View
110
Download
2
Category
Tags:
Preview:
DESCRIPTION
A FREE MONTHLY Dolls House & Miniatures magazine written exclusively by AIM members for dolls house collectors and enthusiasts. If you love all things miniature - you will love the AIM magazine. Each month's edition features FREE projects, articles and features all written by the worlds top international miniature artisans!Why not visit the AIM website http://www.artisansinm... to find out more!Enjoy...!
Citation preview
Regular Features… 5 Editor’s Note: Read Bea Broadwood’s
introduction & welcome to this month’s fabulous
edition of the FREE AIM magazine!
46 New On The Web: AIM This month we take a
look at Christiane Lourier’s new website.
52 Through The Keyhole: This month we take a peek
at the work space of AIM artisan: Ludwina
Akbulut Van Oosterwyck
56 Smaller Scales: This month Jean Day takes a
closer look at smaller scale miniatures.
64 Aunt Anastasia: If you have a miniature dilemma,
then why not write to our very own agony aunt
for her well considered advice?
74 Cross Over Crafts: Featuring AIM member
Jean Day.
77 *New* 10 Things You Never Knew About Me!:
Learn unusual facts about our talented members!
Featuring AIM founder Bea (Fiona) Broadwood.
84 Getting To Know You: Get to know more about
AIM member Elena Gerli.
98 In Season This Month: This month Vicky Guile
and her fellow AIM food artisans take a closer
look at mouth watering ‘fish’.
104 Show Report: AIM members share their show
reports from around the world.
108 The Miniature Grapevine: Catch up on all the
latest news and announcements from the
international world of miniatures.
Contents… November 2010: Issue No 28 Cover Image: Troy Schmidt
14
38
72
6 Cover Story: Troy Schmidt: AIM member and artisan ceramist
Troy Schmidt tells us more about his life, work and miniature
creations from Red Dragon Pottery.
14 Haddon Hall: Carol Smith shares her recent visit to this
atmospheric medieval hall. Historical introduction by Bea
(Fiona) Broadwood.
26 Making Wee Round Things: AIM member Thomas Saunders
tells of his transition from turning full size objects d’arte into
the world of miniatures.
28 Brothels Of The Victorian Era: By AIM member and noted
doll artisan Viola Williams
32 A Potted History Of Lavendar: Sara Scales takes a closer look
at this aromatic and highly versatile plant.
38 The Giddy Kipper: We celebrate the stunning work of AIM member
and talented doll artisan Jain Squires.
40 Gypsy Caravan: AIM member Ana Anselmo and guest contributor
Paulo Gomes share their shared passion for this nostalgic ‘home on
wheels’.
48 Tailor‐made Tudor: New member Kevin Jackson introduces his range of
1:12th dolls houses.
66 Ironbridge Gorge: Guest contributor Karen Holt very kindly tells us all
about her recent visit to Ironbridge Gorge.
78 Weaving For Miniatures: AIM member Lili Goczal shares with us
her method of weaving in miniature.
92 A Garden In A Box: AIM member and IGMA Fellow Philippa Todd literally ‘lifts the lid’ on her very unusual miniature gardens.
Free Projects… 24 1:12th ‐ Chenille Rag Rug Weaving: AIM member Jean Day shares
her stunningly realistic weaving tutorial.
37 Lavendar Cushion: Miniature Cross Stitch Pattern ‐
Sara Scales brings us a stunning new cross stitch
design.
62 Micro Lamps : We know you will just love Jean Day’s
inspirational micro scale project.
72 Coiled Basketry: Jean Day teaches how to create a
traditional coiled basket.
90 1:12th ‐ Tassels: AIM member Kathi Mendenhall shares
yet another of her fabulous tutorials.
Features…
Artisans In Miniature 3
98
92
28
24
Artisans In Miniature ?
Artisans In Miniature 8
CLICK…on Artisans In Miniature
How did you find the Online Magazine??
Did you follow a link? Did a miniature friend tell you about it?
...and do you already know about the Artisans In Miniature Website, and the talented members who have all helped create this Online magazine.?
If not, copy, paste and CLICK now – www.artisansinminiatures.com and come and meet us all. Founded in 2007 by Bea (Fiona) Broadwood of Petite Properties, the website has been created in order to showcase the fantastic work of the individual professional international artisan members who create beautiful and original scale miniatures for sale to the public. Together they form the Artisans In Miniature association. Since its launch the AIM association has rapidly grown and now boasts membership of well over 200 professional artisans, including some of the most talented within the miniature world! On the website you will find further information about them and their work; however, please note new pages are constantly being added and there are many members who are not yet included on the site... If you are a professional artisan who is interested in joining the association, you will find all the information there..... If you are wondering what Fairs may be on in your area – that information is there too… We have lots of links…to Fairs and Events Organizers…Magazines…Online Miniature clubs….Historical reference sites…..Workshops…and more… it’s all there!
