge GallerySoffit
TO FRAME4' - 0 1/2"
14' - 7"
TO FRAME10' - 1 1/2"
6" STEELCOLUMN
EXPOSED
CL
EQEQ
2' - 3 1/2"
3' - 11 3/4"
90°
9' -
8 5
/8"
2' -
3"
4' -
2"
29' -
10 3
/4"
FLOORGRILL
FLOOR GRILL TBD.
SLO
PE
AT
1/8
" PE
R F
T.
SLOPE AT 1/8" PER FT.
ROOF LINE
RESIN FLOOR W/.RUBBER ON 3/4"
PITCHED PLYWOOD
FLOOR GRILL
CL
TO FRAME1' - 9 1/8"
FRAME TO FRAME11' -
10"
FRAME TO FRAME1' -
5 3/4"
2' -
5 3
/4"
9' -
2 1
/8"
7' - 5 5/8"
90°
90°
90°
90°
90°
90°
1' -
8 7
/8"
3' -
10 1
/8"
1' -
1 3
/8"
MED.CAB.
LOC. TBD
3' - 3 1/2" 3' - 3 5/8"
CT
. T
O S
TL.
0' -
4 1
/8" //
ALIG
N
CL
CT. S
TL.
0' - 8
"
CL
CT. TO STL.
0' - 7 1/2"
CT. STL. T
O FRAME1' -
9 7/8"
CL
ALIGN
ALIG
N
0' -
9 1
/2"
4' -
10 1
/4"
CL
CL
7' - 10 3/4"
1' - 0 3/8"
90°
11' -
4 3
/4"
90°
90°
90°
3' -
2 3
/4"
3' -
9 1
/4"
CABINETRY AROUNDCOLUMN
8' - 6
7/8
"
CL
LINE OFSOFFIT
9' -
11
1/4
"6
' - 1
1 1
/4"
CL
CL
4' - 9 7/8"
14' - 0 1/4"CL
CL
CL
CL
CL
CL
CL
ALIGN/CT. WALL W/. W8X13 ON 1ST FL.
ROOF LINE.
ROOF LINE
PULL SIDE SHADE
ELEC. CONCEALEDROLL DOWN SHADE
ELEC.CONCEALED ROLL
DOWN SHADE
1' - 6 7/8"
1' - 1
0 7
/8"
CL
CL
3' -
1 5
/8"
7' -
9 3
/4"
10
' - 7
"
5' - 10 1/2"
5' - 8 3/4"
CL
CL
CL
13' - 4 5/8"
3' - 10 3/4" 2' -
8 1/8"
CL
CL
TO
FR
AM
E8' -
6 3
/4"
FR
AM
E T
O F
RA
ME
8' -
1 1
3/1
6"
TO
FR
AM
E2' -
0 5
/16"
RAILING @ 36" ABV. FINISHFLOOR TERRACE TBD.
REMOVABLECORNER TO
REPLACE SASH
73°
104°
49 3/4"
14' - 5 1/16"
12"
SOUND INSUL.
SOUND INSUL.
1S
T R
ISE
R F
.T.F
3' -
6 5
/8"
OPEN TO BELOW
90°
90°
CT. S
TL. TO
FR
AM
E1' -
8 1
5/1
6"
CL
1' - 6 3/4"
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
16' - 11"
1' -
5 3/
8"
18' - 8 3/8"
3' - 5 1/8"
8' - 0 1/8"
SHOWER GLASS BETWWENWDW MULLION
4' - 2
1/8
"
2' - 4 7/8"
5' - 10 1/2"
4' -
0"
1' - 11 5/8"
3' -
2 3
/4"
7' -
11 5
/8"
2' -
6 5
/8"
2' -
7 7
/8" 9
0°
COORDINNATEWALL/DOORPLACEMENT
W/. ELEVATOR
SOUND INSUL.
WALLS ALIGNED W/.1ST FLOOR WALLS
7' - 8 3/8"
CL
6' - 11 3/8"
3' - 3 5/8"
CL
5' - 6 7/8"
1' - 0"
TO
FR
AM
E
10' -
11 1
/8"
4' -
0 1
/2"
90°
90°
90°
90°
6' - 8
1/2
"
2' - 8 3/4"
7' - 3 1/8"
1' -
5 1
/4"
90°
2' - 3 1/8"
6' -
11 3
/4"
12' -
7 3
/8"
70°
71°
EQ
EQ
6' - 1
3/8
"
6' -
8 7
/8"
CL
2' - 3"
11' - 8"
90°
2' - 3
1/2
"
CT. TO STL.
7 1/8"
OPEN TOGALLERY BELOW
90°
9' - 2 1/4"
//
//
//
//
//
//
//
//
LOW WALL
LOWWALL
//
//
//
SOUNDINSUL. INPOCKETDOOR
SOUND INSUL.
SOUNDINSUL.
