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This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha Masters from Book 1, and Tom Dempsey from Book 2, but if you’re in a guitar class that is using Alfred’s Guitar 101 method, you already have these lessons. This songbook will enable you to enjoy playing these great songs, applying the skills and concepts you have been taught. If you are learning on your own or taking private lessons with a teacher, having this book and the song lessons from Alfred’s Guitar 101 will be a great supplement to your studies.
While this book is a great start for you to apply your guitar skills and knowledge to playing popular songs, Alfred has an ever-growing catalog of popular music for you to choose from, and it comes in many different forms. You’ll find both easy guitar arrangements and authentic transcriptions in TAB, so there is sure to be something that fits your needs. Learning to play songs is what it’s all about, so have fun!
Contents
Introduction
America: A Horse with No Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Maroon 5: Payphone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Sheryl Crow: Strong Enough . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Soak Up the Sun . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
John Denver: Take Me Home, Country Roads. . . . . . . . . . . . . . . . . . . . . . . . . .13
The Who: Behind Blue Eyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Baba O’Riley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
The Rolling Stones: Midnight Rambler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003
alfred.com
Copyright © MMXV by Alfred MusicAll rights reserved. Printed in USA.
No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for
such written permission and/or license by contacting the publisher at alfred.com/permissions.
ISBN-10: 1-4706-2012-X ISBN-13: 978-1-4706-2012-7
Cover Art: View across the Bay; Juan Gris; Oil on canvas, 1921; Courtesy Wikipaintings.org
PoPular Music to Play for fun!
SONGBOOKSONGBOOK
Guitar 101: Pop Songbook 5
M A R O O N 5 : P A Y P H O N E
Ti p s fo r pl ay i n g Th i s so n g
Chords Used Capo 4th fret
Strumming Pattern
• You can learn this song two ways, or choose your preferred style.Wehaveprovidedafingerpickingaccompanimentarrangement,butyoucouldalso(orinstead)choosetostrumthechordsintherhythmsuggestedabove.Thestrummingforthissongmovesalongatafastpace.Practicethechangesusingjustonestrumperchangeuntilyou’recompletelyfamiliarwiththechordprogression.
• Thechordschangeconsistentlythroughouttheentiresong,onemeasureoneachchordinthesameorder,withoutexception.Don’tworrytoomuchaboutreadingthelyricsandthecorrespondingchanges,but,rather,listentotherecordingandplayalonglookingonlyatthechordchartsforthefirstseveraltimesthrough.Thechangeswillbeevidentquickly.
Cadd9X 12 3 4
G Major1 42 3
E Minor21
D Sus41 3 4X X
& 44 Û≥ Û≤ .Û≥
JÛ≥
1 2 3 4 &
JÛ Û≤
JÛ≤ Û≥ Û≤
1 & 2 & 3 4
6 Guitar 101: Pop Songbook
PayphoneWords and Music by
WIZ KHALIFA, ADAM LEVINE, BENJAMIN LEVIN, AMMAR MALIK, JOHAN SCHUSTER and DANIEL OMELIO
©2012WARNER-TAMERLANEPUBLISHINGCORP.,WIZKHALIFAPUBLISHING,UNIVERSALMUSIC–CAREERS,SUDGEEMUSIC, WHEREDAKASZAT?,MATZABALLMUSIC,MARYCHACHA,MARATONEAB,BMGRUBYSONGSandEARENTERTAINMENT
AllRightsonbehalfofitselfandWIZKHALIFAPUBLISHINGAdministeredbyWARNER-TAMERLANEPUBLISHINGCORP. All Rights Reserved
&
&
TAB
# # # # #
# # # # #
44
44
..
..
.
.
œ œ œ œ
I'm at a pay
ÓCapo 4th fret
œ œ œ œ œ œ
phone try ing to call
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
œ œ œ œ œ œ
home, All of my change
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
Jœ œJœ œ œ œ œ
I spent on you
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
- -
&
&
TAB
# # # # #
# # # # #
˙ œ œ œ œ
Wherehave the times
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
œ œ œ œ œ œ
gone, ba by it's all
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
œ œ œ œ œ œ
wrong. Where are the plans
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
-
&
&
TAB
# # # # #
# # # # #
Jœ œJœ œ œ œ œ
we made for two?
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
Ó ‰ œ JœYeah, I,
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
‰ Jœœ œ œ œ œ œ œ
I know it's hard to re mem ber
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
- -
&
&
TAB
# # # # #
# # # # #
‰ Jœœ œ œ œ œ œ
the peo ple we used to be.
