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8/3/2019 Edwin C. May et al- The Correlation of the Gradient of Shannon Entropy and Anomalous Cognition: Toward an AC Sensory System
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8/3/2019 Edwin C. May et al- The Correlation of the Gradient of Shannon Entropy and Anomalous Cognition: Toward an AC Sensory System
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54 E. May, J. Spottiswoode, & L. Faith
of the 100-trial dynamic targets led to a sum of ranks of 300, an effect size of
0.000, andp = .500.
A second experiment was conducted one year later and was also reported in
Lantz, Luke, and May (1994). In that study, a sender was not used, and the pro-
tocol differed considerably from the first experiment. Four participants con-
tributed a total of 45 t rials in two target-type conditions, leading to a combined
effect size of 0.550 for the static targets and the same value for the dynamic
ones.
Lantz, Luke, and May (1994) discussed the apparent contradiction between
the results of their two studies. They speculated that the static targets were bet-
ter in their first study because of a lack of content parity between the static and
dynamic targets. Nonetheless, this does not explain the similarity between sta-
tic and dynamic targets in their second study. In addition, their results are in-consistent with those of some of the Ganzfeld research regarding static versus
dynamic targets. Bem and Honorton (1994) found that dynamic targets pro-
duced better results in the Ganzfeld experiment than did static targets.
The data from both of Lantz, Luke, and May (1994) studies were analyzed
to investigate whether AC performance depended on the gradient of Shannon
entropy of the targets (May, Spotiswoode, and James, 1994a). This idea arose
from our laboratorys anecdotal evidence that AC functioned particularly well
when targets were especially dynamic. That is, when targets involved largechanges of energyentropy, such as underground nuclear explosions, particle
accelerators, or rocket launches. In several instances, AC was outstanding
when targets underwent massive changes in energy or entropy in a very short
period of time during the session. Bem and Honortons finding is also sugges-
tive that an entropic change in the target might lead to better results. As a pos-
sible explanation for these observations, consider that AC may be mediated
through a specialized sensorial system and that this system might behave simi-
larly to the five known sensorial systems. We might reasonably expect, then,that AC would correlate positively with the changes of the sensor-input signal
and correlate less well with the level of the sensor-input signal itself. In vision,
for example, the system is sensitive to changes in brightness across the field,
but relatively insensitive to the absolute level of illumination. Analogously,
we hypothesized that the AC system might be sensitive to changes in the level
of information content across a target, but insensitive to the absolute level of
that measure.
In the first experiment, May, Spotiswoode, and James (1994a) found a sig-
nificant correlation between the gradient of the Shannon entropy of the target
and the quality of AC (Spearman rank-order correlation coefficient, rs, of .452,
df= 26, t= 2.58,p = 7.0 (10) for static photographic targets. Unfortunately,
with dynamic targets, there was little evidence of AC and a resulting small cor-
relation with the gradient of the entropy. In the second experiment, they found
strong evidence for AC in both static and dynamic targets and for the two tar-
get types combined, the correlation between AC performance and entropy gra-
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dient rs was .337, df= 31, t= 1.99,p = .028. As predicted, the correlation with
the entropy i tself was considerably smaller (rs = .234, t= 1.34, df= 31,p =
.095). The correlation for the combined static targets from both studies was rs= .161, df= 41,p = 152. Because of the different target systems and protocols
in these studies, the results remain somewhat ambiguous. This report provides
a detailed description of an experiment to replicate May, Spotiswoode, and
James (1994a) entropy findings.
Hypotheses
The primary hypotheses were:
A significant correlation exists between the quality of AC, as measured
by a fuzzy-set technique, and the gradient of Shannon entropy of i ts asso-ciated target.
The correlation of the gradient with the quality of AC as measured by the
upper half of the rating scale shown below in Figure 2 will be consistent
with the static target correlation seen in the earlier experiments (May,
Spotiswoode, and James, 1994a).
The concept of fuzzy sets was first applied to the analysis of AC data by
May et al. (1990). A fuzzy-set definition of a target is similar to the commonly
used descriptor lists in which an analyst is asked to ascribe the presence or ab-
sence of each element in a list of items. Instead of a forced yes or no to the pres-
ence of an element, such as water, a fuzzy approach allows for a quantitative
coding of a subjective impression. For example, water might be 30% visually
impacting in a target and therefore is coded as 0.3 rather than either 1 or 0. A
response is coded in a similar way.
