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Studio courses, professional development, and for-credit courses for students.
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SUMMER 2014
SCHOOL FOR PROFESSIO
NAL A
ND C
ONTIN
UIN
G STUDIE
S
SUM
ME
R 2
01
4
MARYLAND IN
STIT
UTE
COLLEGE OF ART
1300 W
. Mount R
oyal Avenue
Baltim
ore, Maryland 21217-4
191
SUMMER 2014
COURSE OFFERINGSSummer is a great time to take advantage of the wide array of courses
at MICA! The School for Professional and Continuing Studies offers a rich
and varied schedule of classes accessible to anyone interested in pursuing
the study of art and design at the Maryland Institute College of Art.
The range of courses available to adult students includes classes and
workshops in drawing, painting, photography, graphic design, and web
design. Additionally, MICA also offers year-round courses for children
and teens through Young Peoples Studios (YPS). In the summer, students
entering grades 1-8 can participate in the YPS Summer Art Camp. High
school students can take Portfolio Prep classes. Rising junior and senior
high school students can apply to participate in MICAs Pre-College Studio
Residency Program in Baltimore or in Tuscany, Italy. Students in these
programs enjoy a rigorous art-making experience while earning college credit.
In the summer, MICA offers undergraduate courses in fine arts, design,
art history, and humanities as an opportunity for students to earn credits
toward their degree. Undergraduates, graduates, and lifelong learners can
participate in Summer Travel Intensive programs to earn college credit
while studying with MICA faculty in inspiring locations around the world
and in New York City.
Theres so much to do at MICA in the summer we hope youll join us!
3-D FINE ART
PERSONAL DIRECTIONS IN CLAY CSCE 250ASarah Barnes | Mon/Wed | 6:00-9:15pm | June 9-July 16 | 12 sessions | 1.5 credits | $615
For beginner and advanced artists, students will create a cohesive body of work, learn new
techniques or expand on familiar ones, photograph their artwork, enter national exhibitions,
and build a portfolio for graduate school (depending on each students goals as a ceramic
artist). Note: Class size is limited to 16 students.
DRAWING AND PAINTING
FOCUS ON THE FIGURE CSDR 202AEric Rutledge | Wed | 6:30-10:00pm | May 28-July 30 | 10 sessions | 1.5 credits | $615
This course, geared for both beginning and intermediate students, covers concepts such as
anatomy, proportion, gesture, contour, and modeling in light and dark. Working from a live
model with varied poses, lighting, and settings, students will progress from quick studies that
capture the essence of line and form to extended poses and more finished compositions. A va-
riety of drawing media and techniques will be introduced. Slide discussions, critiques, demon-
strations, and out of class drawings round out the experience. Note: Bring an 18x24 newsprint
pad (rough), very soft to soft vine charcoal, and a large kneaded eraser to the first class.
FINE ARTSBuild skills and develop confidence in your
drawing and painting abilities through the
guidance of our excellent faculty. Introductory
courses provide the foundation for learning
techniques and concepts while more focused
courses allow for creative exploration.
For more information, please visit
www.mica.edu/summer14
To register online, please visit: WWW.M
ICA.EDU/SUMMER14
2
THE FACE AND FIGURE IN PASTELS CSDR 239ADavid Little | Tue/Thu | 6:30-9:40pm | May 27-June 19 | 8 sessions | 1 credit | $410
Combining the rich color of paint with the spontaneity of drawing, pastels are a versatile
and expressive medium. This course introduces basic materials and methods with a review
of anatomy. Students will use a monochromatic approach to capture tonal structure then
progress to the use of full color. Color options and pastel techniques will broaden to encom-
pass a range of expressive effects, from subtle realism to bold invention. Lectures with slide
presentations will trace various artists use of the medium from its beginnings in the 16th
century. Note: Bring a pad with assorted colors of 18 x24 pastel paper, a box of soft vine
charcoal, a kneaded eraser, and a spray can of workable fixative to the first class.