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
‰ Jœœ œ œ œ œ œ œ
It's e ven har der to pic ture,
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
‰ Jœœ œ œ œ œ œ
that you're not here next to me.
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
- - - -
&
&
TAB
# # # # #
# # # # #
44
44
..
..
.
.
œ œ œ œ
I'm at a pay
ÓCapo 4th fret
œ œ œ œ œ œ
phone try ing to call
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
œ œ œ œ œ œ
home, All of my change
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
Jœ œJœ œ œ œ œ
I spent on you
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
- -
&
&
TAB
# # # # #
# # # # #
˙ œ œ œ œ
Wherehave the times
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
œ œ œ œ œ œ
gone, ba by it's all
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
œ œ œ œ œ œ
wrong. Where are the plans
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
-
&
&
TAB
# # # # #
# # # # #
Jœ œJœ œ œ œ œ
we made for two?
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
Ó ‰ œ JœYeah, I,
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
‰ Jœœ œ œ œ œ œ œ
I know it's hard to re mem ber
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
- -
&
&
TAB
# # # # #
# # # # #
‰ Jœœ œ œ œ œ œ
the peo ple we used to be.
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
‰ Jœœ œ œ œ œ œ œ
It's e ven har der to pic ture,
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
‰ Jœœ œ œ œ œ œ
that you're not here next to me.
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
- - - -
&
&
TAB
# # # # #
# # # # #
44
44
..
..
.
.
œ œ œ œ
I'm at a pay
ÓCapo 4th fret
œ œ œ œ œ œ
phone try ing to call
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
œ œ œ œ œ œ
home, All of my change
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
Jœ œJœ œ œ œ œ
I spent on you
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
- -
&
&
TAB
# # # # #
# # # # #
˙ œ œ œ œ
Wherehave the times
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
œ œ œ œ œ œ
gone, ba by it's all
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
œ œ œ œ œ œ
wrong. Where are the plans
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
-
&
&
TAB
# # # # #
# # # # #
Jœ œJœ œ œ œ œ
we made for two?
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
Ó ‰ œ JœYeah, I,
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
‰ Jœœ œ œ œ œ œ œ
I know it's hard to re mem ber
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
- -
&
&
TAB
# # # # #
# # # # #
‰ Jœœ œ œ œ œ œ
the peo ple we used to be.
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
‰ Jœœ œ œ œ œ œ œ
It's e ven har der to pic ture,
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
‰ Jœœ œ œ œ œ œ
that you're not here next to me.
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
- - - -
&
&
TAB
# # # # #
# # # # #
44
44
..
..
.
.
œ œ œ œ
I'm at a pay
ÓCapo 4th fret
œ œ œ œ œ œ
phone try ing to call
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
œ œ œ œ œ œ
home, All of my change
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
Jœ œJœ œ œ œ œ
I spent on you
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
- -
&
&
TAB
# # # # #
# # # # #
˙ œ œ œ œ
Wherehave the times
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
œ œ œ œ œ œ
gone, ba by it's all
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
œ œ œ œ œ œ
wrong. Where are the plans
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
-
&
&
TAB
# # # # #
# # # # #
Jœ œJœ œ œ œ œ
we made for two?
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
Ó ‰ œ JœYeah, I,
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
‰ Jœœ œ œ œ œ œ œ
I know it's hard to re mem ber
œ œ œœ Jœ .œ
3
02
3 33
Eadd9
Cadd9
( )
- -
&
&
TAB
# # # # #
# # # # #
‰ Jœœ œ œ œ œ œ
the peo ple we used to be.
œœ œ
œ Jœ .œ
3
00
3 33
B
G
( )
‰ Jœœ œ œ œ œ œ œ
It's e ven har der to pic ture,
œ œ œœ Jœ .œ
20
2
3 33
G#min
Emin
( )
‰ Jœœ œ œ œ œ œ
that you're not here next to me.
œ œ œœ Jœ œ Jœ
02
0
3 3 2 3
F#sus4
Dsus4
( )
- - - -
Guitar 101: Pop Songbook 13
J O H N D E N V E R : T A K E M E H O M E , C O U N T R Y R O A D S
Chords Used
Strumming PatternWhile you can play this tune in any key by using a capo, the strumming pattern is illustrated with a G chord for clarity.
• The original key for this song is A Major. In order to play it in that key using the chord forms above, you need to capo the 2nd fret. If you are singing this song, you can place the capo anywhere on the fretboard that suits your vocal range.
• Practice the strumming pattern slowly for accuracy. You want to make sure you are able to keep this rhythm going comfortably throughout the song.
• To vary the pattern, you can alternate between the root of the chord on beat 1 and a different note of the chord—on an adjacent string—on beat 3.