If you’d like to contact us, copy, paste and CLICK... we’d love to hear from you!
www.artisansinminiature.com
The AIM Magazine’s
Editorial Team:
Bea Broadwood (Editor) office@petite‐properties.com
Celia (of Oberons Wood) mail@sorceresshollow.com
Helen Woods woods1@orcon.net.nz
Janine Crocker janine@missameliasminiatures.com
Jean Day jday1@shaw.ca
John Day jdayminis@shaw.ca
Mary Williams marysdolls@gmail.com
Peiwen Petitgrand oiseaudenim@gmail.com
Sally Watson spwatson@ntlworld.com
Vicky Guile (Assistant Editor) vicky@njdminiatures.com
Please note AIM is an active association
to which all members contribute …
Formatted By Bea Broadwood, Janine Crocker,
Jean Day, John Day, Peiwen Petitgrand,
Sally Watson & Vicky Guile
Dear Reader Welcome to the November edition of the AIM magazine! Getting this month’s issue ready for publication has been a real up hill battle and the editorial team have had their roles within the production of the AIM magazine made even more challenging at the hands of (so called) ‘modern technology’. It is certainly true that technology is a wonderful thing… but this is also only true when the technology in question actually works and in our increasingly virtual world, when it breaks down; it can come as quite a chaotic shock to the system. Happily the theme of this very special edition of the AIM magazine has an altogether slower pace, one which looks back in time at the old world, its ancient crafts and a time when life was certainly simpler. A time when craftsmen were valued for their skills, and when the world as a whole ebbed and flowed gently from season to season. To celebrate these historical old trades and skills we have yet again looked to the ‘miniature world’, a world which still collectively champions the ‘old ways’ and the hand crafted expertise which was so abundant back in times gone by. As a result this issue has been packed with miniature potters to wood turners, from weavers to basket makers; in short this month’s issue has it all and it is all showcased in miniature of course!!! So if like us, your nerves have been frazzled by modern technology, why not join us as AIM members revisit a quieter time, a time where technology and dodgy internet connections simply could never spoil the day!
Bea
Editor (& General whip cracker) November 2010 www.petite‐properties.com
On behalf of AIM, it members and readers of this magazine, I would welcome Peiwen Petitgrand and Sally Watson to the AIM magazine’s editorial team. We are all delighted to have them on board; as together they bring an exciting range of new talents and skills to the editorial team.
Artisans In Miniature 5
Artisans In Miniature 7
Artisans In Miniature 11
Haddon Hall,Derbyshire.
By AIM member Carol Smith (Foreword by AIM member Bea (Fiona) Broadwood)
Artisans In Miniature 14
l “The twilight deepened, the ragged battlements and the
low, broad oriels glanced duskily from the foliage, the rooks wheeled and clamoured in
the glowing sky; and if there had been a ghost on the premises I certainly ought to have seen it. In fact I did see it, as we see
ghosts nowadays. I felt the incommunicable spirit of the scene with the last, the right
intensity. The old life, the old manners, the old figures
seemed present again.” Henry James,
1872
addon Hall is situated on a limestone bluff overlook‐
ing the River Wye, three miles due west of Bakewell
in Derbyshire and it is claimed to be ‘the most romantic and
complete medieval manor house in England’.
From the 12th century Haddon Hall was owned by the Vernon
family. The most famous of the family was Sir George
Vernon who was notoriously know as the ‘King of the Peak’
as a result of being a most generous and hospitable host.
Following Sir George’s death in 1567 Haddon Hall and its
estate was inherited by his daughter Dorothy and her
husband Sir John Manners.
To this day the hall’s unique blend of 14th, 15th and 16th
century architecture has been uniquely preserved, due to its
uninterrupted private ownership by the Manners family.
In 1703 the family were awarded the Dukedom of Rutland
and subsequently moved to Belvoir Castle, Nottinghamshire;
leaving Haddon Hall untouched for some 200 years.
However from the 18th century, this neglect caused the hall
to begin to deteriorate and this historic fortified house
would have to wait until the early 20th Century to be re‐
stored to its former glory; the condition it can be found in
today.
Architecture lovers will no doubt enjoy the hall’s many
battlements and towers, built exclusively of local stone and
oak the oldest parts of the building date from as early as the
13th century. However, as with any ancient house, there
have inevitably been some architectural changes made
during the passing of the centuries, yet this great medieval
manor house has managed to retain its original simple lines
and classic fortifications.
