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Professional and Continuing Education semester offerings include over 100 art and design classes and workshops on the MassArt campus in over twenty disciplines four times a year: fall, spring, summer and winter intersession. MassArt also offers professional certificate programs in fashion, graphic, industrial and furniture design, as well as specialized intensive programs, which include the four week summer film school and Creative Continuum, a Mini-MBA for Artists.
Citation preview
MassArt.edu/ce
winter/spring
professional and continuing education
Ph
oto
: Jo
el V
eak
At MassArt you get great artist/teachers, passionate colleagues and superb facilities.
Not only that...
Ph
oto
: Jo
el V
eak
IT’S GOOD FOR YOU!
Artmaking can reduce stress...Increase self-reflection and self-awareness…
Alter behavior and thinking patterns…
Even normalize heart rate, blood pressure or cortisol levels.
STUDIES HAVE SHOWN…
Choose from over 100 classes in a variety of disciplines. Or look into one of our
design certificate programs.
MAYBE BETTER THAN CHICKEN SOUP
But you also get to build skills and take things home…
Paintings, drawings, tableware, sandals, films, jewelry and more.
NOT ONLY THAT…
INFORMATION2016
2
ART
Your student ID gets you free access to the Museum of Fine Arts, Isabella Stewart Gardner Museum, and ICA. Addtionally, MassArt has seven gallery spaces on campus. The Bakalar and Paine galleries feature work from internationally acclaimed artists and designers as well as emerging artists. The other campus galleries routinely feature work by MassArt students, faculty, and staff. Go to inside.massart.edu to subscribe to the MassArt events calendar to be alerted of opening celebrations.
INFORMATION
MassArt’s Godine Library, Tower Building 12th and 13th floors, boasts a wide array of visual resources, archives, special collections, and on-line databases and resources. Not to mention one of the best views of Boston.
JAVA
Peet's on the ground floor of Kennedy, is open until 8:30pm or visit Spoon Cafe located on the ground floor of the Tree House (new MassArt residence hall), open from 11am–2pm and 5–7pm, weekdays. Visit dineoncampus.com/cof for more information.
PARKING
What’s more important than that? Free in the Mindoro Lot (with shuttle service to campus) or if you’re hooked on convenience, $50 for the semester on the day of your class in the Ward Street lot. MassArt.edu/ce for map and more information or call Capstone Management at (617) 879–5103. Or email: parking@massart.edu.
DISCOUNTS
Your student ID gets you special love from a selection of vendors, including art supply stores like Artist and Craftsman, Dick Blick, and Utrecht.
DA VINCI
Leonardo was such an amazing genius, he even thought about how art students in the 21st century could get their schedules and grades on-line. Once you register, look for a letter containing your net ID and password from MassArt Tech Central. Log on to inside.massart.edu, click on DaVinci and log in. Questions or issues? MassArt’s Tech Help Desk, (617) 879–7888 will assist you.
INFORMATION / INSPIRATION
As a MassArt Professional and Continuing Education student, you also get other benefits beyond the teachers, facilities
and colleagues you signed up for.
PUBLIC SAFETY
Uh-oh. Need help? Medical? Safety issue? MassArt’s crackerjack Public Safety team is always there just in case you need them. (617) 879–7810. Or in person on the 2nd floor of Tower. They will also issue your student ID, very important for parking. And if you don’t need them, you can still talk to them—they’re pretty cool.
COME VISIT US
Professional and Continuing EducationMassachusetts College of Art and DesignArtists’ Residence600 Rear Huntington Avenue, Boston, MA 02115 USA
Office Hours: Mon–Thu, 9am–7pm; Fri, 9am–5pmTelephone: (617) 879–7200Fax: (617) 879–7171Website: MassArt.edu/ceEmail: ce@massart.edu
MAILING ADDRESS
Massachusetts College of Art and Design621 Huntington AvenueBoston, MA 02115
DAY CLASSES OPEN TO CE STUDENTS
Some day classes will be available for Continuing Education student registration. The selection of classes will be listed on our website. Go to MassArt.edu/ce for details.
: REGISTER/UPDATED & CURRENT INFORMATION
The most current information on our classes can be found on the web. Schedules may change, courses may be cancelled or added. For detailed course descriptions, schedules, faculty bios, policies, and more, or to register and pay for your classes online, go to MassArt.edu/ce.
Register at MassArt.edu/ce
For Policies, Resources, and Registration, see p.24
professional and continuing education
INFORMATION2016CONTINUING EDUCATION WINTER / SPRING 2016
See page 4 for full course list.
EVENTS IMPORTANT DATES
Winter Intersession Jan 2–17
Martin Luther King Day, College Closed Jan 18
Spring Classes Begin Jan 20
Presidents' Day, No classes Feb 15
Spring Break Mar 7–12
Patriots' Day, No classes Apr 19
Last Day of Classes May 10
Summer Programs Begin May 21
ONLINE COURSES YOUTH PROGRAMS
MassArt is offering online classes this spring.
DEPARTMENTS PG
Art Education 9
History of Art 15
Liberal Arts 17
More information at MassArt.edu/ce
See page 22 for more information
PROGRAMS START DATE
Saturday Studios Mar 5
Life Drawing and Portfolio Development Feb 26
Xtreme! Weeks: February Feb 15
Xtreme! Weeks: April Apr 18
More information at MassArt.edu/youthprograms
WINTER INTERSESSION 6
Book Arts 6
Drawing 6
Fashion 6
Fibers 7
Film/Video 7
Glass 7
Illustration 7
Painting 7
Photography 7
Printmaking 7
Sculpture 7
Web Design 7
SPRING COURSES 8
Animation 9
Architecture 9
Art Education 9
Book Arts/Letterpress 9
Ceramics 10
Digital Tools/Web Design 10
DMI (Dynamic Media Institute) 10
Drawing 11
Fashion Design 12
Fibers 13
Film/Video 13
Furniture Design & Wood 13
Graphic Design 14
History of Art 15
Illustration 15
Industrial Design 16
Jewelry 16
Liberal Arts 17
Metal Sculpture 17
Painting 18
Photography 19
Printmaking 19
Sculpture 19
Studio Foundation 20
Special Courses & Workshops 20
PROFESSIONAL PRACTICE 21
Micro MBA for Artists 21
Appraisal Studies 21
CERTIFICATE PROGRAMS 22
Fashion Design 22
Furniture Design 22
Graphic Design 22
Industrial Design 22
YOUTH PROGRAMS 23
Saturday Studios 23
Life Drawing and Portfolio Development
23
Xtreme! Weeks 23
RESOURCES & INFORMATION 24
Policies & Campus Resources 24
TABLE OF CONTENTS