WATERCOLOR: A SURVEY IN TECHNIQUES CSPT 105A TBA | Mon/Wed | 6:30-9:40pm | June 2-25 | 8 sessions | 1 credit | $410
Through demonstration and experimentation, students explore a range of approaches to
watercolor and learn the fundamentals of manipulating the medium. Watercolor techniques,
properties of transparent pigments, color mixing, basic brush strokes, paper and palettes
are covered. In addition, students learn how to observe the interaction of color in nature
and establish successful color relationships in their compositions. Painting both indoors and
out on MICAs campus and its surroundings, students explore a range of subjects, from the
still life, figure and portrait to simple landscapes and cityscapes, with increasing degrees of
complexity. Emphasis is placed on building self-confidence with the medium and collecting a
vocabulary of techniques to encourage advancement.
PAINTING: BEYOND THE BASICS CSPT 160A Dorothy Valakos | Tue/Thu | 6:15-10:00pm | May 27-June 26 | 10 sessions 1.5 credits | $615
This course is geared to intermediate painters who have some comfort with the medium
and seek a more personal direction for their work. Beginning with in-class exercises and
directed assignments, students work toward their goals with the aid of ongoing, customized
projects supplemented by regular group and individual critiques, slide lectures, and discussions.
Participants will explore painting in a series, with consideration given to issues of size, theme,
media, technique, and other criteria necessary to produce an integrated body of work that
develops more meaningful subject matter. There are no restrictions on medium, form, subject
or style. Prerequisite: CSPT 102A Learning to Paint or equivalent. Note: Participants should
bring at least three examples of their work and all painting supplies to the first class meeting.
THE SUMMER LANDSCAPE EN PLEIN AIR NCPT 206W. David Simmons | Sat |9:00am 2:00pm | May 30, June 7, 14 and 21 | 4 sessions non-credit | $375
Designed for both beginner and intermediate painters, this workshop explores the rewards and
challenges of painting outdoors (en plein air). Students will hone their skills in draftsmanship,
composition, and perspective while learning to swiftly capture the shifting quality of natural light.
From the grounds of the MICA campus to setting of natural beauty, students will be instructed in
a variety of urban and rural subject matter. Informative demonstrations, constructive feedback,
and group critiques will take place every session to support individual progress.
PRINTMAKING
MONOPRINT/MONOTYPE PR 230Ursula Minervini | Tue/Thu | 6:00-9:45pm | May 27-June 26 | 10 sessions | 1.5 credits | $615
Students create one-of-a-kind prints that may be painterly or graphic, colorful or monochromatic.
Drawing inspiration from artists including William Blake, Paul Gauguin, and Edgar Degas, students
explore a variety of techniques. The direct nature of the process lends itself to exploration and
experimentation. Students work independently, with regular group and individual critiques, to
produce a thematic body of work.
OPEN STUDIO MODEL SESSIONS NCDR 110A/B
SECTION A: Tuesday | 7-10pm | June 3July 15 7 sessions | non-credit | $75
SECTION B: Sunday | 2-5pm | June 1July 13 7 sessions | non-credit | $75
Offered for those who want to draw or paint from the live
figure, each section includes two modelsone for sketching
quick poses and one for sustained drawing or painting. A class
coordinator will ensure the quality of each session. No formal
instruction is offered, and there are no prerequisites. Open to
undergraduate and graduate students, alumni, and continuing
studies students. Note: At least 25 students must enroll in
each section for it to run.
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SUMMER WEEKEND SEMINARS
INTRODUCTION TO INDESIGN NCGD 105ATrish Moore | Sat/Sun | 10am-5pm | June 21 and 22 | 2 sessions | non-credit | $310
Students will learn the basic tools and features of InDesign to create and navigate a
document, work with type and images, use the pen tool, and manipulate color and objects.
In-class assignments will be given and critiqued. No InDesign experience is needed to attend
this class. Students are required to bring a USB or Flash drive to class. Prerequisite: basic
computer experience.
WORDPRESS WEEKEND INTENSIVE NCGD 181AJim Doran | Sat/Sun | 10am-5pm | June 28 and 29 | 2 sessions | non-credit | $310
This seminar will cover a basic introduction to Wordpress. Students will learn how to set up
a basic website or blog using this easily accessed and popular software. Subjects covered
will be the basics of the Dashboard, getting hosting, WordPress.com vs. WordPress.org,
troubleshooting issues, Themes, Plugins, and creating your own installation of a WordPress
assignment over the weekend.
INTRODUCTION TO PHOTOSHOP NCGD 311ARandy Morgan | Sat/Sun | 10am-5pm | July 12 and 13 | 2 sessions | non-credit | $310
This seminar covers the basic skills needed for using Photoshop and its versatile toolbox.