Three quantit ies are defined from the fuzzy-set representation of a target and
a response. The accuracy is defined as the percent of the target that was de-scribed correctly; the reliability is defined as the percent of the response that
was correct; and the figure of meritis defined as the product of the two. Be-
cause the fuzzy-set measure is less granular than a rating measure, being a ra-
tional rather than an ordinal scale, we chose it as the primary measure. The rat-
ing scale correlation was included as a historical link to our earlier
experiments. A more detailed description of the technique can be found in the
AC Data Analysis Section, below.
We also hypothesized that the correlation of the figure of merit with thetotal entropy of the target would be much less than the correlation with the
gradient of the entropy.
Experiment Protocol
In contrast with the majority of our earlier AC studies, we designed a proto-
col in which the receivers were physically located from 5 to 4,500 km from the
AC Sensory System 55
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56 E. May, J. Spottiswoode, & L. Faith
laboratory. In addition, many aspects of the experiment were handled automat-
ically by two separate computers.
Target Pool Construction
For this experiment, we developed a completely new target pool based ex-clusively on the Corel Stock Photo Library of Professional Photographs. This
library of copyright-free images is provided in digital form and comprises 100
images on each of 200 CD-ROMs. Each image is approximately 18 MB in
size, which corresponds to a landscape format picture of 3200 1875 pixels in
24-bit color. Corel also publishes a booklet of thumbnail images of the com-
plete set.
Selection Criteria
The first stage in constructing the target pool consisted of creating a design
specification of the type of photographs that would qualify as a potential AC
target. Based on earlier experience (May et al., 1990), we adopted a series of a
guidelines. First, the photographs had to possess common properties.
Thematic coherence: Each photograph had to be a real scene, as opposed
to a collage. Where possible, the photographs also possessed elements
that could be sketched easily.
Size homogeneity: The photographs did not contain any surprises with re-
gard to size. For example, there would not be a photograph of a brick fol-
lowed by one of a mountain range.
Pool coherence: All of the photographs would depict outdoor scenes.
The following elements would not be included in the pool by construction or
by photographic edit ing:
People
Transportation devices (e.g., boats, cars, etc.)
Small human artifacts (e.g., tools, toys, etc.)
We made every effort to remove these kinds of items, although they may
have been present in some photographs. If so, they were difficult to see and
were insignificant relative to the rest of the scene. Finally, we would not allow
odd camera angles, unusual or distorted perspectives, or odd or unusual l ight-
ing conditions.
Aside from the above restrictions, the target pool photographs could show
any scene at any location. Following these guidelines, we rejected approxi-
mately half the original set of 20,000 photographs by visual inspection of the
thumbnail images.
Our long-standing earlier target pool consisted of 100 photographs divided
into 20 packets of five dissimilar images each. In that pool, a target for a trial
was determined by first choosing a random integer between one and 20 to se-
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lect a packet and then choosing a random integer between one and five to se-
lect a target. The remaining four targets within the selected pack then served as
decoys for a blind analytical assessment by rank ordering.
For the development of this new pool, we chose a different approach. Name-
ly, the analysis decoy target images would be determined after the AC trial wascomplete. To assure that we could do this in a blind and algorithmic fashion,
we adopted a hierarchical design of groups, categories, and images. A group
consisted of five categories, and each category contained five images. The im-
ages within a category would be as much alike each other as possible, although
they must be of different scenes. Differing perspectives of the same scene were
not included. Thus, a single category of waterfalls, for example, would con-
tain five similar, but different, waterfalls. In contrast, we made every attempt
to choose categories within a group to be as different from one another as pos-sible, to make them orthogonal in other words. For example, we would not
have a river category in the same group as a waterfal l category. The num-
ber of different groups was determined by the remaining 10,000 images that
survived the first cut.
Two laboratory personnel examined all 10,000 images on a high-resolution
computer display, and approximately 800 candidate photographs met the
above acceptance criteria. After some digital editing, we identified from this
set of 800 photographs 12 groups of 25 images for a total of 300 targets. Table1 shows the categories that were identified for each of the 12 target groups. No
attempt was made to force the categories to be orthogonal across groups.
