Media Ethics term paper

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    Meghan Takacs

    Give the People What They Want, or What They Need?

    The mass society theory says, media are able to directly influence the minds of average

    people, transforming their views of the social world (Baran & Davis, 2006, pg. 55). Having

    said that, herein lies the debate surrounding the ethics of sports journalism, a major

    component of mass media: essentially, mass media directly influences what people think in

    terms of social institutions and is able to do so because of its monopolistic, yet seemingly

    credible power; however, journalists in the sports industry are often bias, which directly

    relates to why many key ethical questions involve matters of access and the collection,

    distribution, and ideological balance of information, (Oates, T. , & Pauly, J., 2007, 334).

    Therefore, the ethical dilemmas benchmark is somewhere between giving the people what

    they want (overly dramatized, bias stories, which the media justifies as ethical) and

    objective, authentic journalism.

    His papers routinely overdramatized even the most mundane events (Baran &

    Davis, 2006, pg. 49). Consequently, Hearsts success in the field of mass media and public

    relations essentially served as a catalyst to the rise of yellow journalism, and built the

    foundation to sports journalism today. Even with functional displacement, newer technology

    is still bringing corrupt, bias, and agenda-setting sports journalism to viewers all over

    America. Consequentially, Sports journalism has historically been described as a toy

    department vocation with little-to-no critical distance between reporters and the sports

    figures they cover, especially on the professional-sports beat (Hardin & Zhong, 2010, pg. 6).

    Especially, now more than ever, sports journalism students who can parlay their eagerness

    into something resembling a jobare being asked to produce more content and do so more

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    quickly than any generation to precede them. They blog, they tweet, and then they blog and

    tweet some more, and yes, eventually they file a story, squeezing in time to watch the game

    (Moran, 2010, pg. 61). With a profession labeled as the toy department, its difficult to

    define the boundaries between exciting and professionalism.

    Furthermore, often times, the goal of sports news is to sensationalize the story to

    attract viewers. Staged news, or "pseudo-events," as they were labeled by historian Daniel

    Boorstin in his 1961 bookThe Image, are commonly staged by public relations people

    attempting to draw news media coverage of activities that otherwise would go unnoticed

    (Evenson,1998, pg. 623). Do journalists continue to force-feed dramatic sports coverage that

    the people want, or do journalists provide more objective cultural pluralism to the world of

    sports? In this inevitably inconclusive debate, much like other media ethics issues, The

    general public does not perceive any visible, unified, and concerted effort among

    sportswriters to practice their craft in a consistently ethical manner (Wulfemeyer, 1985, pg.

    57). For example, There was a moment that explained why a sports fan in New England

    would reach for The Boston Globe each morning. The excitement of a New England Patriots

    victory had become overshadowed by speculation that Randy Moss, the gifted and

    controversial wide receiver, was about to be traded to the Minnesota Vikings (Moran, 2010,

    pg. 60). Sports journalists determine what is news, but do we all agree?

    Another element in the ethical dilemma of reporting in sports journalism stems from

    the narrative of sports journalists, or the way in which a story is told to the general public or

    fans. The work routines of sports journalists, after all, are organized around regularly

    scheduled, carefully managed, and orchestrated contests. The buildup to each game is replete

    with what Lawrence Wenner (1989) called insiders gossip and the self-conscious

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    creation of a script or storyline for each event (Oates & Pauly, 2007, pg. 337). For

    example: in the days leading up to the 2006 British Open, newspaper and television sports

    news reports included frequent contributions by journalists anticipating possible storylines:

    How would Tiger Woods perform, given the recent death of his father? Would Phil

    Mickelson bounce back in his first major since blowing a safe lead on the final day of the

    Masters? the recently fatherless Woods would become the dominant storyline (Oates &

    Pauly, 2007, pg. 337). As stated before, the ethical dilemma in sports journalism is between

    giving the people entertainment-based news, an often thrilling narrative, and giving them a

    fair picture of a game. However, creating social news and drama in sports ultimately

    established the general guidelines of sports reporting. Therefore, The games may be of little

    social consequence, but the stories told about them routinely give shape to deeply felt

    communal values, including the value of self-sacrifice, the possibilities of group

    achievement, the power of the individual will, and the capriciousness of social hierarchies.