Hands-on assignments will be given in class. No Photoshop experience needed. Students are
required to bring a USB or Flash drive to class. Prerequisite: basic computer experience.
INTRODUCTION TO ILLUSTRATOR NCGD 208ARandy Morgan | Sat/Sun | 10am-5pm | July 26 and 27 | 2 sessions | non-credit | $310
This seminar covers the basic tools and functions of Illustrator. Students will learn how
to set up a document and create images using lines and points, how to trace and edit
images, and how to handle text paths. In-class assignments will be given and critiqued.
No Illustrator experience is needed. Students are required to bring a USB or Flash drive to
class. Prerequisite: basic computer experience.
TYPOGRAPHY FOR PHOTOGRAPHERS NCGD 196Jane Rubini | Sat/Sun | 10am-5pm | July 26 and 27 | 2 sessions | non-credit | $310
Photographers will learn to understand and manipulate type with nuance that will enhance, not
distract from, their work. Learn which typefaces work for simple communication and the
best choices for font styles when creating specific mood and tone. Basic layout and typography
dos and donts will be covered and assignments will be completed in class. Students are
required to bring a USB or Flash drive to class. Prerequisite: basic InDesign experience.
CREDIT SUMMER CLASSES
HTML FOR DESIGNERS CSGD 231Jim Doran | Mon/Wed | 6pm-9:30 pm | July 2-23 | 7 sessions | one credit | $410
For those who need the skills to create modern web sites, this class will examine the elements
of HTML5 mark-up, designing with Cascading Style Sheets (CSS), and some of the new
JavaScript features used with HTML5. Subjects such as using audio, video, and geolocation/
drawing in the browser/offline storage will be covered, as well as the JavaScript jQuery
library and current trends in web design. Students are required to bring a USB or Flash drive
to class. Prerequisite: Working knowledge of computers and basic typing skills.
LIGHTROOM AND PHOTOSHOP:
DIGITAL PHOTOGRAPHERS WORKFLOW CSGD 248Randy Morgan | Mon/Wed | 6pm-9:30pm | July 2-23 | 7 sessions | one credit | $410
This course is about working with Photoshop and Lightroom to edit, manage, and organize
your digital photos. Learn how to perfect your shots with easy-to-use adjustment tools. Tips
and techniques covered include camera settings and shooting best practices, nondestructive
workflows, color correction, retouching, adding image metadata (copyright), back-up
strategies, and more. Note: Students should bring a USB Flash drive to class. Prerequisite:
basic experience with computers and digital cameras.
INDESIGN FROM PRINT TO INTERACTIVE CSGD 309Trish Moore | Mon/Wed | 6pm-9:30 pm | July 2-23 | 7 sessions | one credit | $410
This introductory course will examine the capabilities of InDesign, the most popular design
program on the market. Students will explore how to create brochures, business cards, and
promotional materials for both print and web through mini-assignments with critique and
homework. Students are required to bring a USB or Flash drive to class. Prerequisite:
Working knowledge of computers and basic typing skills.
PROFESSIONAL DEVELOPMENTDesign professionals can advance their
knowledge through MICAs professional
development courses in the areas of graphic
design and web design, advertising, and
creative entrepreneurship. Real world issues
are discussed and innovative projects are
assigned to provide well-rounded, meaningful
experiences aimed at preparing students for
challenges that graphic artists and designers
face. For more information, please visit
www.mica.edu/summer14
5 6
To register online, please visit: WWW.M
ICA.EDU/SUMMER14
PRE-COLLEGE PROGRAMS: BALTIMORE & TUSCANYBALTIMORE: JUNE 28-JULY 26 | TUSCANY: JUNE 28-JULY 19
MICA offers rising high school juniors and seniors two distinct pre-college
opportunities. The program on our main campus in Baltimore is one of the most
intensely creative and rigorous pre-college programs in the nation. It offers
an unparalleled opportunity to experience the challenges and excitement of
college-level art study in an array of classes from figure painting to gaming and
animation. In this four-week program, students earn three college credits while
enhancing their portfolios and living on MICAs campus. The program in Tuscany
gives students an opportunity to experience a curriculum focused on drawing
and painting the Tuscan landscape while enjoying the splendor of the birthplace
of the Renaissance. Students earn two college credits upon completion of the
three-week program. For more information on both of these programs,
please visit www.mica.edu/precollege.