SOUNDINSUL. INPOCKET
DOOR
NICHE (SEEFLOOR PLAN)
NICHE
OPEN TOBEDROOM #1
BELOW
8 3
/4"
89°
FRAME TO EXT. FINISH
0' - 9"
FR
AM
E T
O E
XT. F
INIS
H
9 1
/16"
3' - 4"
90°
2' - 0
"
//
5' - 6
5/8
"5
' - 4 3
/4"
5' - 9"
NOTE:-ATTACHED TO STUD WALL FORCISTERN @ ALL WALL MOUNTED TOILET-ALL DIMENSIONS ARE FROM FRAMING
1' - 0 5/8"
5' - 1 7/8"
2' -
9 3
/8"
1' - 2 1/8" TO FRAME11' - 7 1/4"
CONFIRMDIM. W/.CLIENT
1' - 6 3/4"
SAFE TO BEMOUNTED ON
CONCRETE FLOORVERIFY LOCATION
WITH ARCH.
SAFE
90°
9' -
3 1
/2"
1' -
10 1
/2"
4' -
4 5
/8" 90°
2' -
2"
52 5
/8"
10"
EDGE OFBEAM BELOW
CONCRETEFLOOR
MIN
.
14 5
/8"
3/4" PLYWOODWALL
90°
CHIMNEY FLUE W/.2" SPACE AROUND-
LOCATION TBD
3' -
5 1
/2"
78 5
/8"
3' - 0 1/8"
61"
A.357
12
MB Architecture
CONSTRUCTION SET
Scale
Date
Drawn by
Checked by
PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY
PROJECT:
OWNER ADDRESS:
ARCHITECT:
maziar behrooz,AIA
7A Newtown LaneEast Hampton, NY 11937
T: 631-329-2983F: 631-329-4878E: [email protected]: mbarchitecture.com
SHEET TITLE:
CONSULTANTS:
40 Sayres pathWainscott, NY11975
Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>
REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION
1/4" = 1'-0"
9/3
/20
10
1:0
9:4
5 A
M
A.103B
2nd Floor Framing Plan
09.30.08
FRED
Maz
1/4" = 1'-0"1
2nd Floor Framing Plan
Revision Schedule
RevisionNumber Revision Date Issued to Issued by
RevisionDescription
3 09.12.08 PCH MB/FD Bid Set
4 09.30.08 Town Of EH MB/FD Permit Set
5 10.14.08 PCH MB/FD Window AndDoor Schedule
44 10.04.09 PCH FD/MB Revision 44
46 10.19.09 PCH FD/MB Revision 46
51 01.14.10 PCH FD/MB 2nd Fl. FramingPlan
52 01.19.10 PCH FD/MB 2nd Fl.FramingPlan
55 02.01.10 PCH/Tracey FD Framing Plan2nd FL.
TO FRAME4' - 0 1/2"
14' - 7"
TO FRAME10' - 1 1/2"
6" STEELCOLUMN
EXPOSED
CL
EQEQ
2' - 3 1/2"
3' - 11 3/4"
90°
9' -
8 5
/8"
2' -
3"
4' -
2"
29' -
10 3
/4"
FLOORGRILL
FLOOR GRILL TBD.
SLO
PE
AT
1/8
" PE
R F
T.
SLOPE AT 1/8" PER FT.
ROOF LINE
RESIN FLOOR W/.RUBBER ON 3/4"
PITCHED PLYWOOD
FLOOR GRILL
CL
TO FRAME1' - 9 1/8"
FRAME TO FRAME11' -
10"
FRAME TO FRAME1' -
5 3/4"
2' -
5 3
/4"
9' -
2 1
/8"
7' - 5 5/8"
90°
90°
90°
90°
90°
90°
1' -
8 7
/8"
3' -
10 1
/8"
1' -
1 3
/8"
MED.CAB.
LOC. TBD
3' - 3 1/2" 3' - 3 5/8"
CT
. T
O S
TL.
0' -
4 1
/8" //
ALIG
N
CL
CT. S
TL.
0' - 8
"
CL
CT. TO STL.
0' - 7 1/2"
CT. STL. T
O FRAME1' -
9 7/8"
CL
ALIGN
ALIG
N
0' -
9 1
/2"
4' -
10 1
/4"
CL
CL
7' - 10 3/4"
1' - 0 3/8"
90°
11' -
4 3
/4"
90°
90°
90°
3' -
2 3
/4"
3' -
9 1
/4"
CABINETRY AROUNDCOLUMN
8' - 6
7/8
"
CL
LINE OFSOFFIT
9' -
11
1/4
"6
' - 1
1 1
/4"
CL
CL
4' - 9 7/8"
14' - 0 1/4"CL
CL
CL
CL
CL
CL
CL
ALIGN/CT. WALL W/. W8X13 ON 1ST FL.
ROOF LINE.