The most modern room in Haddon Hall is the 110ft oak and
walnut panelled long gallery, which dates from the 16th cen‐
tury and was used by the Manners family to exercise in dur‐
ing inclement weather. The house also boasts a splendid
medieval kitchen and banqueting hall.
Haddon Hall is without question a veritable jewel in
Derbyshire’s architectural crown and truly inspiring ancient
house that is well worth a visit.
If you would like to find out more about Haddon Hall, or
even plan your own visit simply go to:
www.haddonhall.co.uk
H
Artisans In Miniature 17
A Visitor’s Account...
I visited the wonderful Haddon Hall recently which is about two miles from the
Derbyshire town of Bakewell. My first impression on approach was that it looked
more like a castle with its turrets and battlements than a fortified manor house.
How lucky are Lord and Lady Manners to live in such a grand home and to be
surrounded with beautiful scenery. The medieval and Tudor architecture is very
impressive indeed.
My imagination ran riot as I thought about what life must have been like in 1150
(which was when it was thought to have been built). The first mention of it was in
a settlement of 1180. I visited Haddon Hall midweek and there were few visitors.
I was often on my own in a huge room and certainly would not dare walk round
on my own at night!
AIM Member Carol Smith shares her recent visit
to Haddon Hall...
The Long Gallery is 110 feet long and 17 feet wide. It would have been used as an indoor promenade for
They then would have to face the elements outside or get their clothing wet.
I was surprised to hear that the Banqueting Hall would, in the 14th century, have been a communal livin
that family and servants would have eaten and slept there. I always imagined that servants were kept aw
Artisans In Miniature 21
r family and guests to take exercise by walking.
ng space for both family and servants. I didn’t know
way from family.
I was hugely interested in the Tudor kitchen. The heat
from the fireplaces and ovens must have made it
incredibly hot so food was not stored in there.
The kitchen was built in the 14th century and has a set of
rooms which were originally set apart from the other
buildings to minimise the risk of fire spreading.
The ‘dole’ cupboards interested me. These are of a Gothic
style and were put outside for passing traders or estate
workers and were filled with food and leftovers. I believe
that these are now rare as they had been outside in the
elements. Our present day expression of ‘on the dole’
stems from the purpose of the ‘dole’ cupboard.
The domed bread ovens were interesting as were the
corn bins.
As for the butchery, food was dried salted and pickled.
The salting trough is 15th century and is actually a
hollowed out oak trunk. They would probably have had a
servant (the powderer) to crush the salt. Because food
had to be preserved with salt, the saltiness was disguised
with creamy sauces and other means such as spices and
fruit.
Animal carcasses were hung from the 17th century oak
hanging racks.
It is on record that in the 17th century 30‐40 ‘beeves’ ,
between 400‐500 sheep and 8‐10 swine were eaten in a
year. Interesting that so little pork was eaten. I took a
great many photographs and regret that I did not take
more of the kitchen.
I visited Haddon Hall restaurant twice after my first visit
to the Hall. The restaurant has a pulley on the ceiling
leading from a box. The pulley goes across to doors in the
corner which lead to a tunnel to send food to the hall.
Carol Smith
Artisans In Miniature 23
‘Historical foreword’ Text By Bea Broadwood
©Petite Properties Ltd 2010
www.petite‐properties.com
‘A Visitor’s Account’ Text & Photographs
By Carol Smith ©Carol Smith 2010
starsgemini3.etsy.com
Formatted by Bea Broadwood
Artisans In Miniature 26
Artisans In Miniature 28
Blanche & The Girls…. By Julie Campbell
Artisans In Miniature 29
Brothels of the Victorian Era vs. A miniaturist's version of that profession…
By AIM Member Viola Williams
Prostitution during the eighteen and nineteenth centuries offered
a gentlemen more than one option when searching for the services
of women to satisfy his sexual needs. The man might choose
Anything from randomly selecting a female off the street, to
making his choice in a more prestigious house of ill repute .
Miniaturists, when presenting the life of a prostitute and her
customers, might choose either style, however, most prefer to
depict a more glamorous version. Doll makers don't always
feel required to adhere to the facts, often preferring to pull
the "making of a soiled dove" from their imaginations rather
than from factual information. In most cases they invent
stories about the doll's past by again activating their
inventive minds. Those stories do not necessarily reflect
the true life of a Victorian prostitute.
Although reality is altered to soften the impact of a prostitute's real life style, the doll maker must,
nevertheless, make it clear that the doll is in fact a prostitute.This can be achieved by the style of her
clothing, the expression on her face, and sometimes even by the amount of jewelry she possesses (gifts from
satisfied customers). The doll's creator can also develop an easily recognized illusion by the pose the doll is
given. She will not be a sweet, eyes down‐cast kind of sculpture. Instead the viewer will most likely see a
slightly haughty expression on the doll. It is the doll's role to make it clear (without the use of words) that the
display is a bordello and that she is there as a lady of the night.