YOUNG PEOPLES STUDIOSEARLY ONE WEEK SESSION: June 16-20
SESSION 1: June 23-July 3
SESSION 2: July 7-18
SESSION 3: July 21-August 1
YPS SUMMER ART CAMP allows children entering
grades 1-8 to immerse themselves in intensive art
studio experiences and recreational activities. To
view the complete summer camp schedule, please
visit www.mica.edu/yps.
Courses are offered at MICAs Mount Royal campus
and at the Ward Center for the Arts at the St.
Pauls School. Each class is developed to suit the
educational needs of specific grade levels. Families
can select from a range of classes and additional
services to assemble a program of activities that fit
their schedule and their childrens interests.
COURSES FOR HIGH SCHOOL STUDENTSStudents in grades 9-12 can bolster their portfolios while learning new
media or gaining more experience in a familiar medium in Portfolio Prep
classes. For more information, please visit www.mica.edu/yps.
The non-credit courses allow students to investigate areas such as drawing and
painting, graphic design, and video. Exceptional students age 16 and older are also
permitted to enroll in introductory level Continuing Studies credit-bearing classes
with the approval of the School for Professional and Continuing Studies. Students
making such requests must submit a letter from their legal guardian acknowledg-
ing the course may contain adult themes, and a recommendation letter from the
students teacher attesting to the maturity and ability of the student.
PRE-COLLEGE STUDIO RESIDENCY PROGRAMS IN 7
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ANIMATION
STOP MOTION ANIMATION AN 225 Sarah McNeil | MonFri | 9am-4pm | May 21-June 9 | 13 sessions | 3 credits | $1,560
In this hands-on animation class, students explore a number of animation techniques such
as painting on glass, sand animation, cut-out animation, and clay animation. Students learn
how to develop a sense of motion and timing through direct manipulation under the camera
and simple assignments. Experimentation is encouraged in order to develop a personal style.
Prerequisite: FF 210. Please Note: No class on May 26.
INTRODUCTION TO 2D ANIMATION AN 202Matthew Smith | Tues/Wed/Thurs | 5:30-10pm | May 22-June 26 | 16 sessions 3 credits | $1,560
Students will learn the principles of animation and how to create strong, believable
animations by developing a sense of observation, timing, and motion. A good understanding
of how to represent movement through drawing and physical approach is an important
foundation for using computers and technology to their fullest potential. This class
emphasizes artistic and aesthetic creativity, intending to push the boundaries of the
imagination, to get familiar with storytelling. A brief history of animation, and the influence
of new technologies and trends, will be introduced as well.
ART HISTORY
TOPICS WORLD ART/ARCH: GARDENS AH 490AMohammad Gharipour | Mon/Tues/Wed | 9am-12pm | May 21-June 23 | 14 sessions 3 credits | $1,560
This course surveys the history of garden and landscape design from prehistory to contem-
porary America. Putting equal emphasis on eastern and western traditions, it discusses inter-
actions among different civilizations and their impact on the design of gardens and pavilions.
This course also examines contemporary approaches in studying gardens through landscape,
architectural, and artistic lenses. It examines the cultural, political, social, metaphysical, and
materialistic context of gardens. Prerequisite: AH 201. Note: No Class on May 26.
MODERNISM AND AFTER AH 201AJonathan Mann |Tues/Wed/Thurs | 5-8pm | May 21-June 19 | 14 sessions 3 credits | $1,560
This course surveys avant-garde European and American art from the mid-19th century to
the present. Some of the many artistic movements covered include Realism, Impressionism,
post-Impressionism, German Expressionism, Cubism, Dada, Surrealism, de Stijl, early
American Modernism, Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, and
post-Modernism. Prerequisite: AH 100.
HISTORY OF WORLD TEXTILES AH 324Julie Geschwind| Mon/Wed/Fri | 1-4pm | May 21-June 23 | 14 sessions | 3 credits $1,560
This course will provide students with a general overview of the development of textile
forms and practices in various geographies and cultures, including Africa, Asia, the early
Americas, India, Pacific Islands, Southeast Asia, and Islamic cultures. Prerequisite: AH 201
Note: No Class on May 26.