• Practice in sections by isolating the verse, chorus, and bridge.
Ti p s fo r pl ay i n g Th i s so n g
Swing
5
4
3
2
1
G3 412
5
4
3
2
1
Emin32
5
4
3
2
1
DX X 1 3 2
5
4
3
2
1
CX 3 2 1
5
4
3
2
1
F1 3 4 12 1
5
4
3
2
1
D7X X 12 3
& 44œ
œœœœœ œ
œœœœœœœœœœ œ
œœœœœ œ
œœœœœœœœœœ
14 Guitar 101: Pop Songbook
Take Me Home , Country RoadsWords and Music by
JOHN DENVER, BILL DANOFF and TAFFY NIVERT
&
&
TAB
###
#
44
44
..
..
.
.
œœœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
GCapo 2nd fret
Swing
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
Ó jœ .œAl most
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
.œ jœ ˙hea ven
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
˙ œ œ œWest Vir gi
œœœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
F#min
Emin
- - - -
&
&
TAB
###
#
jœ .œ ˙nia
œœœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
œ Œ Jœ.œ
Blue ridge
œœœœ œ
œœœ œœœ
0
232
0
232
232
E
D
.œJœ ˙
moun tain,
œœœœ œ
œœœ œœœ
0
232
0
232
232
œ œ œ œShe nan do ah
œœœœœ œ
œœœœœœœœ
3
0102
3
0102
0102
D
C
jœ œ jœ ˙ri ver.
œœœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
- - - - - -
&
&
TAB
###
#
w
œœœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
Ó œ œ œLife is old
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
.œ jœ ˙there,
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
œ œ œ œ œol der than the
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
F#min
Emin
œ .˙trees,
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
-
&
&
TAB
###
#
œ œ œ œ œ œYoung er than the moun
œœœœ œ
œœœ œœœ
0
232
0
232
232
E
D
.œJœ ˙tains,
œœœœ œ
œœœ œœœ
0
232
0
232
232
œ œ œ œ œgrow ing like a breeze.
œœœœœ œ
œœœœœœœœ
3
0102
3
0102
0102
D
C
˙ œ œ œCoun try roads,
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
w
œœœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
- - - -
&
&
TAB
###
#
44
44
..
..
.
.
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
GCapo 2nd fret
Swing
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
Ó jœ .œAl most
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
.œ jœ ˙hea ven
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
˙ œ œ œWest Vir gi
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
F#min
Emin
- - - -
&
&
TAB
###
#
jœ .œ ˙nia
œœœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
œ Œ Jœ.œ
Blue ridge
œœœœ œ
œœœ œœœ
0
232
0
232
232
E
D
.œJœ ˙
moun tain,
œœœœ œ
œœœ œœœ
0
232
0
232
232
œ œ œ œShe nan do ah
œœœœœ œ
œœœœœœœœ
3
0102
3
0102
0102
D
C
jœ œ jœ ˙ri ver.
œ
œœœœœ œœœœœœ
œœœœœ
3
33002
3
33002
33002
A
G
- - - - - -
&
&
TAB
###
#
w
œœœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
Ó œ œ œLife is old
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
.œ jœ ˙there,
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
œ œ œ œ œol der than the
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
F#min
Emin
œ .˙trees,
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
-
&
&
TAB
###
#
œ œ œ œ œ œYoung er than the moun
œœœœ œ
œœœ œœœ
0
232
0
232
232
E
D
.œJœ ˙tains,
œœœœ œ
œœœ œœœ
0
232
0
232
232
œ œ œ œ œgrow ing like a breeze.
œœœœœ œ
œœœœœœœœ
3
0102
3
0102
0102
D
C
˙ œ œ œCoun try roads,
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
w
œœœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
- - - -
&
&
TAB
###
#
44
44
..
..
.
.
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
GCapo 2nd fret
Swing
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
Ó jœ .œAl most
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
.œ jœ ˙hea ven
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
˙ œ œ œWest Vir gi
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
F#min
Emin
- - - -
&
&
TAB
###
#
jœ .œ ˙nia
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
œ Œ Jœ.œ
Blue ridge
œœœœ œ
œœœ œœœ
0
232
0
232
232
E
D
.œJœ ˙
moun tain,
œœœœ œ
œœœ œœœ
0
232
0
232
232
œ œ œ œShe nan do ah
œœœœœ œ
œœœœœœœœ
3
0102
3
0102
0102
D
C
jœ œ jœ ˙ri ver.