ROOF LINE
PULL SIDE SHADE
ELEC. CONCEALEDROLL DOWN SHADE
ELEC.CONCEALED ROLL
DOWN SHADE
1' - 6 7/8"
1' - 1
0 7
/8"
CL
CL
3' -
1 5
/8"
7' -
9 3
/4"
10
' - 7
"
5' - 10 1/2"
5' - 8 3/4"
CL
CL
CL
13' - 4 5/8"
3' - 10 3/4" 2' -
8 1/8"
CL
CL
TO
FR
AM
E8' -
6 3
/4"
FR
AM
E T
O F
RA
ME
8' -
1 1
3/1
6"
TO
FR
AM
E2' -
0 5
/16"
RAILING @ 36" ABV. FINISHFLOOR TERRACE TBD.
REMOVABLECORNER TO
REPLACE SASH
73°
104°
49 3/4"
14' - 5 1/16"
12"
SOUND INSUL.
SOUND INSUL.
1S
T R
ISE
R F
.T.F
3' -
6 5
/8"
OPEN TO BELOW
90°
90°
CT. S
TL. TO
FR
AM
E1' -
8 1
5/1
6"
CL
1' - 6 3/4"
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
16' - 11"
1' -
5 3/
8"
18' - 8 3/8"
3' - 5 1/8"
8' - 0 1/8"
SHOWER GLASS BETWWENWDW MULLION
4' - 2
1/8
"
2' - 4 7/8"
5' - 10 1/2"
4' -
0"
1' - 11 5/8"
3' -
2 3
/4"
7' -
11 5
/8"
2' -
6 5
/8"
2' -
7 7
/8" 9
0°
COORDINNATEWALL/DOORPLACEMENT
W/. ELEVATOR
SOUND INSUL.
WALLS ALIGNED W/.1ST FLOOR WALLS
7' - 8 3/8"
CL
6' - 11 3/8"
3' - 3 5/8"
CL
5' - 6 7/8"
1' - 0"
TO
FR
AM
E
10' -
11 1
/8"
4' -
0 1
/2"
90°
90°
90°
90°
6' - 8
1/2
"
2' - 8 3/4"
7' - 3 1/8"
1' -
5 1
/4"
90°
2' - 3 1/8"
6' -
11 3
/4"
12' -
7 3
/8"
70°
71°
EQ
EQ
6' - 1
3/8
"
6' -
8 7
/8"
CL
2' - 3"
11' - 8"
90°
2' - 3
1/2
"
CT. TO STL.
7 1/8"
OPEN TOGALLERY BELOW
90°
9' - 2 1/4"
//
//
//
//
//
//
//
//
LOW WALL
LOWWALL
//
//
//
SOUNDINSUL. INPOCKETDOOR
SOUND INSUL.
SOUNDINSUL.
SOUNDINSUL. INPOCKET
DOOR
NICHE (SEEFLOOR PLAN)
NICHE
OPEN TOBEDROOM #1
BELOW
8 3
/4"
89°
FRAME TO EXT. FINISH
0' - 9"
FR
AM
E T
O E
XT. F
INIS
H
9 1
/16"
3' - 4"
90°
2' - 0
"
//
5' - 6
5/8
"5
' - 4 3
/4"
5' - 9"
NOTE:-ATTACHED TO STUD WALL FORCISTERN @ ALL WALL MOUNTED TOILET-ALL DIMENSIONS ARE FROM FRAMING
1' - 0 5/8"
5' - 1 7/8"
2' -
9 3
/8"
1' - 2 1/8" TO FRAME11' - 7 1/4"
CONFIRMDIM. W/.CLIENT
1' - 6 3/4"
SAFE TO BEMOUNTED ON
CONCRETE FLOORVERIFY LOCATION
WITH ARCH.
SAFE
90°
9' -
3 1
/2"
1' -
10 1
/2"
4' -
4 5
/8" 90°
2' -
2"
52 5
/8"
10"
EDGE OFBEAM BELOW
CONCRETEFLOOR
MIN
.
14 5
/8"
3/4" PLYWOODWALL
90°
CHIMNEY FLUE W/.2" SPACE AROUND-
LOCATION TBD
3' -
5 1
/2"
78 5
/8"
3' - 0 1/8"
61"
A.357
12
MB Architecture
CONSTRUCTION SET
Scale
Date
Drawn by
Checked by
PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY
PROJECT:
OWNER ADDRESS:
ARCHITECT:
maziar behrooz,AIA
7A Newtown LaneEast Hampton, NY 11937
T: 631-329-2983F: 631-329-4878E: [email protected]: mbarchitecture.com
SHEET TITLE:
CONSULTANTS:
40 Sayres pathWainscott, NY11975
Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>
REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION
1/4" = 1'-0"
9/3
/20
10
1:0
9:4
5 A
M
A.103B
2nd Floor Framing Plan
09.30.08
FRED
Maz
1/4" = 1'-0"1
2nd Floor Framing Plan
Revision Schedule
RevisionNumber Revision Date Issued to Issued by
RevisionDescription
3 09.12.08 PCH MB/FD Bid Set
4 09.30.08 Town Of EH MB/FD Permit Set
5 10.14.08 PCH MB/FD Window AndDoor Schedule
44 10.04.09 PCH FD/MB Revision 44
46 10.19.09 PCH FD/MB Revision 46
51 01.14.10 PCH FD/MB 2nd Fl. FramingPlan
52 01.19.10 PCH FD/MB 2nd Fl.FramingPlan
55 02.01.10 PCH/Tracey FD Framing Plan2nd FL.