HISTORY OF GRAPHIC DESIGN AH 240A Brockett Horne | Tues/Wed/Thu | 6-9pm | May 21-June 19 | 14 sessions | $1,560
Focusing on 20th-century design in Europe and the United States, this course provides
designers with an understanding of the history of their discipline, and helps them appreciate
the connections between design and a broader history of objects and ideas. Students are
exposed to a wide array of images as well as a range of reading materials, including primary
texts by designers and cultural critics. Prerequisites: AH 100 and AH 201.
WOMEN AS CREATORS AH 367AKim Anderson | Tues/Wed/Thu | 1:30-4:30pm | May 21June 19 | 14 sessions 3 credits | $1,560
This course explores the contributions of women to the world of art as creators of both
traditional fine arts and crafts. This is a broad chronological study that surveys the artistic
creations of women from a global perspective. Prerequisite: AH 100 and AH 201.
UNDERGRADUATE CLASSESEach summer, MICA offers undergraduates
the opportunity to take courses in various areas
of study including fine arts, design, art history,
and humanities. Undergraduate courses are
designated as three-credit classes and are open
to MICA undergraduates and all serious-minded
students. For more information, please visit
www.mica.edu/summer14
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To register online, please visit: WWW.M
ICA.EDU/SUMMER14
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DRAWING/GENERAL FINE ARTS
LIFE DRAWING DR 252A TBA | Mon/Tues/Wed | 9am-4pm | May 27-June 24 | 13 sessions | 3 credits | $1,560
This intensive study of the nude explores issues of form, structure, volume, movement,
composition, and expressive possibilities. Prerequisites: FF 198 and FF 199. Recommended
sophomore course. Note: No Class on May 26.
WATERCOLOR DRAWING DR 392A TBA | Mon/Wed/Fri | 9am-4pm | May 23-June 24 | 13 sessions | 3 credits | $1,560
This course examines varied approaches to watercolor as drawing medium with an emphasis
on handling of wash areas and brush strokes, use of color, representation of volumes and
spaces, and techniques unique to watercolor. Prerequisite: DR 252 (Life Drawing) and DR
298 (Studio Drawing). Note: No Class on May 26.
ENVIRONMENTAL DESIGN
FURNITURE DESIGN: SEATING ENV 231A Malcolm Majer | Mon/Wed/Fri | 9am-4pm | May 21-June 20 | 13 sessions | $1,560
This course explores the possibilities of providing accommodation for the human body in
a seated posture. It consists of research and development portions that cover the history
of seating with an emphasis on some notable developments of the last fifty years. An
accelerated design phase follows consisting of 2D design and model-making, mocking up of
components or entire pieces, and constructing a working prototype. Advanced woodworking
techniques as well as outsourcing parts of the process will be covered. Basic woodworking
experience is required. Note: No class on May 26.
FILM AND VIDEO
SPECIAL EFFECTS FILM 320Jon Bevers | Mon/Wed/Thurs | 5:30-10pm
May 21-June 26 | 16 sessions | 3 credits
$1,560
Special Effects historically started with advanced
set design, make-up, and props, and continued
on to miniatures, mechanics, and puppets. Today,
computer generated graphics and compositing are
popular. The class is a studio class that relies on
Adobe After Effects, but balanced with lighting
and camera demos, set building, and a mask-
making workshop. Note: No Class on May 26.
VIDEO AND PERFORMANCE ART FILM 306 Stephanie Barber |Tues/Wed/Thurs | 9am-4pm | May 22-June 19 | 13 sessions 3 credits| $1,560
In the 1960s, the nascent Video Art and Performance Art movements began to mature into
one of the most prevalent and institutionally represented art forms today. How have these
art forms influenced and shaped one another? What artists and movements preceded its ex-
plosion in the 1960s and 70s? Why and how is performance art reliant on and collaborative
with video? How has the digital age affected this art movement? This class explores these
questions as students become familiar with the history and main subcategories of these
movements. Students will develop individual and collaborative video performance pieces.
FOUNDATION
PAINTING I FF 150AKim Parr Roenigk | MonFri | 9am-4pm | May 22-June 11 | 14 sessions | 3 credits | $1,560
Through a wide range of problems, students learn about preparation of various supports, use
of painting tools, color mixing, and analyzing surface qualities. Integration of drawing and
design concepts are emphasized as students investigate color-value connections, articulation
of form, composition, and spatial relationships. Students explore subjects ranging from still
life and landscapes to self-portraits and the figure. (Runs with PAINTING II PT200). Note:
No Class on May 26.