    How such stories are told raises vital ethical questions. That they are told is vital to our

    shared experience of democratic culture (Oates & Pauly, 2007, pg. 346). This is what gets

    fans involved, this is what sells. Moreover, one of the perspectives on media is that the

    audience of the mass media is an active audience that uses media content to create

    meaningful experiences (Dennis & Stanley, 2006, pg. 35). Essentially, people want to read

    controversial news so that they can create an opinion; people use media to make meaning

    when they are able to intentionally induce desired experiencesthere are often significant

    results, some intended and others unintended (Dennis & Stanley, 2006, pg. 35). In other

    words, the mass media controls what people think of their social institutions and most of

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    these stories are often over-sensationalized in order to create meaning, or create a social

    stereotype that people can universally identify with.

    Ultimately, Sports journalism should be held to the same ethical standards regarding

    conflict of interest, responsibility, accuracy, and fairness as any other kind of journalism.

    Without the readers' credibility, a journalist and publication have nothing. Unethical practices

    undermine that credibility (Wulfemeyer, 1985, pg. 66).

    The other side of the argument of ethics in sports journalism is giving the people what

    they want, whether it is dramatic stories, or just reports on a game. However, in an

    entertainment-focused mass media society it is the medias duty to give the people what they

    want; people keep watching, the media keeps giving. From the media conglomerates point of

    a view, what sells is what the people want. Pop culture in sports has become a phenomenon

    that allows people to escape from the real-world, with the notion that they pick and choose

    what they read and watch. Furthermore, pop culture is an attempt to provide easy-going

    forms of social cohesion, without the costly rites of passage that bring moral and emotional

    knowledgeit has replaced imagination by fantasy and feeling by kitsch; and it has

    destroyed the old forms of music and dancing, so as to replace them with a repetious noise

    (Baran & Davis, 2006, pg. 68). Often times, in a world of chaos people enjoy repetition and

    the feeling of being in the know, which is commonly reinforced by the medias

    stereotypes.

    Additionally, sports journalism has often been portrayed as, the sandbox of the

    newsroom, a comparison that suggests the work of the sports department is more playful

    and childlike than that of the rest of the news organization (Oates & Pauly, 2007, pg. 336).

    Perhaps building on this concept is the necessity to fabricate the news, to make the news

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    more entertainment focused since this is what the people want. However, sports journalism

    doesnt always have to be portrayed as the sandbox of the news room. To counteract this

    theory, The New Journalists, in their quest for fresh, sophisticated storytelling strategies,

    turned to sports as a cultural activity worthy of serious examination (Oates & Pauly, 1985,

    pg. 340). By portraying sports as a cultural phenomenon, whether the events be trivial or not,

    the ultimate goal is to demonstrate that in many ways sports writing fundamentally

    resembles other forms of reporting, and that the journalism profession should not use sports

    as an ethical straw man, against which to defend the virtue of its serious work (Oates and

    Pauly, 1985, pg. 340).

    Though, often times, according to Deweys theory, it is not the responsibility of the

    news to bring an ethical standpoint on sports news, but it is the duty of the people to be

    educated and able to form their own opinions (Baran & Davis, 2006, pg. 86). Sports

    journalism can be viewed as gray propaganda, in which the transmission of information or

    ideas that might or might not be false (Baran & Davis, 2006, pg. 77). Since propagandists

    live in an either/or, good/evil worldwhere one side is the truth, justice, freedomin short,

    the American wayand on the other side were falsehood, evil, and slaverytotalitarianism

    (Baran & Davis, 2006, pg. 77). It is the citizens duty to consume sports media as

    entertainment; it is his or her duty to interpret sports news by using the practical function of

    knowledge as an instrument for adapting to the reality the media gives and either accepting

    or rejecting it. The mass media, in this case, sports media, are not something that feeds us

    news, but it is rather something we can choose to accept or reject.