MassArt.edu/ce for updates and current information 3
professional and continuing education
CALENDAR2016
4online course =
workshop only =
By Department and Start Date PG
ANIMATION
TBA Introduction to Animation 9
ARCHITECTURE
Jan 20 Fundamentals of Architecture 9
Jan 21 Real Estate Development 9
ART EDUCATION
Jan 20 Art and Human Development 9
Jan 21 Art and Human Development 9
Seminar 1: Contemporary Teaching 9
Seminar 2: Contemporary Teaching 9
Problems in Aesthetics 9
Jan 25 Concepts and Processes in the Classroom 9
BOOK ARTS / LETTERPRESS
Jan 26 Letterpress Printing 9
Mar 5 Letterpress Workshop 9
CERAMICS
Jan 21 Tableware 10
Jan 26 Clay Studio 10
DIGITAL TOOLS / WEB DESIGN
Jan 28 Introduction to Design Basics with the Adobe Creative Cloud
10
Mar 5 Indesign in 2 Days 10
Apr 30 Photoshop and Illustrator 10
DMI (DYNAMIC MEDIA INSTITUTE)
Jan 25 Designing Interactive Experiences 10
Jan 26 Designing with Data 10
DRAWING
Jan 21 Drawing Fundamentals 11
Life Drawing 11
Jan 24 Drawing: Study and Practice 11
Jan 25 Drawing for the First Time 11
Jan 26 Engaging the Self in Drawing 11
Jan 27 Hands and Feet 11
Apr 7 Yoga and Drawing: Finding Focus 11
Apr 15 The Rigor of Wildness: A Creativity Workshop
11
By Department and Start Date PG
BOOK ARTS
Jan 5 Book Arts to Animation 6
Jan 9 Paper Marbling Techniques 6
DRAWING
Jan 9 Essentials of Anatomy for Life Drawing 6
FASHION
Jan 6 Escape Winter: Sandal Design 6
FIBERS
Jan 4 Felted Forms 7
Jan 8 Dyeing and the Art of Resist 7
FILM / VIDEO
Jan 11 Documentary Video Bootcamp 7
GLASS
Jan 9 Glassblowing 7
ILLUSTRATION
Jan 2 The Art of Illustrated Maps 7
PAINTING
Jan 9 Renaissance Teachniques and Contemporary Practices
7
PHOTOGRAPHY
Jan 11 The Big Digital Print 7
PRINTMAKING
Jan 9 Monotypes: Exploring Serial Practices in Printmaking
7
SCULPTURE
Jan 4 The Human Body in 2 and 3 Dimensions 7
WEB DESIGN
Jan 2 Web 1: Designing And Building The Modern Web
7
SPRING COURSESWINTER INTERSESSION
MassArt.edu/ce for updates and current information
CALENDAR2016
5 = online course
= workshop only
By Department and Start Date PG
FASHION DESIGN
Jan 20 Introduction to Creative Fashion Design 12
Digital Tools for Fashion Design 12
Fashion and Art in the 20th Century 12
Jan 21 Couture Design 12
Fashion History II 12
Jan 26 Introduction to Creative Fashion Design 12
Millinery Design 12
Fashion Trend Forecasting 12
FIBERS
Jan 25 Clothing Construction Techniques 13
FILM / VIDEO
TBA Film Production Fundamentals 13
Mar 5 Editing with Adobe Premiere 13
FURNITURE DESIGN & WOOD
Jan 20 The Fine Art of Furniture I and II 13
Jan 26 Woodcarving 13
Intermediate Furniture Design 13
GRAPHIC DESIGN
Jan 20 Foundations of Graphic Design 14
Jan 21 Foundations of Graphic Design 14
Graphic Design III 14
Final Graphic Design Portfolio 14
Jan 25 Typography 14
Graphic Design I 14
Graphic Design II 14
Jan 26 Typography 14
Intermediate Typography 14
Intermediate Portfolio 14
HISTORY OF ART
Jan 20 History of Art: The Western Tradition 15
Feb 2 Art and Revolution 15
Traditional Cloth and Clothing: Art, Protest, Ritual, and Heritage
15
ILLUSTRATION
Jan 21 Introduction to Game Design 15
Beginning Illustration 15
Jan 26 Narrative Illustration Childrens’ Books 15
INDUSTRIAL DESIGN
Jan 21 Introduction to Industrial Design 16
Jan 25 Introduction to CAD: Solid Modeling for Industrial Design
16
Jan 26 Drawing for Designers 16
By Department and Start Date PG
JEWELRY
Jan 25 Beginning Jewelry 16
Feb 6 Lapidary Workshop 16
Silver Rings 16
Feb 20 Copper Bowls 16
Feb 21 Alternative Casting Workshop 16
LIBERAL ARTS
Jan 26 Narcissism, Aggression & Creativity 17
Feb 1 Mythology and Literature 17
Introduction to Folklore 17
METAL SCULPTURE
Jan 20 Welding 17
Jan 21 Introduction to Metal Casting 17
Jan 26 Bladesmithing 17
PAINTING
Jan 21 The Figure: Structure and Variation 18
Digital Drawing for Artists 18
Feb 22 Mixed Media in Two Dimensions 18
Jan 23 Still Life Painting: Making it Personal 18
Feb 24 Creative Approaches to Drawing and Water-Based Painting
18
Feb 26 Intro to Painting 18
Color Rules 18
PHOTOGRAPHY
Jan 26 Documentary Photography 19
Jan 27 The Photographer’s Project 19
Feb 6 The Beginning Digital Photographer 19
Feb 25 In the Darkroom: Black and White Photography
19
PRINTMAKING
Jan 21 Introduction to Printmaking 19
Jan 26 Silkscreen Printing 19
SCULPTURE
Jan 20 Figure Workshop: The Human Body in Clay 19
STUDIO FOUNDATION
Jan 21 Drawing Fundamentals 20
Form in Space 20
Jan 25 Drawing for the First Time 20
Jan 26 Engaging the Self in Drawing 20
SPECIAL COURSES & WORKSHOPS
Jan 25 Methods and Design for Art Exhibitions 20
Apr 3 Introduction to Mosaics Workshop 20
Continue
BOOK ARTS
DRAWING
Book Arts to AnimationCreate animated narratives, exploring and using tra-ditional book arts and paper engineering. Investigate thaumatrope, zoetrope, flip- book, pop-ups, altered book forms and more.
NC 609 NOT FOR CREDIT WORKSHOP FEE $
Tue, Wed Thu (Jan 5–14) 6:30–10pm 395Catriona Baker
Paper Marbling TechniquesSpend a weekend learning several styles of marbling: make a mountain of paper for use in mixed-media, collage, book-binding, greeting cards, calligraphy, and printmaking.
NC 867 NOT FOR CREDIT WORKSHOP FEE $
Sat and Sun (Jan 9, 10) 10am–4pm 245Christina Hajosy
Essentials of Anatomy for Life DrawingA brief daily lecture on human anatomy precedes a morning session of drawing short poses, and an after-noon drawing or painting one long pose.
NC 930 NOT FOR CREDIT WORKSHOP FEE $
Sat and Sun (Jan 9 and 10) 9:30am–4pm with a half hour break
195
Janet Monafo
Escape Winter: Sandal DesignDesign and make shoes that not only fit perfectly, but are also works of art. Take home fantastic sandals and the skills to make more.
EDFD 231 1.5 CREDITS COURSE FEE $
Wed-Wed (Jan 6 through 13) daily, 9 am–4pm 790 720Malika Green
FASHION
Every January, before spring classes begin, we offer an intensive two-week intersession with everything from the practical to the fantastic. Painting, printmaking, kinetic art, film—whatever your inclination, start off the new year with an
investment in your creative life.
All levels welcome.
winter intersessionjanuary 2–17, 2016
WINTER2016
professional and continuing education6
workshop only =
undergraduate =
graduate =
non-credit =
FIBERS
Felted FormsFrom mittens to sculptures, learn to make soft yet struc-tural creations that are lightweight and gorgeous, using only soapy water and friction. Beginners and advanced are welcome.