TO FRAME4' - 0 1/2"
14' - 7"
TO FRAME10' - 1 1/2"
6" STEELCOLUMN
EXPOSED
CL
EQEQ
2' - 3 1/2"
3' - 11 3/4"
90°
9' -
8 5
/8"
2' -
3"
4' -
2"
29' -
10 3
/4"
FLOORGRILL
FLOOR GRILL TBD.
SLO
PE
AT
1/8
" PE
R F
T.
SLOPE AT 1/8" PER FT.
ROOF LINE
RESIN FLOOR W/.RUBBER ON 3/4"
PITCHED PLYWOOD
FLOOR GRILL
CL
TO FRAME1' - 9 1/8"
FRAME TO FRAME11' -
10"
FRAME TO FRAME1' -
5 3/4"
2' -
5 3
/4"
9' -
2 1
/8"
7' - 5 5/8"
90°
90°
90°
90°
90°
90°
1' -
8 7
/8"
3' -
10 1
/8"
1' -
1 3
/8"
MED.CAB.
LOC. TBD
3' - 3 1/2" 3' - 3 5/8"
CT
. T
O S
TL.
0' -
4 1
/8" //
ALIG
N
CL
CT. S
TL.
0' - 8
"
CL
CT. TO STL.
0' - 7 1/2"
CT. STL. T
O FRAME1' -
9 7/8"
CL
ALIGN
ALIG
N
0' -
9 1
/2"
4' -
10 1
/4"
CL
CL
7' - 10 3/4"
1' - 0 3/8"
90°
11' -
4 3
/4"
90°
90°
90°
3' -
2 3
/4"
3' -
9 1
/4"
CABINETRY AROUNDCOLUMN
8' - 6
7/8
"
CL
LINE OFSOFFIT
9' -
11
1/4
"6
' - 1
1 1
/4"
CL
CL
4' - 9 7/8"
14' - 0 1/4"CL
CL
CL
CL
CL
CL
CL
ALIGN/CT. WALL W/. W8X13 ON 1ST FL.
ROOF LINE.
ROOF LINE
PULL SIDE SHADE
ELEC. CONCEALEDROLL DOWN SHADE
ELEC.CONCEALED ROLL
DOWN SHADE
1' - 6 7/8"
1' - 1
0 7
/8"
CL
CL
3' -
1 5
/8"
7' -
9 3
/4"
10
' - 7
"
5' - 10 1/2"
5' - 8 3/4"
CL
CL
CL
13' - 4 5/8"
3' - 10 3/4" 2' -
8 1/8"
CL
CL
TO
FR
AM
E8' -
6 3
/4"
FR
AM
E T
O F
RA
ME
8' -
1 1
3/1
6"
TO
FR
AM
E2' -
0 5
/16"
RAILING @ 36" ABV. FINISHFLOOR TERRACE TBD.
REMOVABLECORNER TO
REPLACE SASH
73°
104°
49 3/4"
14' - 5 1/16"
12"
SOUND INSUL.
SOUND INSUL.
1S
T R
ISE
R F
.T.F
3' -
6 5
/8"
OPEN TO BELOW
90°
90°
CT. S
TL. TO
FR
AM
E1' -
8 1
5/1
6"
CL
1' - 6 3/4"
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
16' - 11"
1' -
5 3/
8"
18' - 8 3/8"
3' - 5 1/8"
8' - 0 1/8"
SHOWER GLASS BETWWENWDW MULLION
4' - 2
1/8
"
2' - 4 7/8"
5' - 10 1/2"
4' -
0"
1' - 11 5/8"
3' -
2 3
/4"
7' -
11 5
/8"
2' -
6 5
/8"
2' -
7 7
/8" 9
0°
COORDINNATEWALL/DOORPLACEMENT
W/. ELEVATOR
SOUND INSUL.
WALLS ALIGNED W/.1ST FLOOR WALLS
7' - 8 3/8"
CL
6' - 11 3/8"
3' - 3 5/8"
CL
5' - 6 7/8"
1' - 0"
TO
FR
AM
E
10' -
11 1
/8"
4' -
0 1
/2"
90°
90°
90°
90°
6' - 8
1/2
"
2' - 8 3/4"
7' - 3 1/8"
1' -
5 1
/4"
90°
2' - 3 1/8"
6' -
11 3
/4"
12' -
7 3
/8"
70°
71°
EQ
EQ
6' - 1
3/8
"
6' -
8 7
/8"
CL
2' - 3"
11' - 8"
90°
2' - 3
1/2
"
CT. TO STL.
