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ANALYZING CLASSICAL FORM
626
extended by a series of deceptive cadences Te concluding cadence at m 86 (no
longer ambiguous as in the exposition Ex 183 m 21) is reinforced by an entirely
new closing section
From the point of view of thematic functionality the recapitulation is
expanded in such a way that transition and subordinate-theme functions are no
longer fused (as they were in the A section) but rather are given their own distinct
thematic units (transition mm 51ndash71 subordinate theme mm 72ndash86)
51
Allegro
54
Transition
Aprimeinterpolatedepisode
(modal shift)Gx K L xLK
60 62
decresc
xLKDx
IAC
K Gx ˚
7170 72 76
cresc
presentationSubordinate Theme
presentation (rep)
HC
L
79 80
continuation cadential (extended)
dec cadLK
dec cadLK
EXAMPLE 1811 Beethoven Piano Sonata in E-1047298at Op 7 iii 51ndash95
(continued)
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