NC 866 NOT FOR CREDIT WORKSHOP FEE $
Mon, Wed, Fri (Jan 4–8) 6:30–10pm 250Anna Kristina Goransson
Dyeing and the Art of ResistCome play with multiple non-traditional resist techniques to achieve exciting visual textures on dyed fabrics. Leave with a personal collection of unique samples.
NC 277 NOT FOR CREDIT WORKSHOP FEE $
Fri (Jan 8) noon–6pm, Sat, Sun (Jan 9, 10) 9am–4:30pm
275
Susan McNeil
Documentary Video BootcampLearn the fundamentals of shooting, composition, light-ing, interviewing, and basic editing of video documen-tary in one week.
MPFV 294 1 CREDIT COURSE FEE $
Mon-Fri (Jan 11–15) 9am–4:30pm 770 705Michael Sheridan
FILM / VIDEO
GlassblowingLearn basic glassblowing techniques used to make ves-sels and sculptural forms, and develop skills through in-creasingly complex assignments. Class meets daily.
3DGL 231 3 CREDITS COURSE FEE $
Sat through Sun (Jan 9–17) 8am–4pm 1,240
2,170
1,240
Bernie D’Onofrio
GLASS
The Human Body in 2 and 3 DimensionsWorking from live models, students alternate between drawing and sculpting the human figure, deepening 2D and 3D skills and understanding of the human figure.
3DSC 204 3 CREDITS COURSE FEE $
Mon-Thu (Jan 4–14) 9am–6pm 1,070
2,000
790
Gerry Hoag
Web 1: Designing And Building The Modern WebLearn to plan, design and build usable, accessible and beautiful web sites, using HTML5, CSS3 and jQuery.
CDGD 345 3 CREDITS COURSE FEE $
Sat and Sun (Jan 2–10) 9am–4pm and Tue and Thu (Jan 5–14) 6–10pm
1,240
2,170
1,240Stephanie Dudzic
Renaissance Teachniques and Contemporary PracticesGain understanding of the materiality and history of painting, by creating contemporary, personal pieces, us-ing practices that transform rich, earthy materials into pigments, supports and binders.
2DPA 283 1.5 CREDITS COURSE FEE $
Sat and Sun (Jan 9, 10, 16, 17) 9am–5pm 620
595Elizabeth Mooney
Monotypes: Exploring Serial Practices in PrintmakingExplore this intriguing hybrid printmaking process. Learn to combine digital and analog image sources, and practice lay-ering strategies through color separation. All are welcome.
2DPM 273 1.5 CREDITS COURSE FEE $
Sat and Sun (Jan 9, 10, 16, 17) 9am–5pm 620
595Catarina Coelho
SCULPTURE
WEB DESIGN
ILLUSTRATION
PHOTOGRAPHY
PAINTING
PRINTMAKING
The Art of Illustrated MapsA complete hands-on guide to creative mapmaking’s pro-cess. Students create personal, illustrated maps, inspired by real life or imagination.
NC 608 NOT FOR CREDIT COURSE FEE $
Sat and Sun (Jan 2–10) 9am–3:30pm 395John Roman
The Big Digital PrintMake stunning mural sized digital prints from your own images. Learn to scan, touch up, and output your images on wide-format archival printers.
NC 137 NOT FOR CREDIT COURSE FEE $
Mon–Fri (Jan 11–15) 9am–2:30pm 450Dan Boardman
WINTER2016
MassArt.edu/ce for updates and current information 7
= workshop only
= undergraduate
= graduate
= non-credit
online course = workshop only =
undergraduate =
graduate =
non-credit =
Great art requires both creative vision and technical skill. MassArt’s Professional and Continuing Education program is about helping students develop both. Our faculty is comprised of practicing artists who set high standards for themselves and encourage students to do the same. Our facilities are built for working artists. The curriculum is designed to nurture individual expression and creativity
while helping students to master appropriate tools.
Choose from over a hundred classes and workshops this spring in more than twenty disciplines and join the
MassArt community.
spring 2016courses
SPRING2016
8
MassArt.edu/ce for updates and current information
SPRING2016
= online course
= workshop only
= undergraduate
= graduate
= non-credit
9
Fundamentals of ArchitectureUsing scaled models and drawings, students develop the ability to use a building system to explore, prioritize, and communicate design ideas.
EDAD 100 3 CREDITS COURSE FEE $
Wed (Jan 20–May 4) 6:30–10pm 1,070
2,000
790
Maria Rondeau
Letterpress PrintingAn introduction to hand-set metal and wood type, letter-press and limited edition printing and printmaking tech-niques on Vandercook cylinder presses.
CDGD 300 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm 1,070
2,000
790
Keith CrossArt and Human DevelopmentExplores the cognitive and psycho-social development of learners through psychological, sociological, and an-thropological theories. Theories of development and the nature of art-making are the focus of the course.
AETE 201 3 CREDITS COURSE FEE $
Section 01: Wed (Jan 20–May 19) 3–6pmSection 02: Thu (Jan 21–May 19) 1:30–4:30pm
900
Maureen Kelly
Real Estate DevelopmentBasic principles in RE development include community input in neighborhood planning, legal context and con-straints (e.g. zoning, economics, site, ecology) and tools used for development proposals.
EDAD 445 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–9:30pm 900
1,830Will Roberts
Seminar 1: Contemporary Teaching Practices Seminar I and Seminar II run in tandem to provide a sopho-more-level introduction to teaching and contemporary art. Co-requisites: Seminar 2 AETE 209
AETE 208 3 CREDITS COURSE FEE $
Thu (Jan 21–May 19) 9:45am–12:45pm 900Beth Balliro
Seminar 2: Contemporary Teaching PracticesSee above.Co-requisites: Seminar 1 AETE 208
AETE 209 3 CREDITS COURSE FEE $
Thu (Jan 21–May 19) 1:30–4:30pm 900Beth Balliro
Concepts and Processes in the ClassroomExamine the substance and organization of lessons, what is appropriate for particular learners, and the creation of efficient classroom routines for teaching art.
AETE 444 3 CREDITS COURSE FEE $
Mon (Jan 25–May 16) 9:45am–12:45pm 900
1,830Beth Balliro
ANIMATION
ARCHITECTURE
ART EDUCATION
BOOK ARTS / LETTERPRESS
Introduction to AnimationAn introduction to the fundamental principles of anima-tion. A series of short projects will explore a variety of traditional, digital and experimental techniques.
CDIL 223 3 CREDITS COURSE FEE $
See web for schedule 1,070
2,000
790
Jake Fried
Letterpress WorkshopMake letterpress posters while learning to hand-set type, change colors on press with no wash-up, set it and print it techniques, and composition.
NC 429 NOT FOR CREDIT WORKSHOP FEE $
Sat (Mar 5) 9am–6pm 195Keith Cross
Problems in AestheticsStudy of aesthetics through an overview of Western and non-Western traditions, examining contemporary theory through and about art and meaning.