The madames of ages‐ gone‐by also created "soiled doves", but by means quite different from that of the
sculptor of dolls.
I read about a “Mother Wisebourn” a clergyman’s daughter, who regularly visited the taverns in search of
young girls who might be willing, or in desperate need of an income, to work as prostitutes for her. She
would feed them and provide them with beautiful clothes and then train them for their newly secured
profession. In this particular bordello, the girls were kept busy during the week but always, on Sunday, they
were taken to church where they were more intent on advertising themselves to potential clients than in
purifying their souls.
Doll By Viola Williams
The Victorian madame made certain that her girls neglected no opportunity to advertise themselves. The
young women were taught that when walking down stairs, for example, to be certain to lift their skirts high
enough to show off their attractive ankles and often a portion of their lower leg as well in order to entice
the gentlemen who might be walking or driving by. This frequently resulted in the young man’s requesting
more information about the woman he’d just seen.
While some prostitutes of that era may have entered their vocation by choice… many others were there
against their wishes and had no way to leave. Any attempts to do so were met with thrashings and
beatings. One of the reasons for forced prostitution was that the demand for those services exceeded the
number of willing applicants. Eventually the abused young woman and girls simply accepted their fate.
As the centuries passed, miniaturists wished to depict that
part of our history by creating bordellos complete with
customers and soiled doves. Not surprisingly the creators
of those displays altered the facts to make the atmosphere
more acceptable. Their bordello was presented as a home
of pleasure where all in attendance participated with
joy.
And that is the kind of bordello that this article
will attempt to present. Imagine a Victorian
gentleman relieving his spouse of her wifely
duties by choosing to visit an elegant bordello
instead. The madame might be a motherly
older woman who meets the needs of her
charges with genuine affection. Perhaps a
particular young lady has found that she has
become the favorite of one of the “regulars”
and is chosen exclusively by this wealthy
patron. This situation may be true for
more than one of the seductive young
ladies that resides in the miniature
bordello. Often the
women are presented
with expensive gifts in
return for their
favors. These gifts can
be displayed on, or around the
young recipient.
Perhaps some of the girls are new to the house of ill repute, and
still without a regular gentleman. They can be shown sitting on
plush furniture with ankles brazingly exposed beneath their
skirts in hopes of attracting a new client.
Doll By Viola Williams
Maybe they flirt from behind their fans... or they can even be seen sitting on a potential customer's
lap, or having a drink and laughing with a young man who is in attendance. There are any number
of ways that a dollhouse‐sized lady of the night can be exhibited with just a bit of saucy
insinuation.
The madame chosen is most likely plump with a pleasant face, and the soiled doves
dressed in seductive and brightly colored clothing. But it is implied that while each may
be a temptress, she is also a kind and loving soul, happy at her job.
And what of the carpenters who build these displays? They put their talents to
work making sure that the girls in our pint sized bordellos enjoy luxurious and
comfortable living quarters. He may even have been told the story of a young
waife who was taken from the streets to live under the roof of a generous and
wealthy madame. Possibly the builder choses to provide a better environment
for these little ladies.He wants to be sure her new life is a definite improvement
over her former existence.
In every case, I believe that the miniature story tells a tale of young women who
do not regret the choice they made, girls who serve their madame faithfully and
well. The miniaturist's version does not allow beatings or other negative factors
into the scene.
Is that the way it really was? Were those women happy at their work? Was it their choice? Did they stay
on because they found the environment pleasant? Perhaps in some cases. But more often they simply
become accustomed to their situation, saving what money they could, in the hopes of one day either
leaving all together, or perhaps promoting themselves to “madame” status by opening their own bordello.
Clearly, the miniaturist's version is not a completely accurate representation of that part of our history, but
it is certainly more romantic than a realistic version might be. For that reason bordellos in miniature scale
are not offensive, or sad, or shameful. They are, instead, ornate, exciting and thrilling. Miniature
carpenters build luxurious structures with gilding and velvet and every kind of luxury imaginable. Each one
filled with exotic furniture and lovely young ladies.
And why not? We are “miniaturists” after all… where everything is an illusion. Why shouldn’t the bordello
be adjusted from the realistic to the glamorous in a way that only the imagination of a miniaturist could
achieve?