7 1/8"
OPEN TOGALLERY BELOW
90°
9' - 2 1/4"
//
//
//
//
//
//
//
//
LOW WALL
LOWWALL
//
//
//
SOUNDINSUL. INPOCKETDOOR
SOUND INSUL.
SOUNDINSUL.
SOUNDINSUL. INPOCKET
DOOR
NICHE (SEEFLOOR PLAN)
NICHE
OPEN TOBEDROOM #1
BELOW
8 3
/4"
89°
FRAME TO EXT. FINISH
0' - 9"
FR
AM
E T
O E
XT. F
INIS
H
9 1
/16"
3' - 4"
90°
2' - 0
"
//
5' - 6
5/8
"5
' - 4 3
/4"
5' - 9"
NOTE:-ATTACHED TO STUD WALL FORCISTERN @ ALL WALL MOUNTED TOILET-ALL DIMENSIONS ARE FROM FRAMING
1' - 0 5/8"
5' - 1 7/8"
2' -
9 3
/8"
1' - 2 1/8" TO FRAME11' - 7 1/4"
CONFIRMDIM. W/.CLIENT
1' - 6 3/4"
SAFE TO BEMOUNTED ON
CONCRETE FLOORVERIFY LOCATION
WITH ARCH.
SAFE
90°
9' -
3 1
/2"
1' -
10 1
/2"
4' -
4 5
/8" 90°
2' -
2"
52 5
/8"
10"
EDGE OFBEAM BELOW
CONCRETEFLOOR
MIN
.
14 5
/8"
3/4" PLYWOODWALL
90°
CHIMNEY FLUE W/.2" SPACE AROUND-
LOCATION TBD
3' -
5 1
/2"
78 5
/8"
3' - 0 1/8"
61"
A.357
12
MB Architecture
CONSTRUCTION SET
Scale
Date
Drawn by
Checked by
PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY
PROJECT:
OWNER ADDRESS:
ARCHITECT:
maziar behrooz,AIA
7A Newtown LaneEast Hampton, NY 11937
T: 631-329-2983F: 631-329-4878E: [email protected]: mbarchitecture.com
SHEET TITLE:
CONSULTANTS:
40 Sayres pathWainscott, NY11975
Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>
REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION
1/4" = 1'-0"
9/3
/20
10
1:0
9:4
5 A
M
A.103B
2nd Floor Framing Plan
09.30.08
FRED
Maz
1/4" = 1'-0"1
2nd Floor Framing Plan
Revision Schedule
RevisionNumber Revision Date Issued to Issued by
RevisionDescription
3 09.12.08 PCH MB/FD Bid Set
4 09.30.08 Town Of EH MB/FD Permit Set
5 10.14.08 PCH MB/FD Window AndDoor Schedule
44 10.04.09 PCH FD/MB Revision 44
46 10.19.09 PCH FD/MB Revision 46
51 01.14.10 PCH FD/MB 2nd Fl. FramingPlan
52 01.19.10 PCH FD/MB 2nd Fl.FramingPlan
55 02.01.10 PCH/Tracey FD Framing Plan2nd FL.
ROOF LINE
FLOOR GRILL
CLCLC
TOSTL.
0'
1' -9
8'
PITCH STUCCO 1/4"/FTPITCH STUCCO 1/4"/FT
FRAME TO EX0' -9"
TO FRAME4' - 0 1/2"
14' - 7"
TO FRAME10' - 1 1/2"
6" STEELCOLUMN
EXPOSED
CL
EQEQ
2' - 3 1/2"
3' - 11 3/4"
90°
9' -
8 5
/8"
2' -
3"
4' -
2"
29' -
10 3
/4"
FLOORGRILL
FLOOR GRILL TBD.
SLO
PE
AT
1/8
" PE
R F
T.
SLOPE AT 1/8" PER FT.
ROOF LINE
RESIN FLOOR W/.RUBBER ON 3/4"
PITCHED PLYWOOD
FLOOR GRILL
CL
TO FRAME1' - 9 1/8"
FRAME TO FRAME11' -
10"
FRAME TO FRAME1' -
5 3/4"
2' -
5 3
/4"
9' -
2 1
/8"
7' - 5 5/8"
90°
90°
90°
90°
90°
90°
1' -
8 7
/8"
3' -
10 1
/8"
1' -
1 3
/8"
MED.CAB.
LOC. TBD
3' - 3 1/2" 3' - 3 5/8"
CT
. T
O S
TL.
0' -
4 1
/8" //
ALIG
N
CL
CT. S
TL.
0' - 8
"
CL
CT. TO STL.