Figure 1 shows an example of the digital editing of an image that was not se-
lected as part of the pool to illustrate the capability to modify an image to con-
form to the construction guidelines. In the temple scene, nearly all the people
were removed by making reasonable guesses as to what the image would have
AC Sensory System 57
TABLE 1
Categories for Each Target Group
Category
Group ID 1 2 3 4 5
1 Bridges Canyons Cities Structures Waterfalls2 Bridges Cities Fields Mountains Structures3 Bridges Lakes Mountains Structures Towns4 Bridges Mosques Mountains Roads Waterfalls5 Bridges Churches Deserts Mountains Pyramids6 Fields Islands Roads Ruins Waterfalls7 Cities Coasts Deserts Waterfalls Windmills8 Coasts Fields Lighthouses Mountains Rivers9 Buildings Coasts Pyramids Vineyards Waterfalls
10 Buildings Coasts Fences Lakes Rocks11 Fields Structures Rivers Ruins Streets12 Coasts Mountains Roads Ruins Towns
Note: All S tructures in the table represent Asian structures
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58 E. May, J. Spottiswoode, & L. Faith
Fig. 1. An example of digi tal editing.
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been behind each individual. As the final step in preparing an image for the
target pool, the picture was cropped, if necessary, and resized to 800 600 pix-
els, each having 24 bits of color information.
Fuzzy-Set Encoding
To facilitate subsequent computer analysis of AC trials, the images were en-
coded using a system of descriptive elements. Each element was assigned a
fuzzy-set membership value for each image. We created a universal set of ele-
ments (USE), including 50 elements that we selected from the original set of
131 elements used in our earlier work (May et al., 1990). We also added ele-
ments for features that were unique to this particular set of photographs. Six
individuals each coded all 300 images against this USE. As in earlier work, the
coding criterion was the degree to which each element was visually impacting
to the general scene. The range of visual impact ran from 0 to 1 in steps of 0.1.
For example, in the bottom image in Figure 1, we might code 0.6 for build-
ings and 0.3 for repeat motif.
The principal investigator selected 24 elements out of the 50 and qualita-
tively condensed the scorings from the six coders to a single consensusfuzzy-set representation of the targets. These 24 elements were selected on the
basis of extensive experience, as well as on the formal analysis of a single
study. The principal criterion used in the selection was that the elements
should not be too low level such as lines and geometric shapes, nor should
they be too high level such as and office building. These 24 elements were
an attempt to strike a compromise between these two extremes. Table 2 shows
the 24 elements that comprised the final fuzzy-set USE.1
Receiver Selection
Five experienced receivers participated in this experiment. They were cho-
sen on the basis of their availability, their willingness to participate in a
AC Sensory System 59
TABLE 2
Universal Set of Elements (USE)
Buildings Coliseums Glaciers, ice, snowVillages, towns, cities Hills, cliffs, valleys VegetationRuins Mountains Deserts
Roads Landwater interface NaturalPyramids Lakes, ponds ManmadeWindmills Rivers, streams Prominent, centralLighthouses Coastlines TexturedBridges Waterfalls Repeat Motif
1A detailed description of the target pool construction and its associated fuzzy-set encoding is cur-
rently being considered as a separate paper.
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60 E. May, J. Spottiswoode, & L. Faith
lengthy AC study, and especially on their previous and sustained superior per-
formance.
Number of Trials
The total number of trials for this study was 75 (i.e., 15 for each receiver)and was determined, in advance, by receivers availability and statistical
power considerations. We used the average effect size of 0.550 from a previ-
ous similar experiment (Lantz, Luke, and May, 1994) to compute a statistical
power of 68% to reach significance (i .e. , p = .05) for a single receiver and a
power of 99% to reach a significant study.
Trial Protocol
We designate Experimenter 1 and Experimenter 2 as E1 and E2, respective-
ly. E1 was located in the laboratory in Palo Alto, California, and E2 was locat-
ed in a laboratory in Los Angeles. The complete target pool was independently
installed on E1 and E2s computers. Note that all communication between E1
and E2 occurred only by e-mail. At a prearranged scheduled time, the follow-
ing events took place in the order shown:
E1 requested that E2 generate a target for the upcoming trial.
E2 invoked a computer program that first randomly selected one of the 12
groups, randomly selected one of the five available categories in that
group, and then randomly selected a target image from within that catego-
ry of five images. The program saved its choice to a binary file and did not
notify E2 about any aspect of the selection.
E2 notified E1 that the selection process was complete.
E1 telephoned the scheduled receiver and acted as a monitor for an ACsession lasting from 5 to 15 minutes. The receiver drew and wrote the im-
pressions and faxed them to E1 at the end of the session.
E1 requested that E2 generate a decoy set. E2 invoked a second computer
program that read the binary file containing the target information and
randomly selected a target image from each of the four remaining cate-
gories from within the selected group. The four decoy target numbers and
the intended target number were randomly ordered and then automatical-ly e-mailed to E1.