AETE 504 3 CREDITS COURSE FEE $
Online: Thu (Jan 21–May 19) 6–9pm 1,830Jennifer Hall
Art Education courses at MassArt are valued by art-ists and teachers who want to sharpen their practices for a 21st century world. Faculty have expertise in aligning artistic and social issues so that each course has meaning for use in a classroom, community, stu-dio, or gallery. The following day classes are open to Continuing Education students.
professional and continuing education
SPRING2016
online course = workshop only =
undergraduate =
graduate =
non-credit =
10
Clay StudioStudents explore personal interests in clay object making. Demonstration and studio activities include hand building, mold making, and wheel working.
3DCR 313 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm and two 6hr classes tba
1,070
2,000
790Janna Longacre
TablewareDesign and fabricate individualized place settings, serving dishes, teapots, and vases, using hand building the potter’s wheel, plaster molds and various kiln-firing techniques.
3DCR 226 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm and two 6hr classes tba
1,070
2,000
790Kyla Toomey
Introduction to Design Basics with the Adobe Creative CloudDiscover the synergy between Adobe Illustrator, Photoshop and InDesign, with assignments based on a real-life project.
CDGD 319 3 CREDITS COURSE FEE $
Thu (Jan 28–April 28) 6:30–10pm 1,240
2,170
1,240
Jason Fairchild
CERAMICS
DIGITAL TOOLS / WEB DESIGN
Also See: Game Design p.15
Designing Interactive ExperiencesThrough project-based curriculum, students are exposed to various dimensions in design of interactive experiences, in-cluding user experience, information architecture, interface design, and user testing. No prerequisites.
DSGN 346 3 CREDITS COURSE FEE $
Mon (Jan 25–May 10) 6:30–10pm 1,240
2,170
1,240
Stephanie Kane
Designing with DataUsing computational methods, students explore data vi-sualization as a tool for graphically communicating and explaining the stories often hidden in large, complex data-sets. Prerequisites apply: see web site.
DSGN 352 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6–9:30pm 1,240
2,170
1,240
Saul Baizman
MassArt is home to the Dynamic Media Institute (DMI), one of the leading interaction design MFA pro-grams in the country. Students investigate a wide range of topics including data visualization, physical interfaces, social networks, smart environments, edu-cational technologies, and mobile user experiences, among many others, while developing a unique thesis through rigorous practice of research, prototyping, and writing. Now, MassArt’s Professional and Con-tinuing Education program is offering a taste of the DMI experience through specially developed courses taught by DMI MFA candidates and alumni.
DMI (DYNAMIC MEDIA INSTITUTE)
Indesign in 2 DaysGet up to speed on the program, how it works, when to use it, and why.
NC 553 NOT FOR CREDIT WORKSHOP FEE $
Sat (Mar 5 & 12) 10am–4pm 195Andreas Randhahn
What Did I Miss: Photoshop and IllustratorCatch up on changes in the latest release of Adobe Illustrator, Photoshop and InDesign in two Saturday sessions.
NC 158 NOT FOR CREDIT WORKSHOP FEE $
Sat (Apr 30 & May 7) 10am–4pm 195Andreas Randhahn
MassArt.edu/ce for updates and current information
SPRING2016
= online course
= workshop only
= undergraduate
= graduate
= non-credit
11
Drawing for the First TimeNon-intimidating, enjoyable introduction to observa-tional drawing and expression using still life, nude mod-els, and landscape. Increase knowledge, skills and confi-dence. Portfolio building. Course includes a portfolio day to be arranged.
SFDN 1X1 3 CREDITS COURSE FEE $
Mon (Jan 25–May 9) 6–9pm 1,070
790Trintje Jansen
Drawing: Study and PracticeAn exploration of drawing basics using the figure, por-trait, and still life, with emphasis on sustained studies to develop personal direction.
2DPA 12X 3 CREDITS COURSE FEE $
Sat (Jan 24–May 7) 9am–1:30pm 1,070
2,000
790
Janet Monafo
Drawing FundamentalsExplore fundamental drawing concepts of line, value, shape, form, space, and intent as they apply across disciplines.
SFDN 160X 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm 1,070
790Joshua Hart
Life DrawingLearn the fundamentals of naturalistic figure drawing from an observational perspective. Includes drawing nude models and lectures to understand gesture, pro-portion, and anatomical structures.
2DPA 202 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm and two 6hr classes tba
1,070
2,000
790Gerry Hoag
Engaging the Self in DrawingWith a focus on traditional and non-traditional ways to make drawings, students build confidence, passion, dis-covery and creativity through a contemporary approach to drawing. All are welcome.
SFDN 111 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm 1,070
790Juan Ormaza
DRAWING
Hands and FeetDrawing on paper, learn to capture the physical and emo-tive qualities of hands and feet in motion and at rest.
NC 270 NOT FOR CREDIT WORKSHOP FEE $
Sat and Sun (Feb 27 and 28) 10am–4pm 150Jackie Knight
Yoga and Drawing: Finding FocusThrough asanas (poses) and drawing exercises, students develop tools to experience a centered, meditative, draw-ing practice. All levels of drawing and yoga welcome.
NC 801 NOT FOR CREDIT WORKSHOP FEE $
Thu (Apr 7–May 5) 6–8pm 135Liz Rudnick Reiser
The Rigor of Wildness: A Creativity WorkshopUsing drawing and writing, the instructors work with indi-viduals to identify the state of mind, energy, freedom, and irreverence that allows for discovery, unleashing creativity.
NC 439 NOT FOR CREDIT WORKSHOP FEE $
Lecture: Open to the public, Thu (Apr 14) 6:30pmWorkshop: Fri (Apr 15) 7–9pm, Sat, Sun, Mon, (Apr 16, 17, 18) 9am–4pm
475
Timothy Hawkesworth and Lala Zeitlyn
Ph
oto: J
oel V
eak
professional and continuing education
SPRING2016
online course = workshop only =
undergraduate =
graduate =
non-credit =
12
Introduction to Creative Fashion DesignExplore basic garment construction, fundamental draping, and how to translate creative designs into three-dimensional form in both fabric and non-traditional textiles.
EDFD 211X 3 CREDITS COURSE FEE $
Section 01: Wed (Jan 20–May 4) 6:30–10pmRenee Harding Section 02: Tue (Jan 26–May 10) 6:30–10pm
1,070
Andy Chan
Fashion and Art in the 20th CenturyThrough lectures, discussions, review of over 1,000 images, and study of archival materials at the MFA, students learn to identify fashion as an art form.
EDFD 26X 3 CREDITS COURSE FEE $
Wed (Jan 20–May 4) 6:30–9:30 985 Kathleen McDermott
Creative TextilesCreate original designs and storyboards: then print fabric using the Mimaki digital printer. Produce portfolio ready swatches and multiple runs of your yardage.
EDFD 210 3 CREDITS COURSE FEE $
Mon (Jan 25–May 9) 6:30–10pm 1,070 Jill Thibault
Couture DesignStudents move into luxury design. Projects incorporate custom fit, boning for shaping, soft and structured drap-ing, seam finishes, design motifs and embellishments.
EDFD 315X 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm 1,070 Jennifer Varekamp
Millinery Design Learn basic hat design using European techniques for shaping buckram to create a variety of styles.
EDFD 214X 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm 1,070 Jill Thibault
Fashion History IIExplore the influence of artworks, architecture, culture, music, social change and technology on fashion from mid 1700s until the present.