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
- - - - - -
&
&
TAB
###
#
w
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
Ó œ œ œLife is old
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
.œ jœ ˙there,
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
œ œ œ œ œol der than the
œœœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
F#min
Emin
œ .˙trees,
œœœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
-
&
&
TAB
###
#
œ œ œ œ œ œYoung er than the moun
œœœœ œ
œœœ œœœ
0
232
0
232
232
E
D
.œJœ ˙tains,
œœœœ œ
œœœ œœœ
0
232
0
232
232
œ œ œ œ œgrow ing like a breeze.
œœœœœ œ
œœœœœœœœ
3
0102
3
0102
0102
D
C
˙ œ œ œCoun try roads,
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
w
œœœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
- - - -
&
&
TAB
###
#
44
44
..
..
.
.
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
GCapo 2nd fret
Swing
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
Ó jœ .œAl most
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
.œ jœ ˙hea ven
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
˙ œ œ œWest Vir gi
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
F#min
Emin
- - - -
&
&
TAB
###
#
jœ .œ ˙nia
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
œ Œ Jœ.œ
Blue ridge
œœœœ œ
œœœ œœœ
0
232
0
232
232
E
D
.œJœ ˙
moun tain,
œœœœ œ
œœœ œœœ
0
232
0
232
232
œ œ œ œShe nan do ah
œœœœœ œ
œœœœœœœœ
3
0102
3
0102
0102
D
C
jœ œ jœ ˙ri ver.
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
- - - - - -
&
&
TAB
###
#
w
œœœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
Ó œ œ œLife is old
œœœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
.œ jœ ˙there,
œœœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
œ œ œ œ œol der than the
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
F#min
Emin
œ .˙trees,
œ
œœœœœ œ
œœœœœœœœœœ
0
00022
0
00002
00022
-
&
&
TAB
###
#
œ œ œ œ œ œYoung er than the moun
œœœœ œ
œœœ œœœ
0
232
0
232
232
E
D
.œJœ ˙tains,
œœœœ œ
œœœ œœœ
0
232
0
232
232
œ œ œ œ œgrow ing like a breeze.
œœœœœ œ
œœœœœœœœ
3
0102
3
0102
0102
D
C
˙ œ œ œCoun try roads,
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
A
G
w
œ
œœœœœ œ
œœœœœœœœœœ
3
33002
3
33002
33002
- - - -
© 1971 (Renewed) RESERVOIR MEDIA MANAGEMENT, INC., CHERRY LANE MUSIC PUBLISHING COMPANY, INC., ANNA KATE DEUTSCHENDORF, ZACHARY DEUTSCHENDORF and JESSE BELLE DENVER
All Rights for RESERVOIR MEDIA MUSIC Administered by RESERVOIR MEDIA MANAGEMENT, INC. RESERVOIR MEDIA MUSIC Administered by ALFRED MUSIC
All Rights for ANNA KATE DEUTSCHENDORF and ZACHARY DEUTSCHENDORF Administered by CHERRY LANE MUSIC PUBLISHING COMPANY, INC. All Rights for JESSE BELLE DENVER Administered by WB MUSIC CORP. (ASCAP) All Rights Reserved
Chorus
28 Guitar 101: Pop Songbook
S H E R Y L C R O W : S O A K U P T H E S U N
&#### 44 Û Û Û Û
E5 B/D#
Û Û Û ÛD5 B/D#
Û Û Û ÛE5 B/D#
Û Û Û ÛG5 A5
Chords Used
Strumming PatternsIntro/Verse
• Allthreebasicsectionsofthetunearepresentedabove.Practiceeachoneslowlyforaccuracy.
• Practicealongwiththeoriginalrecording.
Ti p s fo r pl ay i n g Th i s so n g
Bridge
Chorus
11
10
9
8
7
E531X 4 X X
9
8
7
6
5
D531 4 X XX
11
10
9
8
7
E7sus4
11X 1 X X
5
4
3
2
1
G543 X X X1
5
4
3
2
1
B531 4 X XX
5
4
3
2
1
E32 1
5
4
3
2
1
A51X 1 X X
5
4
3
2
1
B21 13 4X
5
4
3
2
1
Asus2
1X 3
5
4
3
2
1
F#min43 11 11
8
7
6
5
4
B/D#13X 1 1 X
9
8
7
6
5
A43 12 11
5
4
3
2
1
A/C#13 X1 1X
&#### 44 Û Û
JÛ ‰ Œ ‰
JÛ ‰
JÛ ‰
JÛ Û Û
E7sus4 Esus2E5 E5 B5 A5 A5
&#### 44 Û Û Û Û Û Û
E
Û Û Û Û Û Û Û Û Û Û Û Û ÛB
Û Û Û Û Û Û Û
&#### Û Û Û Û Û Û Û Û
F#min
Û Û Û Û Û Û Û ÛA
Û Û Û Û Û ÛB
Û Û Û Û Û Û Û Û
Guitar 101: Pop Songbook 29
Soak Up the SunWords and Music by
SHERYL CROW and JEFF TROTT
&
&
TAB
# # # #
# # # #
44
44
..
