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I s l a n d s i I s l a n d s i n n
W e s t e r n W e s t e r n H i s t o r y H i s t o r y C l a s s i c i s m I n t h e A
r t s1 4 2 5 – 2 0 0 0
ReasoningReasoning
Cyclical appearance in history
Sometimes as a response to a decidedly non-classical moment
Often corresponds with times ofPolitical/Social StabilityEras of Intellectual GrowthEstablishment of power (on many levels: national to
individual)
RenaissanceRenaissance
c.1425-1525
Primarily in Florence and surrounds,
later Rome
Revisiting and building upon Antiquity
Donatello, David
Michelangelo, David
Images of a growing power: Florentine Republic
Brunelleschi, Pazzi Chapel, Florence
Humanism as a design factor
French BaroqueFrench BaroqueEarly 17th century
reigns of Louis XIII – Louis XV
Aristocratic and serious
Perrault, Le Vau, Le Bron, East Façade of the Louvre
Inner court of the Louvre (a prior style)
Painting in the Grand Manner: Historical and virtuous, optical clarity, order and logic, drawing
Poussin, Burial of Phocion
Poussin, Et in Arcardia Ego
NeoclassicNeoclassic18th century
the Enlightenment
Connected to two major revolutions
Discovery of Pompeii influential
European and North American (initial style of the new country)
David, Oath of the Horatii
The BackstoryThe BackstoryThe Horatii were a set of male triplets from Rome. During a war between Rome and Alba Longa (7th century B.C.E.), it was agreed that settlement of the war would depend on the outcome of a battle between the Horatii and the Curiatii. The Curiatii were a set of male triplets who were from Alba Longa and of the same age as the Horatii.
In the battle, the three Curiatii were wounded, but two of the Horatii were killed. The last of the Horatii turned to flee. The Curiatii chased him, but because they were wounded, they became spread out from one another, which allowed Horatius to slay them one by one.
When the victorious Horatius returned carrying the spoils of victory, his sister cried out in grief because she realized the Curiatius to whom she had been engaged was dead. Then Horatius killed his sister, proclaiming, "So perish any Roman woman who mourns the enemy." For the murder, he was condemned to death but was saved when he appealed to the people. The legend might have been used as the reason why the condemned in Rome were allowed to appeal to the populace. -from Wikipedia
David, Death of Marat
Propaganda: institutional disinformation towards an
ideology/goal
Latrobe, Baltimore Cathedral and original
design for National Capital Monticello, Jefferson
Designs for a new democratic empire …
Th. Greenough,
George Washington
… and a new Caesar
Modernism: The International StyleModernism: The International Style
c.1920 – present
Co-exists with numerous trends and styles
Flexible application of ideals
At times a paradox: rejection of traditional modes combined with Classical traits
Mies van der Rohe
The Barcelona Pavilion
(1929)
“less is more”
“God is in the details”
The Seagram Building
NYC (1958)
a machine for living:
Le Corbusier
Villa Savoye
Poissey, France (1929)
Richard Meier
Getty Center
Los Angeles (1997)
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