(OOAK) Blanche & The Girls ‐ By IGMA Artisan Julie Campbell of Bella Belle Dolls
www.bellabelledolls.co.uk Marsha Mees ‐ Sassy Mini Dolls ‐ www.sassyminidolls.com
Viola Williams - www.violasdolls.com Photographs © Of the individual artisan accredited
Text © Viola Williams 2010 Formatted By Bea Broadwood
Doll By Marsha Mees
Viola
Artisans In Miniature 33
Artisans In Miniature 35
Artisans In Miniature 36
By AIM Memb
I have been working professionally in the miniature industry for about
making around that. I have had an interest in miniatures forever really
being very young. My interest was re‐awakened when I put a dolls hous
in it, and that was that, hooked again!! Then I discovered the huge w
Pudsey Fair. I was absolutely enthralled by what I saw, despite having a
Over the years I made many things to go in my dollshouses and then
characters I imagined taking tea there were not available to buy at the
be animal ones and I realized I loved doing them. I made more and mo
human forms as well. Mostly fantasy characters, witches, wizards, and goblins; which are very popular.
My inspiration comes from all sorts of places, illustrations, films, books, sometimes from colour groups or natura
work. I don't think I have any extra special techniques for the things I do, but I have learnt to adapt things to suit m
hands of course!
One of my favourite characters still is Vivienne the giraffe, who is dressed in a copy of a Vivienne Westwood outf
learnt how to get out there into the miniature world. Whether at fairs or on the internet. Having been completel
most regular updater, has made me many friends and customers. I have realized I don't work well with commission
Working with the clay and going with what comes out of it, makes me more creative and I think, and produces mu
be slightly different next year as I am starting a business in Keepsake silver jewellery to run alongside my doll bus
attend. I intend to continue improving my work and am eager to learn new ways and techniques for things. I trade
To contact Jain Squires about new char
or check out her website www.giddykipperdolls.c
The Gidd
Text & Photographs ©Formatted by Be
ber Jain Squires
4 years. I work part‐time as a nurse, at present, so I have fitted my doll
y, playing dolls houses and making clothes for my miniature babies since
se kit together for my then 3 year old daughter. I started making bits to go
world of miniatures. I was so excited to visit my first fair, Doreen Jeffries
very cranky 3 year old with me!
n I got a Vic Newey building and wanted to do a fantasy tearoom. The
time, so I set about making some. The characters that emerged tended to
re and needed to have an outlet to sell them, so I started doing fairs. I still make animal characters, but now do
al things. I strive to make my characters as real as possible and am constantly looking for ways to improve my
me as I go along. I use various tools, often things I have adapted, nothing I could not live without, other than my
fit. She was one of my first and I will always have a soft spot for her. Over the years I have been selling I have
ly computer illiterate, I have learned how to build my own website and run a blog, which, although I am not the
ns, as I find it stressful to live up to the expectations in someone else's head. So I don't accept them.
ch better work in the end. The fairs I attend at present are Pudsey, York, Kensington and Miniatura. Things will
siness, so it will be goodbye to nursing after 30 years. I will have to assess things as I go along, as to the fairs I
e under the name of The Giddy Kipper.
racters email; giddykipper95@googlemail.com
com or blog www.giddykippercharacters.blogspot.com
dy Kipper
© Jain Squires 2010 ea Broadwood
Artisans In Miniature 40
Artisans In Miniature 47
Artisans In Miniature 48
Featuring AIM Member Kevin Jackson
Tailor-made Tudor ...
Kevin Jackson first became interested in miniatures about 15 years ago while he
was involved with building full size show houses for the Daily Mail at the Ideal
Home Exhibition in Earls Court; the NEC and the SECC; and for the BBC Good
Home Show, also at the NEC. Even though his job of building these show
houses involved extremely tight schedules (start to finish building fully
decorated and furnished houses in 5 days) he still found that he had quite a lot of time on his
hands in between shows.
Around that time he visited a miniature show with a friend and immediately understood why peo‐
ple were so fascinated by the hobby. He decided that it would be an ideal pursuit to take up in his
spare time.
Purely by chance he decided to try his hand at building Tudor style houses and selling them at very
small local miniature shows. Following on from this success Kevin decided to contact numerous
shops in America to see if they were interested in his houses and, to his surprise, the response re‐
ceived was fantastic.
Tudor Houses By Kevin Jackson
About 18 months ago, following a break
retirement and, after a few weeks of sitt
realised that he needed something n
he started building dolls houses again
Kevin chose to focus his talents on cr
floor boards, wall beams, ceiling
timber, for which he uses a rang
internally finished access panels
house is built by hand to th
Commissions are an i
building individu
always mo
budget and size
to the cust
sizes and positio
colours; externa
Kevin is current
ever built, which
when it is
The “York”
staircase t
Kevin direc
Very excite
shows with
In the meantime h
full sized houses f most well known build houses in 5 daylonger to build but I am
Text & Photographs © Kevin Jackson 2010
Edited & Formatted By Bea (Fiona) Broadwoo
k from building dolls houses, Kevin decided to take early
ing around the house and getting under his wife’s feet, he
ew to fill his spare time. Deciding to resurrect his old hobby,
n, this time selling them online.