..
.
.
..
..
.
.
∑
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
E5 E7sus4 E5 B5
∑
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
A5
&
&
TAB
# # # #
# # # #
..
..
.
.
Œ œ œ œ œ
My friend the Com
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Chords simile
Jœœ Jœ œ Œmun ist
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œJœ œ
Jœ
Holds meet ings in
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ
Jœ Jœ .œhis R V.
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
- - - -
&
&
TAB
# # # #
# # # #
Œ œ œ œ œ
I can't af ford
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ œ Œhis gas,
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œ œ Jœ œ Jœ
So I'm stuckhere wat
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ Jœ .œ
ching T V
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
- - -
&
&
TAB
# # # #
# # # #
∑
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
∑
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œ œ œ œ
I don't have di
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ œ Œgi tal
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œJœ œ
Jœ
I don't have did
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
- - -
&
&
TAB
# # # #
# # # #
44
44
..
..
.
.
..
..
.
.
∑
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
E5 E7sus4 E5 B5
∑
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
A5
&
&
TAB
# # # #
# # # #
..
..
.
.
Œ œ œ œ œ
My friend the Com
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Chords simile
Jœœ Jœ œ Œmun ist
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œJœ œ
Jœ
Holds meet ings in
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ
Jœ Jœ .œhis R V.
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
- - - -
&
&
TAB
# # # #
# # # #
Œ œ œ œ œ
I can't af ford
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ œ Œhis gas,
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œ œ Jœ œ Jœ
So I'm stuckhere wat
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ Jœ .œ
ching T V
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
- - -
&
&
TAB
# # # #
# # # #
∑
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
∑
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œ œ œ œ
I don't have di
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ œ Œgi tal
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œJœ œ
Jœ
I don't have did
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
- - -
&
&
TAB
# # # #
# # # #
44
44
..
..
.
.
..
..
.
.
∑
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
E5 E7sus4 E5 B5
∑
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
A5
&
&
TAB
# # # #
# # # #
..
..
.
.
Œ œ œ œ œ
My friend the Com
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Chords simile
Jœœ Jœ œ Œmun ist
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œJœ œ
Jœ
Holds meet ings in
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ
Jœ Jœ .œhis R V.
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
- - - -
&
&
TAB
# # # #
# # # #
Œ œ œ œ œ
I can't af ford
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ œ Œhis gas,
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œ œ Jœ œ Jœ
So I'm stuckhere wat
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ Jœ .œ
ching T V
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
- - -
&
&
TAB
# # # #
# # # #
∑
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
∑
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œ œ œ œ
I don't have di
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ œ Œgi tal
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œJœ œ
Jœ
I don't have did
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
- - -
&
&
TAB
# # # #
# # # #
44
44
..
..
.
.
..
..
.
.
∑
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
E5 E7sus4 E5 B5
∑
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
A5
&
&
TAB
# # # #
# # # #
..
..
.
.
Œ œ œ œ œ
My friend the Com
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Chords simile
Jœœ Jœ œ Œmun ist
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œJœ œ
Jœ
Holds meet ings in
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ
Jœ Jœ .œhis R V.
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
- - - -
&
&
TAB
# # # #
# # # #
Œ œ œ œ œ
I can't af ford
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ œ Œhis gas,
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œ œ Jœ œ Jœ
So I'm stuckhere wat
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ Jœ .œ
ching T V
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
- - -
&
&
TAB
# # # #
# # # #
∑
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
∑
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œ œ œ œ
I don't have di
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
Jœœ Jœ œ Œgi tal
‰ jœœœ‰ jœœœ
˙̇˙
442
220
220
Œ œJœ œ
Jœ
I don't have did
œœ œœ ˙̇ ‰ jœœœ
42
22
42
442
- - -
©2002RESERVOIR416(BMI),OLDCROWMUSIC(BMI)andCYRILLICSOUP(ASCAP)AllRightsforRESERVOIR416(BMI)andOLDCROWMUSIC(BMI)AdministeredbyRESERVOIRMEDIAMANAGEMENT,INC.
RESERVOIRMEDIAMANAGEMENT,INC.AdministeredbyALFREDMUSICAllRightsReserved
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