EDFD 207 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6–9pm 900 Lauren Whitley
Fashion Trend ForecastingStudents explore ways fashion trends originate, and where top designers look each season for their creative inspiration.
EDFD 2X7 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–9:30pm 985 Erica Corsano
Digital Tools for Fashion DesignDesign presentation boards and fashion flat collections using Photoshop and Illustrator. Perfect for beginners!
EDFD 206X 3 CREDITS COURSE FEE $
Wed (Jan 20–May 4) 6:30–10pm 1,240 Meg Young
FASHION DESIGN
Ph
oto
: Jo
el V
eak
MassArt.edu/ce for updates and current information
SPRING2016
= online course
= workshop only
= undergraduate
= graduate
= non-credit
13
Clothing Construction TechniquesLearn to make clothing that fits, using techniques that include taking measurements, adjusting patterns, hand sewing, machine sewing, and finishings preparations.
3DFB 23X 3 CREDITS COURSE FEE $
Mon (Jan 25–May 9) 6:30–10pmand two 6 hr classes tba
1,070
2,000
790Martha Palaza
Editing with Adobe PremiereGain basic proficiency in Adobe Premiere.
MPFV 255 1.5 CREDITS COURSE FEE $
Sat and Sun (Mar 5, 6 & 12, 13) 10am–4:30pm 620
1,000
595
Janet Gilmore
WoodcarvingAn introduction to wood-carving methods, with basic in-formation about types of wood and traditional uses, em-phasizing proper use and care of tools.
3DSC 206 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm and two 6hr classes tba
1,240
2,170
940Ted Southwick
Film Production Fundamentals An introduction to film/video production that blends production practice with history and theory. Explore the dynamic relationship between media makers, subjects, viewers, and technology.
MPFV 279 3 CREDITS COURSE FEE $
See web for course details 1,240
2,170
940
The Fine Art of Furniture I and IIStudents are guided through hands-on design/build proj-ects of increasing complexity.
3DTD 330/340 3 CREDITS COURSE FEE $
Wed (Jan 20–May 4) 6:30–10pmand two 6hr classes tba
1,240
2,170
940Peter Thibeault and Judith Hanson
Intermediate Furniture DesignStudents focus on a specific area of furniture design to create an original design. By permission only.
3DTD 440 3 CREDITS COURSE FEE $
Wed (Jan 20–May 4) 6:30–10pm 1,240
2,170
1,240
Mitch Ryerson
FIBERS
FILM / VIDEO
FURNITURE DESIGN & WOOD
professional and continuing education
SPRING2016
online course = workshop only =
undergraduate =
graduate =
non-credit =
14
Foundations of Graphic DesignThe study of how typographic techniques and principles are used for effective visual communications through pro-fessional typesetting, typographic layout, and expressive use of type.
CDGD 203 3 CREDITS COURSE FEE $
Section 01: Wed (Jan 20–May 4) 6:30–10pm Section 02: Thu (Jan 21–May 5) 6:30–10pm
1,070
2,000
Alisa Aronson
TypographyThe history and use of letterforms to effectively convey a message and mood. Skill building for typographic hierarchy. Professional typesetting and typographic layout.
CDGD 201 3 CREDITS COURSE FEE $
Section 01: Mon (Jan 25–May 9) 6:30–10pm Alisa AronsonSection 02: Tue (Jan 26–May 10) 6:30–10pm
1,070
2,000
Molly Seamans
Graphic Design IIIEmphasis is on building a unique personal voice while effectively addressing client and audience needs in substantial projects, including brand development. Prerequisites apply.
CDGD 311 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm 1,070
2,000Robert Davison
Graphic Design IStudents apply knowledge of foundational design and typo-graphic principles to introductory visual communications for a targeted audience. Prerequisites apply.
CDGD 2X4 3 CREDITS COURSE FEE $
Mon (Jan 25–May 9) 6:30–10pm 1,070 Yvette Perullo
Intermediate TypographyStudents apply typographic principles to applied commu-nication design projects of moderate complexity, expand-ing skills for typographic layout and expressive use of type. Prerequisites apply.
CDGD 202 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm 1,070 Sara Eisenman
Graphic Design IIStudents apply skills for concept development, visual design, and user centered thinking to design projects of moderate complexity for print and interactive media. Prerequisites apply.
CDGD 310 3 CREDITS COURSE FEE $
Mon (Jan 25–May 9) 6:30–10pm 1,070
2,000Maggie Putnam
GRAPHIC DESIGN
Intermediate Portfolio
CDGD 370X 4 CREDITS
Tue (Jan 26–May 10) 6:30–10pmJeff Stone
Final Graphic Design Portfolio
CDGD 420X 3 CREDITS
Thu (Jan 21–May 5) 6:30–10pmJohn Soares
For Graphic Design Certificate Students Only
MassArt.edu/ce for updates and current information
SPRING2016
= online course
= workshop only
= undergraduate
= graduate
= non-credit
15
The Western TraditionIntroduces the major movements, personalities, tech-nologies, and intellectual trends which have shaped the history of Western visual culture.
HART 100 3 CREDITS COURSE FEE $
Wed (Jan 20–May 4) 6:30–9:30pm 985
1,915
325
David Nolta
Introduction to Game Design and DevelopmentStudents gain and understanding of game design prac-tice and application. We cover theory and real world ex-amples and apply the knowledge through assignments.
CDIL 221 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm 1,070
2,000
790
Bard McKinley
Beginning IllustrationLearn to create illustrations for the book, editorial and ad-vertising markets, from concept development to final image.
CDIL 213 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm 1,070
2,000
790
Alex Gerasev
Narrative Illustration Childrens’ BooksEach student creates a children’s book from personal concept to the finished dummy ready for submission to a publisher.
CDIL 302 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm 1,070
2,000
790
Nick McNally
HISTORY OF ART
ILLUSTRATION
Art and RevolutionExplores the relationship between the twentieth century political revolutions in Russia, china, and Iran, and the arts.
HART 206 3 CREDITS COURSE FEE $
Online: Feb 1–May 10 1,070
2,000
325
Anahit Ter-Stepanian
Traditional Cloth and Clothing: Art, Protest, Ritual, and HeritageExamines traditional textiles in various historical and cultural contexts including: Haitian Voudou flags, Native American dresses and Pacific island bark cloth.
HART 338 3 CREDITS COURSE FEE $
Online: Feb 1–May 10 1,070
2,000
325
Anahit Ter-Stepanian
Game Design
professional and continuing education
SPRING2016
online course = workshop only =
undergraduate =
graduate =
non-credit =
16
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Drawing for DesignersThe basic visual language of symbols and illustration used by designers, to communicate the characteristics of objects and systems.
EDID 205 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm 1,070
2,000
790
Judith Anderson
Beginning JewelryBasic techniques of jewelry making including coid-joining, sawing, soldering and finishing, lost wax casting and stone setting.
3DML 100 3 CREDITS COURSE FEE $
Mon (Jan 25–May 9) 6:30–10pm and two 6 hr classes tba
1,070
790Kelly Conroy
Introduction to Industrial DesignIntroduction to the tasks required for research, prelimi-nary concept sketching, design refinement, presentation, and fabrication possibilities. Includes drawing, media, and model making.
EDID 2X2 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10PM 1,070
2,000
790
Mark Guarraia
Introduction to CAD: Solid Modeling for Industrial DesignBasic CAD Modelling software familiarization, concepts for 2D and 3D visualization, and illustration of CAD use throughout the design process.