0' - 7 1/2"
CT. STL. T
O FRAME1' -
9 7/8"
CL
ALIGN
ALIG
N
0' -
9 1
/2"
4' -
10 1
/4"
CL
CL
7' - 10 3/4"
1' - 0 3/8"
90°
11' -
4 3
/4"
90°
90°
90°
3' -
2 3
/4"
3' -
9 1
/4"
CABINETRY AROUNDCOLUMN
8' - 6
7/8
"
CL
LINE OFSOFFIT
9' -
11
1/4
"6
' - 1
1 1
/4"
CL
CL
4' - 9 7/8"
14' - 0 1/4"CL
CL
CL
CL
CL
CL
CL
ALIGN/CT. WALL W/. W8X13 ON 1ST FL.
ROOF LINE.
ROOF LINE
PULL SIDE SHADE
ELEC. CONCEALEDROLL DOWN SHADE
ELEC.CONCEALED ROLL
DOWN SHADE
1' - 6 7/8"
1' - 1
0 7
/8"
CL
CL
3' -
1 5
/8"
7' -
9 3
/4"
10
' - 7
"
5' - 10 1/2"
5' - 8 3/4"
CL
CL
CL
13' - 4 5/8"
3' - 10 3/4" 2' -
8 1/8"
CL
CL
TO
FR
AM
E8' -
6 3
/4"
FR
AM
E T
O F
RA
ME
8' -
1 1
3/1
6"
TO
FR
AM
E2' -
0 5
/16"
RAILING @ 36" ABV. FINISHFLOOR TERRACE TBD.
REMOVABLECORNER TO
REPLACE SASH
73°
104°
49 3/4"
14' - 5 1/16"
12"
SOUND INSUL.
SOUND INSUL.
1S
T R
ISE
R F
.T.F
3' -
6 5
/8"
OPEN TO BELOW
90°
90°
CT. S
TL. TO
FR
AM
E1' -
8 1
5/1
6"
CL
1' - 6 3/4"
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
16' - 11"
1' -
5 3/
8"
18' - 8 3/8"
3' - 5 1/8"
8' - 0 1/8"
SHOWER GLASS BETWWENWDW MULLION
4' - 2
1/8
"
2' - 4 7/8"
5' - 10 1/2"
4' -
0"
1' - 11 5/8"
3' -
2 3
/4"
7' -
11 5
/8"
2' -
6 5
/8"
2' -
7 7
/8" 9
0°
COORDINNATEWALL/DOORPLACEMENT
W/. ELEVATOR
SOUND INSUL.
WALLS ALIGNED W/.1ST FLOOR WALLS
7' - 8 3/8"
CL
6' - 11 3/8"
3' - 3 5/8"
CL
5' - 6 7/8"
1' - 0"
TO
FR
AM
E
10' -
11 1
/8"
4' -
0 1
/2"
90°
90°
90°
90°
6' - 8
1/2
"
2' - 8 3/4"
7' - 3 1/8"
1' -
5 1
/4"
90°
2' - 3 1/8"
6' -
11 3
/4"
12' -
7 3
/8"
70°
71°
EQ
EQ
6' - 1
3/8
"
6' -
8 7
/8"
CL
2' - 3"
11' - 8"
90°
2' - 3
1/2
"
CT. TO STL.
7 1/8"
OPEN TOGALLERY BELOW
90°
9' - 2 1/4"
//
//
//
//
//
//
//
//
LOW WALL
LOWWALL
//
//
//
SOUNDINSUL. INPOCKETDOOR
SOUND INSUL.
SOUNDINSUL.
SOUNDINSUL. INPOCKET
DOOR
NICHE (SEEFLOOR PLAN)
NICHE
OPEN TOBEDROOM #1
BELOW
8 3
/4"
89°
FRAME TO EXT. FINISH
0' - 9"
FR
AM
E T
O E
XT. F
INIS
H
9 1
/16"
3' - 4"
90°
2' - 0
"
//
5' - 6
5/8
"5
' - 4 3
/4"
5' - 9"
NOTE:-ATTACHED TO STUD WALL FORCISTERN @ ALL WALL MOUNTED TOILET-ALL DIMENSIONS ARE FROM FRAMING
1' - 0 5/8"
5' - 1 7/8"
2' -
9 3
/8"
1' - 2 1/8" TO FRAME11' - 7 1/4"
CONFIRMDIM. W/.CLIENT
1' - 6 3/4"
SAFE TO BEMOUNTED ON
CONCRETE FLOORVERIFY LOCATION
WITH ARCH.
SAFE
90°
9' -
3 1
/2"
1' -
10 1
/2"
4' -
4 5
/8" 90°
2' -
2"
52 5
/8"
10"
EDGE OFBEAM BELOW
CONCRETEFLOOR
MIN
.