reating high quality houses at affordable prices and all of his
g beams and decorative details are made using 100% solid
ge of Richard Burbidge mouldings. Kevin’s houses feature
s, include hand made window furniture, and each unique
he highest possible standard.
integral part of Kevin’s work and he particularly enjoys
ual houses to a customer’s specific requirements. He is
ore than happy to discuss plans and to work to a specified
. The external finishes of Kevin’s houses can also be tailored
tomer’s own taste, including choices in window and door
ons; positioning and number of wall lights; stains and paint
al weathering and various paving or roof tile options.
ly working on what is probably the biggest house that he has
h he is planning to call the “York”, although this may change
finished.
” is built on a brick plinth and will have a three floor projecting bay. Internally it will feature a full height
ogether with a total of twelve lift‐ off access panels. (Further details about this house are available from
ct.)
ed about the future, Kevin is hoping to exhibit at some of the major dolls house
hin the UK, including the ‘Christmas’ Kensington Dolls House Show in December.
The Canterbury
Kevin Jackson
he says, “It just seems so ironic to me that after 20 years of building for some of the biggest names in construction, and for some of the designers, under the pressure of controlling upwards of 200 people to ys, I am now building miniature houses, on my own, which take far m loving every minute.”
Kevin’s new website, www.kjdollshouses.co.uk is
now up and running, so why not visit it today? od
Artisans In Miniature 53
Artisans In Miniature 54
AIM membership is only available for professional miniature artisans, selling quality handmade miniatures to the public.
Membership is reserved for artisans who wish to showcase & promote their work,
through active participation within the AIM Association. Please note; A waiting list has now been introduced regarding
new membership applications.
AIM is completely FREE to join and completely FREE to be part of.
So… if you are a professional miniature artisan and you would like to find out more about joining the
AIM Association, please email AIM’s Membership Secretary: Tony for more information:
tonybroadwood@aol.com
Or alternatively visit our website… www..artisansinminiature.com
Artisans In Miniature“An association of professional artisans, dedicated to promoting a high standard
of excellence in original handcrafted scale miniatures…”
www.artisansinminiature.com artisansinminiature.blogspot.com
The way in which AIM Association membership
is offered has changed!
Due to an overwhelming uptake of membership over recent months, as
from July 31st the AIM Association now has limited memberships available…
The AIM Association was set up in 2007 in order to provide a global platform for professional
miniature artisans who wish to actively promote their work and actively take part and support the opportunities and promotional facilities which AIM
uniquely offers for free: notably including... The AIM online forum
Monthly FREE AIM magazine AIM Member's online directory
AIM website Aim’s facebook & social networking pages
The AIM blog.
Artisans In Miniature 60
The beauty of Ironbridge Gorge today belies its
momentous past when 300 years ago huge iron
furnaces, steam hammers, noisy foundries and
the forerunners of railways began what we now
call the Industrial Revolution.
One of only 28 UK World Heritage sites, Ironbridge
Gorge is the only one in the West Midlands. I was recently fortunate to visit the area with my husband
for a few days and wanted to share my experiences. The museums have an opportunity to buy a
combined entry ticket to all the attractions known as an adult passport which gives you repeat day time
access to all 10 Ironbridge Gorge Museums so you can return as often as you like for one year and
represented good value.
This site is home to 10 fascinating museums set in four square miles along the banks of the River Severn.
Each museum reflects the history of Ironbridge, its people, their lifestyles and their work from the early
1700s through to Victorian times.
Our first stop was The Coalbrookdale Trail. Here
the Museum of Iron shows the importance of the
early iron industry and also houses fabulous
collections of castings, including statues, tables,
plaques, fire surrounds and other works of art. It is
worth looking at the windows, lintels, frames and
sills that are all made from iron, that I see
reproduced in many miniature projects.
Nearby is Abraham Darby’s original Old Furnace,
the heart of the gorge and the place where it all
began 300 years ago. Abraham Darby was the
grandfather of the builder of the famous Ironbridge
Whilst in this area definitely worth a visit are the
Darby Houses. Two Georgian style houses, Rosehill House that was built in the 1720’s and lived in by
various members of the Darby family and Dale House built by Abraham Darby but not completed until
after his death in 1717. This house was traditionally occupied by Company Managers.
Rosehill House has been restored to show it as it was around 1850 and displays many items that were
owed by the Darby family. The Darby family were Quakers and compared with a typical mid Victorian
house Rosehill is very simply furnished.