GRAPHIC DESIGN
HISTORY OF GRAPHIC DESIGN AH 240A Brockett Horne | Tues/Wed/Thu | 6-9pm | May 21-June 19 | 14 sessions | $1,560
Focusing on 20th-century design in Europe and the United States, this course provides
designers with an understanding of the history of their discipline, and helps them appreciate
the connections between design and a broader history of objects and ideas. Students are
exposed to a wide array of images as well as a range of reading materials, including primary
texts by designers and cultural critics. Prerequisites: AH 100 and AH 201.
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TYPOGRAPHY INTENSIVE GD 221ABrockett Horne | Tues/Wed/Fri | 9am4pm | May 24-June 21 | 13 sessions 3 credits | $1,560
Building on the fundamentals of typographic form and function introduced in
Typography I, this course extends and applies basic vocabulary and understanding to
more complex problems that address typographic hierarchy, context, sequence, and gestalt.
Increasingly complex typographic systems are implemented in three-dimensional,
sequential page, or time-based projects. Note: Students can receive credit for Typography I
or Typography II with instructor permission.
WEB DESIGN GD 430Ben Kutil | Mon/Wed/Thu | 5:30-10:00pm | May 21-June 26 | 16 sessions 3 credits | $1,560
This class explores the role of artists and designers in the environment of the World Wide
Web. Students create animated web pages; learn about HTML, the coding language of the
Web; delve into the problems and properties of web site design; and explore the unique
characteristics of hypermedia in information design. Note: Students can receive credit for
GD220 with instructor permission. No class May 26.
HUMANISTIC STUDIES
MYTHOLOGY IHST 238-IH1AEglute Trinkauskaite | Mon/Wed/Fri | 1-4pm | May 21-June 23 | 14 sessions 3 credits | $1,560
Greek and Roman myths are the foundations of Western civilization, the means by which
people made sense of incomprehensible and powerful forces in the world (the elements,
the heavens, and human destiny). From their origins as oral and communal stories, versions
of these myths entered the literary and in philosophical work of Homer, Hesiod, Aeschylus,
Sophocles, Euripedes, Herodotus, Plato, Pindar, and the lyric poets Ovid and Virgil.
This course examines Greek, Roman, and Norse mythology, and later the founding myths
of Mayan, Native American, and Celtic cultures, along with their enduring influence on
literature, art, music, dance, and film. Prerequisite: LA 101 Note: No Class on May 26.
ILLUSTRATION
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INTERDISCIPLINARY SCULPTURE
INTRODUCTION TO RHINO CAD IS 320Rachel Timmins | Mon/Tues/Thu 9am-4pm | May 22-June 23 | 13 sessions 3 credits | $1,560
Rhino CAD For 3D Printing is an introductory
level course that will cover basic modeling in
Rhino CAD (Computer Aided Design). Students
will learn multiple ways to create an object in
digital space through techniques like extrusion,
Booleon functions, joining, bending, lofting, and
checking for naked edges. Each student will
be equipped with enough basic knowledge to
continue using Rhino CAD as both a design tool
and as a method of creating three-dimensional
objects. Prerequisite: FF 101 (Sculptural Forms).
Note: No Class on May 26.
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PAINTING
PAINTING II PT 200AKim Parr Roenigk | MonFri | 9am-4pm | May 22-June 11 | 14 sessions 3 credits | $1,560
Consolidates concepts and methods from Painting I and leads students to expanded percep-
tual awareness. Projects may include still life, landscape, and the figure, as well as abstract
and conceptual concerns to enhance each students formal and personal development.
There is ongoing concern with painting materials and techniques. Prerequisite: FF 150.
May not be repeated for credit. (Runs with PAINTING I FF 150). Note: No Class on May 26.
PAINTING: PERSONAL DIRECTIONS PT 300ATBA | Mon/Wed/Fri | 8:30am-4:30pm | May 21-June 20 | 13 sessions 3 credits | $1,560
This course, geared to intermediate/advanced-level students, focuses on developing each
students artistic identity. It has no in-class studio experiences; rather, it focuses on group
and individual critiques. Work is done outside of class. There are no restrictions on medium,
form, or subject (abstract or representational). Prerequisite: PT 200 (Painting II). Class size
is limited. Note: No Class on May 26.