    We are consuming media at a faster pace than ever before. With the technological

    advancement in social media, as well as the Internet, stories are produced quickly. The

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    seemingly conventional ways of sports journalism are no longer as predictable. For example,

    Under the old model, if a source passed along sensitive information to a reporter at noon,

    the reporter would have an entire day to digest the information, determine its context, contact

    others, and return to the original source to confirm additional information before it was time

    to write a story. The entire process could take four, six, eight hours. Now this process might

    be compressed into minutes (Moran, 2010, pg. 61). As a result of this, perhaps the ethical

    dilemma is not concerned with the medias intentions, but is more concerned with the

    advancement of technology. Today, the context of what people read is interpreted based on

    prior knowledge, assuming we are educated to do so. Feasibly once the media catches up

    with the new forms of technology it will be apparent that, reporting staffs will have to be

    enlarged, resources increased and maybe even working hours reduced to permit more

    thoughtful, fair, objective, complete, and accurate reporting More supervision and

    checks/balances will have to be provided to prevent special- and self-interests from

    dominating sports pages (Wulfemeyer, 1985, pg. 66).

    On another note, the unethical aspects of sports journalism can also be debated on the

    basis of famous sports reporter, Gay Taleses notion that, Sports writing, Tlese told the

    audience, gives those who do the job "the capacity to observe emotion." It's why he calls the

    job "a dream occupation" (Moran, 2010, pg. 61). This being the fact that sports journalism

    must be sensationalized in order to fit the wants and needs of its viewers. Sports Journalism

    perhaps has always been more about the drama and the players.

    Taking a closer look at a situation that happened fairly recently, will explain, more

    specifically, the ethical dilemma of sports journalism. Rush Limbaugh was hired by ESPN to

    become a commentator on the National Football Leagues pre-game show. Three weeks

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    after his debut on the network, Limbaugh was in the midst of a major controversy when he

    stated that Philadelphia Eagles quarterback Donovan McNabb is favored by the media

    because he is Black(Niven, 2005). Perhaps Rush Limbaugh was hired to create controversy

    because the sports media agenda-setters believe people are unreasonable humans, and they

    have to create controversy, or propaganda in order to create a continuum in which people

    must choose a place. Furthermore, In Mercurio and Filaks theory, Black quarterbacks were

    primarily described with words and phrases that emphasized their physical gifts and their

    lack of mental prowess. Conversely, White quarter- backs were described as less physically

    gifted, but more mentally prepared for the game and less likely to make mental errors (Filak

    & Mercurio, 2010, pg. 57). In this case, Rush Limbaugh represents a subjective view that

    purposely creates bias information in which people are forced to choose a side. In addition to

    this purpose, Limbaugh also serves to build a story: The storyline-building that suffuses

    sports journalism routines is done so consciously that an unexpected turn during the course of

    a game itself is commonly referred to as a departure from the script. This storytelling

    function of sports journalism is celebrated openly in other ways as well. Anchors often stamp

    their personality on a sportscast by inventing catchphrases (Oates & Pauly, 2007, pg. 337).

    However at the foundation of this matter is the fact that media outlets cover sports with a

    clear conflict of interest: Their very enterprise is deeply invested in the continued success of

    commodified sport. Because the most elemental structures of sports news ensure free

    exposure for the teams of elite leagues, Mark Douglas Lowes (2000) called media coverage

    of sports publicity-as-news (Oates & Pauly, 2007, pg. 338).

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    Works Cited

    1.) Baran, S. & Davis, D. (2006).Mass Communication Theory: Foundations, Ferment, andFuture. Boston, MA: Wadsworth.

    2.) Evensen, B. (1998). Sports Journalism.History of the Mass Media in the United States:An Encyclopedia, 621-623. Retrieved from EBSCOhost.

    3.) Hardin, M., & Bu, Z. (2010). Sports Reporters' Attitudes About Ethics Vary Based onBeat. Newspaper Research Journal, 31(2), 6-19. Retrieved from EBSCOhost.

    4.) Mercurio, E. , & Filak, V. (2010). Roughing the passer: The framing of black and whitequarterbacks prior to the nfl draft. Howard Journal of Communications, 21(1), 56-71.

    5.) Moran, M. (2010). It's a Brand--New Ballgame For Sports Reporters. Nieman Reports,64(4), 60-62. Retrieved from EBSCOhost.

    6.) Niven, D. (2005). Race, quarterbacks, and the media. Journal of Black Studies, 35(5),684-694.

    7.) Oates, T. , & Pauly, J. (2007). Sports journalism as moral and ethical discourse.Journalof Mass Media Ethics, 22(4), 332-347.

    8.) Wulfemeyer, K. (1985). Ethics in Sports Journalism: Tightening Up the Code.Journal ofMass Media Ethics, 1(1), 57-67. Retrieved from EBSCOhost

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