Cast iron range: example from Museum of Iron
Gorge Ironbridge
Artisans In Miniature 66
Dale House went through
many changes and the
character of the house was
almost destroyed when it was
converted into flats. The
Dining Room has been
restored to its original room
plan but not fully restored
which allows you to see
aspects of the room structure
which would normally be
hidden by floorboards.
A short walk up the hill from
the Darby houses and you
come cross the Quaker burial
ground. Abraham Darby II left
provision for piece of land
"enclosed by a brick
wall.....for a burial place for
such Friends who shall choose
to be buried there....."
Artisans In Miniature 67
and was the first to be interred here in 1763 and the last Darby to be interred was Rebecca Sorton Darby
who died in 1908. The last burial took place in 1982 and today the burial ground remains as a quiet
testimony to the Quaker families who. for several generations remained active in the nearby works and
community. Very simple memorial stones now line the walls
Also in this area is Enginuity, the National Design and Technology Education centre. See how good ideas
can generate great products. Certainly one for families and children of all ages.
Top Right: Dining Room in Dale House
Middle Right: Cast iron range from the kitchen
The Iron Bridge is the world first
major cast iron bridge. Built in
1779 by Abraham Darby III
across the River Severn, it is still
the focal point across the gorge.
Walk across the bridge to
discover the tollhouse. Unfortu‐
nately the Tollhouse is only open at weekends so we didn’t get to see inside.
The following day started with our visit to Blists Hill Victorian Town, the main attraction of all the
museums. Some aspects of the town are original to the site such as the Blast furnaces and the brick and
tile works. Other buildings have been relocated brick by brick from the area or have been newly built
using detailed research and carefully sourced materials. Working factories, shops and cottages that are
set in 50 acres where life is lived and demonstrated as it was in Victorian times. It has recently gone
through massive redevelopment and now has a wonderful parade of shops including a Drapers and
Outfitters, Post Office, Photographers, Sweetshop and Fried Fish Dealers. The artisan’s corner includes
plumbers, tinsmiths and decorative plasterers. There is a new visitor Centre and also a narrow gauge
mine railway.
Our first stop on entering the town was the Bank to exchange our modern money for Victorian token
coins to spend in the shops. Visits to numerous shops encountered people working and more than happy
to chat about their life in Victorian times and about the items and layouts which can fire the imagination
of miniaturists.
I especially enjoyed the candle factory and the
explanation about how they were made and
long hours worked. Simple yet very effective
equipment. The squatter’s cottage was
something else I enjoyed mainly due to the fact
that I could see it made in miniature! In the
tiny bedroom of the squatters cottage (that
used to sleep 9) there was a high stone shelf
built in and I am told this is where some of the
children slept especially the girls as they got
older before they married – is this where the
expression ‘left on the shelf’ came from I
wonder.
& Tollhouse The Ironbridge
The Squatter’s Cottage...
Cast Iron Stove/fire in Squatter’s Cottage...
Artisans In Miniature 69
There is plenty to see and learn whilst
wandering through this village and the mine
railway and experience certainly gives you
an insight into the working conditions of
men and children.
The following day found us visiting the
Coalport area which included Coalport
China Museum, Tar Tunnel and Jackfield
Tile Museum
Coalport China Museum is home to what
was the China factory until 1926. The listed
buildings now display examples of the old
factory’s work together with national
collections of Coalport and Caughley china.
There are displays and demonstrations
explaining the history and techniques of
china making.
Left: Bottle Kiln at Coalport Museum
Above: Making Flowers In The China Factory
A short walk along the
canal from the Coalport
Museum takes you to the
Tar Tunnel. Over 200
years ago natural bitumen
trickled like treacle into
pools. It was turned into
pitch, lamp black and
rheumatics remedies. We
took a walk along the
brick lined tunnel suitably
adorned with hard hats
supplied where the
bitumen still oozes
through the walls.
The village of Jackfield was once the centre of the
world tile industry. We visited one of the old
factories that today are filled with room after
room of beautiful tile displays. There are room
settings including a pub, a butchers and hospital
ward
Top Right : Butcher’s Shop Tiles
Right: Various Examples Of Patterned Tiles.
One display of tiles that caught my eye was a tile
panel that was rescued by the museum prior to the
demolition of the Kind Edward VII Memorial Hospital in Ealing in the early 1980’s. It shows the small
thatched cottage ‘Y Bwthyn Bach’ presented to Princess Elizabeth (now Queen Elizabeth II) by the peo‐
ple of Wales. The tiles were made by Carter & Co of Poole, Dorset in 1935. They were specially author‐
ised by the Duke and Duchess of York (later King George VI and Queen Elizabeth) The panel was situated
in the Princess Elizabeth Ward.
Artisans In Miniature 70 Text & Photographs © Karen Holt 2010
Formatted By Bea (Fiona) Broadwood
You often take for granted your surroundings and it was
only whilst visiting this museum that I realised how of‐
ten tiles are around us in our everyday lives.