E1 analyzed the session and e-mailed the results to E2. At this point, no-
body was aware of the selected target, and the analysis was complete be-
fore the receiver obtained feedback.
E2 invoked a third program that read the original binary file and e-mailed
the actual target number to E1.
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E1 posted the target photograph on a Web-site to which only the receiver
had access and then telephoned the receiver to provide verbal feedback
and to prompt the receiver to access the Web-site for visual feedback.
All transactions were logged, and session and analysis details were automat-
ically stored in a database. Typically, such a trial would be complete in 3060minutes. Furthermore, in contrast to our earlier studies, the analysis was com-
pleted on each trial before anyone was aware of the intended target.
AC Data Analysis
We had decided to perform three separate analyses on the AC data. The
first of these was a standard rank ordering of the target pack, which consisted
of four decoys and the intended target. E1 was presented with the words anddrawings along with the target pack associated with the trial, and the task was
to rank order the targets from the best to worst matches to the response. After
allN trials were analyzed for a single receiver, a continuity-corrected effect
size omputed as:
E S =(3 - Rave - 0.5/N)
2,
whereRave is the average rank over theNtrials, and the last term in the numer-ator is a continuity correction for smallN. Thez score associated with this ef-
fect size is given by:
z = E S N.
The rank-order analysis was designated, in advance, as the primary indica-
tor of AC in the study.
Because, the primary goal of the experiment was to explore the relationship
between the gradient of Shannon entropy and the quality of the remote view-ing, we performed two additional analyses. Lantz, Luke, and May (1994)
showed that assessing AC performance by rank ordering was not optimal for
correlation studies for two reasons. First, the rank number is strongly depen-
dent on the degree to which the photographs in the analysis pack are different
from one another. Second, the ranking method discards information about the
absolute quality of the match; it only describes the relative closeness of the
match in comparison to the decoys. Consequently, a perfect match between a
response and a target would be assigned the same first-place rank as a response
that corresponded far less closely but nonetheless was sufficient to allow the
analyst to assign a first-palace match.
For historical reasons and for comparison with earlier entropy experiments,
we used a slightly modified version of the 0 to 7 rating scale. Figure 2 shows a
screen capture image of the scale that was presented to E1 during the analysis.
To be assigned a given assessment value, the correspondence between target
and response must meet one of the criteria shown in Figure 2. As before (May,
AC Sensory System 61
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62 E. May, J. Spottiswoode, & L. Faith
Spotiswoode, and James, 1994a), the scale was divided into two sections; an
assessment of four and above indicating possible AC contact with the target
and three and below indicating no contact.
We recognized a number of difficulties with the rating scale. The assessment
values are granular, that is, they are integers with no possibil ity of values in be-
tween. More important, the scale does not account for the amount of materialin the response. For example, the response could be simply the word city
and receive a value of 7 for the match to a city target, even though there might
be many elements, such as a river, a bridge, and mountain background, in ad-
dition to the city in the target.
Because of its extensive previous use, this rating scale was included in the
analysis but defined only as a secondary measure to be used in the entropy cor-
relation analysis. The primary measure of the absolute correspondence of a re-
sponse to its intended target was the fuzzy-set based figure of merit; whereas
the rank-order statistic was used as the primary measure for overall AC.
May et al. (1990) provided a partial solution to the problem associated with
the rating scale through the use of fuzzy sets. We used a fuzzy-set measure for
an assessment of the degree of correspondence between a response and a tar-
get. We defined the figure of merit (FM) as the accuracy times the reliability.
The accuracy is the percentage of the target image elements that were de-
scribed correctly, and reliability is the percentage of the response elementsthat were correct. Although neither accuracy nor reliability alone is a suffi-
Fig. 2. The 0 to 7 Assessment Scale.
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cient measure of AC, the product of the two is. Formally, the accuracy is de-
fined by:
accuracy =
NX
j= 1
min(Tj ,Rj )
NX
j= 1
Tj
, (0 accuracy 1)
whereNis the number of elements in the USE. Similarly, reliability is defined
by:
reliability =
NX
j= 1
min(Tj ,Rj )
NX
j= 1
Rj
, (0 reliability 1)
where Tj and Rj are the fuzzy-set membership values for the target and re-
sponse, respectively. Min(Tj, Rj) means the minimum of the two quantities.
The figure of merit (FM) is the accuracy reliability.