PHOTOGRAPHY
MYTHS, MEMORIES, AND ALLEGORY:
CONSTRUCTING WORLDS IN PHOTOGRAPHS CSPH 243Jennifer Wright | Mon/Wed/Fri | 8:30am-4:30pm | May 21-June 20 | 13 sessions 3 credits | $1,560
This studio course explores allegorical imagery found throughout art history and
contemporary, cinematic photographs. Emphasis is placed on creating photographic
narratives based on myths, memories, and stories from media and cinema. Students are
challenged to create visually compelling images through assignments, readings, film
screenings, and discussions. Students may work digitally and/or in the darkroom.
Prerequisites: Basic Black and White Film Photography and Digital Photography.
Note: No class on May 26.
THREADING IMAGES: PHOTOGRAPHY AND THE BOOK CSPH 220 Christopher Saah | Mon/Wed/Fri | 8:30am-4:30pm | May 21-June 20 | 13 sessions 3 credits | $1,560
This course is designed for students interested in using the book as a platform for stretching
photographic images across time and space. Throughout the semester we will explore linear
strategies and techniques for developing a variety of book structures, while considering ways in
which these structures influence the development of a photographic series. Assignments will focus
on book structures, book binding, image sequencing, and page layout. Note: No class on May 26.
THE BUSINESS OF PHOTOGRAPHY CSPH 218Howard Ehrenfeld | Mon-Thu | 10am-1:30pm | July 7-24 | 12 sessions | 1.5 credits | $615
This course will explore the various aspects of pursuing photography as a business from both
the creative side of the work to the necessary business tasks. Copyright, releases, accounting
and billing, client management, and equipment will all be discussed. Students will create a
portfolio of the type of work they want to create and then explore how to promote it.
TYPOGRAPHY FOR PHOTOGRAPHERS NCGD 196Jane Rubini | Sat/Sun | 10am-5pm | July 26 and 27 | 2 sessions | non-credit | $310
Photographers will learn to understand and manipulate type with nuance that will enhance, not
distract from, their work. Learn which typefaces work for simple communication and the best
choices for font styles when creating specific mood and tone. Basic layout and typography dos
and donts will be covered and assignments will be completed in class. Students are required to
bring a USB or Flash drive to class. Prerequisite: basic InDesign experience.
PRINTMAKING
SCREENPRINTING PR 218A Robert Tillman | MonFri | 9am-4:30pm | May 22-June 10 | 13 sessions | 3 credits | $1,560
This course explores water-based screen-printing in a professional print shop atmosphere
where students employ both traditional and contemporary methods of stencil making, film
preparation, printing methods on various papers, and alternative surfaces and materials.
Students learn techniques such as digital film outputting, mixing gradations with ink, multi-
color registration, and four-color process printing. Students are encouraged to create a
cohesive body of work and utilize the medium for their own individual artistic needs.
Prerequisites: FF 100 and FF 198. Suggested for all printmaking majors in their sophomore
or junior year. May not be repeated for credit. Note: No Class on May 26.
To register online, please visit: WWW.M
ICA.EDU/SUMMER14
1615
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MICAS RIGHT TO REPRODUCE POLICY: MICA reserves the right to reproduce without notification any photographs of students or artwork produced by students while attending MICAs degree and continuing studies programs; this reproduction will be for non-commercial purposes only, and may include print publications, institutional websites, e-communications, multimedia presentations, and documents about the College for admission recruitment, fundraising, or institutional informational purposes.
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Add/Drop & Credit-to-Audit Deadline
Credit courses before third classNon-credit courses before first class
Refund Policy For Credit Classes
100% refund if dropped before the first class
80% refund if dropped before the third class
No Refund after third class
Refund Policy For Non-Credit Classes
100% refund if dropped before the first class
No Refund after first class
Withdrawal Deadline
6 sessions or fewer before third class7 sessions before fourth class810 sessions before fifth classMore than 10 sessions before sixth class
Contact Information
School for Professional and Continuing StudiesMaryland Institute College of Art1300 W. Mount Royal Avenue Baltimore, Maryland 21217-4191
TEL: 410.225.2219
FAX: 410.225.2229
EMAIL: [email protected]
To register online, please visit: www.mica.edu/summer14