EDID 216 3 CREDITS COURSE FEE $
Mon (Jan 25–May 9) 6:30–10pm 1,240
2,000
940
Cindy Staton
INDUSTRIAL DESIGN JEWELRY
Alternative Casting WorkshopLearn these ancient techniques that use silver and bronze to cast objects of your own design, using cuttlefish bone, charcoal and drywall.
NC 556 NOT FOR CREDIT WORKSHOP FEE $
Sun (Feb 21) 10am–4pm 145Peter Evonuk
Copper BowlsExplore the ancient art of Coppersmithing. Students use a variety of specialized hammers, tools, and techniques to form simple, elegant, copper bowls.
NC 442 NOT FOR CREDIT WORKSHOP FEE $
Sat (Feb 20) 10am–4pm 145Peter Evonuk
Silver RingsLearn to size, fabricate, and finish a classic silver ring band: then saw, file, solder, polish and bezel set a gem-stone to cap it off.
NC 923 NOT FOR CREDIT WORKSHOP FEE $
Sat and Sun (Feb 6, 7) 2–6pm 165Peter Evonuk
Lapidary WorkshopTransform gravel into bling. Learn to cut, shape, carve and polish ordinary rocks into custom forms that can be set in jewelry.
NC 875 NOT FOR CREDIT WORKSHOP FEE $
Sat and Sun (Feb 6, 7) 9am–1pm 165Peter Evonuk
MassArt.edu/ce for updates and current information
SPRING2016
= online course
= workshop only
= undergraduate
= graduate
= non-credit
17
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LIBERAL ARTS
BladesmithingForge handmade steel edged tools, including knives, axes, chisels and carving implements, in the traditional way with hammer, fire and anvil.
3DSC 321 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pmand two 6 hr classes tba
1,240
2,170
940J D Smith
Narcissism, Aggression, and CreativityAre we really capable of falling in love with an image of ourselves, as in the story of Echo and Narcissus? If so, what are the consequences? Psychoanalytic literature, in combination with contemporary themes, questions and illuminates the art making process.
LASS 308 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–9:30pm 985
1,915
325
Gunta Kaza
WeldingStudents produce artworks using oxy-fuel, “stick”, MIG, or TIC arc welding, and learn hot forging and a wide range of fabricating processes.
3DSC 253 3 CREDITS COURSE FEE $
Wed (Jan 20–May 4) 6:30–10pmand two 6 hr classes tba
1,240
2,170
940Reid Drum
Introduction to Metal CastingLearn to translate objects and forms into bronze and alu-minum using the lost wax casting method. Experiment with the merger of material and content while learning the proper use of modern metal working tools and techniques.
3DSC 211 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pmand two 6 hr classes tba
1,240
2,170
940Zachary Gabbard
METAL SCULPTURE
Mythology and LiteratureMythological approaches to such subjects as heroism, place, time, family, and human nature in western literature, old and new.
LALW 209 3 CREDITS COURSE FEE $
Online: Feb 1–May 10 1,070
325Elaine Mawhinney
Introduction to FolkloreStudents examine various genre of folklore such as Cinder-ella tales, supernatural legends, Chinese-American funer-als, outlaw ballads, and Mardi Gras Indians.
LASS 204 3 CREDITS COURSE FEE $
Online: Feb 1–May 10 1,070
325Tim Correll
professional and continuing education
SPRING2016
online course = workshop only =
undergraduate =
graduate =
non-credit =
18
The Figure: Structure and Variation Working from the model, and using multiple mediums (graphite, charcoal, ink, paint, and collage), students ex-plore relationships between figure and space.
2DPA 284 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm and two 6 hr classes tba
1,070
2,000
790Catherine Kehoe
Intro to PaintingLearn the foundation of painting — craft, color, and com-position by painting from observation (still life and the model).
2DPA 100 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm 1,070
790Nancy McCarthy
Still Life Painting: Making it PersonalA more personal approach to still life painting as "self-por-trait." Use objects to create a personal narrative. Traditional techniques, color, and composition will be addressed.
2DPA 336 3 CREDITS COURSE FEE $
Sat (Jan 23–May 7) 2–6pm 1,070
2,000
790
Santiago Hernandez
PAINTING
Creative Approaches to Drawing and Water-Based Painting Gain skills in multiple techniques (watercolor, gouache, acrylics, etc.) then experiment with mixing mediums in non-traditional ways, e.g. masking fluid, gesso, etc. to achieve unique visual results.
NC 926 NOT FOR CREDIT WORKSHOP FEE $
Wed (Feb 24–May 4) 6:30–10pm 595Yo Ahn Han
Mixed Media in Two DimensionsNon-traditional materials are used to explore the bound-aries between drawing, painting, printmaking, and pho-tography in ways that can be blended and rethought.
NC 931 NOT FOR CREDIT WORKSHOP FEE $
Mon (Feb 22–May 9) 6:30–10pm 625Andree LeDuc
Color RulesAn intensive workshop for anyone working with color: painters, designers, architects, etc. Review basic color con-cepts and learn how color can energize your work.
NC 611 NOT FOR CREDIT WORKSHOP FEE $
Fri (Feb 26) 6:30–9:30pm; Sat and Sun (Feb 27 and 28) 10am–4:30pm
235
Nancy McCarthy
Digital Drawing for ArtistsA hands-on class using smartphones, cameras, social me-dia, digital printers, computers etc. as artists tools, to help develop your personal studio practice.
2DPA 216 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6–10pm 1,070
2,000
790
Andrew Fish
MassArt.edu/ce for updates and current information
SPRING2016
= online course
= workshop only
= undergraduate
= graduate
= non-credit
19
The Photographer’s ProjectA critique group for advanced photographers, offering peer-group feedback on current work. Typically, partici-pants are developing a portfolio, project, or exhibition.
MPPH 306 1.5 CREDITS COURSE FEE $
Wed (Jan 27, Feb 10, 24, Mar 16, 30, Apr 13, 27) 620
1,000
595
Stephen Tourlentes
Documentary PhotographyWork on a semester-long documentary photo project. Weekly critiques. Edit projects in progress. Use film or digital, black and white or color.
MPPH 2X6 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm and two 6 hr classes tba
1,070
2,000
790Rania Matar
Introduction to PrintmakingDevelop the ability to confidently handle a variety of print media including basic intaglio, relief work, collagraph, dry-point, stamping, and monoprint.
2DPM 100 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm and two 6hr classes tba
1,070
2,000
790Catarina Coelho
Figure Workshop: The Human Body in ClayWorking from live models, students learn tool use and clay manipulation techniques to sculpt the figure, then mold and cast the clay sculpture in plaster.
3DSC 208 3 CREDITS COURSE FEE $
Wed (Jan 20–May 4) 6:30–10pm and two 6hr classes tba
1,070
2,000
790Gerry Hoag
Silkscreen PrintingWith an emphasis on experimentation, design, drawing, and multicolor printing, students learn to transform an idea to a print image.
2DPM 280 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6–10pm 1,070
2,000
790
Alvin Ouellet
PHOTOGRAPHY
PRINTMAKING
SCULPTUREThe Beginning Digital PhotographerLearn techniques for taking pictures using any digital camera, and editing options for print and web.