The fuzzy-set analysis for each trial occurred as follows. After the response
was received by fax and while blind to the target, E1 scored each element inTable 2 as to the degree to which that element was contained in the response. If
the response contained the word waterfall, then by definit ion, the waterfall
element would receive a score of one. If, however, there was a vague sketch
that might look slightly like a waterfall, then that element might only be scored
as 0.3. Thus the entire USE was scored before E1 was shown the analysis tar-
get pack.
E1 then displayed five targets for the trial, performed the rank ordering, the
0- to 7-point scale assessment, and finally entered the two target-dependentfuzzy-set elements. All results were inserted into a database for subsequent
analysis.
To summarize, the fuzzy-set elements for the targets were assigned, before
the experiment, to represent the degree to which each element was visually im-
pacting in the scene. The response elements were scored as to the degree to
which the element was contained in the response. At this time, we have li ttle
evidence that a receiver is capable of not only recognizing that an element is in
a target but also capable of determining its visual impact. For example, we
rarely received a statement such as, There is a river in the target but it is hard-
ly noticeable. Thus, the target fuzzy-set encoding contained more informa-
tion than could be obtained easily with AC.
At this stage of our understanding of AC, we must be content with a simple
recognition on the part of the receiver as to the presence or absence of a partic-
ular element. Therefore, before the calculation of the accuracy, reliability, and
FM, we converted the target fuzzy set to a crisp set, containing only 1 for pres-ence and 0 for absence for the membership values of the elements in the USE.
AC Sensory System 63
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64 E. May, J. Spottiswoode, & L. Faith
This process is called an alpha cut in fuzzy-set parlance. That is, we specify a
threshold for the fuzzy-set membership value so that if an element is equal to
or above that threshold, it is converted to a 1 or set to 0, otherwise. We adopted
the threshold value of 0.2 to remove some of the noise clutter of 0.1-encoded
elements. This value was empirically determined as a reasonable value (May
et al., 1990). An alpha cut was not applied to the response because the fuzzy
element represented the degree to which the analyst felt that the given element
was represented in the response.
Finally, we added two additional elements, which were independently
scored for each target in the analysis pack, to the USE shown in Table 2. The
element visual was an assessment of the degree to which the drawings, inde-
pendent of the labels or other written material, matched a target image. The el-
ement analytic was the degree to which the wri tten material, independent ofthe drawings, matched a target image. By definition, these elements were
scored as 1 for all targets and were added to the consensus-scored fuzzy-set
representation of the targets. Thus, in the equations for accuracy and reliabili-
ty,Nis equal to 26, with 24 elements coming from Table 2 and two coming
from these additional elements.
Entropy Analysis
An entropic analysis of a photographic image is an assessment only of inten-
sity patterns and does not include any cognitive information. In this context,
the gradient means transitions between light and dark regions. The details of
how such an analysis is conducted can be found in May, Spotiswoode, and
James (1994a). We will, however, summarize the approach here. The Shannon
entropy for a single color plane with a depth of eight bits is given by:
S = -
255
Xj= 0
pj log2pj ,
wherepj if the probability of observing an intensity value ofj. The following
discussion holds separately for each of the three color planes. The total en-
tropy is the sum of the three color entropies. We computed this entropy for all
targets in the following way:
Each image was divided into m n patches where we constrained the patch
size to be evenly divisible into 800 and 600, the standardized target size. The
patch sizes chosen were 4, 8, 20, 40, and 100 pixels square. For a given size,we computed the entropy for each patch across the photograph. For example,
using a patch size of 20, we would compute the entropy for each of the 40 30
different patches. Thepjs were determined by the empirical values contained
in each patch. Finally, using standard numerical techniques, we computed the
average absolute magnitude of the gradient2 in this 2-dimensional entropy
2 The gradient is a formal measure of the steepness of the hills and valleys in the entropy space.
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space. Figure 3 shows images that have low entropy gradient, such as a pyra-mid and those that have high entropy gradient, such as a bridge.
Both entropy plots have the same vertical scaling of 20 bits. 3 The steeper
gradient of the hills and valleys in the bridge plot results in that image
having 365% greater entropy gradient than the pyramid image has.
The entropy gradient calculation was performed for all of the patch sizes
shown above for all targets. Additionally, we calculated what we call the total
entropy in which we computed a single value for the entire picture. That is, the
single patch size was 800 600. All results were stored in the database for lateranalysis.