14 5
/8"
3/4" PLYWOODWALL
90°
CHIMNEY FLUE W/.2" SPACE AROUND-
LOCATION TBD
3' -
5 1
/2"
78 5
/8"
3' - 0 1/8"
61"
A.357
12
MB Architecture
CONSTRUCTION SET
Scale
Date
Drawn by
Checked by
PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY
PROJECT:
OWNER ADDRESS:
ARCHITECT:
maziar behrooz,AIA
7A Newtown LaneEast Hampton, NY 11937
T: 631-329-2983F: 631-329-4878E: [email protected]: mbarchitecture.com
SHEET TITLE:
CONSULTANTS:
40 Sayres pathWainscott, NY11975
Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>
REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION
1/4" = 1'-0"
9/3
/20
10
1:0
9:4
5 A
M
A.103B
2nd Floor Framing Plan
09.30.08
FRED
Maz
1/4" = 1'-0"1
2nd Floor Framing Plan
Revision Schedule
RevisionNumber Revision Date Issued to Issued by
RevisionDescription
3 09.12.08 PCH MB/FD Bid Set
4 09.30.08 Town Of EH MB/FD Permit Set
5 10.14.08 PCH MB/FD Window AndDoor Schedule
44 10.04.09 PCH FD/MB Revision 44
46 10.19.09 PCH FD/MB Revision 46
51 01.14.10 PCH FD/MB 2nd Fl. FramingPlan
52 01.19.10 PCH FD/MB 2nd Fl.FramingPlan
55 02.01.10 PCH/Tracey FD Framing Plan2nd FL.
2' 3 1/
3' - 11 3/4"""
90°
9'-
85/8
"
3"
29
-10
3/4
"
FLOOR GRILL TBD.
SLO
PE
AT
1/8" PR FT.
RESIN FLOOR W/.RESIN FLOOR W/.RESIN FLOOR W/.RESIN FLOOR W/.
CLCLC
TO FAMMME1' --
9 1/888""
O FRAME11' -
10"
EE T
2' -
9' -
2
"
7
90
90
90°
90°
1'
/8"
3''-
1° 1°0
1/8
"1'-
13333/////8888
"""
ALIGG
N
CCT.T
0
TO FFRAME9 7/8"
ALIGN
ALIG
N
-9
1/2
"
4'-
10
1/4
"
CCCCCCCCCCCLLCLCCLCCLCCLC
CLCLC
11'-
43/4
"
99990°°
CABINETRY AROUNDCOLUMN
CCLLCLCCLC
PULL SIDE SHADE
1' -6 7/8"
07/8
"
13' -4 5/8
3333333''' -1110 333///////4444""" 2' -
8 1/8"
TO
8
FR
AM
ETO
FR
AAMM
E1
13/1
6"
TTO
FR
A2
-0
5/1
66
RAILING @ 36" ABV. FINISHRAILING @ 36" ABV. FINISHFLOOR TERRACE TBD.FLOOR TERRACE TBD.
REMOVABLECORNER TO
REPLACE SASH
14' -5 1/1
12"
SOUND INSUL.
90°°
90
CT.S
TTO
FFR
AM
E111'-
85/1
6"
CCLCLCCLC
PITCH STUCCO 1/4"/FTPITCH STUCCO 1/4"/FT
PITCH STUCCO 1/4"/FT
16' -11"
1''- 5
3//8888""
8' -8 3/8"
3' -5 1/8
8' -0 1/8""
SHOWER GLASS BETWWENSHOWER GLASS BETWWENWDW MULLIONWDW MULLION
4' -2
1/8"
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SOUNDINSUL. ININSUL. INPOCKETPOCKETPOCKETPOCKETPOCKETPOCKETDOORDOOR
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In 1990 while enrolled at the Cornell School of Architecture, I set out to extract the subtle ingredients, buried in the sheer mass of Architecture, that constitute our perceptions of home. My goal wasn’t pedantic even though it was conducted under the auspices of a Master’s thesis project. The formality of it was a ruse. More practically, I sought to capture and hold the very essence of a home, only to be able to recreate it at will wherever I chose to live. ¶ Very quickly, and undoubtedly, the journey became personal as it crossed out of Architecture and into the myriad dimensions that make for each of us the sense and non-sense of a house. ¶ The exegesis required an alchemist’s approach. I had to distill matter and memory to their nearly pure state - anymore and they would vanish into thin abstraction. ¶ In the end, they did. And I was left with a residue that has settled in my coat pocket all these years. ¶ Had I succeeded in capturing that essential ingredient, that potion, that like fairy dust would magically transform any place into some place, I would be free to be anywhere. The obviousness of anywhere being nowhere eluded me at the time; and I convinced myself that the way out of the labyrinth was to claim the self-evident truth that home is where the heart is. ¶ As a spatial expression, I described a smaller and smaller, eventually a portable habitat. It would be worn and carried like the tools of a medieval travelling cobbler or an astronaut’s suit - close to the skin. ¶ This was my Architecture of an instant home: projections of images within dark space, urban or rural; and their cross projections, creating intersecting horizontal pyramids of domestic imagery and a refuge for memory. ¶ In the intervening years, I have built many houses. But this last one, shown in the preceding and final pages, found its way back to the labyrinth -casting a Borgesian doubt over whether I had ever left it. Made from nested projections and intersecting triangulated spaces, it unfolds, paper-like, as you cross its interstices and thresholds. It is made of steel and glass and earth and eventually claims that Architecture, built, has the power to extinguish time.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