NC 422 NOT FOR CREDIT WORKSHOP FEE $
Sat (Feb 6, 13) 9am–1:30pm 165Molly Lamb
In the Darkroom: Black and White PhotographyIt's hard to find access to analog printing. This class is for people who are interested in building a body of work based on the beauty of the silver print.
NC 613 NOT FOR CREDIT WORKSHOP FEE $
Thu (Feb 25–May 5) 6:30–10pm 595Henry Cataldo
professional and continuing education
SPRING2016
online course = workshop only =
undergraduate =
graduate =
non-credit =
20
Drawing for the First TimeNon-intimidating, enjoyable introduction to observational drawing and expression using still life, nude models, and landscape. Increase knowledge, skills and confidence. Port-folio building.
SFDN 1X1 3 CREDITS COURSE FEE $
Mon (Jan 25–May 9) 6–9pm 1,070
790Trintje Jansen
Drawing FundamentalsExplore fundamental drawing concepts of line, value, shape, form, space, and intent as they apply across disciplines.
SFDN 160 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm 1,070
790Joshua Hart
Form in SpaceAn introductory exploration of issues central to 3D art and design. Includes scale, volume, mass and space. Use this course to build a portfolio.
SFDN 133 3 CREDITS COURSE FEE $
Thu (Jan 21–May 5) 6:30–10pm 1,070
790Greg Mencoff
All Studio Foundation courses (SFDN) transfer into the BFA program as Open Studio Electives. Students accepted into the full-time MassArt BFA program who wish to receive credit for a specific SFDN required course must have an individual portfolio review of their coursework with the appropriate Studio Foun-dation Area Course Coordinator. This portfolio review will determine whether the transfer credit will be applied to an SFDN required course or remain as an Open Studio Elective.
STUDIO FOUNDATION
Methods and Design for Art ExhibitionsStudents learn fundamentals of designing and art exhibit from preparation to construction and production that can be applied to their own artwork. Course ends with the in-stallation of a professional exhibit in the MassArt Bakalar and Paine galleries.
MPSM 342 3 CREDITS COURSE FEE $
Mon (Jan 25–May 10) 3–8pm 1,070
2,000
790
Robert Gainfort
SPECIAL COURSES & WORKSHOPS
Introduction to Mosaics WorkshopIn-depth introduction to mosaic design, fabrication, and mounting practices. Students design, fabricate and grout an 8” x 8” mosaic.
NC 864 NOT FOR CREDIT WORKSHOP FEE $
Sun (Apr 3 and 10) 10am–4pm 295Lisa Houck
Engaging the Self in DrawingWith a focus on traditional and non-traditional ways to make drawings, students build confidence, passion, dis-covery and creativity through a contemporary approach to drawing. All are welcome.
SFDN 111 3 CREDITS COURSE FEE $
Tue (Jan 26–May 10) 6:30–10pm 1,070
790Juan Ormaza
MassArt.edu/ce for updates and current information
PROGRAMS2016
21
Creative Continuum: Business And The Creative ProcessJanuary 7–22, 2016
Now in its sixth year, this unique collaborative effort between professors at MassArt and Bentley University offers partici-pants an opportunity to engage in an intensive workshop that combines business education with the application for design thinking to business problems. Lectures and work-ing sessions provide insight into the issues and functions of business and cover the topic areas of an MBA. Participants quickly learn fundamental principles of business and then, in smaller working sessions, put their creative skills and ex-perience to use collaborating with representatives of select businesses, including Converse and others, on a real strate-gic business problem or challenge that they face.
SCHEDULE PROGRAM COST $
January 7–22, 2016 Evenings, weekends, and some days
1,100
For more information including registration details, go to:
MassArt.edu/Continuing_Education/Micro_MBA_for_Artists.html
Program Open House and Special EventDecember 5, 2015, 2–5pm
To inaugurate this collaboration, MassArt will hold an open house and reception with an afternoon of introduc-tory presentations by faculty and local experts. The pro-gram will offer a series of open dialogues with appraisers and experts in different fields, including art historians and artists. Presenters will address the questions of what is appraising and what are appraisal studies, and delve into a series of illustrated and hands-on lectures and conversa-tions exploring the intimate interrelationship between art and antiques appraising and art history, conservation and preservation, the art market and art collecting.
2016 COURSES & DATES COURSE COST $
Introduction to Personal Property ValuationThu–Sun (Jan 14, 15, 16, 17)
795
Development of a Personal Property Appraisal: Research and AnalysisThu–Sun (Apr 7, 8, 9, 10)
795
Personal Property Valuation: Report WritingThu–Sun (Jul 14, 15, 16, 17)
795
Personal Property Valuation: The Legal and Regulatory EnvironmentThu–Sun (Oct 6, 7, 8, 9)
795
Uniform Standards of Professional Appraisal PracticeFri and Sat (Nov 4, 5)
350
For more information including schedule of courses and
registration information, go to:
MassArt.edu/Continuing_Education/Appraisal_Studies.html
There is increasing recognition in the business world that companies that will thrive in the future are the ones that will innovate radically and approach chal-lenges creatively. This course is geared to artists and designers who would like to develop skills in applying the creativity and mind set they nurtured and devel-oped as an artist to the business realm.
MassArt is pleased to announce a new affiliation with the American Society of Appraisers. MassArt will of-fer the ASA series of valuation classes towards certi-fication in personal property appraisal. Courses are open to students pursuing appraisal studies in all ar-eas of valuation. Supplementary programming being developed by MassArt will be geared toward the ap-praisal and valuation of art and antiques.
MICRO MBA FOR ARTISTS APPRAISAL STUDIES
professionalpractice
In today's economy, there are wide-ranging applications of art skills and art knowledge. Professional Practice addresses skills related to art and business beyond the studio.
GRAPHIC DESIGN
INDUSTRIAL DESIGN
FASHION DESIGN
FURNITURE DESIGN
PROGRAMS2016
professional and continuing education
A unique collaboration between Massachusetts College of Art and Design and North Bennet Street School. With 8 core courses and 2 electives, Participants learn to design participants to design and build studio furniture. The program focuses on helping students develop a unique vision and artistic identity while building woodworking and technical skills. Go to Massart.edu/ce or call Stephen Clark at (617) 879–7168.
For more information including registration details, go to: MassArt.edu/Continuing_Education/Design_Certificate_Programs.html
For working adults seeking to build the portfolio nec-essary for entry level jobs in the graphic design field. Participants develop skills in real-world design problem solving across a range of media including branding, publications, web, mobile, etc.
For students who hold a degree in another discipline and are interested in entering the industrial design profes-sion. Industrial Design consists of 17 three-credit courses (51 credits), which is the required major sequence for undergraduate MassArt students. Study is part-time and most courses meet during the day. For entrance requirements and transfer or waiver details, go to MassArt.edu/ce.
For those who wish to advance their skills or careers in the fashion industry, or seek entry level positions in the industry. The 10 courses include fundamentals and master classes, offered on a rotating schedule, and take two years or more to complete.
certificateprograms
MassArt offers a number of rigorous certificate programs for students seeking expertise in a particular area without pursuing a full degree. These certificates provide students with solid
professional skills and practice required for the workplace.
Many students pursue admission to certificate programs by first enrolling in individual Professional and Continuing Education courses. These provide an opportunity to build and strengthen a portfolio for later review and admission to either a certificate or degree program.