Correlation Analysis
To closely approximate the patch size that was used in our earlier studies
(May, Spotiswoode, and James, 1994a), we adopted a patch size of 20 20 as
AC Sensory System 65
Fig. 3. Low and high entropy gradient images (top). Entropy per patch for two images (bottom).
3 The maximum entropy is 24 bits, given that the sum is over all three 8-bit color planes.
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66 E. May, J. Spottiswoode, & L. Faith
the primary value for the correlation calculations. We did, however, examine
any effects as a function of patch size. Similarly, we divided the assessment
scale in half and used only the upper half for the correlation calculations, but
we examined any effects as a function of scale division.
For the correlation of gradient and entropy with the rating scale, we used the
conservative, nonparametric Spearmans rmethod and converted the observed
correlation to a standard normal deviate with FischersZtransform. The FM
values are more nearly continuous as a consequence of its algorithm. Nonethe-
less, even in this case, we used the more conservative Spearmans rto compute
the correlation.
Results
The results fall into the two categories of evidence for AC and correlationeffects. Allp values are quoted as single-tailed.
AC Results
Table 3 shows the average rank, continuity-corrected effect size, and associ-
atedp value for the f ive participants 15 trials.
The results, using the rank-order statistic, illustrated in Table 3, show no AC
in this study either for individual receivers or overall. The effect size fallsbelow what we have come to expect from this group of receivers. We shall re-
turn to this point in the Discussion section. Note that the effect size for the
total is not the average of the effect sizes for the individual receivers. This is
because, taken as a study with 75 trials, the continuity correction is different.
Entropy Results
For our primary hypothesis, which requires a correlation test with the figureof merit, we find a Spearmans rfor the average magnitude of the gradient of
Shannon entropy correlated with the figure of merit of 0.212 with 73 degrees
of freedom. This corresponds toZ= 1.83,p = .034. Figure 4 shows the scatter
diagram for the gradient versus the figure of merit.
Although the sum-of-rank statistic did not show significant evidence for
AC, the primary hypothesis was confirmed. That is, the quality of the AC as
TABLE 3
AC Results
Receiver Average Rank Effect Size p value
8 2.867 .070 .392127 3.267 -.212 .795221 2.933 .024 .463497 2.933 .024 .463937 2.933 .024 .463Totals 2.987 .004 .486
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measured by the figure of merit significantly correlated with the gradient of
Shannon entropy for a patch size of 20. The points for the gradient are shown
as D, and the regression line is shown as the solid line in Figure 4.
Next, we examined the correlation of the gradient of Shannon entropy with
the assessment scale with values greater than three. With a patch size of 20,
this correlation most closely replicates the earlier work.
The second hypothesis was also confirmed. The combined static target re-
sults from the previous two studies produced a strong correlation (rs = .161, df
= 41,p = .152). In this study, as measured by the upper half of the rating scale
as shown in Figure 2, the gradient of Shannon entropy did correlate with the
quality of AC (rs = .146, df= 23,p = .246) at nearly the same level as before.
Finally the secondary hypothesis was confirmed as well. The correlation be-
tween the total entropy and the figure of merit was small (rs = .042, df= 73,p= .362). The points for the entropy are shown as in Figure 4, and the regres-
sion line is shown as dashed.
Discussion
AC Result
Utts (1995) has shown that our experienced receivers exhibit a consistency ofAC effect size over time, a result consistent with our own observations. Be-
AC Sensory System 67
Fig. 4. Correlation of FM with entropy and its gradient.
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68 E. May, J. Spottiswoode, & L. Faith
cause of this, we have come to expect signif icant results when, as in this study,
we have sufficient statistical power to observe a significant result. When a
study fails to exhibit significant evidence for AC, we are usually suspicious
that some aspect of the protocol was responsible for the decrease in study ef-
fect size.
There were several protocol differences between this study and our usual
method: a new target pool was used, the primary analysis was completed be-
fore feedback was given, and the subjects were physically remote from the lab.
We do not expect that the first two points are a factor, but the last probably is.
This is not to suggest that distance between target and receiver is a modulating
variable. Rather, we suggest that it is a matter of attention to the task. In the
past, we have invited our receivers to the laboratory for their sessions. Many
times, this involved flying them across the United States for a weeklong visiton two or three separate occasions. In these cases, when a receiver was present
in the laboratory, they had our full attention for the t rial. All activity in the lab-
oratory was focused on that single trial.