The last museum we visited was the Museum of the Gorge. The Museum is housed in a gothic style
warehouse beside the River Severn. The museum uses film to explain the areas’ significance and you
can also see what the Gorge was like in 1796 with the help of a 12 metre long model. This Ironbridge
Gorge model was by Paul Wells of Vernacular Miniatures and if you look closely there are tiny figures
toiling in a coalmine, cargo on the river and even a Royal carriage crossing the Iron Bridge.
Just along from this museum is the Merrythought Teddy Bear shop who are still producing their world
famous bears.
The last museum on our journey was Broseley Pipeworks. It is an abandoned factory that was once
home to clay tobacco pipe makers who exported all over the world. .
A wonderful few days away and certainly inspired me with regard to my miniatures. I came away with
lots of photographs of buildings, room settings, cast iron ranges, fireplaces and wonderful tiles.
I would certainly recommend a visit to the area. Throughout the year there are special
events and workshops which you can look out for at www.ironbridge.org.uk
Karen Holt
Above: Elizabeth Tiles...
Artisans In Miniature 71
Artisans In Miniature 73
Things...
Just for fun!!!
1
2
8
9
10
3
4
I once spent th e nig ht, locked from midnight till dawn in th e Tower Of London. . .
I am a strict ve g etarian… who (unfortunate ly) hates peas!
I m et my husband (Mr Bea) when I was 13 and we have b een tog eth er e ver since .
I g o cross country running e veryday. . .
My favourite musical is West Side Story. . .
I am an obsessive Prince fan, who has ne ver missed a concert…!
I am fluent in Makaton sign languag e . . .
I used to b e a g ymnast. . .
I was once a Can Can Dancer…!
Despite Mr Bea’s c laims, I am a much b etter c ook than h e is…!
5
6
7
Bea (Fiona) Broadwood
you never knew
about me!
Bea (Fiona) Broadwood of Petite Properties
Ltd & LUMO Publishing, is a professional dolls
house builder and author.
To find out more about her authentic smaller
scale architecture, kits and project books, why
not visit her website;
www.petite‐properties.com
Text & Photograph © Petite Properties Ltd 2010
Just for fun we thoug ht we would challeng e our m emb ers to te ll us s o m e u n kn o wn fa c ts a b o u t th emse lves…
So to kick off this new feature, our editor and AIM founder; Bea Broadwood unwittingly kindly agreed to take the plunge and be the first AIM member to share…
‘10 ThINGS YOU never knew ABOUT ME...’
NEW
Formatted By Bea Broadwood
Artisans In Miniature 78
Artisans In Miniature 80
Artisans In Miniature 82
Artisans In Miniature 83
Artisans In Miniature 84
Artisans In Miniature 86
Artisans In Miniature 98
Artisans In Miniature ?? Artisans In Miniature 99
Artisans In Miniature 100
Artisans In Miniature 101
Artisans In Miniature 102
See you in December !!!
Alison Brand Amanda Speakman
Ana Anselmo Bea (Fiona)Broadwood
Carol Smith Celia Of Oberons Wood
Christiane Lourier Elena Gerli
Frances Powell Helen Woods Jain Squires Janet Smith
Janine Crocker Jean & John Day Julie Campbell Julie Dewar Kate Pinsent
Kathi Mendenhall Kathy B
Ken Batty Kevin Jackson Kristy Taylor
Lesley Shepherd
Lili Goczal Ludwina Akbulut Van Oosterwyck
Mags Cassidy Marsha Mees Mary Williams
Melanie Navarro Mo Tipton Pat Carlson
Peiwen Petitgrand Philippa Todd
Robin Brady-Boxwell Sally Watson Sara Scales
Sarah Maloney Stephanie Kilgast Teresa Thompson Tom Saunders Troy Schmidt Vicky Guile
Viola Williams
Guest Contributors… Karen Holt
Paulo Gomes
This issue would not have been possible without the generous contributions from the following AIM members…
Many thanks therefore go to...
Please Note:
The projects included in this publication are not suitable for children under the age of 14. The miniatures featured in this magazine are collectors items and therefore unsuitable for children under 14.
All projects are undertaken at your own risk. AIM does not accept responsibility for any injury incurred. All articles and photographs used in this magazine are copyright of their authors.
The AIM magazine’s content is for private use only and it must not be reproduced in part or in full for commercial gain in any form.
Each artisan contributor is responsible for their own work / contribution to the AIM magazine and retain full responsibility for their published work.
The authors/self publishers cannot be held legally responsible for any consequences arising from following instructions, advice or information in this magazine.
www.artisansinminiature.com
Recommended