In 1990 while enrolled at the Cornell School of Architecture, I set out to extract the subtle ingredients, buried in the sheer mass of Architecture, that constitute our perceptions of home. My goal wasn’t pedantic even though it was conducted under the auspices of a Master’s thesis project. The formality of it was a ruse. More practically, I sought to capture and hold the very essence of a home, only to be able to recreate it at will wherever I chose to live. ¶ Very quickly, and undoubtedly, the journey became personal as it crossed out of Architecture and into the myriad dimensions that make for each of us the sense and non-sense of a house. ¶ The exegesis required an alchemist’s approach. I had to distill matter and memory to their nearly pure state - anymore and they would vanish into thin abstraction. ¶ In the end, they did. And I was left with a residue that has settled in my coat pocket all these years. ¶ Had I succeeded in capturing that essential ingredient, that potion, that like fairy dust would magically transform any place into some place, I would be free to be anywhere. The obviousness of anywhere being nowhere eluded me at the time; and I convinced myself that the way out of the labyrinth was to claim the self-evident truth that home is where the heart is. ¶ As a spatial expression, I described a smaller and smaller, eventually a portable habitat. It would be worn and carried like the tools of a medieval travelling cobbler or an astronaut’s suit - close to the skin. ¶ This was my Architecture of an instant home: projections of images within dark space, urban or rural; and their cross projections, creating intersecting horizontal pyramids of domestic imagery and a refuge for memory. ¶ In the intervening years, I have built many houses. But this last one, shown in the preceding and final pages, found its way back to the labyrinth -casting a Borgesian doubt over whether I had ever left it. Made from nested projections and intersecting triangulated spaces, it unfolds, paper-like, as you cross its interstices and thresholds. It is made of steel and glass and earth and eventually claims that Architecture, built, has the power to extinguish time.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
2012
Project Credits
Architect:Maziar Behrooz ArchitectureEast Hamtpon and New York, NY
Architect’s Team: Maziar Behrooz, AIA, principal architectFrederic Debackere, drawing & designMichael Cafiero, book designMarybeth Finegan, administrative
Client: Mrs. Marie-Eve & Mr. Michel Berty
Project Location: Wainscott, NY
Project Type: Addition to existing house
Project Size: 9500 sf
Mechanical Engineer: Chaleff & Rogers
Structural Engineer:Gilsanz, Murray, Steficek,
Contractor: Joel Bass
Interior Design: Tracey Garrett, library & officeMarie-Eve Berty, colors & finishes
Lighting Design:Caitlin Faron, Shine
Photography:Matthew Carbone
Craftspeople: Cy Ross, library shelves & fireplaceMichael Hastalis, bar
Floors:Fusion Floors
Pool:Pristine Pools
Garden:Steve Torch
HVAC:Temp-ArtFlanders
Windows:Panoramic
Stair:Kitty Hawk Stair
Tiles:Alan Court AssociatesUrban Archeology
Steel:Tebbens Steel
Green Roof:Green Living Roofs
Maziar Behrooz Architecture is a studio of architecture and planning founded in 1990 in New York City, and since 1996, with an office in East Hampton, New York.
Our geographic location has given us a critical opportunity and challenge to carefully observe the interdependent relationship of human settlement with nature and the long-term impact of buildings on the environment.
We start our process by redefining outmoded terminologies that perpetuate non-existent relationships. We don’t design buildings but create integrated environments. In fact the built (or the building) in our work, in particular in our recent design projects, is a mere component, albeit a vital one, of a total environment. This fundamental shift in attitude, a reversal of the conventional relationship between buildings and nature whereby buildings are a component of much larger Architecture of the Environment, characterizes our approach to design.
As architects our specific role is to demonstrate alternative methods of planning and construction that promote this philosophy while helping preserve, sustain and regenerate the environment.
As practitioners, our challenge is to apply this attitude to every project, large or small, affordable or luxurious. While the physical results vary, we consistently aim for the maximization, wherever possible, of contiguous natural habitats. By clustering buildings and increasing managed landscapes, we leave nature to perform its self-healing, self-cleaning processes. We like to explore site layouts that reduce or otherwise draw attention to the impact of buildings on the environment.
The use of passive systems which take advantage of solar orientation, wind direction, and landscaping are fundamental to our decision making process while the examination of efficient and alternative materials and building technologies is a fulfillment of that promise.