In this study, the monitor called each receiver at a prearranged time and con-
ducted a short session by telephone. The trials therefore amounted to relatively
brief interludes in the otherwise busy schedules of both the receivers and the
experimenters. These are psychological conditions unlike the intense focus
during trials in our earlier studies. There are numerous laboratory anecdotesabout excellent AC performance under high attention. The Put to the Test
AC trial that was shown on national U.S. television is just one example. 4 In
this example, approximately 10 people had their full attention on a trial that
cost an estimated $100,000; the result was near perfect correspondence be-
tween responses and targets.
These kinds of arguments can only be speculation, of course. One of the
benefits of working with the same receivers over a protracted period of time is
that our observed individual performance consistency allows such speculation.In this case, all of the receivers have been participating in experiments of this
nature for more than 15 years. Further studies in which the receivers are in the
laboratory will test this possible explanation.
Entropy Result
Figure of merit assessment of the quality of the AC. As shown in Figure 4,
we observed a significant correlation between the gradient of Shannon entropyand the quality of the AC as measured by the figure of merit. This correlation,
however, was observed at a patch size of 20 20 pixels. A question arises
about possible dependency of the correlation on patch size. Table 4 shows the
patch size, Spearmans r(df= 73), its associated Zscore, and p value tested
against rs =.0.
Except for patch sizes of 40 and 100, we see a consistent correlation as a
4 LMNO Productions, Sherman Oaks, CA; November 28, 1995.
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function of the patch size. Perhaps the decrease for the larger patches is be-
cause the details of the intensity features are lost as they become an increasingfraction of the picture. For example, consider an 800 600 pixel image. The
patch of size of 40 and 100 correspond to 0.3% and 2.1%, respectively, of the
total area. These numbers intimately depend on the details of the target pic-
tures in the study and do not general ize.
A more important consideration, however, is to determine what other cir-
cumstances might induce an apparent correlation between the entropy gradient
and the f igure of merit. Because the targets were chosen randomly, the proba-
bility of matching a given response to the intended target is 20%, regardless ofresponse bias on the part of the receiver or judging bias on the part of the ana-
lyst. In particular, analyst bias cannot systematically affect the figure of merit
values because of this blind assessment. Thus, a number of potential arti facts
are eliminated because of the differential match and the random selection of
the target.
Nonetheless, it might be that there is some variable that correlates indepen-
dently both with the gradient of the entropy and the figure of merit. One such
candidate is the cognitive complexity of the target. If the gradient of the en-tropy correlated significantly with some measure of cognitive complexity, and
the figure of merit did so as well, then the observed correlation of the gradient
of the entropy with the figure of merit would contain an artifact.
As May et al. (1990) showed, a reasonable estimate for the cognitive com-
plexity is the fuzzy-set sigma count for each target. The sigma count is simply
the sum of the membership elements in the fuzzy-set representation of the tar-
get. The USE as shown in Table 2, represents high-level cognitive elements,
whereas the USE that has been used in the past contained a large number of
nonobject features such as ambiance, color, and low-level linear features. May,
Spottiswoode, and James (1994a) reported a small and nonsignificant correla-
tion of target sigma count and the gradient (rs = -.028, df= 98,p = .609). In
our current USE, however, the elements are all features that might contain sig-
nificant intensi ty patterns and thus might show an overall correlation of gradi-
ent with sigma count.
As expected, therefore, for all 300 targets in the pool, we observed a signifi-cant correlation between the gradient of Shannon entropy, computed for a
AC Sensory System 69
TABLE 4
Patch-Size Dependence
Patch Spearmans r ZScore p Value
4 0.218 1.879 0.030
8 0.218 1.879 0.03020 0.212 1.828 0.03440 0.121 1.035 0.150
100 0.079 0.672 0.251
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70 E. May, J. Spottiswoode, & L. Faith
patch size of 20, and the sigma count (rs = .199, df= 297,p = 2.59 10-4). For
the 75 targets that were selected in the study, the correlation is larger (rs = .359,
df= 72,p = 7.10 10-4).
The correlation of the sigma count with the figure of merit is small, however
(rs = .0017, df= 72,p = .494). To determine the impact of these two correla-tions on the correlation of the gradient with the figure of merit, we consider a
general case. Suppose that there is a significant correlation between variables
Xand Y, r(X, Y). Suppose further thatXand Yboth independently correlate
with a third variable,Z. We must determine the conditions for the magnitude
of these independent correlations such that the observed r(X, Y) would be an
artifact. Assume that the r(Y,Z) is unity (i.e., completely correlated). We then
can replaceZwith Yand consider r(X,Z) as r(X, Y). In this case, r(X, Y) is
completely determined by r(X,Z). Ifr(Y,Z) is less than unity, than the contri-bution to r(X, Y) from the independent correlation withZwill be smaller than
in it is the unity case.