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MassArt.edu/ce for updates and current information
PROGRAMS2016
23
SATURDAY STUDIOSOffered each fall and spring semester for students in grades 3–12, these 8 week sessions offer courses in a variety of media such as sculpture, animation, fashion, painting and photography. Classes are taught by MassArt students majoring in Art Education.
DATES AND TIMES LEVELS
March 5–May 7No class March 12 and April 23Saturdays, 9:30am–12noonExhibition: May 2–7Closing Reception: May 7, 11:30am–12noon
Grades 3–12
XTREME!WEEKSXtreme!Week is an intensive week of artmaking dur-ing February and April vacations. Studios are taught by practicing artists. Xtreme!Weeks end with a celebratory exhibition of student work.
DATES AND TIMES LEVELS
February 15–19April 18–22Monday–Friday, 9:30am–4:30pm
Grades 7–12LIFE DRAWING AND PORTFOLIO DEVELOPMENTAn in-depth class for high school students taught by pro-fessional artists. Students work to develop skills and ex-plore techniques and to broaden their approach towards a personal vision. The class explores traditional and inno-vative ways of rendering the human figure. For students interested in developing their portfolios as well as those who are curious to learn more about the visual arts and design. For those interested in art school, the class in-cludes a studio visit with an admissions counselor who will help demystify the application process.
DATES AND TIMES LEVELS
February 26-May 6Fridays, 4:30-7:30pmNo Class April 22
Grades 9–12
For further information about these programs, go to:
MassArt.edu/youthprograms
youthprograms
MassArt understands the importance of providing quality arts education from elementary school on. We offer diverse programs that give students the ability to access the power of the
arts for their future success.
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professional and continuing education24
INFORMATION2016
REGISTER EARLY!
We recommend that everyone register at least one week before classes begin. Many courses fill quickly and classes with low enrollment risk cancellation. Registering early gives you the best chance of getting the course you want.
HOW TO REGISTER
Students may register on the web, by mail, by fax, by phone, or in person. Registration forms are available online for fax or mail, or in the Continuing Education Office.
ONLINE WEB REGISTRATION
Students are encouraged to register online. Visit MassArt.edu/ce to sign up and pay for classes.
Send your completed registration with check or credit card information (MasterCard or Visa) to:
Professional and Continuing Education Massachusetts College of Art and Design621 Huntington Avenue Boston, MA 02115 USA
FAX
Fax your registration to (617) 879–7171. Include your MasterCard or Visa card number and expiration date on the registration form.
WALK-IN REGISTRATION
Register during our regular continuing education office hours: Mon–Thu, 9am–7pm; Fri, 9am–5pm
PUBLIC TRANSPORTATION
It’s easy to get to MassArt. The Green Line ‘E’ train at the Longwood/Hospitals stop is directly in front of the college. The #39 bus stops here as well, and the college is a short walk from the Ruggles Orange Line station.
POLICIES, RESOURCES, AND REGISTRATION
Professional and Continuing Education (PCE) provides a variety of resources for students in conjunction with the college. Students enrolled in a continuing education class may take advantage of academic, financial and other resources and benefits as they apply. For a complete description of all PCE policies and campus resources, please visit: MassArt.edu/ce
PUBLIC SAFETY
Uh-oh. Need help? Medical? Safety issue? MassArt’s crackerjack Public Safety team is always there just in case you need them. (617) 879–7810. Or in person on the 2nd floor of Tower. They will also issue your student ID, very important for parking. And if you don’t need them, you can still talk to them—they’re pretty cool.
PARKING
Continuing Education provides limited free parking for students on the day of class at the Mindoro Street lot, a five to eight minute walk to MassArt. The lot is staffed with an attendant and shuttle service is available between the lot and MassArt daily from 7am–11pm. Students also may pay for parking for the day of their class at the Ward Street lot directly across Huntington Avenue. For more information and to pick up the required forms, please stop by the Continuing Education office (Mon–Thu, 9am–7pm; Fri, 9am–5pm) or call (617) 879–7200. There are also parking garages in the area and metered on-street parking.
REFUND POLICY
To obtain a refund, complete a drop form available in the continuing education office or online, MassArt.edu/ce and click on Registration Information. Mail, fax, or email your signed written request by the deadline. No drop or refund requests are accepted by phone. Refunds are issued after the add/drop period by the business office. Processing requires at least six weeks.
Credit course refund: 100% of the course fee when dropped the day before the second class meeting.Non-credit workshop refunds: 100% of the course fee when dropped one week prior to the workshop start date.Independent Study: 100% of the course fee when dropped before the first meet-ing date indicated on the Independent Study form.
There are no partial refunds. Visit MassArt.edu/ce for more information.
COURSE CANCELLATIONS OR CHANGES
Professional and Continuing Education reserves the right to cancel any course that does not meet minimum enrollment requirements or for other unforeseen circumstances. PCE generally notifies students by e-mail or phone, but due to the timing of the cancellation, may not be able to reach students before the first class. It is advisable to check with PCE as to the status of the class, either by phone 617 879 7200 or by e-mail at ce@massart.edu
PCE also reserves the right to make changes in course scheduling, faculty, and course content.
EMERGENCY CLOSING AND CLASS CANCELLATION
Cancellation of classes is announced on a variety of radio and TV stations. Visit MassArt.edu/ce for a list of stations. A decision to cancel evening classes will be made prior to 2:30pm.
ADA
The Americans with Disabilities Amend-ments Act (ADAAA) protects individuals with disabilities who are otherwise qualified, from discrimination. These individuals are entitled to “reasonable accommodations” in coursework. If you feel you meet these requirements and need assistance, please complete the Disability Accommodations Request for Services Form available on our web site: MassArt.edu/ce. MassArt is committed to assisting all qualified students.
NON-DISCRIMINATION POLICY
The college is committed to an admissions policy that does not discriminate on the basis of race, creed, sexual orientation, gender, national or ethnic origin, marital status, veteran status, religion, age, or disability. We seek to provide opportunities and experience for all students on an equal basis. For information on reasonable accommodations, please contact the Office of Civil Rights Compliance and Diversity at (617) 879–7060
Visit MassArt.edu/ce for more informa-tion on parking, Student ID’s, Museum Admission, and more.
DECEMBER 3
Peter Evonuk Making: The Agency Of Things
JANUARY 14
Catriona Baker Book Arts To Animation: The Narrative In Time
FEBRUARY 25
Santiago HernandezBrilliant Corners
MARCH 17
Carolanne PattersonExploring Materials
APRIL 14
Timothy HawkesworthRigor of Wildness
Join us for an evening with some of the area’s finest artists and scholars who also happen to teach in MassArt’s Continuing Education program. Lectures begin at 6:30pm, but please come at 6pm for light refreshments, socializing, and the best seats in the house. Lectures are free and open to the public.
THURSDAY NIGHT LECTURE SERIES
For more information and updates, go to:
MassArt.edu/Continuing_Education/Lecture_Series.html
Hear and Experience Some of the Great Artists and Scholars Teaching in Massart's Continuing Education Program
professional and continuing education621 huntington avenueboston, ma 02115 usa
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PAIDBoston, MA
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MassArt.edu/ce
Ph
oto
: Jo
el V
eak
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