In our case, the correlation of the figure of merit with the sigma count is rs =
.0017 and the correlation of the gradient with the sigma count is rs = .217 < 1.
The contribution to the observed correlation of the gradient with the figure of
merit for this potential artifact is therefore less then .0017.
Rating assessment of the quality of the AC. For historical and replication rea-
sons, we examined the correlation of the gradient with the upper half of the
blind rating scale shown in Figure 2. The Spearmans rwas .146 (df= 23,p =
.246), which was consistent with the combined correlation ofrs = .161, df= 41,
p = .152 for the static targets in the earlier two studies (May, Spotiswoode, and
James, 1994a).
Conclusions
The primary and secondary hypotheses were confirmed. That is, the gradi-ent of Shannon entropy of the target appeared to correlate with the quality of
AC, whereas the quality did not correlate with the entropy itselfa result that
is suggestive of a sensory system.
We legitimately might ask how it is possible to see no AC in the study as de-
fined by the accepted rank-order technique yet see a significant correlation
with the gradient of the entropy. One way to understand this apparent contra-
diction is to examine closely the underlying assumptions of the two AC mea-
surements that are involved, rank order and figure of merit. It is clear that the
rank-order technique is a relative measure, which is strongly dependent on the
orthogonality of the set of photographs in a judging pack. As an example, let
us assume that the target is a small cabin next to a stream in the woods and that
a minimal response includes flowing water but does not include the cabin or
the woods.
In the best case scenario, suppose the pack orthogonality was such that only
one picture contained any water at all. In this case, with a modest amount of
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AC, an analyst would have no trouble making a first-place match. In the worst
case scenario, suppose the pack contained all five pictures with flowing water
of various types, but only one contained a cabin in the woods as well . In this
case, the analyst would, on average, end up with a third-place match. Thus, we
can see that the rank statistic for the same response strongly depends on the
photographs in the judging pack.
In the figure of merit analysis of this same example, it might be that the
scores for all the photographs in the worst case scenario might be identical, say
0.15, because the response matches each target with about the same level of
small correspondence. But in the best case scenario, the figure of merit analy-
sis will give the same score for the stream-cabin-in-the-woods target (i.e.,
0.15), but all the decoy targets will be lower. The point is that the figure of
merit for the intended target is independent from the content of the judgingpack.
Many trials in the best case scenario would l ikely yield a significant rank-
order statistic, whereas in the worst case, the rank order is exactly at chance.
For the small amount of AC that was assumed in the example, one might come
to each of these conclusions, depending on the judging pack orthogonality.
In our case, there is no question that the AC is far below what we have come
to expect from our established receivers. Second, by the nature of our target
pool bandwidth (May, Spotiswoode, and James, 1994b), it is difficult to assurestrong orthogonality.
In the past, these types of targets have done well when the AC functioning is
strong; however, when the functioning is weak, as in this experiment, a rough
threshold of AC is needed to produce a significant rank-order statistic. As we
have illustrated from the example, it is unlikely that the threshold is zero. That
is, small amounts of AC might still produce a rank-order statistic near chance.
A correlation is algebraically not sensitive to the absolute level of one or
both of its variables. We could add a large constant to either the gradient or thefigure of merit and would find exactly the same correlation.
Therefore, we believe that we have replicated the earlier finding in which
the quality of AC is correlated with the gradient of Shannon entropy and not
with the entropy itself. This result is part of the growing and compelling evi-
dence that AC is mediated through a sensory channel. This might be either
some combination of the known senses or an additional one. Functional brain
imaging may resolve this question by allowing us to directly observe neural
functioning during anomalous cognition.
Acknowledgements
We thank Maggie Blackman, Bob Bourgeois, Nicola Kerr, and Lisa Woods
of the Rhine Research Center for their heroic and tireless effort at coding the
50 fuzzy elements for each of the 300 targets. We also thank Laura Faith at the
Cognitive Sciences Laboratory for her significant contribution in the selection
of the target pool and for her coding expertise. Finally, we are deeply apprecia-
AC Sensory System 71
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72 E. May, J. Spottiswoode, & L. Faith
tive because this work would not have been possible without the generous sup-
port of the Fundao Bial of Porto, Portugal.
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